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A Chinese porcelain squat globular jar Song dynasty with pale celadon glaze 5cm; a mazarine blue glaze brush rest modelled as a five peak mountain decorated bats and breaking waves, Kangxi; a miniature Tsun shaped vase and a blue and white ovoid form snuff bottle decorated cockerel and rocks, foot with four character Zhuanshu seal mark of Yongzheng, 19th Century
A Chinese blue and white snuff bottle 1800-1850 of rouleau cylindrical form, decorated with two five claw dragons above waves against a background of scattered flames and clouds, the latter repeated on the shoulder, with coral glass stopper, and a Chinese Canton pastel coloured enamel snuff bottle of flattened oviform shape, decorated panels framed by stylised bats showing mountain landscapes with village and figure views on a ground of Indian lotus and foliated scroll work, seal mark in Zhuanshu characters and with ormolu stopper
Japanese School, 19th Century - female figure picking prunus blossom in fenced garden, signed Genki 源琦, bearing two seals: "Genki-no-in (the seal of Genki)" and "Shion" 源琦之印、子轀, watercolour on buff paper, 21.5cm x 15.5cm, framed The painter Komai Genki (1749-1794). was a Japanese painter of the Maruyama school who lived in Kyoto. he was known to be one of Maruyama Okyo's best ten pupils. Genki specialized in painting flowers and animals. He was also celebrated for his beautiful painting of women in Chinese dress, known as "court-lady pictures", which was influenced by the then contemporary Chinese style.
A CHINESE BLUE AND WHITE SMALL PLATE, KANGXI AND A CHINESE BLUE AND WHITE PLATE, C1770 painted with leaping carp and dragon, 18 and 21cm diam, seal mark within concentric circles or unmarked (small plate ex Thomas Turner, Nottingham,) ++ Small rim fritting but no substantial damage, the earlier plate attractively painted
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27276 item(s)/page