A 19th century Russian silver tankard and coverPeter Moller, St Petersburg 1825, assay master Mikhail Mikhailovich KarpinskyCylindrical form with flared lip, the pull off cover featuring a chased floral border and a Roman centurion head finial, opening to reveal a gilt lined interior, externally a scrolled handle surmounted by a matching Roman centurion head, the main body bordered with embossed laurel leaves and applied Roman vignettes, classical maidens dancing around the lower border to a cherub playing a lyre, height 18cm, weight 11.9oz.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
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GEORG JENSEN: a Danish silver tankardCopenhagen, 1933 - 1944 period mark, circa 1936, also stamped Sterling Denmark, 925 SCylindrical tapering form, a hinged stepped domed cover mounted with a medallion, the lobed thumb rest pierced with the monogram 'PG', the body applied with bead and dash bands at intervals to top and bottom, the lower body engraved with the inscription 'HAABET, DET PEGER MOD DANMARK' the underside of the base engraved 'FRA GRAENSEFORENINGEN/25 FEBRUAR 1936', on three ball feet, height 19cm, diameter 13cm, weight 32oz.Footnotes:The inscriptions are translated as follows:HAABET, DET PEGER MOD DANMARK - Hope, it points to DenmarkFRA GRAENSEFORENINGEN - from The Danish Border AssociationFor further information on this lot please visit Bonhams.com
A George III silver tankardJohn Emes, London 1798 The flat hinged cover with pierced thumbpiece, the slightly tapering side with two broad ribbed bands, five engraved crests to the polished central band, the cover also engraved with a crest and inscription 'The Gift of A & S Atkinson to J & A Whitfield 1799, height 18cm, weight 30.7oz.For further information on this lot please visit Bonhams.com
Art Nouveau Liberty Tudric pewter mug designed by Archibald Knox, applied with golfing motif, the glazed base etched '19th hole', model 066, together with an Art Nouveau Liberty Tudric pewter mug designed by Archibald Knox with applied enamel disc, model number 0358 (2)Condition report: The golfing tankard has a dent to the footrim. The enamel disc on the other tankard is chipped. Otherwise in good condition with general surface wear commensurate with age.
An 18th century style Chinese export armorial tankard possibly with Sampson elements, with armorial and floral spray decoration, within gilt and red flower and foliate border, 10.5cm diameter x 15cm highCondition report: handle restored, some rubbing to the gilt paintwork, some decoration possibly later applied, some small pits to the glaze in places, chips to the handle
A substantial Georgian style silver presentation tankard, by Pairpoint Brothers, London 1907, engraved with crest to side and "Royal Toxophilite Society, Presented by W.A.Inderwick, July 1st 1909" and engraved to domed lid "Won by H.J.Ellis", height 18.6cm, 933g.Condition note: Fault under hinge (additional image added), otherwise good.
Glashumpen mit Zinnmontur mit dem Monogramm des Zaren Nikolaus I (1825-1855), um 184/50, farbloser Glaskorpus, geschnittenes bekröntes Monogramm, Zinnmontur zusätzlich monogrammiert, H. ca. 18 cmGlass tankard with pewter fittings with the monogram of Tsar Nicholas I (1825-1855), around 184/50, colorless glass body, cut crowned monogram, pewter fittings additionallymonogrammed, H. approx. 18 cm
Walzenkrug, Landshut, dat.1728Zinn. Zylindrische Wandung mit zwei Gurtringen, Bandhenkel, Scharnierdeckel graviert mit Spiegelmonogramm unter Krone, Palmwedelrahmung, Jahreszahl. Marken im Deckel: Matthias Sick d. Ä., Bürger in Landshut ab 1691; vgl. Hintze VI, Nr. 118 f. H. 24 cm Pewter tankard, dated 1728 at cover, engraved monogram and crown. Marks: Matthias Sick the older, Landshut. H. 24 cm
A group of 19th century items comprising: a Ferrybridge pearlware dish in the Brittania pattern circa 1815, a Minton part tea service of similar date, a pearlware tankard, two 19th century copper jelly moulds, Mary Gregory style glass bud vase, Victorian milk glass rolling pin decorated with a verse and a bronze figure of a winged putto (one tray)
AMMENDED DESCRIPTION - Attributed to a design by Archibald Knox / Oliver Baker, planished silver mug, with flared rim, the loop handle with scrolling tendrils, by Liberty & Co Ltd, Birmingham 1933 12.3oz 385.4gm H11cm Dia. 9.5cm ( For comparison see Liberty & Co, Tudric Pewter Tankard, Design. No 066. Date: c 1903.)
A George III silver tankard, the domed hinged cover with leaf and scroll thumbpiece, the scroll handle with heart terminal, the three-quarter skirted body engraved with a monogram, London 1773 by Thomas Wallis I, 20cm high, 26oz.Condition report: The tankard shows signs of wear throughout. There are multiple knocks to the skirt foot; also dents to the hollow handle. The pin to the cover is a replacement and there has been repair to the cover, including patching up splits. The central monogram is somewhat rubbed. The hallmarks are crisp and clear.
A Lowestoft tankard, circa 1770, decorated in the mandarin style with Chinese figures in a fenced garden, red loop and dot border to the interior rim, 13.5cm highProvenance:Crepping Hall, Suffolk Exhibited: Ipswich, Lowestoft Porcelain Bicentenary Exhibition, 1957, cat. no.156Condition report: Crack which goes across the base, rubbing to the black line rims, and usual scratching and rubbing to the glaze in places. Pittikng towards the base of the tankard, approx' a one inch crack to the rim
A small Chinese silver tankard (lid missing), repousse with dragons, stamped WH90 to base and with indistinct character mark. Height 4 cm. CONDITION REPORT: As stated the lid from this tankard is missing. It is otherwise in good condition. It is not misshapen, dented or significantly scratched. The weight is 33.9 grams.
A Chinese armorial tankard, Qianlong (1736-1795), enamelled with a heraldic crest with motto 'Fortis In Bello', within florally enamelled sprays and cobalt borders, 11.5cm high (restored) along with a Chinese export porcelain tea caddy, of arched rectangular form decorated in puce with figures on terraces (lacking cover) 12cm high (2)
A late 19th/early 20th century brass banded copper milk churn, with swing handle, 41cm high, a copper coal/log bin, applied with brass side swing handles, 38cm high, a copper jardinere, applied with rivet detail and brass side handles, 27cm high, a Victorian copper coal helmet, a copper two handled pan, a copper tankard and an Eastern brass tray (7)
Anti-Slavery: a creamware cylindrical tankard printed in black with a scene of a cudgelling (stick fighting) match between two Negros together with attendant figures within a border of exotic fruits, plants, a snake, an umbrella and centred by a figure wearing a fleur-de-lys crown, circa 1790, 145mm, the body cracked but away from the print* The scene depicted is a copy of the engraving by A. Brunias entitled ‘A Cudgelling Match between English and French Negros in the Island of Dominica’, published February 1779. See slaveryimages.org item number 1024. The Society for Effecting the Abolition of the Slave Trade held its inaugural meeting on 22nd May 1787 and adopted, two months later, as a seal, an oval depiction of a chained slave entitled ‘Am I not a man and a brother’.Similar medallions widely produced by Josiah Wedgwood became quite probably the first piece of anti-slavery memorabilia.See Victoria & Albert Museum number WE.7825-2014.This mug, drawing its inspiration from the engraving published some eight years earlier must also rank amongst the earliest of memorabilia produced to widen the understanding of and create support for anti-slavery. Agostino Brunias was born in Italy in 1730 and came to England in 1758. A painter, he became acquainted with and subsequently personal artist to William Young who had been appointed to a government post in the West Indian territories. Following the end of the Seven Years War in 1763 Dominica was acquired by Britain from France. Brunias arrived in the islands in 1765 where he remained until about 1775 when he returned to England and where, in the late 1770s, he exhibited some of his paintings and also visited Europe. Returning to the West Indies in 1784 there he remained until his death on the island of Dominica in 1796. Although Brunias primarily resided in Dominica he also spent time in St. Vincent, and visited other islands, including Barbados, Grenada, St. Kitts, and Tobago. His romanticized and idyllic painting of West Indian scenes and slave life is regarded today as some of the most informative imagery to be found.# commemorative, commemorate, slavery, anti-slavery
A parcel-gilt silver tankard,marked for Philip Luders, Narva (1694-1721), Baltic, late 17th century,the cast cover decorated with a crest bearing wings, a figure, leaf scroll and flowering plants, later engraved with a coronet and initials within a cartouche, on three leaf-chased and cast feet. 16cm diameter, 19cm high 46ozt
A George III silver tankard,possibly by Thomas Heming, London 1774, of baluster form, with an acanthus-capped scroll handle and turned rim, raised on a flared circular moulded foot, 13cm high, 12ozt approximatelyCondition report: Surface scratches to base. dinks knocks and slight abrasions to the surface associated with age and use
A late 18th Century creamware tankard inscribed 'success to trade' within a trailing foliate border, 12.5cm high CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
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