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Group of two Chinese Qing dynasty Daoguang porcelain plates. Each with a Daoguang seal in iron-red along the underside. One plate depicting two figures in a courtyard surrounded by floral and foliate motifs and gilt decoration. One plate depicting three figures on horseback passing a soldier surrounded by floral and foliate motifs intertwined with butterflies and gilt decoration. Each with a turquoise blue glaze along the underside and decorated with four bats.Diameter: 7 3/4 in.Condition: No visible cracks or restoration under UV light. There is a chip to the footrim of the plate captured right in the listing, measuring 1/2 in; to the chip, there is a minute paint loss. No visible chips along the rim. Both plates have wear throughout as expected; they have scattered areas where the gilding has faded, consistent with age, which does not affect the overall work. The plate captured right in the lot listing has a minute green accretion to the rock; to the white building surface, there are areas that are discolored light grey; please see the listing image. Wear to the underside, consistent with age and use. Original firing and glazing flaws along the underside. No visible sign of restoration under UV light.
A pair of Chinese famille verte table lamps, each of baluster form upon figural supports, flanked by shishi mask handles and enamel decorated with figures within a landscape, 福 fu zhuanshu seal to the underside, h.44cm including fittings, each with a green pleated shade as purchased from HarrodsPossibly Japanese.Enamel is a little rubbed in places.A few nibbles to the feet.One foot has been reattached.Some scratches to the bodies.Both have a thick glue residue to the interior of the neck where they’ve been converted.One is missing the circular metal plate from the fittings.
A group of Japanese and Chinese souvenirs including a miniature four fold screen decorated with birds, cranes, ducks etc, (h 24cm) a miniature rosewood screen with views of mountains, (h 17cm) a pair of Chinese style porcelain plates decorated with green dragons chasing the centre pearl of wisdom, (d 18cm) and a matching circular bowl with hairline crack (d 13cm), a Japanese Kutani style scalloped bowl decorated with figures (d 18cm) and a smaller bowl, two Eastern pewter miniature shot glasses, (h 4cm) a modern Chinese presentation calligraphy set including brushes, seal, ink block etc and a white metal Chinese rhu complete with presentation box, ( a lot)
A collection of boxed Chinese mechanical/battery operated tinplate novelty animal toys to include Panda Drummer, The Seal Playing A Ball, Swimming Duck, Jumping Frog, Inertia Crocodile, Pecking Chicken (x2), Hen Laying Eggs, Lady-Bug Family Parade and Easter Egg, together with a Russian made pecking hen (11)
TAO WEIHONG (CHINESE 1940-) THREE INK PAINTINGS, 20TH-21ST CENTURY 二十至二十一世紀 陶為浤 李白、朱熹、陸游詩意圖 紙本設色 鏡框 (共三幅)款識:江寒早啼猿/松暝已吐月/月色何悠悠/清猿响啾啾/李太白詩/吳門陶為浤畫於上海鈐印:雲氣山、吳門陶、為浤、楚煙湘月款識:江空秋月明/夜久寒露滴/扁舟何處歸/吟嘯永佳夕/朱熹詩意/吳門陶為浤畫於上海鈐印:雲氣山、吳門陶氏、為浤書畫、月秀如水⺀[水]如天款識:梅瘦有情橫淡水/雲輕無力護清霜/陸放翁句/吳門陶為浤畫於上海櫻花草堂鈐印:雲氣山、吳門陶、為浤、月滿花香 ink and colour on paper, one inscribed with poem by Li Bai (701-762), signed 'Wumen Tao Weihong Huayu Shanghai' (Wu School Tao Weihong painted in Shanghai), red seal 'Yun Qi Shan', 'Wu Men Tao', 'Wei Hong' upper left, 'Chu Yan Xiang Yue' lower right; one inscribed with poem by Zhu Xi (1130-1200), signed 'Wumen Tao Weihong Huayu Shanghai' (Wu School Tao Weihong painted in Shanghai), red seal 'Yun Qi Shan', 'Wu Men Tao Shi', 'Wei Hong Shu Hua' upper left, 'Yue Xiu Ru Shui Shui Ru Tian' lower right; the other inscribed with a phrase by Lu You (1125-1201), signed 'Wumen Tao Weihong Huayu Shanghai Yinghuacao Tang' (Wu School Tao Weihong painted in the Hall of Primrose, Shanghai), red seal 'Yun Qi Shan' upper right, 'Wu Men Tao', 'Wei Hong' upper left, 'Yue Man Hua Xiang' lower right, all framedDimensions:66cm x 36cm; 65.5cm x 41cm; 64.5cm x 40cmProvenance:Provenance: Private Scottish collection, acquired in the 1990s at Yu Yuan Gardens Gallery (豫園) in Shanghai, with a brochure obtained from the gallery about Tao Weihong's painting exhibition. The cover of the brochure with a calligraphy 'Tao Wei Hong Hua Zhan' (Exhibition of Tao Weihong), signed by a Chinese visual artist Qian Juntao (1907-1998), dated to the year of Yi Hai, corresponding to 1997.Note: Note: Tao Weihong (1940-) is the son and inheritance of Tao Lengyue (陶冷月1895-1985), is known for his individual mode of expression combining Eastern and Western techniques. Tao Lengyue, also known as Professor Cold Moon, established the Lengyue (Cold Moon) School, a branch of the Shanghai School (海上畫派), a style of Chinese art present in the late 19th century and centred in Shanghai.
A Chinese Republic period shallow bowl decorated in polychrome with children exercising, orange seal to base, diameter 21cm; a 20th century Chinese circular jardinière on stand of tapering form decorated in polychrome with a dragon and figures in parade height 24 cm The jardiniere pot has a single small chip in the bisque edge at base, otherwise all pieces appear in good condition with no obvious damage, repair or restoration.
REMUSAT JEAN PIERRE ABEL: (1788-1832) French sinologist who, enamoured with the Chinese language, spent five years teaching himself to read it. A.L.S., J P. Abel-Remusat, one page, 8vo, n.p., n.d., to Monsieur Dacier, permanent secretary of the Academy, in French. Remusat writes, in full, 'Les lettres, Monsieur et respectable ami, m'ont ete remises par la commission presqu' entiere, MM de Sacy, Quatremere de Quincy et Raoul Rochette. Je ne les ai pas lues, tant j'avais bien de croire qu'elles devaient vous satisfaire. Demain matin, j'irai de bonne heure vous a demander votre avis' (Translation: 'The letters, Monsieur and respectable friend, were delivered to me by almost the entire commission, MM de Sacy, Quatremere de Quincy and Raoul Rochette. I have not read them, so much did I believe that they should satisfy you. Tomorrow morning, I will go early to ask your opinion'). With integral address leaf (small area of paper loss at the base caused by the original breaking of the small seal) in Remusat's hand. A few light stains and minor age wear, VG
SUN YAT-SEN: (1866-1925) Chinese Revolutionary & Political Leader, a Statesman regarded as the founding father of Republican China. Sun Yat-Sen was a Physician and a political Philosopher who served as the first provisional President of the Republic of China and as the first leader of the Kuomintang. An extremely rare D.S., in Chinese characters, one page, large oblong folio (20 x 17), 15th October 1917, in Chinese. The attractive and colourful document being the appointment of Sun Guang Ming, as a member of the fund raising committee in Hong Kong. Signed by Sun Yat-sen in his capacity as Supreme Commander of the Chinese armed forces. Also bearing to the recto the red ink seal of the Supreme Commander to the left border. Sun Wen seal alongside the Grand Admiral seal. Documents signed by Sun Yat-Sen in Chinese are of extraordinary rarity and seldom appear at auction. Some minor age wear and staining, otherwise G American Book Prices Current only record five letters, and no documents, signed by Sun Yat-sen as having appeared at auction since 1976.
A pair of archaistic patinated bronze zhong bell lamps,of recent manufacture, Chinese, each with scrolling decoration and seal script, suspended from an ebonised frame, with a rectangular shade,33cm wide19cm deep48cm high (2)Provenance: The Late Sir John Craven, The Barn, Long Newnton, Tetbury, Gloucestershire.Condition ReportOne foot reglued. Other small knocks and light surface wear. Shades appear in fair order. Old plug heads.PAT tested 6.3.23
A Chinese Imperial blue glazed ritual offering vessel and cover, gui, moulded Qianlong seal mark and of the period (1736-95), modelled on a bronze grain receptacle of the Eastern Zhou dynasty, of oblong form, moulded in low relief with bands of archaic motifs, flanked by a pair of elephant-head loop handles, the cover with a more vivid blue glaze moulded with an archaistic chilong amid clouds, with four butterfly wing-shaped finials which act as supports when upturned, relief moulded zhuanshu script seal marks to the underside of the vessel and the cover ‘Da Qing Qianlong Nianzhi’, 28.5cm wide, one finial broken.This gui would have been part of an altar set used in state rituals held in the first lunar month of the year, during which the emperor made offerings to heaven at the Altar for Bountiful Harvest (Qigutan), part of the Temple of Heaven in Beijing and would have comprised also a pair of dou, fu and xing-shaped vessels. Similarly composed sets with archaistic designs would have been made in claire de lune, yellow and red glazes for ritual use in the Altars of the Moon, Earth and Sun, respectively. For a related set of the Qianlong period but in clair-de-lune glaze from the Palace Museum, Beijing, see E.S. Rawski and J. Rawson, eds., China: The Three Emperors 1662-1795, London, 2005, pp.125 and 396-397, pls.34-37, where it is noted that the archaistic shape of these sets was not designed until 1748, when the Qianlong emperor ordered the Grand Secretaries to consult classical texts when designing objects, and insisted that he approve their designs before manufacturing could begin. The objects were illustrated and described in The Illustrated Regulations for Ceremonial Paraphernalia of the Qing Dynasty (Huangchao liqi tushi). Compare an identical vessel with cover in the Metropolitan Museum of Art, Fletcher Fund, 1925, Accession Number: 25.143.1.***CONDITION REPORT***Provenance - found in an attic at a London house clearance and believed to have been stored there for decades.The cover is a tight fit and the blue glaze is more translucent and brighter than the base of the vessel. One of the butterfly wing finials has been broken and reglued with a substantial section now missing. There is a shallow glaze chip measuring 10 mm wide x 11 mm high to the edge of the base of the vessel. Some ingrained dirt to the surface of the glaze in places, otherwise in good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A Chinese famille rose bowl, Jiaqing seal mark and of the period (1796-1820), painted with fruiting vines, bamboo and butterflies, underglaze blue six character seal mark, 10.7cm diameter, 6.3cm high, extensive damage***CONDITION REPORT***The bowl has been broken into several sections and messily reglued, with a small section of the rim completely missing.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A Chinese speckled white jade ‘lock’ pendant plaque, 19th/20th century, one side carved with a boat by a tree, the other with a pseudo seal mark, within scrollwork pierced mythical beast borders, 7.6cm x 5.8cm, wood stand***CONDITION REPORT***The mottled stone with paler inclusions, one corner with a small chip loss, otherwise in good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A Chinese yellow sgraffito ground vase, Qianlong seal mark but Republic period, enamelled with peonies and other flowers in shaped reserves, on a floral and foliate sgraffito yellow ground, 41.5cm high, neck restored***CONDITION REPORT***The neck and a section of the rim have been broken and restored, typical minor glaze and manufacturing imperfections, otherwise in good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A Chinese bronze 'bamboo' censor, perhaps Qing Dynasty. With four character seal mark to base, of cylindrical form with bamboo handles and feet, cast with leafy bamboo branches, decorated with bamboo, 9.5cm high Condition Report: No dents of misshaping. Overall there are green verdigris deposits and surface deterioration to interior and exterior. Otherwise ok.
A Chinese famille rose planter on stand decorated with phoenix within panels, red seal mark to the underside (heavily restored), 24cms diameter; together with a Chinese blue & white crackle ware vase, 27cms high; a Chinese famille rose vase, 26cms high; A Chinese famille vert baluster vase decorated with temple lions and foliage, 18cms high; and a Japanese Kutani lotus flower candlestick, 16cms high (5)Condition ReportThe planter has been heavily restored and the upper rim and applied decoration to the similar vase has been restored. The upper rim of the crackleware vase has also been restored. The candlestick and the vert baluster vase are in good condition.

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28843 item(s)/page