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A pair of Chinese table screens, the jadeite roundels carved to one side with ducks swimming among weeds below an inscription 'Qiu Jiang Su Yan, Chen Dong Gao Fengchi Jingshu' with a four-character Qianlong seal, the reverse with birds and a flowering tree, the stone of mottled celadon colour suffused with pale brown and pale lavender, 31cm diameter, each on a tall hardwood stand carved as a recumbent buffalo below a cloud (4) Provenance: Private collection, London; collected about the middle of the 20th century. 翡翠雕花鸟诗文图座屏 一对
A Chinese bronze incense burner, 18th century or later, of tapering form on three elephant feet, moulded with scrolling lotus in relief, elephant handles, the domed cover with pierced scrolling lotus and a recumbent elephant finial, four-character Xuande seal mark in zhuanshu, 50cm high (2) Provenance: Private collection, London; collected about the middle of the 20th century. 清十八世纪或更晚 铜铸象耳缠枝莲纹三足炉 《宣德年制》篆书模款
Chinese Fine Quality Republic Period Fish Tail Vase with banded neck, from the Jingdezhen ceramic. Kilms, artist signed. Decorated in famile rose enamels, depicting birds amongst roses and cherry blossoms, Chinese characters and seal to the side under glazed blue seal mark to base. 13'' high.
A Chinese Antique Ivory Lantern Shaped Inro. Inro type case with detachable chambers with attached seals / chops, carved to the body with a Luohan with a studant and the celesteral city amongst floating clouds with an incised fish scale ocean sea, bordered by a Greek key fret motifs, the seal stopper carved as a crouching eagle bird, circa 1760 / 80s, height 7 1/4 cm, please see accompanying image.
A CHINESE CARVED SOAPSTONE SEAL IN THE FORM OF A RAM, 14CM H, A JAPANESE LACQUER BOX AND COVER, A CHINESE MINIATURE CLOISONNE ENAMEL DRUMSTICK VASE, A 19TH C BONE SNUFF BOX, AN INDIAN BRONZE VESSEL ON FOUR LEGS, 19TH C AND SEVERAL OTHER WORKS OF ART, INCLUDING A DAMAGED CHINESE EXPORT IVORY BOX
TWO 19TH / 20TH CENTURY CHINESE FAMILLE ROSE PORCELAIN SNUFF BOTTLES, one with a coral red ground with roundel panels depicting floral display and calligraphy, the base with a seal mark 7.5cm high. the other with twin panels of boys playing, gilt highlights, yongzheng mark to base, both with stoppers,
A LARGE 19TH CENTURY CHINESE FAMILLE ROSE / VERTE PORCELAIN FIGURE OF A MAN AND CHILD, the mad stood wearing traditional attire, decorated with native displays of flora and roundel's of egrets, the man detailed with real hair features, holding in his arm a young child, the base with seal mark impressed, 62cm high x 20cm wide.
A group of Chinese export hand-painted and enamelled wares, circa 1750-1900. Comprising large stand decorated with deer, a blue and white floral plate, another floral plate, a large 19th Century bowl with a dragon to the centre and butterflies and flowers, the frieze with figures and animal pulling a cart, blue floral seal mark within double blue circle, a scenic plate, a small Qing style yellow enamelled bowl with dragon to the frieze, puce printed seal mark, another small bowl decorated with a five clawed dragon in iron red chasing a flaming pearl on a blue ground, blue six character Yongzheng mark, a handled-dish and two teapots and covers. Stand: 26 cm wide, plates 23 cm wide. (10)From the estate of the late Norman Walmsley. Condition: Bowl broken in half, one plate rivetted, one teapot wit associated lid and the other teapot with damage to spout and handle.
A Chinese bamboo six-section scholar's table screen, each painted with a vignette of the natural world of birds and blossom with accompanying verse in black calligraphic script and a red seal mark, pierced and shaped pediment above fan-shaped reserves and a ground incised and picked out with scroll clouds, the lower sections with further rectangular tableaux of nature, carved and pierced aprons and feet, 29.5cm wide, 51.5cm wide, second-quarter 20th century
Chinese Ch'ien-lung Period Porcelain Snuff Bottle. Mark and period of Ch'ien-lung period 1739-1793. Of spade form with a framed panel on each side, decorated in famille-rose enamels with three cocks perking on grass on both sides. The neck and narrow shoulders with formalized floral scrolls in blue and white, the base with a Qianlong four-character mark in seal script. Provenance: David Chang Collection (San Francisco California). A bottle similar shape and motif bottle from Lilla Perry Collection is illustrated in Chinese Snuff Bottles - The Adventures and studies of a collector, no. 66. See last photo for reference.
Painted to one side with a pleasant garden scene with an insect hovering near plants under an inscription, the reverse depicting a graceful prunus branch in a crackled porcelain vase; signed Zhou Leyuan with one seal, dated autumn 1892. Provenance: David Chang collection (San Francisco, California). Acquired in 2000. The painting style belongs to Shanghai School, the subject matter can be traced to the Song dynasty. Compare a very similar bottle by Zhou Leuan, also painted with insects, illustrated and published in "The World in a Bottle" Chinese Inside Painting Snuff Bottles from the collection of Joseph Baruch Silver and Traditional Chines Paintings Pg. 71, Fig. C14 , and an inside-painted bottle with a vase containing a prunus branch published and illustrated in Chinese Snuff Bottles From the Richard F. Kuenkler Collection Pg.60, Fig. 64.
A 19th Century Chinese antique pottery stoneware Yongzheng mark (1723-1735) Fanghu vase having a stunning Sang de boeuf flambe glaze with slight blue iridescent colouring to sides. The vase of waisted square form with square rim and applied square handles to sides. Four character seal mark to base. Measures: 17cm. No visible damage a great example of this vase.
A Chinese picture of Scholars in a mountainous landscape, presumably a Daoist Paradise with four Cranes; single red seal and inscription at top right,, framed and glazed; overall dimensions including the frame about 77 x 60 cm. Please note that some areas of wear, deterioration or damage extant.
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27276 item(s)/page