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Lot 30
5 x Asian Art 20th Century Ceramics. Chinese Famille Rose small lidded Jar with hand painted Mountainous Lakeside Scene and inscription. Enamel Buddhist Lotus style borders. Lid with characters, border and top painted flower and rubber red stamp to base(Heavy for size at 0.438 Kg.). Pintado a Mano - Spanish plate in Blue and White, with Chinese style Dragon, hand painted underglaze and signed on reverse. Small Buddhist Famille Rose Pot and Lid, decorated on green ground with Bats, Clouds, Ruyi Scepre Heads, Lotus and various Auspicious, good luck, cash symbols and Flowers, Red rubber stamp to base and 2 x transfer printed items - Large decorative wall hanging plate with Love Verse and a porcelain Vase decorated with a Lady playing a Flute surrounded by Bamboo, Butterflies, a script to reverse and red seal to base. All are in excellent condition with no damage noted. Tallest vase is 23cm high.5 x 亚洲艺术 20 世纪陶瓷。 中国粉彩小盖罐，手绘湖边山景和铭文。 珐琅佛教莲花风格边框。 带字符的盖子、边框和顶部彩绘花朵和底部的橡胶红色印章（重量为 0.438 千克）。 Pintado a Mano - 蓝白相间的西班牙盘子，带有中国风格的龙，手绘釉下彩，背面有签名。 小型佛教粉彩花盆和盖子，绿色地面装饰有蝙蝠、云彩、如意仙人头像、莲花和各种吉祥、好运、现金符号和鲜花，底部有红色橡皮图章和 2 x 转印物品 - 大型装饰性壁挂 盘子上有爱情诗句和花瓶，描绘了一位女士在竹子的包围下吹笛子，一个反转的脚本和红色印章在底部。 所有都处于良好状态，没有发现损坏。 最高的花瓶高 23 厘米。
Lot 2139
A Chinese Yixing pottery teapot with foliate enamel decoration, four character mark to the underside, 12cms high; together with a Chinese Yixing pottery teapot decorated with prunus, four character seal mark to the underside (2).Condition ReportThe enamel teapot to this lot is in very good condition with no damage or repair; the teapot decorated with prunus has multiple chips to the inside rim of the cover and many smaller chips to the top rim of the cover, losses to the applied prunus overall but no cracks or repairs to the body.
Lot 816
Ding Yuan Gong Attributed Old Chinese Scroll Paining, attributed on label to be by Ding Yuan Gong and titled 'Mountain Water'. Ink and slight colour on paper, on satin scroll. Signed and inscribed with 04 seals, including large seal upper centre. Overall size width 26'' x length 64'', image size 34'' x 18''.
Lot 59
SEVEN FUCHI-GASHIRA (HILT COLLARS AND POMMELS)Edo period (1615-1868), 18th to 19th centuryThe first iron, chiselled in relief and with gold and silver details, depicting Chinese warrior Go Shisho (Chinese: Wu Zixu, d. 484 BC) writing a text at the same time as holding a 600-kilo bronze vessel above his head, with other scenes from early Chinese history, signed Tetsugendo Shoraku with a gold seal Toshiyuki (Haynes 6772); the second shibuichi migakiji (polished ground), chiselled and inlaid in shakudo, copper, and gold with koronbo (South Sea Islanders), signed Yoshihiro with a kao; the third shakudo nanako, chiselled in relief and with gold details depicting two shachihoko (dragon fish), signed Nanto Tanaka no ju Tanaka Sokaku seishi (made by Tanaka Sokaku, residing at Tanaka, Nara; Haynes 8903); the fourth shibuichi migakiji (polished ground) with flush inlay of gold, silver, copper, and shakudo depicting masked rustic dancers, signed Hinoe-tora haru Echi Fuku ni oite kore o horu Kono Toyotoshi (Chiselled by Kono Toyotoshi in Fukui, Echizen Province, spring 1866, Haynes 10733) with a gold seal; the fifth shibuichi boldly chiselled in relief and inlaid with gold, silver, shakudo, and copper depicting Mongaku Shonin doing penance under the icy Nachi Waterfall, about to be rescued by the guardian deity Fudo Myo-o, signed Katsukawa Mototoshi tsukuru (perhaps the same as Haynes 5962); the sixth shakudo nanako, chiselled in relief and with gold details depicting an oni (demon, on the kashira) stealing a pagoda from the guardian deity Bishamon (on the fuchi), signed Kawakami Hidemasa (unidentified); the seventh iron, outsize, boldly chiselled with Shoki (on the fuchi sheltering from a storm sent down by Fujin (on the kashira), signed Inagawa Naokatsu with a kao; four with wood storage boxes (18).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 70
UTAGAWA KUNIYOSHI (1797-1861)Edo period (1615-1868), circa 1827-1830Three oban tate-e prints from the series Tsuzoku suikoden goketsu hyakuhachin (108 Heroes of the Popular Water Margin), comprising Daito Kansho (Chinese: Guan Sheng), 25cm x 37cm (9 13/16in x 9/16in); Chitasei Go Yo (Wu Yong), 25cm x 36.5cm (9 13/16in x 14 3/8in); and Shoriko Kaei (Hua Rong), 25cm x 37cm (9 13/16in x 14 9/16in); all published by Kagaya Kichibei, with censor's seal kiwame, signed Ichiyusai Kuniyoshi ga; all framed and glazed. (3).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 71
UTAGAWA KUNIYOSHI (1797-1861)Edo period (1615-1868), circa 1827-1830An oban tate-e print of Dokukakuryu Sujun (Chinese: Zou Run) and Sobikatsu Kaiho (Xie Bao) from the series Tsuzoku suikoden goketsu hyakuhachinin (108 Heroes of the Popular Water Margin); depicting Kaiho and Sujun entering the palace at Beijing disguised respectively as a hunter and a lantern seller, Sujun in the foreground carrying a bamboo stick suspended with several lanterns, Kaiho behind, clutching a stick tied with a monkey and hare from his so-called hunting trip, published by Kagaya Kichibei, with censor's seal kiwame; signed Ichiyusai Kuniyoshi ga. 36cm x 25.5cm (14 3/16in x 10in).For further information on this lot please visit Bonhams.com
Lot 429
Cheng-Wu Fei (1914-2001) Chinese British, Tree Peony, with signature and red seal, ink and watercolour, framed and glazed, 41 x 30 cm, and another similar by the same artist, Camelia, 31 x 43 cm, both with The Tryon Gallery labels on the reverseQty: 2Tree Peony - Acid burn evident around the edge at the mount. White bodycolour on the petals peeling and spreading to other areas. Streaky finish to the background. Has not been removed from the frame for inspection.Camelia - Acid burn and staining evident around the edge at the mount. Some staining and discolouring throughout. Has not been removed from the frame for inspection.
Lot 48
A CHINESE BLUE AND WHITE PORCELAIN ‘PEACH’ PILGRIM FLASK, BIANHU, DAOGUANG SEAL MARK, LATE QING DYNASTY晚清 青花桃型扁壶道光年制款Painted in the Ming style, the flattened circular body rising from a short spreading foot, moulded to each side with a raised peach-shaped panel painted with two bats in flight encircling fruiting peaches issuing from a gnarled leafy branch, all reserved on a lotus scroll ground, the narrow waisted neck set with a pair of ruyi handlesHeight: 25.5cmCondition ReportThe moon flask has a rim frit, a frit to the lower edge of the body and minor glaze scratches.
Lot 179
TWO CANTON ENAMEL DISHES, QING DYNASTY, QIANLONG PERIOD, 1736 – 1795清 乾隆1736-1795 銅胎畫琺琅碟 一對Each of square shape, painted with classical Chinese scholarly scenes, one with a seal mark in puce (2)Diameter 9.5cmCondition ReportBoth dishes with small areas of re-touching to the enamels on the interior corners of the rim and enamel crazing to the interior and exterior.
Lot 181
A PAIR OF CANTON ENAMEL DISHES, QING DYNASTY, QIANLONG PERIOD, 1736 – 1795清 乾隆画珐琅盤一对Of square shape, painted with Chinese literati scenes, each with a seven-character inscription, blue key-fret borders, the underside with seal marks in puce, on bracket feet (2)Height: 1.5cmLength: 10cmCondition ReportOne dish has a four-pointed enamel star crack.
Lot 207
FOUR CHINESE ENAMELLED PORCELAIN ‘BUDDHIST’ PANELS, MOUNTED AS A TABLE SCREEN, 20TH CENTURY清 二十世纪 罗汉圖纹桌屏 一组四件Each rectangular panel enamelled with a seated Luohan, seal mark of Xinzhai, mounted in a wood four-fold screenThe porcelain: 19.5cm by 8.5cmCondition ReportExamined framed, some chips to the extremities of the porcelain panels, light rubbing and loss to the enamels on the second to left panel (as illustrated in the catalogue).
Lot 43
λ A RARE SET OF CHINESE BLUE AND WHITE PORCELAIN ‘SILK PRODUCTION’ PANELS, MOUNTED AS A SIX-FOLD SCREEN, THE PORCELAIN QING DYNASTY, 19TH CENTURY清 十九世纪青花瓷屏嵌丝制工藝场景瓷板一組Each of the twenty-four porcelain panels finely painted in rich cobalt-blue tones with a scene of silk production, each leaf of the rosewood screen inset with a fan-shaped, square, quatrefoil and circular panelEach folding panel of the screen:Height: 181cmWidth: 44cmWhile rearing silkworms was women’s work inside the house, men cultivated grain outside in the fields. In accordance with theories of Chinese classical government, every year the emperor and empress would open the season for agriculture and sericulture in state rituals. The scenes are part of an album Yuzhi gengzhi tu (Imperially Commissioned Illustrations of Agriculture and Sericulture)with 46 illustrations on the cultivation of grain and silk ,commissioned by the Kangxi emperor (1662 - 1722). Based on a 12th-century version, the Kangxi edition includes poetic verses by the emperor, and bears three of his seal impressions in red中國古代婦女擅長於在屋內養蠶，而男子則外出在田間種地。按照中國傳統的治國理論，皇帝和皇后每年都會在農業和蠶桑的季節進行特定的國家祭典。這些場景是康熙皇帝（1662 - 1722 年）特殊託製的一冊《御製耕蠶圖》的一部分，該冊有 46 幅關於種植糧食和絲綢的插圖。康熙時期的版本以 12 世紀的版本為基礎，康熙時期的版本包括皇帝御題詩句，以及他的三個御用印章。Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including rosewood. Accordingly, prospective purchasers should familiarise themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country準買家應注意，一些國家禁止進口含有濒危物種材料的財産，包括红木。因此有意購買此件拍品并有意愿运至其他國家的凖買家應在竸投前熟悉相闗海闗规定Condition Report Overall the screen is in good condition in keeping with its age. All of the porcelain panels are in good condition. The rosewood frame overall is good, however there is some movement/shrinkage to the panels in keeping with its age: Panel 1: left to right 1: Fan shaped panel, 26cm by 14cm approx, in good condition, age related crack to rosewood panel 2: Square shaped panel, two ladies and a child sorting silk cocoons, 21cm by 22cm, in good condition, splits to rosewood panel. 3: Quatre-lobed panel, depicting two women and a child, with trays of cocoons, beside a river, man crossing a bridge, 19cm by 26cm, rosewood panel slightly slipped in frame. 4: Circular panel depicting a riverside pagoda, with three ladies and two boys, inspecting yarn hung from rafters, 25cm by 25cm, two old splits to left hand side of panel Reverse: splits evident and some shrinkage to frame work. Panel 2 5: Fan shaped panel depicting two men operating an archenemies screw, another man emptying water from pond, rosewood panel slipped down from top edge. 6: Square panel, courtyard scene, two ladies sifting cocoons, yarn hung behind, a female attendant approaches with two bolts of silk under her arm, two old splits to rosewood. 7: Quatre-lobed panel, lady on day bed, with two others inspecting trays of silk worms by candlelight, panel slipped in frame, two old age cracks to right hand side. 8: Circular panel, three ladies inspecting trays in a pagoda, another two bringing a jar from bamboo grove, old splits to rosewood to either side, 26cm by 26cm Panel 3 9: Three workmen thrashing leaves accompanied by one other seated, old split to left hand side of panel, 27cm by 14cm 10: Square panel depicting ladies by candlelight inspecting trays of cocoons, four old splits to rosewood panel. 11: Quatre-lobed panel, depicting two men and water buffalo in a field, one old split to rosewood panel, 25cm by 18cm 12: Circular panel depicting two ladies on a terrace inspecting baskets of cocoons 24cm by 24cm, the rosewood ok. Rear: each panel showing old age related splits, top panel slipped in frame, third and fourth too. Panel 4 13: Fan shaped, depicting a lady and child, drying yarn, a boy and water buffalo. Rosewood panel slipped in frame. 14: Square shaped, depicting two ladies on a terrace with two workers transplanting rice in a field, moulding to frame re-stuck, old age crack to rosewood on the right hand side, 22cm by 22cm 15: Quatre-lobed, depicting a man and water buffalo in a field, compound behind, 25cm by 18cm, rosewood with old split to right hand side. 16: Circular panel, with three men working in a field, section of rosewood moulding missing to mount. Two old age cracks to panel. Rear: each panel with age related splits….top panel slipped in frame. Panel 5 17: Fan shaped panel, three male figures loading baskets in warehouse, rosewood panel slipped, old age crack to left side, 26cm by 14cm 18: Square shaped, depicting a lady in interior with two boys at a table, 21cm by 21cm, two old age cracks to rosewood panel. 19: Quatre-lobed panel depicting two ladies and a boy winding yarn, rosewood panel slipped in frame. 20: Circular depicting a man and buffalo, 26cm by 26cm, two related age cracks to rosewood panel, slipped to left side of frame. Rear: each of the rear panels with age related splits, the top panel slipped, likewise the third. Panel 6 21: Fan shaped, three ladies winding silk yarn, 26cm by 14cm, rosewood panel slipped in frame, one age related crack to right hand side. 22: Square shaped panel depicting lady and attendant inspecting a basket and yarn. 22cm by 22cm, slip to rosewood panel, two old age related cracks to rosewood. 23: Quatre-lobed panel, depicting two men loading baskets, watched by a lady and dog, 26 by 19cm, slip to rosewood panel in frame, one age related crack to left side. 24: Circular panel depicting man tending a rice field watched by a woman and child. 26 by 26cm, the rosewood with one old age related crack to right side. The rear on panel top panel slipped in frame, an age related crack to left side, the second panel slipped in frame, an age related crack to right side of frame, the third and fourth panel slipped in frames. Overall in good condition, for its age and weight!
Lot 80
Chinese blanc de chine porcelain figure of Guanyin, serenely modelled standing on a base of waves, seal mark in Zhuanshu script, which possibly reads 'The shop of Xu Xingde' (see Chinese Ceramic Marks Handbook, Joel Davison, pub. 1994, ref 1753) (chips and losses), height 38.5cm; also a further blanc de chine figure of Guanyin holding a lotus flower, standing on a lotus flower base (damaged), height 35cm (2)
Lot 161
A group of Chinese porcelain, 20th century, comprising a pair of Chinese export style cockerels with colourful plumage, perched atop rocky outcrops, 17cm high, two sages including Shou Lao and (sage), each seated on a throne with dragon head armrests, incised Chinese character seals to the underside, 21cm high, and a vase decorated to the body with a continuous landscape scene, the neck with foliate motifs to a brown ground, character seal mark to the underside, 30cm high (5)Please refer to department for condition report
Lot 162
A group of Chinese porcelain, 20th century, to include: a large baluster vase converted to a lamp base, decorated to the body with exotic birds and chrysanthemums and calligraphy to the other side, atop pierced and carved wood base, 50cm high excluding electrical fittings; two famille noir vases, one a high shoulder vase with exotic birds and flowers, 35.5cm high, the other a baluster vase with flowers, 30cm high; and a famille noir jar and cover decorated with flowers, with iron red character seal to underside, 25cm high (4) It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.Each piece appears to be in overall good condition with light surface marks and pitting.
Lot 248
A collection of Chinese miscellaneous, 19th-20th century, comprising:a pair of resin vases and a resin box, a composite cabinet with inlaid mother of pearl, a cylindrical soapstone seal, a pair of metal vases, one coconut bowl and a box, a brass incense burner, Budai and a bronze tray, a Republic Period rectangular box with ivory and cloisonné, and a table screen,10 to 36cm (17) IMPORTANT NOTEThis lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.This item has been registered as exempt from the UK Ivory Act 2018, on account of it being made before 3 March 1947 with less than 10% ivory by volume. Ivory declaration submission reference: SPWXESHR.Condition ReportPair of resin vases – chips, cracks, and losses to both.Composite cabinet – part of base broken, three doors with loose hinges, and one door loose. Chips, cracks and restoration in various locations.Soapstone seal – surface scratches and chips.Metal vases – surface scratches and dents. Budai – surface scratches and dents. Tray – surface scratches and dents.Coconut bowl –surface scratches and dents to pewter liner. Chips and scratches to bowl.Coconut box - surface scratches and dents to pewter liner. Chips and scratches to box.Box with ivory – panel to cover and hinge loose. Metalwork with surface scratches and dents. Small chips to ivory.Brass incense burner – surface scratched and dents.
Lot 141
Chinese Wucai dragon and phoenix bowl bearing a retrospective Qianlong seal mark, decorated with one green and one red five-toed dragon and phoenix, in blues, reds, greens and yellows decoration to the interior, five-toed red dragon chasing pearl decoration, 15.5cm diameter (six chips to rim) Condition ReportSix chips to the rim, two leading to hairline crack; one chip results in loss to the top blue border. One other hairline crack within the bowl from the rim to 2/3 of the way in. Slight occasional loss to the leaf pattern on the outside of bowl as photographed. Raised glaze running from blue border between the dragon's feet to the rim of the bowl. Visible spots under UV light along the raised glaze. Slight wear to the base, including a small chip.
Lot 419
A Chinese copper red langyao monochrome bottle vase in the 18th century manner, the exterior evenly covered with a rich strawberry red glaze with gilded rim, turqousie interior and base centred by the six-character 'Da Qing Qianlong Nian Zhi' seal script reign mark, 26 cm high post Qing dynastyGood condition without damage or restoration
Lot 518
A 19th century Chinese blue ground scraffito plate painted in polychrome enamels with polychrome floral roundels, the reverse with sprays of bamboo in iron red, and the base with six character Qianlong seal script mark in underglaze blue, late Qing dyaasty, 25.5 cm diameter to/w an early 20th century Chinese famille verte ginger jar with brown Chenghua mark, 9 cm high, two small Japanese floral decorated vases, 20 cm h and 12.5 cm h, two saucers and a small floral sake/wine cup (7)
Lot 160
A Chinese ovoid 'dragon' vase, 19th century or later, painted with three stylised dragon medallions, the neck modelled with a dragon and a bat, apocryphal Yongzheng seal mark, 17.5cm high***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 215
A Chinese bronze censer, two character Xuande seal mark, 18th century, of ribbed cylindrical form, cast archaistic mark to base, 10.4cm high, 12.1cm diameter, small dents***CONDITION REPORT***Provenance - in the owner’s collection prior to 1980.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 217
A Chinese inscribed bronze seal, cast with the inscription ‘Confucian Studies seal of Dengchuan County, Manufactured by the Board of Rites’, 9cm wide, 8.5cm high***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 142
A Chinese turquoise ground 'Boys' dish, Jiaqing seal mark but Republic period, painted with boys playing, apocryphal iron red Jiaqing seal mark, 23.5cm diameter, two hairline cracks***CONDITION REPORT***There are two faint short hairline cracks to the rim, some wear to gilding on the rim, and some occasional minor scratching to the glaze, otherwise in good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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