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Group of four Chinese carved soapstone objects, ca. 19th century. Two oblong seal ink boxes with low feet carved from the body. Two small vases or cups with carved reliefs depicting figures and plants. The larger vase with shallow incised calligraphy along the back.Provenance (Boxes): Canton Trade Fair 1977; The Oriental Impression, Ltd., September 1994; Private Minnesota Collection.Height ranges from 1 3/4 in to 4 in; width ranges from 2 3/4 in to 3 1/2 in; depth ranges from 1 1/4 in to 2 1/2 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.

Chinese carved soapstone ritual bowl. One side with relief carvings depicting lotus seeds; the other side depicting a dragon among clouds. With two dragon form mask handles. Partial remains of an old red export seal along the underside.Height: 4 in x diameter: 5 3/4 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.

Group of two square Chinese carved soapstone seal ink boxes, ca. 19th century. The smaller box with etched flowers along the lid; the mottled green areas are outlined to suggest clouds. The larger box with a carved shou symbol for longevity along the lid; with an internal division for storing a seal or chop.Provenance: Canton Trade Fair 1977; The Oriental Impression, Ltd., 1993-1994; Private Minnesota Collection.(Smaller) Height: 1 1/2 in x width: 2 1/2 in x depth: 2 1/2 in. (Larger) Height: 2 1/4 in x width: 3 in x depth: 3 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.

A SMALL CHINESE FAMILLE VERTE ROULEAU VASEKANGXI 1662-1722Painted with a colourful bird perched on a flowering prunus branch above rockwork and bamboo leaves, the reverse with two seal marks, paper label no.103, 21.2cm.Provenance: Field Marshal Earl Kitchener of Khartoum (1850-1916), purchased by Viscountess Broome (1893-1896), Sotheby's London, 17th November 1938, lot 227, and thence by descent through the family.清康熙 五彩花鳥紋棒槌瓶來源：霍雷肖•赫伯特•基奇納元帥（1850-1916），由布魯姆子爵夫人（1893-1896）從倫敦蘇富比1938年11月17日（編號227）購回，之後由家族繼承。

A SMALL COLLECTION OF PAINTINGS 19TH/20TH CENTURY Comprising: a depiction of Krishna and Yashoda in an interior, and another of a beauty reading a letter, both with red seal marks; another of two deities in a garden, with calligraphy underneath; two Persian-style miniature paintings, one of a horse rider with falcon, on a bright green ground; the other with a beauty standing in a garden; together with a Chinese painting of a Chinese scholar, with a long line of calligraphy beside him, 46cm x 21cm max. (6) Provenance: from the collection of Norman Blount, 1875-1930. Norman Blount was a jute broker, as well as the joint secretary (together with Abanindranath Tagore) of the Indian Society of Oriental Art, which was founded in 1907 in Calcutta, with Lord Kitchener the Society’s President. 印度畫 一組六件 十九/二十世紀 來源：諾曼·布朗特（1875-1930）收藏。諾曼布朗特曾是一個黃麻經銷商，與藝術家泰戈爾一起擔任了印度東方藝術協會的聯合秘書（1907年於加爾各答成立），而霍雷肖•赫伯特•基奇納元帥(1850-1916)為協會主席。

ATTRIBUTED TO TANG YIN (QING DYNASTY) LANDSCAPEA Chinese watercolour painting, ink and colour on silk, depicting a mountainous river landscape with a scholar on a bridge, with an inscription of a poem and a signature which reads Tang Yin, two artist's seals and one illegible seal, 64cm x 29cm.唐寅（款） 林間訪友 設色絹本 立軸題識：塵世茫茫少聞地，卻將亭閣水心安，風來月到無人管，惟有幽人得時倚。吳郡唐寅。鈐印：唐寅私印、唐伯虎。

A CHINESE TEA-DUST GLAZED BOTTLE VASESIX CHARACTER QIANLONG SEAL MARK AND OF THE PERIOD 1736-95 The compressed circular body raised on a splayed foot, and with a tall cylindrical neck, covered overall with an even flecked olive-green tea-dust glaze, 32cm. Cf. R Kerr, Chinese Ceramics, Porcelain of the Qing Dynasty 1644-1911, pl.25, for a similar vase in the Victoria and Albert Museum, London. For other closely related vases of this type, see Christie’s New York, 21st September 2000, lot 377 for an example formerly in the collection of the Cleveland Museum of Art, and Sotheby’s London, 9th June 2004, lot 11, for another formerly in the Toguri Collection. Although the origin of the tea-dust glaze is uncertain, it was during Yongzheng's reign that the repertoire of the Jingdezhen imperial kilns was expanded to include a wide variety of glazes for which evocative names, such as 'tea-dust', were devised. 清乾隆 茶葉末釉荸薺瓶《大清乾隆年製》篆書刻款

A CHINESE CELADON-GLAZED OVOID JAR, GUAN SIX CHARACTER DAOGUANG SEAL MARK AND OF THE PERIOD 1821-50 Well potted with full rounded sides, gently rising to a short neck, moulded on each side in low relief with a C-shaped ear, covered overall with an even soft sea-green glaze, the base with a paper label inscribed ‘547’, 19cm. Provenance: Field Marshal Earl Kitchener of Khartoum (1850-1916), and thence by descent through the family. This vase is recorded in the Christie, Manson & Woods inventory at Broome Park, in December 1916 on page 51, no.547, under the title heading of ‘Whole Colour Porcelain’. For another Daoguang celadon-glazed vase of this type, see Christie’s Paris, 15th June 2005, lot 97. 清道光 青釉月牙耳罐《大清道光年製》青花篆書款來源：霍雷肖•赫伯特•基奇納元帥（1850-1916），之後由其後人繼承。據佳士得Manson & Woods出版的， Broome Park庫存手冊中記載，1916年12月，頁51， 編號547。

A RARE CHINESE RU-TYPE HU-SHAPED VASESIX CHARACTER YONGZHENG SEAL MARK AND OF THE PERIOD 1723-35Modelled after a Song dynasty prototype, with a faceted octagonal-section body raised on a tall flared foot pierced with two rectangular apertures to the sides, with a double band encircling the upper body, covered overall with a pale blue celadon glaze, 27cm.Provenance: Field Marshal Earl Kitchener of Khartoum (1850-1916), and thence by descent through the family. This vase is recorded in the Christie, Manson & Woods inventory at Broome Park, in December 1916 on page 46, no.543, under the title heading of ‘Whole Colour Porcelain’.For a similar vase in the collection of the National Palace Museum, Taipei, with a Guan-type glaze, cf. A Special Exhibition of Ch’ing Dynasty Monochrome Porcelains in the National Palace Museum, p.135, no.81. See also Bonhams London, 15th May 2014, lot 27, for a closely related Yongzheng hu with a Ge-type glaze.清雍正 仿汝窯貫耳瓶《大清雍正年製》青花篆書款來源：霍雷肖•赫伯特•基奇納元帥（1850-1916），之後由其後人繼承。據佳士得Manson & Woods出版的， Broome Park庫存手冊中記載，1916年12月，頁46， 編號543。

ATTRIBUTED TO QIU YING (QING DYNASTY)SCHOLARSA Chinese scroll painting, ink and colour on paper, depicting scholars gathering in a mountainous landscape with a pavilion, with a signature of Qiu Ying Shifu, one artist's seal and four collectors' seals, one of them for Qian Jingtang, 121cm x 60cm.仇英（款） 文會圖 設色紙本 立軸款識：仇英實父製、十州鈐印：雲間錢培鈞子和氏鑒藏金石書畫記、石經閣、嘉興馮十三登府伯雲氏所得圖書金石記、話語樓貳百餘年之物

A CHINESE PALE CELADON JADE SEAL QING DYNASTYCarved with a crouching luduan, the rectangular seal face carved with Jiusi Zhuren, 3.4cm.Jiusi Zhuren was one of the titles used by Prince Yongrong (1743-1790).清 青白玉雕甪端鈕方章 印文：九思主人（愛新覺羅永瑢1743-1790）

A LARGE CHINESE MOULDED CELADON-GLAZED ARCHAISTIC OVOID VASESIX CHARACTER QIANLONG SEAL MARK AND OF THE PERIOD 1736-95Robustly potted with a short slightly flared rim and an imbricated border above an ovoid body moulded with a narrow band of square scrolls and ruyi-heads to the shoulder; all above a wide stylised geometric taotie band around the body and with curving lappets or petals above the foot, the base glazed white, 32.5cm.Provenance: Field Marshal Earl Kitchener of Khartoum (1850-1916), purchased by Viscountess Broome (1893-1896), Sotheby's London, 17th November 1938, lot 193, and thence by descent through the family. This vase is recorded in the Christie, Manson & Woods inventory at Broome Park, in December 1916 on page 49, no.207, under the title heading of ‘Whole Colour Porcelain’.Cf. The Y C Chen Collection, Christie's London, 17th May 2013, lot 1335, for a similar but unmarked moulded celadon-glazed ovoid peony jar of this size.清乾隆 青釉浮雕螭龍紋瓶《大清乾隆年製》青花篆書款來源：霍雷肖•赫伯特•基奇納元帥（1850-1916），由布魯姆子爵夫人（1893-1896）從倫敦蘇富比1938年11月17日（編號193）購回，之後由家族繼承。據佳士得Manson & Woods出版的， Broome Park庫存手冊中記載，1916年12月，頁49， 編號207。

ATTRIBUTED TO WEN BOREN (MING DYNASTY)LANDSCAPE WITH PAGODAA Chinese painting of an album leaf, ink and colour on silk, depicting a pagoda and pavilions in a mountainous landscape, signed Wen Boren with one artist's seal and two collectors' seals, 28.5cm x 21cm.文伯仁 雲海日出 設色絹本 冊頁款識：文伯仁畫。鈐印：伯仁、石門李家福藏

A pair of Chinese tea bowls, polychrome decoration of mountain scenes, seal to base, ht. 4.5cm, one re-glued 

A large Chinese blue & white charger with decoration of domestic mountain scene, characters to the left hand side, seal mark to base, diameter 36cm (scuffing & minor chipping to rim)

A Chinese ceramic pink scholar's pot with internal plate, seal mark to base, dia. 8cm

A 19th century Chinese watercolour on silk:  2 men  looking over a mountain, seal to top right, 20 x 14cm, framed and glazed, Ryman & Co label to reverse of frame

An unusual Chinese double sided bronze Seal, of pyramid form, 4cms (1 1/2"); another soapstone Seal with chicken finial; a lucky Chinese carved jade Pendant; and an early small Roman glass Jug., 9cms (3 1/2"). (4)

A PAIR OF FINE CHINESE IMPERIAL SPINACH-GREEN JADE 'DRAGON' SEALS 18TH/19TH CENTURY Each with a square-section body surmounted by a crouching dragon in pursuit of a flaming pearl, the mythical beasts depicted with long whiskers and finely incised beards and manes, their scaly coiled bodies partially concealed by billowing clouds, each seal with four characters to the underside, one worked in intaglio, yinwen with the characters jian lan bo zhao, the other marked zhi cheng yu ling in relief, yangwen, the mottled green stone with dark specks and pale inclusions, 6.4cm wide. (2) Provenance: formerly the collection of Major-General Charles Gordon (1833-85); and then the Lawrence Collection of jades and hardstone carvings, purchased from Spink & Son prior to 1959. Major-General Charles Gordon was in China from 1860 to 1864. In 1863, he was placed in command of the Ever Victorious Army, a force of Chinese soldiers directed and trained by European officers which was instrumental in putting down the Taiping Rebellion. The Emperor conferred on him the highest rank in the Chinese army and awarded him with the Imperial yellow jacket in recognition of his services in China. Gordon soon gained the popular nickname 'Chinese Gordon'. The inscription jian lan bo zhao may be translated as 'observe all varieties, be enlightened by their depth'. The phrase first appears in the Hou Hanshu, or the 'History of the Later Han', by Fan Ye (398-445). When the Han government decided to reform the civil service examination system, making it a requirement to study the classic texts, several ministers wrote in criticising the policy. They argued that the ruler's virtue was based on his ability to 'observe all varieties and be enlightened by their depth', and that a minister's loyalty hinged on his readiness to correct ill-founded policies. The phrase later acted as a reminder to emperors of the importance of observance and enlightenment in good governance. The inscription on the other seal, zhi cheng yu ling, translates as 'be a close neighbour with the utmost sincerity.' This originally comes from a traditional temple hymn that was recorded in the Quan Tang Shi, or 'The Complete Collection of Tang Poems', which was commissioned by the Kangxi Emperor in 1705. The full verse reads: 'The Way of Heaven is not personal, be a close neighbour with the utmost sincerity; worship spreads over mountains and rivers, the court music refreshed; the offerings of jades and silks are not rich, meet the truth with wisdom and enlightenment; verify this unique virtue, then communication is enabled with one hundred gods.' Seals played an important role in Chinese Imperial life. The famous story goes that when the First Emperor Qin Shi Huangdi united China, he made a jade seal with the inscription: 'Having received the mandate from heaven, may the Emperor enjoy a long life and eternal prosperity.' Traditionally, the Imperial seals represented not only the order and identity of the ruler, but also the universal principles. During the Qing dynasty, many jade seals were made under Imperial orders. They usually have a standard form and decoration. The present two seals were probably made during the Qianlong reign or slightly later.十八/十九世紀 御製碧玉蛟龍鈕璽印文：兼覽博照（陰文）、至誠與鄰（陽文）來源：Charles Gordon（1833-85）大將軍舊藏，勞倫斯珍藏玉石，1959年前購於Spink & Son。

A FINE AND RARE CHINESE WHITE JADE DISC 18TH CENTURY The circular disc delicately pierced to the centre with intertwined petals forming an elegant flowerhead, carved to one side in low relief with The Eight Trigrams, Bagua, with the names of The Ten Heavenly Stems, Tiangan, in seal script beneath a continuous band of ruyi-heads to the reverse, the stone of an even white tone, 9.2cm. Provenance: formerly a western private collection; and then the Lawrence Collection of jades and hardstone carvings, purchased from Roger Keverne Limited on 23rd October 2007. A copy of the invoice is available. Published: R Keverne, Winter Exhibition 2007, pp.124-125, no.111. The Eight Trigrams consist of broken and solid lines, which represent yin and yang respectively. They were probably first used by ancient diviners and later developed into a system of philosophy. Each Trigram represents a natural force: heaven, marsh, fire, thunder, wind, water, mountain and earth. They also symbolise movement, emotions and human relationships and have been used in China to predict patterns and cycles in nature and humanity. From the Eight Trigrams developed sixty-four hexagrams that are the foundation of one of the most important Chinese classics, the Yijing or The Book of Changes. Each of the Ten Heavenly Stems is associated with one of the Five Elements (wood, fire, earth, metal and water) and they combine with the Twelve Earthly Branches to form the sexagenary cycle, which is the traditional Chinese calendar based on sixty-day and sixty-year cycles. Cf. K R Tsiang, Radiance and Virtue: The R Norris Shreve Collection of Chinese Jade and Other Oriental Works of Art, p.19, pl.4 for a disc with spiral decoration made from a material of similarly high quality; Schätze Chinas aus Museen der DDR, p.244, no.139 for a related pendant; see also another closely related example with same motifs in the National Palace Museum, Taipei.十八世紀 白玉雕天干八卦璧來源：勞倫斯珍藏玉石，2007年10月23日Roger Keverne古董店（附發票複印件）。出版：R Keverne, Winter Exhibition 2007, 頁124-125, 編號111。

A Chinese lapis lazuli seal surmounted with monkeys, height 5.5cm.

Chinese crackle glaze brush pot with seal mark, 12cm diameter.

Chinese plum streaky glaze urn shaped vase, blue seal mark to base, 22cm.

A large Chinese soapstone chop wax seal stamp with hand carved Foo dog and pup to top in original presentation box.Hx15cm Wx8cmDx8cm

Chinese Jingdezhen style yellow ground baluster vase, decorated with birds perched upon branches with flowering Prunus blossom, underglaze seal mark to base, approx 30.5cm high

Chinese Famille Rose dish of shaped rectangular form, decorated with a bird amongst blossoming branches, marked to reverse (approx 33cm long); together with a Famille Rose planter decorated with dragons and flowers, seal mark to reverse

Miscellaneous items to include an autograph book, pocket knife, silver thimbles, Chinese hardstone seal etc

A Chinese porcelain brush pot, enamel decorated with a figure climbing a tree, red enamel seal mark to the underside, height 12.5cmCondition is good.

A Chinese green glazed stoneware vase of squat bulbous form with slender neck, converted to a table lamp, mounted on a hardwood base, height excluding fittings 37cmDrilled straight through the seal mark.

~ A Chinese Porcelain Bowl, Kangxi, of flared form and with 'egg and spinach' glaze, underglaze square seal mark 17.5cm diameterProvenance: Terry Family of York (Terry’s Chocolates) Cracked. Wear and scratches to the interior glaze. No restoration.

A Pair of Chinese Porcelain Plates, Kangxi, of barbed circular form, painted in underglaze blue with a flowering tree in a fenced garden within ogee foliate panelled borders, seal mark in underglaze blue20.5cm diameterNo chips, cracks or restoration. Some expected fritting to the rims and footrims.

A group of miniature teapots comprising three Chinese Yixing redware teapots (two with enamelled decoration, the other with four character mark verso), a Satsuma style teapot, a Coalport teapot, a green Limoges teapot, an enamelled porcelain teapot with design of cranes and exotic birds, and a fine Chinese enamelled porcelain teapot depicting two figures and  a poem (seal mark verso) (largest h- 8cm, w- 12cm) (8)

Two pairs of Chinese cloisonne and bone chopsticks; together with a group of carte de visite cards; a sealing wax seal and other items.

A Chinese famille vert seven piece hor d'oeuvre set, cased, 34cms diameter; together with a hardstone seal and porcelain dish set, cased (2).Condition ReportThe seven piece set is modern and is marked made in china on the base of all pieces. Has mostly general wear with some rubbing to the gilt highlights and one is cracked with a glue repair and another has a chip to the side, otherwise good condition.

A Chinese Republic style famille rose baluster vase decorated with birds, foliage, and calligraphy, gilt seal mark to the underside, 36cms high.

A Chinese brush washer decorated with dragons chasing a flaming pearl amongst clouds, blue seal mark to the underside, 20cms diameter; together with a Chinese blue & white plate decorated with a phoenix, four character blue mark to the underside, 24cms diameter (2).Condition ReportThe brush washer is in good condition with no damage or repair.  The plate has three areas of chips / damage to the outside rim.

A pair of Chinese blue & white shallow bowls decorated with dragons chasing a flaming pearl, six character blue mark to the underside, 18cms diameter; together with a similar smaller with blue seal mark to the underside, 16cms diameter (3).

A Chinese famille rose vase decorated with deities, on a sgraffito glazed ground, red seal mark to the underside, on a hardwood stand, 30cms high.

A small Chinese bronze twin handle censer, seal mark to base, 15cm wide overallLooks to have been burnt inside, like it may have been used as an ashtray. Is complete, but dirty. Difficult to know the age, but does appear to have considerable wear. Was removed from a local house clearance in Suffolk. 470g gross weight. Rim to rim is four inches.

Two Chinese ink paintings in Song style, Qing Dynasty, one painted with boys riding on buffalos in a riverscape scene, ink on silk, with one seal of the artist, 23cm x 22.5cm; the other one painted with a seated scholar beneath a pine tree with his attendant, ink on silk, with one seal of the artist, picture size 20.3cm x 21.5cm, both framed and glazed (2)清 仿宋人筆意水墨山水人物兩副 水墨絹本 鏡心 Condition Report: fading thoroughoutthe buffalo painting with some worm holesCondition Report Disclaimer

A Chinese bronze seal, of square form, surmounted by a tapering handle, the top and base of the seal impressed in Manchu and Chinese with the characters zhang jia kou tai zhan you lu jun li bu zao, 8.9cm high"張家口台站右路軍"銅印 Condition Report: wear and scratchs to the surface, built up grease on the joining section between the handle and the sealCondition Report Disclaimer

A Chinese rock crystal seal, 19th Century, the plain cuboid base carved at the top with a large Fo Dog with one paw raised to play with her cub beside her, 14cm highProvenance: Pen Moel near Chepstow十九世紀 水晶雕太獅少獅钮印拍品来源: 英国Pen Moel 大宅旧藏 Condition Report: one knock to the corner, and rock crystal with natural inclusionsCondition Report Disclaimer

A Chinese Famille Rose Jardinière and Stand, Republic Period, of canted flared square shape, painted with figures in a garden, blue enamel key-fret border, with apocryphal Qianlong read seal mark to base of stand, 21.3cm diameter Provenance: From the estate of Lionel Alfred Martin Ingram Avenue, London (1855-1933). Chairman of Tate & Lyle. 民國 "大清乾隆年制"款粉彩開光人物圖花盆拍品來源：Tate & Lyle集團主席Lionel Alfred Martin 倫敦私人大宅(1855-1933)舊藏 Condition Report: the jardinière with chip to underside of one footthe stand with one corner off and glued to an overall area of approximately 10cm x 3.5m and with chip to rim in same area 2.5cm x 1cm and fragment losses to area where re-glued another corner with old restored chip of an approximate area of 1.5cm x 1.2cm Condition Report Disclaimer

A group of Chinese export plates, Qing dynasty/Republic, comprising fifteen items: including a Chinese Famille Rose plate, 18th century, nicely painted with peony flowers and butterflies, 23cm diameter; a pair of Chinese blue and white octagonal plates, Qianlong, 23cm diameter; a pair of Chinese Famille Rose 'Phoenix and peony' plates, Republic, with cheng yi tai zhao four character seal marks to the base in iron red, 19cm diameter; a pair of Chinese blue and white 'Chrysanthemums' plates, 19th century, 21.2cm diameter; a Chinese Famille Rose plate, 18th century, 23cm diameter; and others (15)清至民國 各式外銷盤一組共十五件 Condition Report: a Chinese Famille Rose plate chips to the rim, and wear to the gildings and enamelsa pair of Chinese blue and white octagonal plates: chips, hairline cracks, and firing blemishes to the rim; one plate with approximately 10.5cm body crack to the basea pair of Chinese Famille Rose 'Phoenix and peony' plates: both plates with hairline cracks and chips to the rim. one plates with chips to the interiora pair of Chinese blue and white 'Chrysanthemums' plates: one plate with small chip to the foot rima Chinese Famille Rose plate: two small chips to the rima Chinese Famille Rose 'Crane' plate: hairline cracks to the rimsix Chinese blue and white plates: chips and firing blemishes to the rim, cracks to the bodysee additional images for visual reference to the condition    Condition Report Disclaimer

A Chinese small Famille Rose 'Three Friends of Winter' bowl, Jiaqing mark and of the Period, the interior painted with a gourd, painted in underglaze blue, iron-red and colourful enamels, the base with underglaze blue minyao Jiaqing seal mark, 7.2cm diameter清嘉慶 青花粉彩描金歲寒三友紋玲瓏小杯 Condition Report: overall in a good conditionCondition Report Disclaimer

A Chinese Famille Rose bowl, Tongzhi, of barbed trefoil form, the exterior painted with two magpies amongst foliage, the interior and base turquoise and with iron red Tongzhi seal mark, 14cm wide and a Chinese white crackle-glazed censer, late 19th century, of bombe form with brown line rim and brown glazed Buddhist lion handles, 23cm diameter, wood stand (2)Provenance: The Property of a lady from a Derbyshire Estate and by repute collected by a relation living in China in the early 20th century. 清同治 粉彩花鳥圖貢碗晚清十九世紀 哥釉獸耳香爐拍品來源：英國德比郡女士私人收藏，其親屬於20世紀早期於中國所購 Condition Report: the bowl with some wear to turquoise interior the censer with piece out of rim and glued back 5cm x 2cm Condition Report Disclaimer

A Chinese Famille Rose Figure of a Lady, Republic, the elegant figure holding a flower basket in one hand and a lingzhi spray in the other, wearing long flowing floral robes adorned with a pendant necklace, the base with raised impressed seal marks, one reading Fujian huiguan, Fujian Province Club, the other with artist's mark you bo chun zao, 24cm high Provenance: The property of a lady from a Derbyshire Estate and by repute collected by a relation living in China in the early 20th century. 民國 遊長子造粉彩福建會館麻姑像 拍品來源：英國德比郡女士私人收藏，其親屬於20世紀早期於中國所購 Condition Report: one hand broken off and glued and one tip of finger missing and on other hand one finger missing and chip to green foliage next to lingzhi sprayCondition Report Disclaimer

A Chinese 'Buddhist' symbols Famille Rose small bowl, Tongzhi mark and of the Period, of canted square form, the interior and base turquoise, iron-red seal mark to base, 10cm diameter; a pair of Chinese Famille Rose Figures, 19th century, 24cm high; a Chinese 'Dragon' dish, with apocryphal Qianlong four character mark, 14.5cm diameter; a Chinese Famille Rose bowl, 20th century, with four longevity characters to the exterior, with apocryphal Qianlong four character mark, 19.7cm diameter (5)晚清至民國 各式瓷器一組五件 Condition Report: the Tongzhi bowl with some wear mainly to turquoise interior and some kiln grit to white glaze on exterior the pair of figures both damaged one has been in pieces and glued together and one hand missing and the other with head off and glued the dragon saucer with minute rim chip and some wear to gildingthe longevity bowl with 12cm star crack to base Condition Report Disclaimer

A Chinese white glazed model of Guanyin, 20th century, with iron-red, black and gilt details, the lotus base glazed in famille rose and green, the interior of the underside of base applied with four character seal mark on raised tablet, 52cm high, formerly adapted as a lampProvenance: From the estate of Lionel Alfred Martin, Ingram Avenue, London (1855-1933), Chairman of Tate & Lyle. 二十世紀 粉彩觀音像拍品來源：Tate & Lyle集團主席Lionel Alfred Martin倫敦私人大宅(1855-1933)舊藏 Condition Report: base with restoration Condition Report Disclaimer

Kangxi Period (1662–1722), Chinese Scholar's Seal paste box and cover, lid painted with flying bird in a night sky, with moon depicted above. Kangxi Reign six-character mark to base. 10.6cm Dia.

A Chinese famille verte vase with pierced body and moulded monks and dragons decoration, Kang Shi seal mark to base, 35cm

A Chinese Kangxi famille verte saucer dish painted stylised floral motifs, seal mark to base, 21.5cm diameter - repaired and another blue and white small dish painted fishermen on a boat, 15cm diameter - repaired

A Chinese soapstone figure of a deity, 21cm tall and a carved stone seal of scholars, 13.5cm tall

A Chinese soapstone seal, the finial carved with a Buddhist lion and its cubs, the seal face with fourteen characters in seal script, 9cm wide x 9.5cm high壽山石太獅少獅獸鈕印 Condition Report: minor scratches to surfaceCondition Report Disclaimer

A Chinese white jade 'Dog' seal, with finial carved as a dog, the seal face with six characters in seal script, 3.3cm high白玉雕臥犬鈕印 Condition Report: minor wearsone small chip to the sealCondition Report Disclaimer

A Chinese Yixing bamboo shoot-form water dropper, the vessel naturalistically potted in the form of a bamboo shoot, combed with incised fine lines in imitation of the skin, the narrow tip with a small aperture as an outlet, small clam clasped on one side near the base, the base impressed with a four-character Cheng Mingyuan zhi seal mark, 19.5cm long宜興段泥"陳鳴遠製"筍形水滴 Condition Report: the shell on the base broked and glued Condition Report Disclaimer

A large Chinese Yixing teapot, Qing Dynasty, well potted with a baluster body rising to straight mouth rim, with a C-shaped handle and angular spout. The countersunk base is impressed with the seal mark Pan Guomao zhi, 17.5cm high x 21cm wide清 紫泥"潘國茂製"款宜興紫砂宮燈壺 Condition Report: small chips to the rim Condition Report Disclaimer

A Chinese Yixing compressed pear-shaped teapot, Qing Dynasty, the teapot finely potted with a body of a compressed pear form, the base of the teapot impressed with one seal reading Jin Xi and another seal reading Ming Yuan, 10.8cm long清 宜興紫砂陳鳴遠款朱泥梨式壺 Condition Report: overall very good condition, only minute nicks to the inside of the rimCondition Report Disclaimer

A Chinese blue and white 'Lotus and Shou' bowl, Kangxi, the exterior with eight seal-script shou-characters above a band of lotus flowers resting on leafy tendrils, the interior decorated to the centre with a large lotus flower-head, the base has an apocryphal Chenghua six character mark, 15.8cm diameter 清康熙 "大明成化年制"款青花纏枝蓮壽字紋碗 Condition Report: 7cm hair crack shallow scale chip to exterior rim 1cm x 4mm Condition Report Disclaimer

A Chinese Dehua figure of Damo, late 19th-early 20th century, the figure is modelled standing on a base of waves, wearing long flowing robes and holds a shoe on one hand, with impressed seal mark bo ji yu ren, 35cm high晚清/民國 蘇學金製"博及漁人"款德化白釉達摩像 Condition Report: one firing crack to the robes, approximately 1cmone firing crack to the base, approximately 2.5cm Condition Report Disclaimer