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LARGE CARLTON WARE GINGER JAR & COVER OTHER CERAMICS AND OBJECTS decorated with scenes depicting pagodas and foliage, marked to base, along with another Carlton Ware jar and cover, as well as two 20th Century Japanese porcelain pieces and a twin handled dish, several 20th Century Chinese bowls and matching vase, a silver plated tankard and two Indian white metal miniature shoesginger jar 21cm high including lid
SILVER PLATED TANKARD AND OTHER SILVER PLATED WARE the tankard bearing a 'Celtic' logo, along with other silver plated ware, inlcuding an Elkington & Co oval tray, and a similar piece, several other tankards, trays and salvers, as well as some Art Deco cocktail shakers, one with 'Martini branding and some pewter wareQty: 1 Box
A Norwegian silver and parcel gilt peg tankard, probably Peter Michael Blytt, Bergen circa 1790-1812, cylindrical beaker form, on three ball and claw feet, repousse embossed and chased foliate lappets, the hinged lid set with a Friendship Medal, Philipp Heinrich Muller, circa 1710, Abraham Welcoming Lot and David and Jonathan, within an embossed band of flowers and birds, the thumb piece cast as a crowned lion with ball, hollow tapered S scroll handle, 22cm high, 39.49ozt
Jan Hendrik Eversen (Dutch, 1906-1995)Still life with books, tankard and a candlesigned and dated 'J.H.Eversen/1965' (lower right) oil on canvas 50.8 x 71.1cm (20 x 28in).Footnotes:ProvenanceWith Burlington Paintings, London.Private collection, UK.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
An Aynsley porcelain twin handled cup and cover, to commemorate twenty five years of passenger flight of Concorde 1976-2001, painted with reserves of Taking Off, and Over New York City, limited edition no. 35/100, painted by J Shaw, boxed with stand and certificate, together with a Royal Sutherland Fair well to Concorde limited edition tankard, a Anya Hindmarsh cosmetics case, to celebrate twenty seven years of Concorde's Commercial Super Sonic Flight, boxed, and a Concorde plastic suit cover. (4)
* Sandby (Paul, 1731-1809). John Balfour's Coffee House at Edinburgh, & Man with a Tankard outside an Inn (from the series Good Entertainment: A New Book of Figure Studies), circa 1747-1756, two etchings, very good impressions on firm laid paper, with margins, together with eight other figure subjects by Sandby: Old Woman with a Basket, three figures in the background (from the series Book of Etchings); Old Man and Woman seated on a Bench, 1747; A Group of Figures in a Landscape; Caricatured heads of a man and a woman, and the figure of a man with a leek or a feather in his hat, (from the series of Figure Subjects), the first state (of two), before the addition of the feather/leek; A group of two women, one carrying a baby, a man and three children; A stout butcher with two other figures and a dog; Head and shoulders portrait of a man, a later impression; Two young ladies, circa 1756, with the initials 'VG' from a Villedary watermark, and one sheet with impressions of Three men in conversation beneath a tree, A Book of Figures; two men, and boy pulling at the jacket of one, and a further impression of the figure of a man with a leek or a feather in his hat (i/ii) printed on one sheet (47.7 x 32 cm, 18 3/4 x 12 1/2 ins), four with margins, the rest trimmed on or within the platemark retaining a fillet of paper outside the borderlines, one trimmed to the subject, generally in good condition, unframed, sheets 13.5 x 10.8 cm (5 1/4 x 4 1/4 ins) and smallerQTY: (11)NOTE:Gunn 32, 43, 44, 46 i/ii, 48, 49, 51, 53, 57, 63 and 46, 55, 56 printed on one sheet.
An assorted collection of works of art, including early 20th century British stamps, and world stamps, Royal Queen Elizabeth items, including a leather tankard, 14cm high, a collection of British and world coins, a rosewood framed cameo work, frame size 27cm x 24.5cm, a circular lead and coloured glass wall hanging, with a central cross 16cm diameter, a silver plated cigarette case, and others, some condition issues, AF (qty)
A late 19th-Century gilt-copper electrotype tankard Elkington Mason & Co. of Birmingham circa 1860, of cylindrical form, with S-scroll handle, the hinged lid with baby Bacchus finial, after a 17th-century ivory tankard with silver mounts, representing the drunken Silenus, scroll handle and baby Bacchus finial, the underside inscribed 'From the original ivory in the possession of Henry Bedford Esqr, executed by Elkington Mason & Co. 1348'Dimensions:Height: 29cmNote: Note:The Victorian era brought much invention and discovery, both industrial and for the arts. The firm Elkington & Co. were the epitome of innovation and were at the forefront of developments of electro-metallurgy.Elkington & co. honed their skills to create electroplate masterpieces and in particular electrotype facsimile copies of museum quality artefacts. They were also the only British company to consistently win the highest awards at all seven of the International Exhibitions held from 1851-1878.Founded by cousins, George Richards Elkington and Henry Elkington, and financed by the steel pen magnate Josiah Mason the company formed a relationship with the pre-cursor to the Victoria and Albert Museum, the South Kensington Museum to produce facsimile copies of museum artefacts for educational purposes known as a ‘type pattern’.In order to re-produce these type patterns, a mould is first made of the original piece and then sprayed with a silver paint to help conduct electricity, dipped in a solution with copper wires this first helps connect the copper and then the silver. The complex process produces a product that can be handled and examined for further research.Elkington & Co. was a commercial enterprise and did sell their electrotype wares. The Bedford tankard was the third project between the South Kensington Museum and Elkington & Co. It is the only known example where the name of the owner was credited on the piece. Various options were provided for the tankard with entirely copper costing 7l 7s to gilt or parcel gilt with a price of 10l 10s.Francis Bedford (1815-1894) loaned the 17th-century tankard to the museum in 1854. He was the founder of the Photographic Society of London (later the Royal Photographic Society), Prince Albert had commissioned him to photograph items in the Royal Collection and even purchased an image of the tankard taken by Bedford which still resides in the Royal collections today RCIN 2906112. The Bedford family were primarily civil servants, but their link to Sir Horace Walpole (1717-1797) might explain their interest in the arts. Horace was the youngest son of Sir Robert Walpole, Britain's first Prime Minister. His house Strawberry hill in Sussex became a living museum itself encompassing Renaissance maiolica, Holbein drawings, arms and armour among other collections. Bedford consequently was keen for further investigation on his museum worthy tankard.The purpose of their exercise was to provide educational tools, but with Elkington's success, they began to use the elements of the original 'type patterns' such as a handle, for other designs. This created a conflict of interest and may have been a contributing factor to why the relationship ended.There is today still a silver-gilt mounted ivory tankard carved with the same version of the Silenus story but with a different finial, in the Victoria & Albert Museum (accession number 880-1882), from the bequest in 1882 of John Jones, and is on display in the Whitely Galleries. More recent research has deemed that Ivory drum attributed to Flemish Baroque sculptor François Duquesnoy is now thought to be Augsburg Germany.Lots 3 and 4 offer an interesting insight into the Victorian period where the commercial industrial drive meets the desire to improve social and public order.
A matched pair of electrotype tankards each of cylindrical form, with S-scroll handle, the hinged lid with baby Bacchus finial, after a 17th-Century ivory tankard with silver mounts, representing the drunken Silenus, scroll handle and baby Bacchus finial, the underside inscribed 'From the original ivory in the possession of Henry Bedford Esqr' HB 357 and plain to the underside of the otherDimensions:Height: 31cm
John McMahon Preston North End Captain - three various club awards, comprising silver medallion, the observe inscribed PROFESSIONAL FOOTBALLERS ASSOCIATION, the reverse inscribed ALL STAR Award Winner, Division 3, J. J. McMahon, Preston North End, 63g in original fitted case, white-metal two-handled cup Player of the Year and cover the body inscribed PRESTON NORTH END FOOTBALL CLUB, Awarded For Outstanding Ability Sportsmanship And A High Standard Of Play During The Season 1971-71, on socle base, 30cm high and a pewter tankard inscribed PRESTON NORTH END FOOTBALL CLUB PROMOTED TO DIVISION TWO OF THE FOOTBALL LEAGUE 1978 (3)
A silver presentation salver 2000, the centre inscribed THE FOOTBALL ASSOCIATION Presented by The Football Association UEFA European Football Championship Finals Belgium and The Netherlands 10th June to 2nd July, 20cm diameter, white-metal presentation salver, inscribed Malta Football Association, Centenary Match, Malta v. England, National Stadium, Ta' Qali, 3rd June, 2000, 30cm diameter in case, white-metal tankard, Euro 96 coins and Rous Cup yellow-metal coin (5)
Football League Cup winner's tankard awarded to Stan Lynn of Birmingham City in season 1962-63, electroplated, engraved with the Football League crest and inscribed THE FOOTBALL LEAGUE CUP, 1962-63, WINNERS, height 13cm., tankard still bears original Christie's auction tags Tarnished, scratches and wear Provenance: Christie's Scotland, Football Memorabilia, including the Stan Lynn Collection, 26th October 1994, Lot 20, Tankard still bears original Christie's auction tags Interestingly Stan Lynn won the inaugural Football League Cup with Aston Villa in season 1960-61 with Aston Villa. He the transferred to local rivals Birmingham City to win his second FL Cup winner's tankard, beating his former Club Aston Villa in the process.
Wedgwood - Four pieces of vintage 20th century boxed Wedgwood jasperware to include a limited edition jasperware tankard commemorating the 250th anniversary of Josiah Wedgwood's birth in 1730 designed by Richard Guyatt no. 171/500, a Christmas 1992 display plate, a Christmas 1993 display plate and a lidded pot. All boxed.
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36264 item(s)/page