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A Chinese blue and white vase, Hu: with mythical beast mask and ring handles, painted with two bands of scrolling flowers and foliage above a wave border and below a band of stiff leaves, Qianlong six-character seal mark, 25.5 cm high [chip to moulded band, chips to rim with one glazed over, two glaze imperfections].
The property of an Estate.The following collection of First Period Worcester porcelain was purchased largely in the 1960s and 70s from the leading specialist ceramic dealers of the day in London and the provinces. After the death of the original owner, it was put into storage where it remained for over 30 years.A Worcester 'Sir Joshua Reynolds' pattern plate: with fluted rim, painted in the kakiemon palette with flowering plants and a Ho-Ho bird perched on pierced rockwork on a gilded solid blue ground, pseudo Chinese seal mark, circa 1770, 19.5 cm diameter.
A Chinese clair-de-lune double moon flask, 20th century, the face of each flask decorated with natural scenes, one depicting a tiger upon rocks beside water with mountains beyond, the other with two seated monkeys in a similar landscape, both with formal foliate scrolls in clair-de-lune enamels, each bearing calligraphy to verso, the base with yunwen band and the underside with red seal mark and character marks, 19.5cm high
THREE CHINESE PLATES, Chenghua marks but 19th century, each blue painted with two figures, comprising a pair and a single larger plate, blue six character marks inside double concentric circles, diameters 14.5 and 21cm; together with another pair of similar saucers with a square seal mark (5)
CHINESE TIBETAN STYLE TEMPLE VASE, Benbaping, Jaiqing style mark, Republic Period, enamelled with scrolling flowers and the Eight Buddhist Treasures on a white ground, beneath a banded neck and drum shaped top, now glued to the base, iron red six character seal style mark, 26.5cm Provenance: Acquired by an ancestor of the vendor while working as a solicitor in Shanghai in the early 20th century and thence by descent.
Japan, late Edo to Meiji Period, ca. 1800 to 1912 CE. This is a beautiful dark boxwood netsuke with heavily detailed, realistic carving on all sides and a red signature done in red on white on the underside. This one is signed by Wang Si. Wang is a rare name in Japan and often denotes someone of Chinese descent. The shape of the netsuke is of a blind, old man struggling to lift a heavy stone, a common netsuke theme. The realism of the piece speaks to the 19th century Japanese interest in naturalism. Size: 1.15" L x 1.55" W x 1.5" H (2.9 cm x 3.9 cm x 3.8 cm)The netsuke is an example of the art of everyday objects. They are small sculptures designed to be worn so that objects could be suspended from the traditional sash (obi) that wraps around the kimono. They were used to carry purses, smoking accoutrement, and inro, "seal baskets", which held seals and medicines. The netsuke, made with two holes through it, was used as a toggle to stop the cord on which those items were suspended. Netsuke have a quality, aji in Japanese, that means they have a smooth surface that is pleasing to touch; patina, through extensive handling and age, enhances aji, and this piece has a very fine aji. The story that is told by it is a common one in netsuke art: a blind man, probably a masseur, flexes his arms to lift a heavy stone. Being blind was considered a karmic retribution for errors in a past life, but the blind were welcomed into the guild of masseurs and lifted heavy stones to build up their arm muscles for the job. Many carvers took pleasure in emphasizing the facial expression and body shape of the figure, as the carver of this one has. Provenance: ex-private Santa Fe, NM collection Condition: Excellent All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #115791
A large Japanese porcelain blue and white charger, decorated with flowers, the base with a character mark, 49.9cm diameter together with a Chinese porcelain blue and white dish, decorated with scaly dragons, the base with a seal mark, 38cm diameter. (2) Provenance: From the collection of Sir Jeremy Lever.
A collection of 19th century bone doll's house furniture, with pierced fret carved and turned decoration, comprising: a dressing table with a swing mirror, the drawers containing a comb and other items, a bureau, the interior with a quill, seal and other items, an etagere with plates, pots, goblets and Chinese style figures, a work table, a bookcase the interior with books and a small cabinet, 12.6cm high (max). (6)
A small Chinese famille-rose yellow ground cylindrical vase, late 18th/early 19th century, painted with two panels of lotus flowers against a yellow ground incised with foliate scrolls , turquoise glaze to interior and base, 8.25cm. high, red painted Qianlong seal mark, remains of Sidney Moss paper label.
A group of nine Chinese seals, 19th/20th century, of various form and size, comprising; five soapstone examples; a small jadeite seal surmounted by fruit, a very small aquamarine seal and a carnelian agate example, sizes 2.5cm. to 10cm. high; also a small soapstone group of two monkeys and a wooden seal, some with stands.
An unusual Chinese porcelain two-handled vase made to simulate enamel, Qianlong seal mark but later, of rectangular section, each side with gilt taotie masks between a band of key pattern beneath a stiff leaf border, all against a blue and purple specked ground, 33cm, high, pierced wood stand.
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27284 item(s)/page