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A Chinese celadon jade belt clasp, 20th century, carved each side with a shou medallion and taotie style masks, raised on a gold filigree stand, detailed 14K, in the form of a section of bamboo on scroll supports, the jade applied with a seated panda and bamboo, weight of gold stand 53.6 gms, stamped red seal mark to jade, jade 7.5cm.diameter. Illustrated
A Chinese famille rose porcelain vase, 20th Century, painted with a bearded sage accompanied by a guard, female attendant and two boys unfolding a scroll, the other side painted with lines of black calligraphic text and three red seal marks, underglaze blue pseudo seal mark of Qianlong to base, height approx 20.7cm.
A Chinese blue and white porcelain vase, mark of Qianlong but 20th Century, the archaic hu shaped body painted with bands of scrolling lotus and tendrils above a band of turbulent waves, beneath a flared neck with lappet band, flanked by a pair of moulded mask and ring handles, underglaze blue pseudo seal mark of Qianlong to base, height approx 25cm.
A group of Chinese Canton enamel teawares, mark of Qianlong but probably 19th Century, comprising a pair of teacups and stands and a pair of small barbed rim dishes, each turquoise ground filled with polychrome scrolling tendrils with central shou medallion and blue and gilt key fret rim, blue painted seal mark of Qianlong to bases, length of each dish approx 9cm (some faults).
A Chinese ivory table screen and stand, 18th/19th Century, the rectangular panel incised and stained to one side with an archaic beaker vase and tripod censer with three characters beside, the reverse with three lines of text and two incised and red stained seal marks, the stand with carved and pierced Buddhistic lion finials above two further Buddhistic lions mounted to the carved feet, total height approx 26.7cm (panel with repairs, two Buddhistic lions missing to base and other faults).
A Chinese yellow ground porcelain moonflask, mark of Qianlong but late 20th Century, the flattened circular body painted in the famille verte palette with opposing floral panels, reserved against a yellow ground filled with relief moulded and painted pink, green and blue tendrils, beneath a three tubular section neck and a pair of pink handles, pseudo iron red seal mark to base, height approx 30.5cm.
A Chinese iron red ground porcelain snuff bottle and stopper, mark of Daoguang but late 20th Century, the hexagonal barrel shaped body painted with three panels of landscapes alternating with panels of two line black text and iron red seals, within iron red and gilt borders, iron red pseudo seal mark to base, height approx 7.8cm.
A Chinese porcelain snuff bottle, mark of Qianlong but late 20th Century, the baluster body painted with a coastal landscape opposing two lines of black script and three red seal marks, within relief moulded buff biscuit borders, pseudo iron red seal mark to base, height approx 9cm, together with a Chinese reticulated porcelain snuff bottle painted with opposing coastal landscapes within gilt moulded borders, on a pierced blue glazed ground, four character mark to base, height approx 9.3cm.
A 19th century Chinese famille rose dish of four lobed form, with printed seal mark and wax seal to base, decorated with noble figures and attendants in a garden, with stylised waves enamelled to the flared foot, 11 x 9in. (28 x 23cm.), 3¼in. (8.25cm.) high, chips to foot rim; together with six other pieces of Chinese famille rose porcelain, all late 19th / early 20th century. (7)
FOUR CHINESE PAINTINGS comprising a floral study on paper, inscribed and seal stamped, 27cm x 24cm; a fruit study on paper, inscribed and seal stamped, 27cm x 24cm; a bird study on paper, inscribed and seal stamped, 24cm x 27cm and a bird study on silk, inscribed and seal stamped, 27cm x 24cm, all in gilt bambo effect frames
Large and impressive nineteenth century Chinese brass censer with applied dragon handles and decoration, raised on four feet with sixteen character seal mark to base, 30cm high x 44cm wide CONDITION REPORT Good original condition, some minor dents, scratches and wear. Has been lacquered to prevent tarnishing
VAT* OR (Omega Symbol)-Lots marked with an asterisk (*) are sunbject to VAT on the hammer price. Lots marked with an (Omega symbol)have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and 20% on the buyers premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on the hammer price. This is in addition to the buyer's premium. QI BAISHI (1864-1957) CHINESE NAPA CABBAGE. Ink and colour on paper, hanging scroll. Inscription: Painted by Old Baishi in winter in his twenty-eighth year living in Beijing. Seal: Qi Da. 92.5 cm × 32.5 cm.
PAN YING (b.1962) YUNNAN LADY/ THE THINKER. Ink and colour on paper. Seal of the artist. 66 cm x 43.5 cm The artist portrays a demurely elegant lady dressed in traditional Yunnan costume leaning on the fence, with her chin resting on a clenched fist, gazing down and inward, thinking deeply, as if reflecting on her life experience, triggering the viewer's imagination and curiosity. An ethnic Manchu, Pan Ying graduated from the Art Institute of the People's Liberation Army in 1983, specializing in traditional Chinese painting. She is now on the staff of the Fine Arts Department of the Central University for Nationalities in Beijing. In her most mature works Pan paints with the traditional gongbi technique strips and ribbons of white material arranged in endless monochrome combinations that spiral and intersect on the surface of the painting. Using a traditionally high artistic idiom, therefore, Pan Ying provides a description of practices generally classified as belonging to 'handicrafts' and thus regarded as 'low'. Still the representation of what for centuries was classified as menial is replayed with elegant minimalist effects, reminiscent of drawing and etching, that bestow the coiling movement of the thread with an abstract formal beauty. Pan Ying has participated in many exhibitions both nationally and internationally, including: 'Century-Woman' in Beijing (1998); 'Die Hälfte des Himmels' (Half of the Sky) at the Frauenmuseum in Bonn (1998); and 'On This Side of the Sky: UNESCO Salutes Women' in Art in Paris (2003). Provenance: Directly from the artist herself in the 1990s. Provenance: Directly from the artist himself in the 1990's
DENG HUIBO (b. 1938) BLUE AND GREEN MOUNTAIN. Ink and colour on paper,signed with the artist's seal, 44 cm x 53.5 cm The artist uses bold and loose wet brush strokes to depict towering "blue-and-green" mountains peaks, with slopes at the back receding far into the distance. Some small white houses stand on the shore of the mountain lake, and surrounding the ancient Chinese buildings are pine trees and blossoms. The painting suggests the silence and grandeur of nature. Provenance: Received directly from the artist in the 1990s.
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