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Chinese porcelain vase decorated with four polychrome Immortal figures and gilt roundles amid stylist gilt clouds, all on a coral red ground. Turquoise enamel on base and inside mouth, with hand drawn six character Qianlong Zhuanshu seal-script mark to the base in iron red enamel. Probably late Qing/ Chinese Republic period. 28cm high approximately. (B.P. 21% + VAT) Some minor gilt wear in places, good clear seal mark. Small chip to underside of vase at top. Otherwise appearing ok.
A fine double-page illuminated frontispiece, consisting of the opening to the Guy va chawgan, The Ball and the Polo Stick (also known as Hal-nameh, Book of Ecstasy), by Mahmud ibn Muhammad 'Arifi Heravi (d. AH 853/AD 1449-50) Persia, circa 1500Persian manuscript on paper, each leaf with five lines of text in nasta'liq script in black ink within cloudbands on a gold ground, text in stylised kufic script in white within illuminated cartouches above and below main text panel, ruled inner margins in colours and gold, profuse illumination in colours and gold flanking text panel and in outer margins, seal impression in upper border of right-hand leaf, in mount, framed each leaf 195 x 120 mm.Footnotes:ProvenanceFormerly in the collection of Sir Bernard Eckstein (1894-1948).Sotheby's, Extremely Fine Persian and Moghul Miniatures, Oriental Manuscripts, etc., The Property of the Late Sir Bernard Eckstein, Bt., 7th February 1949, lot 13.Stuart Cary Welch (1928-2008), until the late 1960s.Milo Cleveland Beach: acquired from Welch in the late 1960s, until the present.ExhibitedWilliams College Museum of Art (temporary loan, label on backboard).M. C. Beach taught at Williams College between 1969 and 1984, and the piece was loaned to the College for teaching purposes and not for a particular exhibition.The seal impression reads: 'His [God's] hoping servant, Sultan Mas'ud, AH 1259/AD 1843-44'. (This does not refer to Sultan Mas'ud Mirza, later titled Zill al-Sultan, and a son of Nasir al-Din Shah Qajar, born in 1850.The text, Guy va Chawgan, or Hal-nameh, is a mystical poem by 'Arifi (d. circa 1449), which hinges on the metaphor of the polo ball and the mallet of the rider as a representation of the lover's yearning for and being spurned by the beloved.For a manuscript of 14 leaves consisting of selections from the Guy va Chawgan, copied by Muhammad Husain al-Husaini, dated AH 965/AD 1557-58, see Christie's, Art of the Islamic and Indian Worlds, 8th April 2008, lot 205.There are various handwritten notes on the backboard of the frame. The note at the upper left was written by M. C. Beach, as were the comparisons at lower right. The remainder, including the sketch, are by Cary Welch.Sir Bernard Eckstein (1894-1948)Sir Bernard Eckstein was a connoisseur and collector of wide interests, whose family wealth derived from Sudanese cotton and mining interests in South Africa. He became a director of various companies involved in these areas. He bought widely and was able to donate works of art to various institutions, such as the National Gallery, London, and Persian drawings and miniatures to the British Museum, the acquisition of which were said to have 'undoubtedly immensely increased [the national collection's] importance and interest'. These bequests scarcely dented his extensive collections, which were auctioned (mainly by Sotheby's) in a series of sales during 1948 and the two following years: paintings (8 December 1948), Chinese jade and hardstone carvings (9 December), books (24 January 1949), autograph letters and documents (25 January), Persian and Mughal miniatures (7 February), silver (10 February), clocks, furniture and tapestries (25 February), English pottery and porcelain (29 March) – by which time the Eckstein collections had realised £196,000 - equivalent to a present day value of some £6,300,000.This lot is subject to the following lot symbols: * R* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.R This lot is subject to import restrictions when shipped to the United States.For further information on this lot please visit Bonhams.com
A collection of Chinese qianjiang enamelled porcelain, 20th century, comprising: a water-pot, of compressed globular form, painted with birds amongst flowers with an inscription to the reverse, signature and seal of Liu Yucen, 8.2cm high, another, of ovoid form, painted with a grasshopper amongst flowers, inscription to the reverse, 7cm high, a brush lick, of circular form, painted with grasshoppers amongst foliage, signature and seal of Liu Yucen, 10cm diameter, a vase and an associated cover, of baluster form, painted with ladies in a garden with an inscription to the reverse, 13cm high, and a teapot, of square tapering form, painted with a lady in a garden in shaped panels, inscribed 17cm high (7)Condition report: Water-pot, larger - No obvious faults.Ovoid water-pot - Minute chip to the rim, surface scratches.Brush lick - surface scratches throughout.Baluster vase - star crack to the base, enamel losses and surface scratches, cover not matching, chips to the rims and with a star crack.Teapot - a long crack from rim to body, handle restored, gilt losses and surface scratches, cover chipped.
An enamel pillbox,of plain rectangular form, inset with foliate decoration, 3.5cm widetogether with two Royal Copenhagen porcelain figures,modelled mermaid, 5cm high and a robin, 4cm hightogether with further collectables,to include an enamel, 6.5cm diameter, a Chinese seal, a miniature cloisonne vase, to include a bronze figure, 6cm high (qty.)Condition report: Chip out of seal, all showing wear, losses and scuffs
FIVE LATE 18TH CENTURY CHINESE VERTE IMARI PORCELAIN TEA BOWLS AND SIX MATCHING SAUCERS, decorated with pagodas in a landscape, diameter of saucers 11.5cm, together with a famille rose saucer dish of ribbed and fluted form, gilt rim and decorated with three figures and two others on horseback, red seal mark verso, diameter 12.4cm (12) (Condition report: all five tea bowls have damage, two are minor with a small chip to the top rim and the other with a chip to the inside of the foot rim, the other three have more extensive cracks or chips, the saucers all have damage of varying degrees, one has a small rim chip and another on the foot rim, another has a small chip to the outside edge of the rim, the remaining four all have hairline cracks, two of which also have tiny chips, the saucer has metal wall hanger attached, no sign of chips or cracks, wear to the gilt rim and decoration on the ribbed sections)
SIX PIECES OF 19TH AND EARLY 20TH CENTURY CHINESE AND JAPANESE PORCELAIN, comprising a blue and white baluster vase decorated with alternating panels of a lady in a garden holding a flower and bird in a flowering tree, four character marks to the base, height 18cm, a small bowl, the exterior painted with foliage, faint red seal mark to the base, a few glaze scuffs and chips to the rim, height 4.7cm x diameter 7.1cm, a miniature handled vase, the exterior with foliate decoration, s.d to handle, height 4cm, a prunus blossom ginger jar and cover, the cover with a glued repair and stained crack to the rim of the jar, height 15cm, a famille verte ginger jar decorated with warriors on horseback, height 12cm and a crackle glaze sleeve vase, brown rims and underglaze blue decorated with birds and foliage, chipped to the top rim, staining crazing to the interior and firing cracks, height 20.5cm (6) (Condition report: specific damage mentioned within the description)
A Chinese porcelain baluster vase decorated in famille rose enamels with warriors in landscapes on a crackle-glazed coffee ground, with applied mask-&-ring side handles & incised Chenghua seal mark to base, 10” high; a polychrome-decorated model of Budai; & a small ethnic carving. (the pair to the vase is present, but fragmented; we cannot guarantee that all pieces are present).
A Chinese porcelain celadon-glazed vase of squat baluster form, underglaze blue Qianlong seal mark to base; 4?” high; a Ge-type vase of rectangular stepped beehive form; 3½” high; & a Chinese woucai porcelain box of lobed circular form with apocryphal Wanli mark to base; 4½” wide x 2¾” high. (3)
A pair of 19th century Chinese brass vases of GU form, cast with the six 'I-Ching' hexagrams to the stem knop, other script and decoration, to the base cast with six character seal mark, 26.5cm highCondition report – They are ‘brassy’ in colour, may have had a brown patination which was removed in part, one is slightly brighter than the other, a few manufacturing blemishes, otherwise good condition, great shape and I think unusual with the ‘I-Ching’ symbol decoration,haven't seen that before.
A pair of Chinese cylindrical vases, decorated with figures and fence with square seal mark to base. Height 28 cm. CONDITION REPORT: Both cylindrical vases have some wear to the decoration through use and time. There is one 2-3 mm long chip to the top edge of one vase, there are no other chips evident to either. The other thing to note is spots of discolouration or mould consummate with imperfections in the glaze after firing. There are no cracks or hairline cracks which may affect either vases stability.
A COLLECTION OF CHINESE SEALS Comprising: A recumbent horse and her filly on an oval base carved with script to the underside; A Qilin issuing smoke and a stack of books from his mouth, the oval base with calligraphy; A winged Bixi seated on an oval base carved with script; and A bronze seal of a horseman the taller 6,5cm high (4) NOT SUITABLE FOR EXPORT
Chinese crackle glaze blue and white vase of baluster form decorated with scrolling dragons amongst foliage with brown glazed floral incised borders and incised seal mark to base, 33cm high and a similar pair of flared cylindrical vases decorated with phoenix amongst peonies, each 31cm high. Some damages. (3).Condition:Baluster vase - Chipped and damaged cover. Vase ok.Pair cylindrical vases - One with very chipped rim, other has underglaze rim chip or knife mark.
Eastern bronze weight or toggle with ram's head finial, moulded figure of buddha as a child and fist terminal (possibly Tibetan?), 11cm long; small Chinese pierced bronze disc decorated with scrolling dragons, 6cm diam.; small weighted gilded medallion with moulded decoration depicting Garuda, 4.5cm diam.; small metal seal of arched form depicting a monkey god, 13.5cm high and an Eastern white metal bracelet or watch chain with cotton threads, 20cm long excluding hook.
A mixed lot including In a Little Gypsy Tearoom sheet music, a still life of Poppies, oil, a watercolour, Still Life of Flowers, faint red Chinese seal mark bottom right, assorted greeting cards and photographs, The Alvis Dinner and Dance 16th February 1939, embroidered greeting cards and a beadwork purse etc. (a lot)
^ A Chinese Porcelain Seal Paste Box and Cover, circa 1936, of circular form, painted with a winter scene with a palace and trees, bears mark for He Xuren and with presentation inscription from Li Futian to Mr Zhengpo in the Spring of Bingzi Year (1936), four-character seal mark in blue, 8cm diameterWith Peter Wain Antiques, 1995Ex Kaynes-Klitz CollectionCondition report: Base section with two chips to the rim, good condition otherwise

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28842 item(s)/page