We found 32367 price guide item(s) matching your search

A Chinese Skylark trumpet, in fitted carry case - sold with a Yamaha Portasound PSS-140 keyboard

Four English drinking glasses. Comprising a wine, circa 1760, with a half-fluted bucket bowl on a multi-spiral opaque twist stem, height 15.5cm, an etched ale, with a drawn trumpet bowl on a plain stem, and two similar wines, on knopped spiral twist stems (4).

China, five-part famille verte porcelain garniture, 19th century, comprising a set of three baluster jars and covers and a pair of trumpet vases, each decorated with a procession of dignitaries in a landscape (two covers chipped) h. 26 cm Provenance : collectie Dr J.E. van der Meulen (1848-1941) [5]

China, Canton famille rose porcelain five-piece garniture, 19th century, comprising a pair of trumpet vases and a set of three baluster vases and covers, each decorated with shaped cartouches of flowers and figures (some damages and restorations) h. 25,5-31,5 cm [5]

China, collection of famille rose and Imari porcelain, 18th century and later, comprising a Qianlong saucer dish, a saucer, two various cups, a small trumpet vase, an Imari jarlet and two various covered bowls (various damages and small repairs) 16,5 cm diam. max. [8]

China, three-part blue and white porcelain garniture, 18th century, comprising a baluster vase and cover and a pair of trumpet vases, each decorated with peony scrolls (baluster vase with large chips to footring and reglued chips to mouth rim, one trumpet vase with rim chip) h. 25 cm [3]

Japan, three various cloisonné vases, 20th century, the largest of baluster shape and inlaid with prunus, one inlaid with antiquities and flowers and one trumpet-shaped vase with scrolls and flowers (some wear and damages) h. 17,5-36 cm [3]

Japan, Imari porcelain trumpet vase, Meiji period (1868-1912), decorated with panels of traditional figures on a red, black and gilt lacquer ground, the base with six-character mark (neck restored) h. 73 cm [1]

A rare cylinder-knopped baluster wine glass, circa 1720The trumpet bowl with a solid base containing a tiny tear, set on an inverted half knop and collar, the stem with a wide cylinder knop containing a generous tear, above a short dumbbell section and folded conical foot, 17.5cm highFootnotes:ProvenanceKenneth Alexander CollectionWith Asprey, 1985Durrington CollectionLiteraturePeter Dodsworth, The Durrington Collection (2006), no.6ExhibitedAsprey, '100 British Glasses', 1985, catalogue pp.10-11, no.11Broadfield House Glass Museum, 'Majesty & Rebellion', 1999, catalogue no.23The cylinder knop is among the rarest of baluster knops. A very similar glass from the Tatton Hewetson Collection was sold by Bonhams on 13 November 2013, lot 15. An example in the Cecil Higgins Museum in Bedford is illustrated by L M Bickerton, Eighteenth Century English Drinking Glasses (1986), p.98, no.183.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

The Keith-Douglas 'Amen' glass: a highly important engraved Jacobite airtwist wine glass, circa 1747-50The drawn trumpet bowl inscribed in diamond-point with the cipher monogram 'JR' and the number '8' beneath a crown, flanked by the first two verses from the Jacobite version of the national anthem in script and inscribed 'Amen.' within a scrollwork border below, the reverse inscribed 'Prince/ Henry/ Duke of/ Albany/ and/ York' flanked by calligraphic scrolled bands, an elaborate circle and loop scrollwork border below the rim, raised on a multi-spiral airtwist stem and conical foot, the foot inscribed with the first half of the third verse, later repaired with a clasping silver mount and replacement foot section inscribed in a different hand with the second half of the third verse and 'God bless/ all/ Loyal Subjects', 17cm highFootnotes:ProvenanceBy repute owned by George Keith, 10th Earl MarischalBy repute thence by descent to Bishop Robert Keith, Primate of ScotlandThence by Keith family descent to Stewart Marischal Keith-DouglasSotheby's, 23 October 1925, lot 96, where bought by Cecil DavisCaptain W Horridge Collection, Jackson-Stops and Staff, 30 November 1959, lot 367Dr Peter Plesch Collection, Sotheby's, 6 December 1971, lot 159Kenneth Alexander CollectionWith Asprey, 1986Durrington CollectionLiteratureWilliam Gibb and John Skelton, The Royal House of Stuart (1890), pl.XXXIIAlbert Hartshorne, Old English Glasses (1897), pp.347-8Rees Price, 'Notes on Jacobite Drinking glasses', Transactions of the Glasgow Archaeological Society, Vol.5, No.2 (1906), p.25John Shuckburgh Risley, 'Jacobite Wine Glasses: Some Rare Examples', The Burlington Magazine, Vol.XXXVI (June 1920), pp.276 and 281E M Elville, English Table Glass (1951), p.164, fig.93Frank Davis, 'A Page of Collectors: Jacobite Glass', The Illustrated London News (13 February 1960), p.258, fig.1Derek C Davis, English and Irish Antique Glass (1964), pl.47Peter H Plesch, 'English and Continental Glass in the Collection of Dr and Mrs Peter H Plesch', Journal of Glass Studies, Vol.7 (1965), p.81, figs.7 and 8aJohn Ferlay, 'An Interesting Glass Sale', Antique Dealer and Collectors Guide (April 1972), p.89, fig.5R J Charleston and Geoffrey Seddon, ''Amen' Glasses', The Glass Circle Journal, No.5 (1986), pp.13, no.29, fig.8(e)Geoffrey B Seddon, 'The Engraving on the 'Amen' Glasses', The Glass Circle Journal, No.5 (1986), p.19, no.1Geoffrey B Seddon, The Jacobites and their Drinking Glasses (1995), pp.197-9, no.9, pl.144Peter Dodsworth, The Durrington Collection (2006), no.16Dwight P Lanmon, The Golden Age of English Glass (2011), p.169, no.5ExhibitedNew Gallery, Regent Street, London, 'Exhibition of the Royal House of Stuart', 1889, catalogue no.577Victoria and Albert Museum, 'Circle of Glass Collectors Commemorative Exhibition 1937-1962', 1962, catalogue no.303Victoria and Albert Museum, 'Exhibition of English Glass', 1968, catalogue no.132Glasgow Museums and Art Galleries, 1990sBroadfield House Glass Museum, 'Majesty & Rebellion', 1999, catalogue no.3The first and second verses on the bowl read:God Bliss The King I pray/ God Save The King I pray,God Save/ The King.Send Him Victorious/ Happy and Glorious,Soon to Reign/ Over Us,God Save/ The King.God Bliss The Prince of Wales,The True Born Prince of Wales,Sent Us by Thee.Grant us one Favour moreThe King for to RestoreAs Thou hast done beforeThe Familie.The third verse on the foot reads:God Bliss The ChurchAnd Save The Church I prayPure to RemainWhich is later completed on the replaced section:against allheresy and WhigsHypocrasy who striveMaliciously Her to defameThe Keith-Douglas 'Amen' glass belongs to a celebrated group of thirty-seven Jacobite 'Amen' glasses dating to the mid-18th century, see the footnote to Lot 19 in this sale. This remarkable glass is one of just nine known with airtwist stems, see Dwight P Lanmon, The Golden Age of English Glass (2011), p.169, where the so-called Ogilvy of Inshewan 'Amen' glass is illustrated and discussed on pp.168-71, no.53. The present lot is one of just twelve 'Amen' glasses bearing an additional dedication to Prince Henry, the younger brother of Prince Charles, of which two are dated 1749. Ironically this is after Henry became a Cardinal in 1747 in a move which was considered a betrayal of the Jacobite cause.All of the extant 'Amen' glasses are considered to be the work of the same individual working between about 1743 and 1750, and there is now compelling circumstantial evidence to suggest that this may have been the Scottish artist and line-engraver Sir Robert Strange (1721-1792), see the footnote to Lot 19 in this sale. Seddon notes that the quality of the engraving on the present glass is, like the majority of surviving 'Amen' glasses, of higher quality than those bearing early dates and therefore likely to have been engraved in or shortly after 1747, the period after which Strange had emerged from hiding following the Battle of Culloden.The present glass was reputably owned by the exiled George Keith (1692/3-1778), 10th Earl Marischal of Scotland, a devoted Jacobite supporter who was appointed the Captain General of the Jacobite forces in Scotland in 1744. F Peter Lole highlights in the catalogue of the Durrington Collection the engraved dedication to Earl Marischal on the so-called Valliant 'Amen' glass, see Dodsworth (2006), p.18 and Seddon (1995), pp.216-8, no.28. From there it is thought to have passed to Bishop Robert Keith (1681-1757), but as he died over two decades before the Earl it is possible that this is incorrect and it passed to a different member of the Keith family, see Dodsworth (2006), p.56.Whilst it is not clear at what point in the history of this glass that the foot was damaged, the repair can be seen in the illustration of this glass in the catalogue accompanying the Royal House of Stuart exhibition in 1889. The missing section has been repaired with a single piece from the foot of another glass, itself engraved with a fitting version of the national anthem by a different hand.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

An emerald-green tinted baluster champagne flute, circa 1830In deep green glass, the delicate tall trumpet bowl with a flared rim, resting on a collar, the stem with a triple-annulated knop formed of a central merese set between two baluster dumbbell sections, over a conical foot, 18.7cm highFootnotes:ProvenanceProbably Michael Parkington CollectionWith AspreyDurrington CollectionExhibitedAsprey, 'Green Glass 1740-1840', 1986, catalogue p.6, no.95Broadfield House Glass Museum, 'Majesty & Rebellion', 1999, catalogue no.56This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

The Perry of Mambeg 'Amen' glass: a highly important engraved Jacobite wine glass, circa 1747The drawn trumpet bowl inscribed in diamond-point with the cipher monogram 'JR' and the number '8' beneath a crown, flanked by the first three verses from the Jacobite version of the national anthem in script and inscribed 'Amen' within a scrollwork border below, an elaborate calligraphic scrollwork border to the rim, raised on a plain stem containing an elongated tear, over a conical foot, 15.9cm highFootnotes:ProvenanceBy repute owned by General StuartBy repute thence by descent to his cousin, Mr Ferrier, a Writer to the Signet in EdinburghBy repute thence by descent to his wife, Mrs Ferrier, née Miss Gordon (or Gardon) of Croy, KillearnBy repute presented by her to Sir Robert PerryThence by descent to his son Dr Robert PerryThence by descent to his wife May Perry of The Lodge, Mambeg, Garelochhead, Sotheby's 27 June 1924, lot 36, where bought by Arthur ChurchillGeorge Henderson Collection, Knight, Frank and Rutley, 2 October 1952, lot 60J D Fox Collection, Sotheby's, 16 October 1972, lot 194With Cecil Davis LtdSotheby's, 10 February 1986, lot 22With Asprey, 1986Durrington CollectionLiteratureRees Price, 'Notes on Jacobite Drinking glasses', Transactions of the Glasgow Archaeological Society, Vol.5, No.2 (1906), pp.24-5 and pl.1, fig.2Percy Bate, English Table Glass (1913), p.99, pl.LII, no.200John Shuckburgh Risley, 'Jacobite Wine Glasses: Some Rare Examples', The Burlington Magazine XXXVI (June 1920), p.281R J Charleston and Geoffrey Seddon, ''Amen' Glasses', The Glass Circle Journal, No.5 (1986), p.9Geoffrey B Seddon, The Jacobites and their Drinking Glasses (1995), p.189, pl.137e and pp.218-9, no.29, pl.155Peter Dodsworth, The Durrington Collection (2006), no.17ExhibitedGlasgow Archaeological Society, 17 November 1905The Scottish Exhibition of National History, Art and Industry, Glasgow, 'Palace of History', 1911, catalogue p.739, cases 25 and 26, no.1Glasgow Museums and Art Galleries, 1990sBroadfield House Glass Museum, 'Majesty & Rebellion', 1999, catalogue no.2The two verses on the bowl read:God Save The King I pray/ God Bliss The King I prayGod Save/ The KingSend him Victori=ous/ Happy and GloriousSoon to Reign/ Over Us,God Save/ The King.God Bliss the Prince of WalesThe True born Prince of WalesSent us by Thee:Grant us one favour moreThe King for to RestoreAs Thou hast done beforeThe Familie.Together with Lot 25 in this sale, the Perry of Mambeg 'Amen' glass belongs to a celebrated group of thirty-seven Jacobite 'Amen' glasses dating to the mid-18th century. All are inscribed in diamond-point with the monogram 'JR' interwoven with the number '8' for James VIII, known as the 'Old Pretender', who was considered by many to be the legitimate King of Scotland. All are inscribed with one or more verses from the Jacobite version of the national anthem 'God Save the King', promoting the good health and restoration of King James VIII and Prince Charles, and occasionally Prince Henry, Cardinal Duke of York. Most of these inscriptions end with the word 'Amen'. Five of the glasses bear dates between 1743 and 1749, the earliest of which is recorded on the so-called Steuart 'Amen' glass, see Seddon (1995), pp.220-2, no.32. The present lot is one of twenty-four 'Amen' glasses with plain drawn stems, most of which contain a large elongated tear, see Seddon (1995), pp.185-229.All are considered to be the work of a single engraver generally thought to have been working in Scotland who engraved glasses available to him over a relatively short period of time in the 1740s, probably between 1743 and 1750. In recent years Ian McKenzie has provided compelling circumstantial evidence to suggest that the 'Amen' glasses may be the work of the renowned Scottish artist and line-engraver, Sir Robert Strange (1721-1792), see Geoffrey B Seddon, The Jacobites and their Drinking Glasses (2015), pp.188-92. In around 1743-44, around the time that the first 'Amen' glasses were engraved, Strange first met his future wife Isabella Lumisden who, together with her brother Andrew, was a dedicated Jacobite supporter. As a condition of their betrothal, she stipulated that Strange should join the Prince's Army to support the 'cause'. Strange, who was also a dedicated Jacobite supporter, subsequently joined the Life Guards and served in the army throughout the rebellion before going into hiding after the Battle of Culloden, eventually marrying Isabella in 1747.Seddon notes that the engraving on four of the known 'Amen' glasses is of relatively poor quality compared to the others; this includes the Steuart 'Amen' glass with the early date 1743. He notes a further six glasses with slightly better engraving, including the present lot and the so-called Dunvegan 'Amen' glass which bears the date 1747, all of which are thought to have been engraved around this date. He suggests that in the years between 1743 and 1747 there is likely to have been a period of two or more years when no 'Amen' glasses were produced, coinciding with Strange's service in the Prince's Army and his subsequent period in hiding. The majority of the remaining extant 'Amen' glasses have engraving considered by Seddon to be of much better quality and are therefore thought to have been engraved in or after 1747, after which Strange had emerged from hiding and married his wife.The present glass obtains its name from its ownership by the Perry family, who were a distinguished family in the city of Glasgow. Sir Robert Perry (1783-1848) was a prominent physician who was President of the Faculty of Physicians and Surgeons of Glasgow from 1843 until 1845. His son, Dr Robert Perry (1826-1918), married May Perry, née Jane Mary Robertina Sim (1851-1931), in 1872. They lived all of their married lives in a large house at 11 Queen's Terrace (later 67 West Princes Street), close to the Arlington Baths Club with which they were connected. May's mother Jane lived at The Lodge at Rosneath (near Mambeg) on the Gare Loch until her death in 1906, and the house is mentioned in Robert's will in 1918 as having been part of his estate. May was still living at their home in Glasgow after her husband's death, but moved to Swanage in Dorset shortly afterwards and it is likely that the present lot was sold at Sotheby's at around the time she moved.It is not possible to be certain of the identity of the Mr Ferrier from whom the glass reputedly descended, but several members of the Society of Writers to the Signet by the name of Ferrier are recorded in A History of the Society of Writers to Her Majesty's Signet (1890), all of whom were related. James Ferrier (1744-1829) became a Writer in 1770 and his sons Archibald, John and Walter followed him as Writers. Archibald Campbell Ferrier (1773-1814) became a Writer in 1796 and married Catherine 'Kate' Garden in 1800 in Greenock, who was the daughter of Francis Garden, a merchant in Greenock. Although she was not from Croy, they seem to be the only feasible candidates for Mr and Mrs Ferrier (née Gordon or Gardon) at this time.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A fine and rare engraved emerald-green tinted airtwist wine glass, circa 1745-50In deep green glass, the drawn trumpet bowl finely decorated with an elaborate border of fancy foliate scroll and strapwork, three ho-ho birds or phoenixes pecking at leafy sprigs, on a multi-spiral airtwist stem and tall conical foot, 18.1cm highFootnotes:ProvenanceR P Morris Collection, Sotheby's, 22 January 1957, lot 48 (one of a pair)Walter F Smith Collection, Sotheby's, 4 December 1967, lot 166 (one of a pair)Probably Michael Parkington CollectionWith Asprey, 1986Durrington CollectionLiteratureR J Charleston, English Glass (1984), dustjacketRoger Dodsworth, The Durrington Collection (2006), no.39ExhibitedAsprey, 'Green Glass 1740-1840', 1986, catalogue p.3, no.4Broadfield House Glass Museum, 'Majesty & Rebellion', 1999, catalogue no.30This remarkable glass is one of an original set, of which at least four would appear to be recorded. An example from the Hewlett Collection is in the British Museum (inv. no.1924,1022.6.CR), illustrated by both Francis Buckley, A History of Old English Glass (1925), pl.LVIII and Hugh Tait, Five Thousand Years of Glass (1991), pl.241. The present lot has been associated with two examples from the original set. The companion glass from the R P Morris Collection, sold by Sotheby's in 1957, was subsequently sold again by Sotheby's on 24 November 1975, lot 108. The companion glass from the Walter F Smith Collection, sold by Sotheby's in 1967 and acquired by Asprey, is presumed to be that from the Stephen Pohlmann Collection sold by Bonhams on 30 November 2022, lot 29.Two very similarly engraved glasses, but without the birds in the border are in the Victoria and Albert Museum (inv. no.C.167-1956) and the Corning Museum of Glass (inv. no.79.2.68). A related engraved example in blue glass, again without birds, is also in the Victoria and Albert Museum (inv. no.C.166-1956). It seems likely that the engraving is by a Continental hand, most likely Dutch. A number of wine glasses with very related engraving incorporating birds, attributed to the Northern Netherlands, are illustrated by Pieter C Ritsema van Eck, Glass in the Rijksmuseum, Vol.2 (1995), pp.346-7, nos.409-12.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A collection of silver, comprising a novelty pincushion in the form of a shoe, by S. Blanckensee & Son, Chester 1912 (lacks cushion), an Edwardian epergne with four flared trumpet sections on weighted base, Birmingham 1906, 20.5cm high, a silver topped cut glass jar, two others, a silver mounted cut glass swan trinket box, and other items. (qty)

A Jupiter gold tone trumpet, model no:JTR-300, having 3 finger buttons with 2 pearlised discs missing, in a fitted case together with a classic guitar. Location:1.4

A large glass and iron centrepiece having trumpet shaped Art Glass bowl, within supported wrought iron holder, on square footLocation:

Mixed silver plate to include a trumpet vase, teapot, mustard pot and other itemsLocation:

A Yamaha silver tone trumpet with mouthpiece, case and accessories Location:

Two large Triton's trumpet shells, a conch shell and a turban shell Condition Report:Available upon request

Five 19th Century drinking glasses-bell bowl with baluster knop stem 11cm, bucket bowl with bladed knop stem 11cm, trumpet bowl 9cm and a pair with drawn trumpet bowls 11cm, all with ground pontils (5)

A pair of Chinese powder blue ground famille verte vases19th centurythe baluster form body with a trumpet neck, the shaped reserves with figures in wooded landscapes and two figures on a canopied boat, the smaller reserves with landscapes and flowers and foliage, on inset feet, bearing four character Kangxi marks, (2)height 31cmCondition: There is a chip to the foot rim of one. The other has a crack from its rim downwards.

A modern silver goblet and other silver various dates, makers marksfirst Birmingham, 1975, A T Cannon Ltd, of plain design with feature hallmarks, interior gilt together with a tall wine goblet on a tapering stem, Birmingham, 1973, A T Cannon Ltd, a twin handled trophy cup on an ebonised base, a trumpet shaped spill vase on a weighted base, a square cedar lined table cigarette box with engine turned decoration to lid, and a curved cigarette case with linear engraved decoration, (6)first height 11.5cm., weighable silver approx. 12.73ozt Condition: Mostly fair condition. Trophy cup pushing down on foot

A group of silver itemsto include a set of eight American sterling silver apostle type teaspoons, stamped, 'STR SILVER', two silver napkin rings, a pair of silver salts, Birmingham, 1911, and six Victorian silver handled dessert knives and six silver handled dessert forks, Sheffield, with duty mark, and two small silver trumpet form vases, (qty) larger vase 11cm high, weighable silver 6.67oztCondition: The larger trumpet form vase is badly dented. Handles are in good condtion without repairs. One fork has small knock on the terminal 

A pair of late Victorian silver dwarf candlesticks and a spill vasefirst London, 1896, Thomas Bradbury & Sons, fitted with detachable circular drip pans on columns embossed with spiralling garlands of acorns and oak leaves, on square weighted bases, second London, 1894, William Comyns, of trumpet form with everted fluted rim and embossed with spiralling foliate decoration, on a weighted foot, (3)first height 12.7cmCondition: Good condition

A Louis XVI style gilt metal and cut glass centrepieceearly 20th centurythe fluted trumpet form vase on an acanthus collar and glass bowl, the acanthus leaf stem with a fluted spreading foot, together with an amethyst coloured footed bowl, 1930s, on short reeded column and spreading foot, (2) height 33cm, diam. 19cm, bowl: height 15cm, diam. 27.5cmCondition: Centrepiece: the bowl is damaged, see image. Watermarks to the top of the trumpet vase.Minor chip to one of the lobed sections.

Roman Bronze openwork Trumpet brooch/fibula 2nd/3rd Century. Lovely even patina with pin fully intact.

Roman Bronze  sprung openwork Trumpet brooch/fibula 2nd/3rd Century. Pin missing.

A mixed lot of nine copper alloy Roman brooches. Various forms including Headstud, Colchester Derivative, Trumpet, Hod Hill. Various conditions and states of completeness. All from the collection of a metal detectorist. See last picture for scale.

Two Roman Brooches, Decorated sprung “dolphin” Roman fibular brooch. Both spring and pin are missing Approximately 6.5cmRoman “trumpet” fibula brooch. Pin missing, spring still present Approximately 5.5cm.

A small art deco vessel; raised decorations featuring colorful hummingbirds and trumpet flowers against a yellow ground. Consolidated glass factory label. Dimensions: 3.5"L x 2.5"W x 6"HManufacturer: Phoenix GlassCountry of Origin: United StatesCondition: Age related wear.

An attractive and heavy Japanese (Meiji) period bronze tubular Vase, with trumpet neck, bird surmounted, resting in relief on circular protruding base with caricature mark, approx. 28cms (11") high. (1)

Mixed Lot: George V matching cream jug and sugar bowl, London 1910, makers mark for Lambert & Co, 330gms, a pair of silver small trumpet vases, Chester 1913, makers mark for Cornelius Desormeaux Saunders & James Hollings, 12cm tall, (loaded) together with two hallmarked silver serviette rings

A WILLIS & CO; an Edward VII hallmarked silver dish with three handles, Birmingham 1907, diameter 11.5cm, together with an Edward VII hallmarked silver trumpet vase, London 1905, height 11.5cm (loaded), also a Birmingham hallmarked silver napkin ring, weighable silver 3.1ozt/97.5g (3).

SANDERS & MACKENZIE; an Elizabeth II hallmarked silver trumpet form vase, Birmingham 1966, height 20.5cm (loaded).

Great Britain, Bury St Edmunds, copper halfpenny, obv: SUCCESS TO TRADE, with central depiction of a kettle and hearth, rev: PAYABLE AT MICHAEL APSEYS, with central Bury St Edmunds crest, together with a 1795 Bury St Edmunds halfpenny token, obv: Wolf holding a crowned head, surmounting the Shield of Arms of Bury St Edmunds within legend SUCESS TO THE PLOUGH & FLEECE, rev: cypher of P D above a crown between olive and laurel branches within legend THE COMMERCE OF BRITAIN and a 1795 Charles Guest copper halfpenny token, obv: arm and hand holding an auctioneers gavel, GOING, A GOING. 1795 around, rev: standing figure of Fame blowing a trumpet, PAYABLE AT CHARLES GUEST’S. around, AUCTIONEER BURY. in exergue, edge milled. (3)

A Large Hand Blown Plain Glass Vase of Trumpet Form on Domed Foot, 72cm high

A Wedgwood Basalt Vase of Trumpet Form Decorated with Aesthetic Foliate Relief, 15.5cm high

A 19th Century Ferdinand Gerbing Witwe Terracotta Vase of Trumpet Form Decorated with Classical Figural Shallow Relief, 13.5cm high, the Base Marked FGW, Chips to Foot and Rim

A selection of silver items, including: a pair of Dutch table salts with blue glass liner; a trumpet vase; a cigarette case; a vesta case; a selection of spoons; and a plated teaspoon inscribed 'Rowntree'.

A collection of silver-plated wares and collectibles, including: a silver plated teddy baby rattle, with indistinct makers monogram; an enamelled compact or card case; a yellow metal seed pearl set initial ‘F’ bar brooch; a pair of trumpet vases; an entrée dish with cover; condiments; and other items.

An early 20th century English Hinks brass table lamp with foliate moulded vaseline glass trumpet shade, height 38cm ***CONDITION REPORT***Honest untouched condition, much of the original gilding is now oxidised, base contains an integral switch, requires re-wiring.  

A selection of six similar Georgian baluster glasses with drawn trumpet bowls and a single glass with a flat round foot.(7)

Fifteen trumpet 19th century wine glasses in various shades of green and thirteen similar wine glasses.

A quantity of silver items. Includes trumpet vase, pepperette, napkin rings, thimble, spoons, salt cellar and sugar tongs. Weighable silver 142g (trumpet vase 160g weighted).

A silver cigar piercer, marks rubbed, of trumpet shaped outline on a silver chain link belcher, total weight of silver 39gms, 1.26ozs

A late Victorian silver vase, maker Henry Matthews, Birmingham, 1900, of trumpet -shaped outline on a weighted circular base, 21cm high, together with a pair of silver tulip-shaped vases raised on weighted circular bases, 15.5cm high. (3).

A large Edward VIII commemorative trumpet goblet with etched glass design and cypher dated 1937, stem with red, blue and white colour twist, 22.9cm high

A large George VI commemorative trumpet goblet with etched glass design and cypher dated 1937, stem with red, blue and white colour twist, 22.9cm high

A large Edward VIII commemorative trumpet goblet with etched glass design dated 1937, together with a small commemorative glass with similar etching and ‘God Save The King’ etched around the foot, both with a commemorative 1937 coin within the knob, highest 24.3cm

A large Bohemian ruby flashed glass lily vase and a mid-18th century ‘drawn trumpet’ cordial glass with air tear

Two Georgian wine glasses, both with plain stems one with tear, the other with bell-shaped bowl and folded foot, the other with trumpet-shaped bowl, both 16.5cm

An English lead crystal baluster toastmaster’s glass, c.1710-20, elongated trumpet deceptive bowl on triple flattened annular knop, plain teared section includes a basal knop, conical folded foot, 15cm high

HSBC 10 DOLLARS 1936 Serial Number H067368, Hong Kong, 1st January 1936, Ceres at upper left, reverse with angel blowing a trumpet at upper centre Folds, stains, wear Provenance: Part two of a single owner numismatic collection, assembled in the 1970s and 80s and untouched for over 30 years Condition:The banknote is in overall good condition, showing vertical and horizontal folds, small stains, signs of foxing and wear on upper right corner and on reverse vertical borders, creases on borders, in particular on lower corners and at right centre on obverse and also on left hand side middle section on reverse This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

Set of six original vintage Hungarian design posters. 1. Gorog Rezso painting etching exhibition from 11 January to 3 February 1963, featuring an image of a person tormented by a mask with horns and sharp teeth and a goat playing a trumpet. Good condition, creasing, tears, staining, browning, paper loss in top right corner. Country of issue: Hungary, designer: Gorog Rezso, size (cm): 70x50, year of printing: 1963; 2. Busojaras Mohacson on 28 February 1965 featuring a smiling mask with horns set over a red background with two silhouettes in costumes below. The Busojaras is an annual celebration of the Shokci people in Mohacs, Hungary, held at the end of the Carnival season, ending the day before Ash Wednesday. Good condition, creasing, tears. Country of issue: Hungary, designer: Unknown, size (cm): 67x47, year of printing: 1965; 3. Hungarian Arts and Crafts exhibition / Ungarisches Kunst-Handwerk from 24 March to 20 May 1981, featuring an abstract image of white and pink lines set over a silhouette of a person, the reverse features photographs and short descriptions of diploma works of various artists. Good condition, creasing, staining, double sided. Country of issue: Hungary, designer: Design: K. Szekely, photo: L. Lelkes, size (cm): 68x48, year of printing: 1981; 4.Hungarian School of Applied Arts for Tom Wolfe's The Kandy-Kolored Tangerine-Flake Streamline Baby book of essays, published in 1965, featuring green and yellow lettering set over a light background. Horizontal. Very good condition, minor creasing, light browning. Country of issue: Hungary, designer: Unknown, size (cm): 48x68, year of printing: 1960s; 5. Szuzet a hercegnek! / A Maiden for a Prince, a 1965 Italian–French film directed by Pasquale Festa Campanil, starring Vittorio Gassman and Virna Lisi, based on a famous story from the Mantua court of the Gonzagas in the 16th century. The poster features an illustration of a person in green and black clothing holding a flower set over a green background. Good condition, folds, creasing, tears. Country of issue: Hungary, designer: Kau, size (cm): 57x38, year of printing: 1967; 6. Pest Megyei Muveszeti Hetek / Pest county art weeks from May to June 1970, featuring an image of ruins on the hill and a tower at the foot of the hill, with the reflection in a brick pattern. Good condition, creasing, folds, tears, minor staining. Country of issue: Hungary, designer: Unknown, size (cm): 67x48, year of printing: 1970.

Collection of ceramics to include Wilhelm Schiller & Sohn majolica vase, studio pottery panther, Coldstone wheat pattern bowl, and a large red floral trumpet neck vase. Tallest measures 38cm.

A cut glass table bowl of trumpet shape having a lobed rim and circular foot, h. 25cm

A wine glass, the drawn trumpet bowl above a single series air twist stem and folded foot, height 15cm

A Satsuma trumpet shaped vase - Height 26cm x Diameter 14cm - some slight chipping to handles otherwise generally good - with an interesting letter gifting the vase, dated 1953

A large 19th century Moser crystal glass vase. The fluted trumpet form body raised on a facet stem and swept foot, the surface finely enamelled with scrolling acorns and foliage with gilded highlights, H49.5cm Condition Report: only one fault not visible until you turn it up side dowm. the inside of the foot has a chip and teo of the applied acorns are missing ( you have to look hard to see them. Otherwise there are no faults visible . all the knops are there and gilded, the enamels are all there and the gilt line decoration is there showing little in the way of wear.

A pair of 18th/19th century Irish glass trumpet formed vases. With cut and wheel cut decoration of ribbons and three parrots (all different) standing over swags of pineapples, bunches of grapes, and peaches, etc., with decoration to underside of foot, H21.8cm x diameter 25.4cm