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Dave Jones of Kenny Ball and his Jazzmen's Selmer Series 9 clarinet, serial number S6704, with Vandoren B45 mouthpiece. Provenance, formerly the property of David Jones clarinet player for the Kenny Ball Jazzmen. This was one of the clarinets played by Jones whilst in the group. Kenny ball was a trumpet player who founded the band Kenny Ball and his Jazzmen in 1958, his band went onto being at the forefront of the UK Jazz revival in the 1960’s. At the end of 1961 their recording of Cole Porter’s ‘Samantha’ reached number 2 in the UK singles chart. In 1962 the groups version of Midnight in Moscow sold over a million copies earning them a gold disc and getting them on the Billboard Hot 100. More hits and chart success was to follow ensuring the bands success in the UK. Dave Jones worked around the East London area with bands such as Charlie Galbraith's before becoming a founder member of the Kenny Ball Jazzmen. His clarinet tone can be heard on all of the great hits by the group until 1967. It is said in ‘The Rough Guide To Jazz’, by Digby Fairweather that his substantial tone, superior technique, powerful sound and driving approach became one of the strongest points of Ball's strong front-line, and helped to establish a new high standard for British Dixieland’ Following his work with Kenny Ball and his Jazzmen, Jones became a session musician working with The Kinks on baritone saxophone, he also played locally on the Dixieland scene with friends including Galbraith, Mike Cotton, Pat Mason and Bill Nile: he also subbed for Acker Bilk. later 1980's played regularly for Laurie Chescoe's band.

Lawton saxophone 8 star BB mouthpiece, in box. Provenance, formerly the property of David Jones clarinet player for the Kenny Ball Jazzmen. Kenny ball was a trumpet player who founded the band Kenny Ball and his Jazzmen in 1958, his band went onto being at the forefront of the UK Jazz revival in the 1960’s. At the end of 1961 their recording of Cole Porter’s ‘Samantha’ reached number 2 in the UK singles chart. In 1962 the groups version of Midnight in Moscow sold over a million copies earning them a gold disc and getting them on the Billboard Hot 100. More hits and chart success was to follow ensuring the bands success in the UK. Dave Jones worked around the East London area with bands such as Charlie Galbraith's before becoming a founder member of the Kenny Ball Jazzmen. His clarinet tone can be heard on all of the great hits by the group until 1967. It is said in ‘The Rough Guide To Jazz’, by Digby Fairweather that his substantial tone, superior technique, powerful sound and driving approach became one of the strongest points of Ball's strong front-line, and helped to establish a new high standard for British Dixieland’ Following his work with Kenny Ball and his Jazzmen, Jones became a session musician working with The Kinks on baritone saxophone, he also played locally on the Dixieland scene with friends including Galbraith, Mike Cotton, Pat Mason and Bill Nile: he also subbed for Acker Bilk. later 1980's played regularly for Laurie Chescoe's band.

Elkhart Cavalier marching band clarinet, serial number 50148, with no mouthpiece but with mouthpiece cover, with case. Provenance, formerly the property of David Jones clarinet player for the Kenny Ball Jazzmen. Kenny ball was a trumpet player who founded the band Kenny Ball and his Jazzmen in 1958, his band went onto being at the forefront of the UK Jazz revival in the 1960’s. At the end of 1961 their recording of Cole Porter’s ‘Samantha’ reached number 2 in the UK singles chart. In 1962 the groups version of Midnight in Moscow sold over a million copies earning them a gold disc and getting them on the Billboard Hot 100. More hits and chart success was to follow ensuring the bands success in the UK. Dave Jones worked around the East London area with bands such as Charlie Galbraith's before becoming a founder member of the Kenny Ball Jazzmen. His clarinet tone can be heard on all of the great hits by the group until 1967. It is said in ‘The Rough Guide To Jazz’, by Digby Fairweather that his substantial tone, superior technique, powerful sound and driving approach became one of the strongest points of Ball's strong front-line, and helped to establish a new high standard for British Dixieland’ Following his work with Kenny Ball and his Jazzmen, Jones became a session musician working with The Kinks on baritone saxophone, he also played locally on the Dixieland scene with friends including Galbraith, Mike Cotton, Pat Mason and Bill Nile: he also subbed for Acker Bilk. later 1980's played regularly for Laurie Chescoe's band.

Large trumpet shaped vase with scroll rim, 8” high B’ham 1923 by WN ltd 178g.

Trumpet shaped pepperette, 3.5” tall Chester 1908, also another 65g.

A Ruskin eggshell lustre vase, 1924, footed trumpet form, delphinium blue glazed, impressed marks, 20cm high

A Ruskin Souffle glazed lustre Lily vase, 1920, cylindrical trumpet form, turquoise with iridescent finish to the underside, impressed marks, 30cm high

A small Ruskin lustre vase, 1921, squat ovoid bulbed trumpet form, orange glazed, impressed marks, 12cm high

A Ruskin High Fired lily vase, 1916, flared cylindrical trumpet form, mottled opaque blue over red and white flambe glaze, with electric blue and purple streaks to the interior, impressed marks, 30cm high

Clarice Cliff for Newport Pottery, a Limberlost vase, bulbous trumpet form, Fantassque Bizarre marks, 22cm high

Leslie Johnson for Royal Doulton, a large trumpet vase, flared cylindrical form, painted with a woman in pink dress in a thicket lanscape, signed, above a raised gilt foot in the Art Nouveau style, printed marks, 47.5cm high

A E Jones, Birmingham 1907, an Arts and Crafts silver mustard pot, planished, flared trumpet form on three wrought and scroll footed legs with trefoil detaling and applied whiplash handle, the finial formed of wire, glass liner, 7.5cm high, 2.05ozt

Elkington and Co., Birmingham 1936, an Art Deco silver mustard pot, stepped trumpet form with concentric ring banding to the lid and lower body, angled handle and fin finial, glass liner, 6cm high, 2.20ozt

R E Stone, London 1960, a Modernist silver mustard pot and spoon, planished, footed and waisted trumpet form, the lid with stlised rosette and bud finial, on a reeded cylinder pedestal base, glass liner, 8.5cm high, 5.17ozt

Pierre Jacques Meurice, Paris circa 1820, a French Empire style silver mustard pot, pedestal urn form, the square base with lions paw and honeysuckle feet, supporting a banded stem and trumpet body with die stamped winged putti, foliate scroll handle and cast swan finial, glass liner, 13cm high, 4.12ozt

Paul Dupre Lafon for Hermes, an Art Deco leather and chrome table lamp, the rotating hemispherical shade supported on two arms, on a cylindrical leather bound and stitched column and flat cylinder base, the fitting housed within a flared trumpet and knop sconce, push button switch, 27cm high

Yury Nechaev Maltsov for Gus Crystal Works, Moscow, an Imperial Russian cameo glass vase, circa 1900, splayed trumpet form, the brown pate de verre body carved with a lakeside scene, signed in Cyrillic 'yu.s N.M. m.k Gus-Krust' (Yuri Stepanovich Nechayev-Maltsov, heir of Gus'Khrustal'nyy), 15cm high

Lalique, an Equus limited edition glass vase, designed 2012, number 213 of 999, relief moulded frosted horses on a flared trumpet ground, etched marks numbers, Lalique France, in original box, 37.5cm high

William Moorcroft for James MacIntyre, a Rose, Tulip and Forget Me Not vase, circa 1909, conical baluster form with trumpet neck, yellow tulips on ochre, underglaze green signature, 30cm high

William Moorcroft for James MacIntyre, a Cornflower on white vase, circa 1912, conical bulbous gourd form with trumpet neck, printed mark and underglaze green signature, 25cm high Note: this particular vase is illustrated in Atterbury, P. 2008, Moorcroft, p.97 fig 2.

William Moorcroft, a Wisteria on white vase, circa 1913, squat baluster, knopped and flared trumpet form, underglaze green signature, 32cm high

A MID-VICTORIAN SILVER-GILT AND TURQUOISE MOUNTED TRUMPET-SHAPED POSY HOLDER with three sprung fold-in/out legs (allows the posy holder to stand independently), a beaded rim and decorated with bands of graduated cabochon turquoises, and with a sprung-knop and chain and pin, mark of Thomas William Dee, London 1866, 10.5cm high overall (4 1/8th in), 6cm diameter (2 3/8th in), 94g gross (approx. 3oz gross)

STEAMSHIP LAUNCH INTEREST, A VICTORIAN SILVER FOLIATE ENGRAVED POSY HOLDER of knopped slender-trumpet shape with three sprung fluted fold-in/out legs (allows the posy holder to stand independently), a beaded rim and engraved all over flowers and leaf scrolls and a shield shaped cartouche with an inscription 'Launch of S.S. Strathearn -Linthouse- 1st February 1888', with a sprung-knop and finger loop and chain and pin, mark of Colen Hewer Cheshire, Birmingham 1883, 13.5cm high overall (5 ¼ in), 4.5cm diameter (1 ¾ in), 70g (2 ¼ oz) Note; The Steel Screw Steamer Strathearn was built by Alexander Stephens and Sons Ltd for owners Burrell and Son of Glasgow, at The Linthouse Yard, Govan, and launched on 1st February 1888. She had a relatively short life as she set sail from Nagasaki Japan on passage for Java and on to San Francisco with a cargo of sugar and was posted missing 17th September 1890

Murano - An original early to mid 20th Century Italian Venetian glass epergne having a cranberry glass trumpet central column flanked by two scrolled glass beaded decorative pieces with central centrepiece bowl with scalloped edge. Measures: 60cm.

A matching pair of 19th Century Chinese Kangxi porcelain vase of trumpet form having a flared rim with banded centre, hand painted in blue and white in the prunus pattern. Double concentric circles to bases. Each measures 19.5 cm tall by 9 cm diameter.  

A collection of 18th and 19th century English drinking glasses to include rummers, port and sherry glasses. Examples to include facet cut, large trumpet shaped bowls and single stems. Measures 17cm tall. 

Musical Instruments - a Grafton trumpet, cased

A John Grey & Sons trumpet, cased

GROUP OF 18TH/19TH CENTURY WINE GLASSES to include; large trumpet shaped wine glass with air bubble and plain stem, a round funnel wine glass with etched glass rim decoration and plain stem on folded foot (14cm high approx) and four multiple opaque twist 18th Century glasses flute shaped, funnel shaped and waisted, all with plain feet (18, 14.5, 12.5 and 16.5cm high approx). (6)(B.P. 24% incl. VAT) CONDITION REPORT: One cordial glass has a chip on its base rim - all others no other damage.

A scholastic Belling trumpet made in USA with carry case

A B&M Prefect trumpet with 3 mutes, cased

An Odyssey trumpet and case

Three various Highland stoneware Scottish pottery vases, to include one of inverted trumpet form, polychrome decorated with a seascape, predominately in blue and green on a cream ground, marked beneath, 22cm H and two further vases each similarly marked. (3)

A rare Antione Courtois Brevete Conservatoire 1872 patent trumpet, in chrome with shaped mouth piece, three buttons and titled horn, 32cm W.

Hallmarked silver pepper, hallmarked silver mustard and a trumpet vase marked Sterling, weight without vase 71g

Pair of gilt table lamps formed as putti on a trumpet shaped stem, height 33cm

A Victorian walnut octagonal trumpet shaped work table, the hinged lid opening to reveal interior compartments and central silks well, raised on a baluster column and carved tripod base

A mixed collection of shoe shop related counter top advertising items to include 'Romika' clog in a bottle, length 50cm, Van-Dal Siamese cat sleeping in a ladies' shoe produced by Lenham pottery, width 21cm, Van-Dal trumpet vase and a pair of large floral bulbous vases with 'Bally' (shoes) in green, height 24cm.

A quantity of silver plated items to include toast racks, trays, large trumpet vase, goblets, tazza, cutlery, napkin rings, cruet, mugs, entrée dishes etc.

A cased set of eight silver goblets of trumpet form with gilt interiors, on baluster stems, Boodle & Dunthorne, London 1973, approx 43ozt (8). CONDITION REPORT Height 10.7cm

Berndt Friberg (Swedish 1899-1981), a porcelain vase c. 1976, signed and dated to base A fine miniature vase with a bulbous body and slender trumpet shaped neck with a haresfur glaze and white rim edge 14cm high (ARR)Please refer to department for condition report

A Victorian coloured glass epergne , with six trumpet vases and base bowl

A collection of Georgian and later glass tableware, to include a teared stem drinking glass with trumpet bowl and folded foot, a similar bell for bowl example, a moulded jelly glass, a set of whisky measures and similar examples (10)

A captain's chair , and a Victorian walnut trumpet work table (2)

A Late 19th/Early 20th Century Five Trumpet Epergne on Silver Plated Globe Stand, One Glass Trumpet Base AF, 40cm High

A small Rockingham trumpet-shaped vase. With rare turquoise ground, having gilt bands and painted with a square panel of flowers. Printed puce griffin mark and Cl 3 in gilt c.1830-42, 8.5cm. Provenance; Newmane collection. Short hair crack to the rim.

Three Rockingham trumpet-shaped vases. Two blue ground examples and one in green. All with gilt banding and painted with a square panel of flowers. The green and larger blue vase with printed puce griffin marks and Cl. 3 in red c.1830-42, the smaller blue example with printed red griffin mark and Cl 6 in gilt c.1826-30. Largest 14.5cm. Large vase with a hair crack and enamel flaking. The smaller two with repair to rim chips.

Two Rockingham trumpet shaped vases. Ground in Brunswick blue and painted with flowers. Unmarked c.1830-42, largest 14.25cm. Along with 6 related reference books; Rockingham Ornamental Porcelain, D. G. Rice, Rockingham Pottery & Porcelain A & A Cox, The Rockingham Pottery, Eaglestone & Locket, Memories of Rockingham, D. Cavill and Yorkshire Pots and Potteries, Heather Lawrence.

A George V silver small centrepiece, with four trumpet receivers, Birmingham, 1913, 15cm.

Collection of Jazz vinyl LP's including the Music of Jerome Kern, Kid Ory's, Great Trumpet Soloists, Humph Swings Out, Here's Humphs etc as per list Condition Report Click here for further images, condition, auction times & delivery costs

Pair silver trumpet vases, weighted, early 20th century oak biscuit barrel, Victorian faceted ruby glass scent bottle with embossed lid, three piece silver cruet, African beaded gourd, Black Forest carved bear ashtray with brass liner, copper coal bucket, fire irons and miscellanea in one box Condition Report Click here for further images, condition, auction times & delivery costs

Pair Walker & Hall silver trumpet vases, silver-plated salver, musical oak chest jewellery box, coins, banknotes, pair glazed Lion Dogs, octagonal jardiniere on scroll feet, tin ammunition box and miscellanea in one box Condition Report Click here for further images, condition, auction times & delivery costs

Pair of Indian Bidri Style White Metal Vases, circa early 20th century, of trumpet form, decorated with allover silvered panels, 42cm high, (2)

A PAIR OF LARGE GEORGE V SILVER TRUMPET VASES, BIRMINGHAM 1911, each with lattice pierced rim, on a domed circular foot, decorated en suite and with blue glass liner (a/f). 31.5cm, total excluding glass liners 35 troy ounces

WILLIAM WILSON FOR WHITEFRIARS, AN ELIZABETH II CORONATION COMMEMORATIVE GOBLET, of trumpet form, the bowl etched with the Royal cipher and Coronation date, the circular domed foot engraved to the pontil "Whitefriars no. 9762". 20.5cmProvenance: The Chris Crabtree Collection, North Yorkshire.

A TALL ALE GLASS, MID-18TH CENTURY, with drawn trumpet bowl and airtwist stem. 21cmThere is a chip to the base. In otherwise good condition.

TWO CHINESE BLUE AND WHITE VASES, the shouldered jar with double happiness symbols, the trumpet-neck vase painted with blossom. First 17cm

20th century opaque trumpet shaped vase with rose flower decoration in the style of Lalique on a black ceramic stand

Early 20th century Wedgwood Dragon lustre trumpet vase with dragon decoration and painted panels to interior, approx. 28cm tall

Early 20th century Doulton Lambeth trumpet shaped vase with floral decoration, base with stylised bird and creature supports, marked to base C.W (Christina Wood) and other marks & one other Doulton Lambeth two handled vase, tube lined decoration, various artists marks, both possibly exhibition pieces