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A Taiwanese, Jupiter trumpet with a Besson 7C mouthpiece in case Condition Report:Available upon request

PAIR OF WILLIAM MOORCROFT VASES - POMEGRANATE a large pair of vases with a trumpet shaped neck, in the Pomegranate design on a blue and green ground, with further decoration inside the vases. Signed W Moorcroft, and impressed marks Moorcroft, Burslem, England, 76. 33cms high. (2)

A pair of Japanese Konoike silver vases, Meiji era, of fluted trumpet form on domed bases embossed with flowering prunus branches, 13cm high, together with a Japanese silver novelty cruet modelled as stylised cats, each embossed and chased with peony flowers, possibly signed Ki Sei, 5cm high, and a pair of small embossed cruets, South American, of pyramidal form and decorated with stylised masks, 3cm high. (6)Vases: one repaired/soldered to stem joint, the other re-souldered above stem knop. Minor signs of age to both.Cat cruets: one missing bow above tail. One misshapen to the 'paws'. Both dented to the head caps.Pyramid cruets: general wear throughout.

A late 18thC Georgian ale glass, the trumpet shaped bowl etched with hops, raised on a straight stem and conical folded foot, 17cm high.

Iridescent and green glass vase, with green leaf rim and ribbed body, 19cm tall, and an art glass trumpet shaped vase, with spiral decoration, 20.5cm tall (2)

Various antique and vintage collectible pottery to include a Poole Pottery bowl decorated with a border of brightly coloured flowers, factory stamp to the base, diameter approx 22.5cm, an F & R Pratt & Co Fenton (Manufacturer to HRH Prince Albert) twin-handled fruit bowl with central polychrome pattern of a family picking grape vines, within a lustre border of acorns and leaves, with twin handles to the sides, raised on a pedestal foot rim, width from handle to handle approx 29cm, a hand painted windmill plate with a blue and gilt border, diameter 19cm, a Royal Worcester blush ivory ornamental basket, height approx 9cm, length handle to handle approx 19cm, a Copeland Spode chintz decorated square bowl, an Imperial Karara ware brown mottled lustre trumpet vase, height approx 25cm and a pair of Losol ware octagonal straight-sided vase with flared lips, with matching Imari design (8). CONDITION REPORT The twin-handled fruit bowl has repairs to both handles, a lot of craquelure to the body, only really visible on the white areas. The picture and decoration have good definition.

MOORCROFT; a tall trumpet-shaped vase with cylindrical body and flared rim, decorated with tube-lined colourful pansies and leaves, on a faint green ground, impressed factory marks and paper label to the base, height 27cm. CONDITION REPORT some tiny dots of blue paint on the body done at the time of decoration crazed

Three 19th century Bohemian glasses comprising an octagonal glass with cream enamel scroll, foliate and acanthus leaf gilt-heightened overlay, to octagonal base, height 12cm, a wine glass with vignettes of various colour overlay, amber, red and green with pastoral and architectural engraving, with all-over etched floral and leaf trellis design, to circular base with ribbed rim, height 12cm, and a trumpet glass with clear and amber overlay circular vignettes with architectural scenes, one initialled 'FM', with all-over etched tulip and line design, and various etched name places, to circular base, height 12cm, also a late 18th/early 19th century trumpet glass with etched all-over floral design with line and dot border to the top, to circular base, height 12cm (4). CONDITION REPORT All have age related wear in the form of surface scratches, no obvious restoration, chips or cracks, apart from the glass with initials 'FM' which has a chip to the rim and various small frits to the rim

A 18th century Bohemian trumpet vase, clear glass with white overlay and hand painted enamels of summer blooms and exotic bird, with an oval vignette of an etched garden folly, dated 1853, to circular base, height 15cm and an 18th century Bohemian ruby glass jug with white overlay, high hoop handle decorated throughout with summer blooms, honeysuckle, roses and forget-me-nots, gilt-heightened throughout, to a circular base, height 15cm (2).

Three 19th century Bohemian Bristol blue overlay glasses comprising a trumpet-shaped example with cut-out panels, a footed trumpet glass with cut-out floral and gilt-heightened panels, a blue overlay glass with leaf decoration to octagonal base, and a small Bristol blue vase with white enamel and floral painted overlay, height 13cm (4).

A quantity of vintage and antique crystal and clear glass, to include a Victorian trumpet vase with star cut decoration and flared rim, height 28cm, a substantial crystal vase in the form of a Scottish thistle, height 25cm, diameter 20cm, a mallet-shaped decanter and stopper, a modern clear crystal bottle-shaped decanter and stopper, celery vase, various sized vases, a fruit bowl with lens, star and crosshatch cut decoration, in an electroplated basket, etc (16).

CONN; a 'Vintage One' brass trumpet, serial no.942416, USA made, in a Getzen hard carry case, with two mouthpieces, a zip bag of additional parts and various cleaning equipment, etc. CONDITION REPORT There is a noticeable indent along the tube, near to the finger pushers, as well as some smaller, less noticeable dents.

Various items of silverware to include a George V hallmarked silver fluted vase of trumpet form, with weighted base, height 18.5cm, James Deakin & Sons, Sheffield 1916, silver napkin ring with engine turned decoration, silver-topped cut glass jar, silver sugar nips, an early 19th century silver teaspoon, silver grapefruit spoon with all-over bright cut decoration, in a floral and Greek Key pattern, with initials to top and a small shoehorn with a filled silver handle, together with a Daniel & Arter hip flask with electroplated cup, a pair of electroplated crows' feet sugar tongs and a silver plated tea caddy spoon, combined weighable silver approx 2.3ozt (10). CONDITION REPORT The weight of the silver items does not include the trumpet vase with weighted base or the shoehorn.

A pair of late 19th century French enamel and onyx vases and another similarThe pair of conical and baluster form, the other with a trumpet shaped neck, both on circular socle bases, 21cm and 19cm high respectively. (3)

A Victorian walnut, kingwood and marquetry trumpet work table, the rectangular top with kingwood banding and central ebony and marquetry plaque with an urn of flowers, enclosing the original fitted interior, on a rectangular tapered column with foliate carved collar, to four foliate carved cabriole style legs with scroll toes, 19½ x 14¾in. (49.5 x 37.5cm.), 30¼in. (77cm.) high.

A suite of twenty four (24) Waterford crystal glasses, each with panel cut trumpet bowls on faceted stems to circular foot, to include sets of eight red wine glasses, 5 5/8in. (14.3cm.) high; eight white wine glasses, 5in. (12.7cm.) high; eight port glasses, 3 7/8in. (9.8cm.) high. (24) * Good condition, no cracks or chips found.

A Georgian champagne flute, the drawn trumpet bowl on an annulated collar to a slightly waisted, plain stem and plain foot with pontil, 17.5cm. high; together with a late Georgian champagne flute, with panel cut drawn trumpet bowl and bladed knop stem, the plain foot with ground pontil, 17cm. high. (2) * Both good with no faults.

A modern Lalique 'Cigales' trumpet vase, signed Lalique France to underside, original sticker, 4in. (10.2cm.) high. * Very good, nothing to note.

A pair of Art Nouveau silver bud vases, Sydney & Co, London, 1904, of trumpet form, planished finish, the circular rising base with three sinuous supports, 6 ½in. (16.5cm.) high. (2) * Each slightly kinked to rims, otherwise good.

A Shelley Glazed Trumpet Vase, 20cms High

A collection of works of art, including to Beswick lustre jardinieres of differing sizes, two white mental comports, a green glass vase with metal bracket, tow rusted metal neoclassical vases 13cm high, a large resin figure of a jazz musician playing the trumpet 52cm high and two blue ceramic cake stands, with Picasso style faces (qty)

A pair of Edwardian silver trumpet shape vases, William Comyns, London 1907, embossed decoration of lilies, filled and weighted, 17cm.Qty: 2

Victorian walnut and inlaid trumpet work table, circular hinged top, fitted interior, carved tripod legs, diameter 47cm, height 75cm.

A Victorian silver Christening bowl and spoon, London 1846, the bowl engraved 'Katherine Elliot from her Grandfather F. C. Ford 1882', with a shaped rim and gilt interior, 13cm diameter, the spoon with conforming engraving to the bowl and twisted handle, together with a set of four silver trumpet vases,by Goldsmiths & Silversmiths Co Ltd, London 1910, decorated with embossed bows and swags, to a weighted circular base,12.2cm highweighable 4.9oztCondition ReportTrumpet vases) All with dents to the rim, one also with a split to the rim. One with a dent to the base, so that it does not sit flat.

Oval facet cut mirror in copper frame, 57x37 cm and box with various copperware, scales, trumpet, citrus press, iron nutcracker in the shape of a crocodile and white enamelled rye bread slicer

HAWKES & SON TRUMPET IN CASE - SILVER PLATE

A silver baluster salt and pepper pot; an Indian white metal trumpet shaped posy vase; and a glass and white metal mounted scent bottle

A group of Waterford Crystal items, including a flared trumpet shaped vase, with box, 18cm high, a footed bowl, with scalloped rim, 19 by 19 by 12cm high, and a quartz oval mantle clock, 20 by 5 by 10.5cm high. (7)

Cased La fleur trumpet

B&M champion trumpet, with case

A Victorian burr walnut trumpet work table (adapted). 70.5 cm high.

An Epns Epergne with three trumpet fluted rim vases on naturalistic intertwined floral and leaf stems, 13'' wide overall, 8'' high maximum.

A pair of Edwardian Art Nouveau silver trumpet vases, each having a flamboyant whiplash contoured everted rim and relief-decorated in depiction of poppies, Mappin & Webb, Sheffield, 1905, 16.5 cm, loaded

An early 20th Century trumpet shaped silver vase, of plain tapering form having bands of reeded decoration, London, 1919, weighted, 22 cm high

Two early 20th Century electroplate teapots and a jug, together with a later berry spoon and a modern trumpet vase

Boxed Waterford crystal figure of a rearing horse, H24cm, boxed Waterford Marquis Quadrata 8" bowl, base signed Waterford, boxed Thomas Webb lead crystal vase of trumpet design H23cm (3)

Sixteen C19th and later larger pin cushion dolls, a 1930 moulded glass trumpet design specimen vase with plated base, (qty)

ASSORTED SILVER comprising silver sauce boat, cased pair of silver salts and spoons, silver plate on copper rectangular box with associated solid silver lid, silver triangular napkin ring and circular example, small silver pepperette, glass and white metal tapering scent bottle, pair or silver pierced (loaded) trumpet vases, three piece silver vanity set, pair of white metal servers (probably French)Provenance: private collection Carmarthenshire, consigned via our Carmarthen Office

ASSORTED SPODE FLORAL ENCRUSTED BONE CHINA, comprising '4649' trumpet vase, 5.4cms high, '4659' potpourri vase and cover 14cms high, '4650' ewer 21cms high, and pair '4687' twin handled vases, 16.5cms high, a flower moulded and painted green ground ecuelle, 17cms wide (6)Comments: flared vase minor chips to metals only, all others restored/repaired

An oil on canvas depicting still-life of figs, shell and trumpet. 61cm x 50cm

A graduated pair of Norwegian Modernist pewter jugs, Brodrene Mylius, trumpet form with whiplash handles, 26cm high (2)

INDIAN WHITE METAL TRUMPET VASE,with crimped rim, embossed with a band of Hindu deities over a knopped stem and circular foot, 18cm high

Quantity of small silver to include Victorian silver toastrack, London 1893, trumpet vase, bon bon dish, a Victorian table-top box, London 1899, etc, 310g approx

A BIÊN HÒA 边和 STONEWARE ‘CRANE AND PINE’ VASE OF BALUSTER SHAP BY HUU DUC VIETNAM, BIÊN HÒA 边和 SCHOOL OF APPLIED ARTS, SECOND HALF OF 20TH CENTURY This vase rests on a spread foot, has a globular egg-shaped body and a waisted shoulder surmounted by a phoenix tail (or trumpet) next. Its shoulder is applied with two molded mythical beast handles with loose ring imitations. It is adorned in white, brown and green with a crane, a pine tree and clouds against a blue ground. The base bears an impressed mark: 'Huu Duc Bien Hoa'. H: 32 cm Provenance: A private collection of Vietnamese Art, French Riviera, France. Note: The crane (he 鹤) is believed to live to a very old age and therefore is a symbol of longevity. The pine tree (song 松) is a very common symbol for longevity because it is an evergreen and can endure severe winters. This vase is therefore a highly auspicious one and is conveying a wish for a long-lasting life.

A LARGE PAIR OF CANTON PORCELAIN VASES OF PHOENIX-TAIL SHAPE, FENGWEIZUN CHINA, LATE QING DYNASTY, LATE 19TH CENTURY Resting on ring foot, with a waisted lower part of body surmounted by an elongated egg-shaped upper part of the body, with a waisted shoulder surmounted by a trumpet neck with a foliate rim. The shoulder and the neck with an applied decoration of squirrels and lizards. Richly adorned in famille rose enamels with geometrical patterns, flower scrolls as well as reserved medallions with flowers and butterflies. Offered at auction with two matching wooden stands. H: 62 cm 凤尾形广州瓷大瓶一对，凤尾尊 中国，晚清，19世纪晚期 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

AN EGG AND SPINACH GLAZED PORCELAIN PHOENIX TAIL VASE, FENGWEIZUN CHINA, POSSIBLY QING DYNASTY It has a spread foot and a waisted lower part surmounted bombed shoulder and a trumpet neck. It is all covered with a desirable three colors (sancai) egg and spinach glaze (also known as arlequin and combining yellow, green and aubergine enamels) combined with a Daoist landscape with a fisherman, possibly Jiang Ziya (姜子牙). H: 24,6 cm 黄绿釉凤尾尊 中国 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A PUCE-ENAMELLED 'DRAGON' PORCELAIN BOTTLE VASE, TIANQIUPING APOCRYPHAL MARK OF EMPEROR KANGXI CHINA It rests on a short unglazed ring foot and has a compressed globular body surmounted by a trumpet neck. It is finely enamelled with a four-claw dragon flying amidst clouds in pursuit of the flaming pearl. The base bears an apocryphal mark of Emperor Kangxi, a six-character one in cobalt blue and in kaishu script. Sold together with a wooden stand. H: 29 cm 紫釉龙纹天球瓷瓶，仿康熙款 中国 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A CELADON PORCELAIN VASE OF PHOENIX TAIL SHAPE, FENGWEIZUN APOCRYPHAL QIANLONG MARK CHINA Of baluster shape. Resting on a short ring foot with an elongated egg-shaped body with round shoulders surmounted by a waisted neck of trumpet shape with a slightly everted rim. With an either molded or carved chrysanthemum design under a thick celadon glaze. The base is inscribe in underglaze cobalt blue with an apocryphal mark of Emperor Qianlong, a six-character one in seal script / zhuanshu. H: 26 cm 青瓷凤尾尊，仿乾隆款 中国 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A PAIR OF CANTON PORCELAIN PHOENIX-TAIL VASES, FENGWEIZUN CHINA, LATE QING DYNASTY, LATE 19TH CENTURY, KANGXI STYLE Resting on a short ring foot left unglazed, with an elongated egg-shaped body surmounted by a shoulder applied with beast-mask handles with loose rings imitation, and a trumpet next. Adorned in famille rose enamels with palace scenes in reserved medallions against a ground all covered with a floral pattern. H: 45,5 cm 凤尾尊一对 中国，晚清，19世纪晚期，康熙风格 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A FAMILLE VERTE PORCELAIN ‘WARRIOR’ PORCELAIN VASE OF PHOENIX-TAIL SHAPE, FENGWEIZUN CHINA, LATE QING DYNASTY, LATE 19TH CENTURY, KANGXI STYLE It rests on a short ring foot, has an elongated egg-shaped body with round shoulders surmounted by a trumpet neck with an everted rim. It is adorned in famille verte enamels with a procession of warriors and horse riders. H: 46 cm 粉彩凤尾尊 中国，晚清，19世纪晚期，康熙风格 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A FAMILLE ROSE PORCELAIN ‘ROOSTERS’ SPITTOON, ZHADOU CHINA, CIRCA 1900 It rests on a short unglazed ring foot and has a globular body surmounted by a trumpet neck. It is painted in famille rose enamels with three roosters. The base bears an apocryphal stamped mark, that of Emperor Guangxu, in sea;l / zhuanshu script amd in iron red within a double square. H: 9,8 cm 粉彩公鸡痰盂，渣斗 中国，约1900年 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A PHÁP LAM - HUẾ ENAMELS ‘BAMBOO AND PLUM’ SPITTOON POSSIBLY FROM THE SERVICES OF H.M. THE EMPERORS THIÊU TRI OR TU DUC Polychrome enamels on copper. It rests on a short foot, has a globular body and a trumpet neck. It is finely painted in bright colors with bamboo and plum flowers against a night blue ground enhanced with a gilt bee nest pattern. H: 10 cm Notes: According to Vietnam Annal Records, it is during the 8th year of the reign of Emperor Minh Mạng(1820-1839), i.e. 1827, that the technique of enamel on metal, originating from Canton / Guangzhou, China, was introduced to Vietnam. At that time, a workshop was established under the responsibility of the official court painter Vũ Văn Mai. Compare with a related cup and a related saucer preserved in a private collection in Paris, France. Click HERE to see the related items. Compare with a related pair of wine cups sold in these rooms, 2021-11-23, lot 188, for €2,200. Also compare with a related spittoon sold at LYNDA TROUVE, Paris, France, as part of a lot, 2018-10-15, lot 70, for €10,000.

A Tibetan copper and brass rkangling [kangling] trumpet, makara sea dragon terminal, 37cm long

A VICTORIAN WALNUT TRUMPET WORK TABLE, the octagonal top having typical chequerboard, opening to a part fitted interior

A group of mainly early 20th Century table silver to include: four piece dressing table set (mirror & three brushes) two hob nail cut toilet bottles with chased silver covers; trumpet shaped scent bottle with matched cover, silver collar; various dates and makers (damages a/f) together with silver charm bracelet with horse charms (the charms detached) and two Modern silver frames by Carr's of Sheffield (1 box) 

A late Victorian Royal Worcester reticulated vase on stand, baluster shaped top section with flared trumpet rim above scrolling foliage and floral decorative section, all highlighted in gilt, above four stylized gilt winged Swan supports on scroll feet, their necks supported by a collar section punctuated with shield shaped decorative stamps with torquoise borders, the underside with incised factory stamp and date code for 1883, 30cm high (1)  

A Moorcroft red flambe Poppy pattern vase, circa 1928 - 49, signed in blue and with factory impressed marks,16.5cm; a pomegranate and berry squat vase, signed initials in blue and factory impressed marks, 13cm; a William Moorcroft leaf & berry bowl, on a shaded/green ground with raised circular foot, rim diameter 21cm; and a Moorcroft Clematis pattern trumpet vase, circa 1940's, inscribed green initials, applied paper label and impressed factory marks, 20.5cmThe flambe vase appears to be in good condition with no obvious faults or signs of restoration.The pomegranate pattern squat vase has been restored around the rim & neck.The leaf & berry bowl has been restored in two places around the rim and continuing down the sides, and a fine 5cm vertical glaze crack.The clematis vase has a restored rim chip.

A collection of 20th Century silver tableware to include: Modern circular ring dish; a circular bon bon dish with trumpet foot (foot almost detached); quatrefoil small two handled ring dish and a George VI silver christening pouring jug, all hallmarked, approx 7.07 ozt (219.6 grams) 

A collection of silver plate including a three piece cruet set with blue glass liner, a flower frog, large twin handled serving tray and trumpet bud vase. H.6 W.47 D.32cm (largest)

AN ENGLISH SILVER-HILTED HUNTING SWORD, LATE 17TH CENTURY, THE HILT MARKED FOR THOMAS VICARIDGEwith slightly curved blade double-edged towards the point and formed with two fullers, silver hilt cast and chased in low relief, comprising flat circular quillon pierced with a mask issuant with scrolls, knuckle-guard interrupted by a foliate moulding and struck with the maker~s mark, ~TV~ crowned (rubbed), ferrule with cusped upper border, cap pommel with lower border en suite with the ferrule, the button formed as a finely chiselled moor~s head playing a trumpet, the latter engaging the top of the knuckle-guard, and natural staghorn grip (one small chip)51.0 cm; 20 1/8 in bladeLiterature; Howard L. Blackmore, The Blackamoor Swords, in Royal Armouries Yearbook 1998, pp. 73-5, illustrated.Provenance; Anthony North (1942-2012), sold in this room 30th June 2010, lot 123.; ; Thomas Vicaridge (recorded 1680-1715) was a leading silver hilt maker and sword cutler. He became a liveryman of the Cutler~s company in 1696 and acted as steward for the Lord Mayor~s Day celebration held at the Cutlers~ Hall. He married Ann Osborn in 1703 and the following year their son, Thomas, was born. The entry for his christening records Thomas (1) as a ~silver hilt maker~. Sadly his son died the following year. See Southwick 2001, pp. 249-251, his marks reproduced.