A rare Worcester blue and white guglet c.1760-65, the pear-shaped body rising to a slender neck with bulbous knop and flared rim, painted with the Arabesque Panel Landscapes pattern, with shaped panels of Chinese figures in island settings reserved on a powder blue ground, blue square seal mark and open crescent mark, some damages, 29cm. Provenance: The Godden Reference Collection W19; The Zorensky Collection Y.614; J W Goldsmith Collection. Illustrated: Branyan, French and Sandon, Worcester Blue and White Porcelain, I.B.25, at which point it was the only recorded example of this pattern.
We found 27276 price guide item(s) matching your search
There are 27276 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
27276 item(s)/page
A VERY LARGE SILVER AND BRASS REPOUSSE SEALTibetan- Chinese, late 19th century. The large silver and brass repousse seal with finely embossed and incised symbols depicting a deer, birds, Buddhist florals and a Buddhist conch. The bottom surface of the repousse showing a deer as well.Condition: Very good condition with minor dents. Provenance: Austrian private collection.Weight: 547 g Dimensions: Height 24.3 cm
A LARGE PORCELAIN FAMILLE ROSE 'BAJIXIANG' TRIPOD INCENSE BURNERChina, late Qing Dynasty (1644-1912). Apocryphal Jiaqing seal mark in a horizontal line in iron red. The globular body with pierced upright curved handles on each side and three stoutly rounded cabriole legs. The censer is sturdily potted and enameled on the body with the Eight Buddhist Emblems, Bajixiang, amidst lotus flowers and tendrils extending onto the legs, all reserved against a lime-green ground. Pink bats are flanking the handles, the waisted neck is encircled by floral scroll below a key-fret band on the galleried rim. With matching base and cover both beautifully carved from dark wood, the lid is flanked with a whitish jade handle with dark streaks.This incense burner is likely to have been part of a five-piece altar garniture set, known as the 'Five Offerings' (wugong 五供), which were widely used in Buddhist rituals to seek protection from the deities. In shape and decoration, the vessels included in these sets, which also comprised a pair of candlesticks and wine containers, recall those employed to perform ancestral sacrifices during the Shang and Zhou periods. Restoring the ancient Chinese ways through the reinterpretation of archaic forms was viewed by the Qing rulers as one way to reinstate the importance of performing filial acts, the core value of Confucian thought that legitimized the emperors' right to rule.Condition: Very good condition with some minor, age-related wear, some minor flakes and glaze chips. Provenance: American private collection. Weight: 11.9 kg (including the base and the cover) Dimensions: Height 37.5 cm (without the case and cover), 56.5 cm (with the base and cover)13% VAT will be added to the hammer price additional to the buyer's premium - only for buyers within the EU.
A COPPER-RED GLAZED DISH, DAOGUANG MARK AND PERIODChina, 1821-1850. The shallow rounded sides rising from a tapered short foot rim, covered overall in a dark red glaze thinning to white at the rim, the base with a clear glaze and an underglaze-blue Daoguang seal mark and of the period.Provenance: From a Private English Collection formed by the late J.C. Wright, Esq., and thence by descent in the same family.Condition: Very good condition with minor wear and firing irregularities. One shallow chip to rim with old filling and minuscule touchup.Weight: 1,009 g Dimensions: Diameter 24.6 cmAuction result comparison: Compare with a closely related though slightly smaller dish sold by Christie's Hong Kong in The Pavilion Sale - Chinese Ceramics and Works of Art on 4 October 2016, lot 65, for HKD 75,000.道光款和年代紅釉盤 中國,1821-1850年。錐形圈足,整盤施紅釉覆蓋,邊緣逐漸變薄為白色,底部帶有透明釉和青花道光款。 來源:英國私人收藏,由已故J.C. Wright建立, 自此保存在同一家族。 品相:狀況極佳,有輕微磨損和燒製瑕疵。 圈足邊沿有輕微磕損開片,舊時修補和微小的修飾。 重量:1,009 克 尺寸:直徑24.6 厘米 拍賣結果比較:一件相近但稍小的紅釉盤售于香港佳士得The Pavilion Sale - Chinese Ceramics and Works of Art 拍場2016年10月 4日,lot 65,售價HKD 75,000。
PINE AND CLIFFS', SIGNATURE OF WANG MENG (1308-1385)Ink and watercolors on silk. Dramatically painted with a gnarled pine tree in front of high towering cliffs, with a small house hidden between them, further cliffs and mountains building up in the background. With a silk brocade frame and mounted as a hanging scroll with fine handles.Inscriptions: Top right, signed Huanghe shanren Wang Meng, two seals. Top center-right, poem and signature of Qian Pu (1408-1488), a Ming official and calligrapher, two seals 'Qian Pu' and 'Zi Yuanpu'. Top center-left, signature and poem of Wang Shuying (d. 1402), a Ming scholar and official, one seal 'Yuancai'.The exterior of the scroll inscribed: Yuanren shuhua ('Painting from the Yuan Dynasty'). Shuangye ('Frost Leaf').Provenance: From a private estate in Texas, USA, by repute acquired in Japan between 1945 and 1950, and thence by descent in the same family. Label with collector's inventory number to one scroll end.Condition: Good condition with some wear, soiling, minor tears and losses, small old repairs and touchups.Dimensions: Size incl. mounting 131 x 60 cm, Image size 44 x 46.5 cmWang Meng (1308-1385) was a painter during the Yuan dynasty and one of the Four Great Masters of this period. He was the youngest of the group, and the least famous in his own time. Nevertheless, his style influenced later Chinese painting. In contrast to the relatively spare style of his compatriots, his ropy brushstrokes piled one on the other to produce masses of texture combined in dense and involved patterns. Wang Meng was wrongly accused of conspiring against the Ming Emperor Taizu and spent the last five years of his life in jail.王蒙(1308-1385)款《霜葉》 絹本設色。近景山崖高聳,山脚松林葱鬱,山間隱隱藏著山居,遠方山脈連綿。帶有錦緞錦緞框架,並作為帶有精美象牙手柄的懸掛式捲軸安裝。 款識:黃鶴山人王蒙題詞鈴印;錢溥(1408-1488), 明代政治人物和書法家,題詞鈴印 ;王叔英(?-1402) 題詞鈴印。立軸上可見注釋"元人書畫""霜葉"。來源:德克薩斯私人遺產,據説1945-1950年間購於日本,據説自此保存在同一家族至今。立軸一端有藏家收藏標簽。 品相:狀況良好,有一些磨損,污跡,輕微的撕裂和缺失,少量的舊時維修和修整。 尺寸:含框131 x 60 厘米, 畫面44 x 46.5 厘米
A group of three Chinese opium pipes, the largest with white blossom on black enamels decoration, 7 by 3.5 by 28cm high, another with engraved white metal decoration and Chinese characters to a wax seal and to its base, 7 by 3.5 by 25cm high, a cylindrical bone pipe its reserves decorated with figures and and oriental characters, with a further three character script to its base, 3.5 by 5 by 9cm. (3)
A Chinese blue & white charger decorated with precious objects beside a tree, 32cms (12.5ins) diameter; together with a Chinese blue & white shallow bowl decorated with dragons chasing a flaming pearl, four character blue seal mark to the underside, 27cms (10.5ins) diameter; and two Chinese fish plates, 22cms (8.5ins) diameter (4).Condition ReportAll four in good condition with no chips, cracks or repairs.
A Chinese millefiori footed bowl with four character red seal mark to the underside, 21cms (8.25ins) diameter; together with a Chinese millefiori vase decorated with precious objects within panels, 7cms (2.75ins) high; and a small Chinese millefiori bowl, 7cms (2.75ins) diameter (3).Condition ReportVase has been broken in two and reglued across the body, other two in good condition.
A Chinese shallow bowl decorated with figures on a terrace within a foliate border, red seal mark to the underside, 26cms (10.25ins) diameter; together with a famille vert plate decorated with warriors, 25cms (9.75ins) diameter; and a Chinese famille rose ginger jar, 17cms (6.75ins) high (3).
Two Chinese blue and white porcelain bowls, of matching design, decorated in underglaze blue with the Eight Immortals, double ring marks to internal and external rim, Buddhistic precious objects (table with peaches for longevity) within further double ring to interior, on double ring foot with seal mark of Qianlong (1736-1795) beneath, 20cm diameter x 8.5cm high and 18.5cm x 8cm, (2) Condition report: Larger bowl has a number of small rim chip splus a faint hairline.Smaller bowl has more significant rim fritting and losses.Ceramics & Glass/OrientalWe endeavour to mention any post-production damage we can see, either with the naked eye or a magnifying glass. Where requested, we will place the item under UV light to check for professional restoration. We do not automatically mention such standard occurrences as fine glaze crazing or kiln dust which are by-products of manufacture as opposed to signs of damage.Due to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms
Garniture of three Chinese porcelain crackleware baluster jars and covers, each decorated with four-clawed dragons chasing the sacred pearl of wisdom, brown seal-type mark beneath each, 31.5cm and 21.5cm high, (3)Condition report: Two smaller covers each with flake loss to rim, otherwsie sound.Ceramics & Glass/OrientalWe endeavour to mention any post-production damage we can see, either with the naked eye or a magnifying glass. Where requested, we will place the item under UV light to check for professional restoration. We do not automatically mention such standard occurrences as fine glaze crazing or kiln dust which are by-products of manufacture as opposed to signs of damage.Due to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Unusual 18th/19th Century French Soft Paste Porcelain Ormolu Mounted Desk Seal Container, the lidded top with a fitted matching seal, decorated in the Chinese manner with a floral famille rose pattern and with small carrying handles to the sides; incised cross type mark to base, probably Chantilly; 3.5 inches (8.75cms) high x 3 inches (7.5cms) in diameter
A pair of Chinese brass vases, third quarter 19th c, the tall tubular necks spreading at the top and applied pair of scrolling handles, rudimentary cast with dragon's heads, the necks inlaid in metal wire with flowers and leafage, the shoulders with scrolls on a matted ground, the octagonal baluster bodies with stylised clouds, on spreading octagonal bases, 22cm h, seal mark to bases Old solder and glue repairs, one vase more highly polished than the other, one neck detached and re-soldered, other wear consistent with age
A RARE BRONZE 'TORTOISE' SEALWu shan taishou seal mark, Northern Wei DynastyThe seal heavily cast as a tortoise set on a square base, incised four-character seal mark, 3.2cm (1 1/4in) high; together with a rare bronze pendant, circa 6th century AD, cast as a toad perched on the back of a recumbent bixie, 4cm (1 1/2in) long. (2).Footnotes:Please note this Lot is to be sold at No Reserve. 本拍品不設底價北魏 銅龜鈕印 及 約六世紀 銅辟邪 各一Published, Illustrated, and Exhibited: Roger Keverne Ltd., Winter Exhibition, London, 2005, no.9 (tortoise seal)展覽著錄:Roger Keverne Ltd.,《冬季展覽》,倫敦,2005年,編號9(銅龜鈕印)The seal face reads Wu shan taishou or 'Governor of Wushan'. The term Taishou was used from the Qin to Sui dynasties to refer to a Governor, the head of a Commandery. For similar tortoise seals, Northern Wei, see Catalogue of the Special Exhibition of Bronze Seals Throughout the Dynasties in the National Palace Museum, Taipei, 1987, pp.294-295, no.215. See another example illustrated in the Shanghai Museum: Chinese Seal Gallery, Shanghai, p.11.For further information on this lot please visit Bonhams.com
A MOTHER-OF-PEARL-INLAID LACQUER TRAY AND STANDRyukyu Islands, Qianli seal mark, 17th/18th centuryThe canted square tray with a central yin yang symbol encircled by the Eight Trigrams within a rounded cavetto and flat rim with geometrical inlaid border and red lacquer edge, the sides of the tall stand with archaic vessels, a scholar and attendant, luduan and a poetic inscription and Qianli mark, the tray base and stand interior painted with the character yi 益.Tray, 14cm (5 1/2in) wide. (2).Footnotes:Please note this Lot is to be sold at No Reserve. 本拍品不設底價琉球,十七/十八世紀 黑漆嵌螺鈿八卦圖倭角方盤連座「千里」款Published, Illustrated and Exhibited: Roger Keverne Ltd., Summer Exhibition, London, 2005, no.115. 展覽著錄:Roger Keverne Ltd.,《夏季展覽》,倫敦,2005年,編號115The poem is a line by the famous Song dynasty stateman and reformer Wang Anshi (1021-1086) and reads: 細數落花因坐久, which may be translated as: 'the small and numerous fallen blossoms whereupon I sit for long', followed by the seal mark of the lacquer craftsman Jiang Qianli. Jiang Qianli was a renowned craftsman specialising in inlaid lacquer. Although he was traditionally thought to have lived during the late Ming period, recent scholarship placed him a little later in the Kangxi period; see G.Tsang and H.Moss, Arts from the Scholar's Studio, Hong Kong, 1986, no.144.Compare with a similar example in the British Museum, no. 1974,0226.70.a, illustrated by Sir Harry Garner, Chinese Lacquer, London, 1979, pl.197. See also a related tray and stand in Ryukyuan Lacquerware from the Urasoe Art Museum Collection, Urasoe, 1995, p.71, no.44.For further information on this lot please visit Bonhams.com
TWO BLANC-DE-CHINE FIGURES OF GUANYIN17th/18th centuryOne modelled as a seated figure of Guanyin with her left hand resting on her raised left knee, her right hand holding a scroll, cold painted and gilt-lacquered, 17.7cm (7in) high; and a standing figure of Guanyin, modelled with serene face and down-cast eyes, clad in loose flowing robes, 34cm (13 1/4in) high.(2).Footnotes:Please note this Lot is to be sold at No Reserve. 本拍品不設底價十七/十八世紀 德化白釉觀音像 一組兩件See a related blanc-de-Chine figure of Guanyin illustrated by B.Gundestrup, The Royal Danish Kunstkammer 1737, Copenhagen, 1991, pp.148-149; and another example illustrated by Å.Setterwall, S.Fogelmarck and B.Gyllensvärd, The Chinese Pavilion at Drottningholm, Copenhagen, 1974), pp.168-169. For a related standing figure of Guanyin impressed with a He Chaozong seal mark, see C.J.A.Jörg, Chinese Ceramics in the Collection of the Rijksmuseum, Amsterdam: The Ming and Qing Dynasties, Amsterdam, 1997, no.281.For further information on this lot please visit Bonhams.com
A PAIR OF PAINTED ENAMEL 'LANDSCAPE' SAUCER-DISHES18th centurySimilarly decorated with retreats nestling amongst craggy rocks, pine and blossoming trees in mountainous river landscapes within blue-enamel chilong borders, the exteriors with bamboo and rockwork, the bases with three-line inscriptions, signature and seal. 15.8cm (6.1/4in) diam. (2).Footnotes:Please note this Lot is to be sold at No Reserve. 本拍品不設底價十八世紀 銅胎畫琺瑯亭台山水圖碟一對Provenance: Charlotte Horstmann Ltd. (label)來源:古董商Charlotte Horstmann Ltd.(標籤)One plate is inscribed underneath with the first line of a poem by Li Bai (701-762), which reads:青山橫北郭,白水繞東城。This may be translated as:'The verdant mountains to the north of the walls, the white waters flowing down east of the city.'See a similar pair of painted enamel dishes with mountain landscapes, Qianlong, illustrated by J.A.Lloyd Hyde, Chinese Painted Enamels from Private and Museum Collections, New York, 1969, no.32.For further information on this lot please visit Bonhams.com
A PAIR OF PAINTED ENAMEL JARDINIÈRES18th centuryEach of canted rectangular form, finely painted with panels depicting a variety of birds perched on rockwork in flowering gardens, alternating with river landscape panels to the corners, all on dense floral and foliate grounds, set on four shaped feet decorated with bats, the rims with key-fret and scrolling foliage on lime-green grounds.29cm (11 3/8in) wide. (2).Footnotes:Please note this Lot is to be sold at No Reserve. 本拍品不設底價十八世紀 銅胎畫琺瑯開光花鳥紋倭角花盆一對Published, Illustrated and Exhibited: Roger Keverne Ltd., Summer Exhibition, London, 2013, no.45.展覽著錄:Roger Keverne Ltd.,《夏季展覽》,倫敦,2013年,編號45For a similar painted enamel rectangular jardinière, Qianlong seal mark and of the period, see the Compendium of Collections in the Palace Museum: Enamels, vol.5, Beijing, 2011, no.154; and another, Qianlong period, in Chinese Pianted Enamels: The China Institute in America, New York, 1969, no.40.For further information on this lot please visit Bonhams.com
-
27276 item(s)/page