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Lot 192
Sechs geschnitzte, unbeschriftete Siegelsteine, China, 20. Jhdt. Vier Siegelsteine mit quadratischer Grundfläche. Drei aus hellbraunem Jadestein, oben dekorativ verziert. Der vierte und größte aus rötlichem Gestein mit hellen Einsprengseln. Oben ein überaus kunstfertig geschnitzter Drache vor einer Wunschkugel. Dazu zwei Siegelsteine mit rechteckiger Grundfläche. Der eine mit Fo-Hund, der andere mit auslaufender Flasche. Intakt. Höhe 2,8 - 6,5 cm. Zustand: II +Six skillfully carved Chinese jade seals, 20th century Four seal stones with square base. Three made of light brown jade and decorated on top. The fourth and largest one is made of reddish stone with light-coloured incrustations. On top an extremely skilfully carved dragon. In addition two seal stones with rectangular base. One with a Fo dog, the other with a leaking bottle. Intact. Height 2.8 - 6.5 cm. Condition: II +
Lot 143
Collection of boxed Japanese and Chinese tinplate novelty toys, including battery operated Hen Laying Eggs, wind-up Acrobat on Horse, Single bar exercise, Ice-Cream vendor, various wind-up animals monkey, seal, tortoise, various birds and more, generally good condition, boxes good, (19 items).
Lot 348
An early / mid 20th century Chinese watercolour on linen - buildings before mountainous terrain and with trees to the foreground, signed top right and with red seal mark, glazed Hogarth frame (image size 38.5cm x 16cm)Condition Report: The painting itself appears to suffer slightly from foxing mainly to the top area, the bottom and left of the signature and seal mark, there is also some minor foxing to the highest left-hand mountain prevalent to the middle and bottom. The foxing appears much less halfway and beyond. Towards the bottom there is a small fingernail sized kink in the linen to the lower left. Apart from the foxing the painting appears in good general overall condition.
Lot 350
A pair of Chinese watercolours on paper - a mountain and a waterfall scene with stylised clouds, each with annotation and red square seal mark and mounted on card (each approx. 48cm x 34cm)Condition Report: The item has come from a private vendor. The first image with the arched central mountain and calligraphy/poem to the top left....some of the paper is coming away (a 4-5cm vertical piece away to the left of the calligraphy, there are some marks, spotting and general marks of age to the work.(as a result to never having been framed), there is a 2cm tear which has been laid down on the top right-hand side. The art work is within an applied border within a folded piece of card and again the watercolour has suffered around the corner and edges. The second work with the calligraphy on the top right is in similar but slightly better condition. There are some small possibly water marks to the top and other marks of age and some small scuffs and tears mostly to the edges. Opening up there are minor tears to the corners of the inside, particularly in the top left.
Lot 355
A framed and glazed Chinese watercolour of a rooster beneath hanging peony, signed vertically far right and with red seal mark, probably mid 20th century (85cm x 38cm)Condition Report: Condition overall is generally good. It is noted that there are a few minor 'ripples' mostly to the lower part beneath the rooster's claws. There are no rips, tears, damage or restoration noted. Likely to be the original frame and backing.
Lot 780
A 19th century Japanese ivory cane handle in the form of an octopus, 10.5cms high; together with a Chinese Canton ivory desk seal with agate matrix,. boxed, 9cms high; a Japanese ivory napkin ring decorated with frogs and a snake,; a miniature ivory oval photo frame; and an ivory thread waxer (5).
Lot 119
A Chinese gouache painting,20th century, of houses in a misty rocky landscape, painted by Liu Qu with artist's seal, inscribed by Liu Taixi (1899-1989), ink and colour on paper,90.4 x 43cm二十世纪 山水图 刘曲款 刘太希题 设色纸本Small tears to edges. Creases and cockling, some foxing in various locations. Possibly cut down to the long sizes.Stain marks to edges to the front and the back.
Lot 124
A Chinese gouache painting, 20th century, painted with a vase of blossoming peony and prunus by a planter of narcissus and fruits, with the signature of Wang Xuetao (1903-1982) and an artist's seal, ink and colour on paper, 95.5 x 58cm二十世纪 王雪涛款 清供图 设色纸本Mounting paper with tears. Creases, cockling and some dirt marks.
Lot 128
A collection of six Chinese gouache paintings, 20th century, painted with fish, fruit and flowers, each with the signature of Li Kuchan (1899-1983) and an artist's seal, ink on paper, 44.5 x 63.5cm (6) 二十世纪 李苦禅款 花鸟鱼虫图 设色纸本 册页 一组六件All with stains, foxing and dirt marks, creases and tears to corners and edges.
Lot 283
A Chinese fan-shaped painting, 20th century, painted with figures standing by a lake watching the changing clouds, with a dedication and signature of Feng Zikai (1898-1975) with an artist's seal, ink and colour on paper, 45cm open Corners of mounting board with creases and damages. Picture with foxing and stain marks, a bit cockling, very light surface scratches, small rub to paper due to watercolour technique.
Lot 293
A Chinese gouache painting, 20th century, painted with literati seated in a pavilion or on a boat in a mountainous landscape, with a dedication and signature of Huang Binhong (1865-1955) with an artist's seal, ink and colour on paper, 109.5 x 45.4cmPaper wrinkled with creasing and cockling, small tears to uneven edges, foxing and staining marks in various locations.
Lot 321
A Chinese calligraphy couplet, 20th century, in seal script, with a dedication and signature of Huang Binghong (1865-1955) with three artist's seals, ink on paper, each 169 x 29.5cm (2)Paper with creasing and cockling, small tears to edges, foxing, staining and dirt marks in various locations.
Lot 337
A Chinese calligraphy, 20th century, reads 'bo re' (Buddhist term of wisdom) in regular script, with the signature of Zhao Puchu (1907-2000) and an artist's seal, red ink on paper, 66 x 133cmPaper with creasing and cockling, small tears to edges and corners, foxing, staining and dirt marks in various locations.
Lot 368
A Chinese gouache painting, 20th century, painted with two egrets under a willow tree, in the style of Li Kuchan (1899-1983), inscribed with an artist's seal 'Li Shi Ku Chan', ink and colour on paper, 134 x 69cmPaper with creasing and cockling, small tears to edges, foxing, staining and dirt marks in various locations.
Lot 138
SIX TSUBA (SWORD GUARDS)Edo period (1615-1868), 19th centuryAll of brass or sentoku (brass alloy) except the third and inlaid with gold, silver, shakudo, shibuichi or brass; the first aorigata, with a family of monkeys, the father getting his hand nipped by a crab, signed Ichiryu Toshimitsu (Haynes 10450); the second rectangular with sumikiri corners, chiselled with Yoritomo and his comrades hiding in a tree and two doves flying away, the reverse with mountains, pines, and military banners, signed Katsuyasu eru; the third irregular rectangular with sumikiri corners, with a badger sitting by a tea kettle, the reverse with its rustic dwelling by moonlight, signed Higashidaishita Shinobigaoka no hotori ni oite kore o saku Toryo, with a seal; the fourth pierced and chiselled in relief with a Chinese scholar reading by the light of the moon, with signature Hamano Noriyuki; the fifth rounded rectangular with three masks: Okame, oni, and tengu, with signature Iwamoto Konkan; the last octagonal, with Shoki the Demon-Queller confronted by a flying demon on one side, the other side with clouds and moon, signed Toshimasa. The smallest: 7cm (2¾in) high; the largest: 9.6cm (3¾in) high. (6).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 147
EIGHT FUCHI-GASHIRA (HILT COLLARS AND POMMELS)Edo period (1615-1868), 18th to 19th centuryThe first shakudo, chiselled in katakiribori technique with shishi (Chinese mythical lions) and peonies, signed Sofu Kanenori no tanmen o narrate horare, Nishimura-shi no motome ni yotte nari Chishiki Kaneteru (Chishiki Kaneteru made this at the request of Mr Nishimura, carved in imitation of a tsuba by my great-grandfather Kanenori [Haynes 02523]); the second an unassociated set, copper, gold, and shakudo, the kashira with a spiny lobster, the fuchi with ho-o birds and dragon, signed Reibokudo Masaoki (Haynes 04423) with a kao; the third shibuichi, gold, and copper, with dragon, tiger, and bamboo, signed Tsuchiya Terufusa motomeni ojite utsusu [...] Kagemasa saku (Made by Kagemasa [...] copying from Tsuchiya Terufusa [Terutsugu, Haynes 09654]); the fourth shibuichi and silver, chiselled in katakiribori technique with tigers, bamboo, and rocks, signed Kano Nuinosuke ga Nagamine (Nagamine, [after a] painting by Kano Nuinosuke); the fifth shibuichi and flat inlay of silver and shakudo with crows, moon, and withered branch after the famous haiku by Basho Kare-eda ni karasu no tomaritaru, with signature and seal Rinsendo Mitsumasa; the sixth shakudo and gold, with geese descending at Katata, signed Hachijuo Arichika; the seventh copper, carved in high relief with dragons and waves, signed Tohi no ju Miyazaki Jitokusai with a kao (Miyazaki Jitokusai of eastern Hizen Province, probably Haynes 02077); the last copper and gold, carved in high relief with shishi and peonies, signed Yasui Takanaga with a kao. (16).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 184
A SATSUMA KORO (INCENSE BURNER) AND COVERBy Toshikatsu, Meiji era (1868-1912), late 19th/early 20th centuryDecorated in enamels and gilt, the spherical compressed body raised on three tall tapering legs and scattered with a profusion of chrysanthemum blossoms of different sizes, the shoulder applied with two slender, upswept bracket handles, the en-suite cover pierced and similarly embellished to match the body, surmounted by a finial in the form of a shishi (Chinese mythical lion); signed on the base with an impressed seal Toshikatsu and two other (indecipherable) seals. 17cm (6¾in) high. (2).For further information on this lot please visit Bonhams.com
Lot 187
A SATSUMA FLORI-RIMMED BOWLBy Yozan, Meiji era (1868-1912), late 19th/early 20th centuryDecorated in enamels and gilt, the exterior with a continuous procession of raucous karako (Chinese boys) playing musical instruments, riding hobby horses, dancing and pulling a large tai (sea bream) on a cart during the Boys' Festival above a profusion of trailing wisteria, the interior with samurai at leisure served by attendants of a teahouse overlooking an iris pond, the foot encircled with lappet bands enclosing geometric motifs; signed on the base with seal Kyoto Yozan. 5.1cm x 14.1cm (2in x 5½in).For further information on this lot please visit Bonhams.com
Lot 190
A SATSUMA RECTANGULAR VESSELBy Shida Baiko, Meiji era (1868-1912), late 19th/early 20th centuryDecorated in enamels and gilt, each face with a different scene, one with a rain dragon rising from waves, another with a ho-o bird in flight surrounded by paulownia, the third with a shishi (Chinese mythical lion) prancing among peonies, the fourth with a winged baku among stylised clouds, the shoulder with stylised ho-o birds among half chrysanthemums and paulownia; signed on the base Shida Baiko with a seal. 17cm (6¾in) high.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
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27276 item(s)/page