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An archaistic style Chinese bronze vase The slender flared octagonal neck with twin loop and mask handles, above the bulbous body with scrolling decoration, standing on spreading plinth base, the underside with incised seal mark. 30.5 cm high. CONDITION REPORTS: Some patination wear, general wear.
Four Chinese porcelain panels Each decorated with birds amongst flora, painted calligraphic signatures and red seal marks, framed. Each 19.5 x 46 cms. (4) CONDITION REPORTS: Generally in good condition, expected wear, uninspected out of frames, one or two firing blemishes, some rubbing to decoration.
A CHINESE PORCELAIN TEAPOT, circa 1900, with matched cover and with fitted wicker work container, the sides of the cylindrical body painted in famille rose enamels with a lady and boy in a garden terrace setting, and with a buddhistic lion in iron-red, the base with a seal mark, 5in diameter at base & 6.75in high overall.
A pair of late 19th century Chinese porcelain baluster vases, each painted in underglaze blue with an official with attendants bringing tea in a garden landscape scene beneath two bats in flight, incised seal marks to base, height 30cm (both af). CONDITION REPORT: Both have issues to the neck and rim, one has been reglued in that section and the other has a piece missing and a hairline crack, crazing throughout, otherwise appears good with no further obvious signs of faults, damage or restoration.
An early 19th century Chinese porcelain square brush pot, each side with fielded panels on a ground painted in underglaze blue with cell diapers and peony sprays, painted in famille rose enamels with scenes of figures in fenced patio/garden landscape scenes, underglaze blue Jiaqing seal mark and probably of the period, height 8cm. CONDITION REPORT: Minor rubbing to areas of the decoration, no chips cracks or signs of restoration.
A Chinese Republic eggshell porcelain baluster vase painted in Famille Rose enamels with an official on horseback with various attendants in a continuous garden landscape, iron red seal mark to base, height 26cm. CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration.
A finely carved 19th century Chinese ivory figure of Guanyin wearing an elaborate headdress and holding a vase containing a lotus, standing on a lotus pod base above lotus leaves, signed on red seal to base, height 33.5cm (af). CONDITION REPORT: Small loss to the headdress as can be seen in the front of the photograph, possibly been reglued at some stage across the base, but no signs of breaking, there are a couple of old splits to the base also, generally very good condition.
A CHINESE COPPER-RED PEAR-SHAPED VASE, the gently rounded body evenly covered in a rich glaze of crushed-raspberry tone pooling a little darker at the foot, the base with a Qianlong seal mark and of the period, 11.75" high. Provenance: Private collection, West Dorset. For a very similar vase, see Christie's New York, 24th March 2011, lot 1144.
A CHINESE INSCRIBED SQUARE INKSTONE, the top surface with a poetic inscription signed Wu Changshuo and dated November 1914, surrounded by a shallow-relief lattice square mirrored by channels on the underside, the side of the stone with a further poetic inscription and Wu Junqing seal, 5" square. Provenance: Christies London, 29th October 1998, lot 164. Private collection, Dorset. Wu Changshuo (1844-1927) was a noted painter, calligrapher and seal artist of the late Qing and early Republic period. He was also the leader of the Xiling Seal Art Society. Inscribed inkstones by the artist are scarce. An example with plum blossom decoration is extant in the Brooklyn Museum, USA (1996.119). As well as being signed Wu Changshuo on the upper surface the present lot has a Wu Junqing seal-signature on one side, which indicates the artist's birth name.
A LARGE JAPANESE SATSUMA VASE BY YABU MEIZAN (1853-1934), of Chinese meiping form, decorated predominately on one side in raised moriage work with chrysanthemums on a lightly-crackled ground, the flared neck with a gilt rim, the base with a gilt Yabu Meizan seal mark on a red ground, late Meiji / early Taisho, circa 1910, 9" high. This refined vase is large within the context of Yabu Meizan's output. It belongs to a group of wares made later within the Satsuma master's oeuvre, when the earlier dense palette gave way to a simpler more open style. This shift in decorative scheme was noted at the Japanese Exhibition held at Shepherd's Bush in 1910 and most pieces are dated to around that time. The combination of chrysanthemums on a meiping-form vase appears to be unique for Yabu Meizan but several similar-sized vases are extant with the later more open palette. For example, a slender meiping-type vase dated to around 1910 and decorated with a bird on a cherry branch is held in the Jameel Centre for Islamic and Asian Art at the Ashmolean Museum, Oxford (EA 1993.12). See also Christies Zurich, 19th Febrary 2007, lot 47 for a similar vase.
A SMALL CHINESE RECTANGULAR PLAQUE BY GAN GUI 20TH CENTURY C.1960 Depicting the house in which Chairman Mao lived in Ruijin, with distant mountains and other dwellings visible beyond, a huge tree with a bell hanging from one branch beside a pond, an inscription and artist’s seal marks, 22.4cm x 31.8cm. Provenance: purchased from Chiang’s Gallery, Hong Kong in 1999. 近代 粉彩毛主席故居瓷板題識:瑞金毛主席故居,淦貴作來源:1999年購於香港博古堂(附發票)
† A RARE CHINESE GE TYPE CONG SIX CHARACTER QIANLONG SEAL MARK AND OF THE PERIOD 1736-95 The archaistic body moulded in shallow relief with trigrams to the corners, beneath a thick pale grey glaze with dark grey crackles throughout, one side pierced with two pairs of small circular holes, possibly for suspension, the splayed foot with two slotted apertures, 29cm. Cf. P Lam, Ethereal Elegance: Porcelain Vases of the Imperial Qing: The Huaihaitang Collection, Hong Kong, no.45. See also Christie’s Hong Kong, 29th April 2002, lot 665. 清乾隆 仿哥窯琮式瓶《大清乾隆年製》青花篆書款

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28842 item(s)/page