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'Souvenir of the Great War' - A cotton commemorative handkerchief printed with Allied leaders 49cm x 60cm, a stitched panel of silk flags and Regimental crests, another panel and 'Trumpet and Bugle Sounds' published by Authority Condition Report & Further Details Click here for further images, condition, auction times & delivery costs
Art Nouveau WMF claret jug and stopper, No.191, with trumpet-form green glass body, pierced berry stopper, whiplash handle and relief-modelled maiden to base, stamped beneath WMF EP I/O, 38cm high Condition: general light ware to silver plating, otherwise sound. **General condition consistent with age
Royal Doulton: A collection of six boxed Royal Doulton Rupert figures, to include: Captain Rupert, RB25, Ltd. 378/2500; Rupert and the Little Sea Sprite, RB22; Out for the Day, RB14; Rupert's Silver Trumpet; Something to Draw and Rupert Ski'ing. (6)Condition: Possible repainting of Rupert with Bugle. No obvious signs of damage or restoration
A collection of pottery oil lamps, including a large Greek pottery oil lamp with rounded shoulder and wide central hole, on a slightly raised base, the spout angled slightly upwards, with a small pierced lug handle at the shoulder, circa 3rd Century B.C., 15.8cm long, 6.3cm high; a grey glazed Roman oil lamp, crisply decorated with foliage and trumpet-shaped decoration around the central hole; another with a multi-petalled rosette, a third with a worn petal design around the central hole, each with a maker's mark on the underside of the base, circa 1st Century A.D.; two Romano-Egyptian 'frog' lamps, one with the clear outline of the frog in relief around the central hole, the other with two palm branches around the hole, both with maker's marks impressed on the underside of the base, circa 3rd-4th Century A.D; and a heavy pottery lamp in the form of the head of an African, the hair arranged into tresses, the nozzle formed from the extended face, probably Roman and an early Islamic pottery oil lamp with rounded shoulder and ridge around the broad central hole (8) Provenance: By repute acquired by Sir William Whitfield in Newcastle upon Tyne in the early 1940's
A Greek red-figure skyphos, one side decorated with a nude male holding a thyrsus, the other side with a himation clad male, palmettes under the handles with each scene flanked by tall trumpet-like flowers, mid 4th Century B.C., 15.9cm high, 26cm d Provenance: By repute acquired by Sir William Whitfield in Newcastle upon Tyne in the early 1940's This lot is to be sold without reserve
MILES DAVIS COLLECTION - LPs/BOX SET. Fantastic collection of 14 x LPs plus 1 box set. Titles include Chronicle The Complete PRestige Recordings (box set 12 x LPs, P-012, Ex/VG), Kind of Blue (23AP 2556, no OBI), Someday My Prince Will Come (23AP 2558, no OBI), Milestones (original UK, 682 030 TL, Ex/VG), The Complete Birth of The Cool, Miles Davis Vol 1 & 2, Miles in The Sky, Porgy and Bess, Jazz at The Plaza, Miles Ahead, Quiet Nights, Trumpet Giants, Davis in Person at Blackhawk San Francisco Vol. 1 & 2. Condition is generally VG+ to Ex+.
GEORGE WALLINGTON/PHIL WOODS/DONALD BYRD - THE NEW YORK SCENE LP (ORIGINAL US PRESSING - NEW JAZZ NJLP 8207). Absolutely wonderful LP introducing the George Wallington Quintet (Phil Woods on alto sax, Donald Byrd on trumpet, Teddy Kotick on bass and Nick Stabulas on drums) from 1957 - this a very fine condition 1st US pressing on New Jazz (NJLP 8207). The record (deep groove labels, Bergenfield NJ address) is in Ex+ condition - a fantastic example, there are just a couple of very fine, faint and extremely light hairline markings to the playing surface - quite astonishing for a 63 year old record. Nice and sharp labels, there are some light spindle marks. Matrix/runout: PRLP-8207-A A RVG B & PRLP-8207-B RVG A A. The sleeve is in Ex condition - a neat and clean copy, there is some clear tape running down the spine (there doesn't appear to have been a split and was likely placed there to protect the spine). The reverse has a '4.98' sticker covering the 'suggested price' with 'NJLP' in pen above the 8207 catalogue number. Key addition to any collection.
Vinyl - Blues - 11 Albums + 1 Box set Blues compilations, mainly original UK pressings. Including rarities such as: "Nothing But The Blues" (CBS Records 66278 Double album) NM / NM archive, sleeve is in EX+/EX++ condition, "The Original American Folk Blues Festival" (Original's 1962 German Brunswick WHITE LABEL PROMO ISSUE !!! 009 012) NM archive / Sleeve is on EX condition + booklet attached, "The Story Of The Blues" (UK CBS Records 66218) NM / NM archive, sleeve is EX+/EX++, "Blues From The Bayou" (Pye International records NPL 28142) NM archive, sleeve VG+/VG++, "The Blues Volume 4" (Chess records CRL 4003) EX++, sleeve is EX/EX+ (minor writing on back), " American Folk Blues Festival 1964" (original UK issue Fontana Records TL 5225) VG++, sleeve is in VG+ condition, "Blues Fell This Morning" (Philips Records BBL 7369) VG++/ VG+, also "Authentic Chicago Blues" (Beacon Records), "Blues In D Natural" (Red Lightnin') EX+++ sleeve is in EX++ condition, "Blues Originals Vol. 6" (Atlantic Records), "Blues Singers And Trumpet Players" (Italian, Joker Records) + Box set "Genesis - The Beginning Of Rock" (Chess Records 6641047 - 4 Albums Box set + book) albums are mainly EX+ to NM, Book is in EX condition + Box is in VG++ (slight tear on front).
Air twist stem wine glass with trumpet on domed foot, H15.5cm, wine goblet with pointed round funnel bowl above ball knop and four sided teared Silesian stem with on folded foot, H18.5cm and glass lace makers lamp, globular reservoir, twisted handle, slightly ribbed stem with tear inclusions on domed folded base (3) Condition Report Click here for further images, condition, auction times & delivery costs
Militaria, including belt clasps, a Morse code tapper with wood base in original box, a Morse code tapper with bakelite base, an ampmeter, seven pairs of German belt hooks, a Kriegsmarine brass trade badge and embroidered arm badge, a crossguard for a German dagger with swastika removed, three card displays of Imperial German buttons, a wood gavel, a helmet plate base, a boxed Pathescope Safety film, a pair of Masonic apron chain tassels, a trumpet mouthpiece, a safety razor etc.
A collection of silver and silver plates, including: an Austro-Hungarian silver stand for a trumpet vase, the vase now lacking; an Austro-Hungarian silver pedestal-dish, with openwork foliage border, an Austrian silver dish with foliage cast stem (a.f.); a silver plated double condiment stand, liners lacking; two sets of six Austrian silver teaspoons; a silver plate spoon and a two piece German silver carving set, weighable silver 20oz 1dwt (qty)
Conn Naked Lady 6M VIII alto saxophone, serial number A278899, 64cm high in case, with two Yamaha mouthpieces. This saxophone has had a full service carried out by Howarth of London in September 2019 comprising of strip and clean of whole instrument, replaced worn and missing key corks and felts, replace and reseat pads ,oil mechanism and rollers, tighten loose keys, re-cork crook, replacing springs, adjust spring tensions and ventings. Provenance, formerly the property of David Jones clarinet player for the Kenny Ball Jazzmen. Kenny ball was a trumpet player who founded the band Kenny Ball and his Jazzmen in 1958, his band went onto being at the forefront of the UK Jazz revival in the 1960’s. At the end of 1961 their recording of Cole Porter’s ‘Samantha’ reached number 2 in the UK singles chart. In 1962 the groups version of Midnight in Moscow sold over a million copies earning them a gold disc and getting them on the Billboard Hot 100. More hits and chart success was to follow ensuring the bands success in the UK. Dave Jones worked around the East London area with bands such as Charlie Galbraith's before becoming a founder member of the Kenny Ball Jazzmen. His clarinet tone can be heard on all of the great hits by the group until 1967. It is said in ‘The Rough Guide To Jazz’, by Digby Fairweather that his substantial tone, superior technique, powerful sound and driving approach became one of the strongest points of Ball's strong front-line, and helped to establish a new high standard for British Dixieland’ Following his work with Kenny Ball and his Jazzmen, Jones became a session musician working with The Kinks on baritone saxophone, he also played locally on the Dixieland scene with friends including Galbraith, Mike Cotton, Pat Mason and Bill Nile: he also subbed for Acker Bilk. later 1980's played regularly for Laurie Chescoe's band.
Lawton saxophone 7 star mouthpiece. Provenance, formerly the property of David Jones clarinet player for the Kenny Ball Jazzmen. Kenny ball was a trumpet player who founded the band Kenny Ball and his Jazzmen in 1958, his band went onto being at the forefront of the UK Jazz revival in the 1960’s. At the end of 1961 their recording of Cole Porter’s ‘Samantha’ reached number 2 in the UK singles chart. In 1962 the groups version of Midnight in Moscow sold over a million copies earning them a gold disc and getting them on the Billboard Hot 100. More hits and chart success was to follow ensuring the bands success in the UK. Dave Jones worked around the East London area with bands such as Charlie Galbraith's before becoming a founder member of the Kenny Ball Jazzmen. His clarinet tone can be heard on all of the great hits by the group until 1967. It is said in ‘The Rough Guide To Jazz’, by Digby Fairweather that his substantial tone, superior technique, powerful sound and driving approach became one of the strongest points of Ball's strong front-line, and helped to establish a new high standard for British Dixieland’ Following his work with Kenny Ball and his Jazzmen, Jones became a session musician working with The Kinks on baritone saxophone, he also played locally on the Dixieland scene with friends including Galbraith, Mike Cotton, Pat Mason and Bill Nile: he also subbed for Acker Bilk. later 1980's played regularly for Laurie Chescoe's band.
David Jones clarinet player for the Kenny Ball Jazzmen's Selmer centred tone clarinet, serial number R3350, engraved with Dave Jone's initials 'DJ' with case, with no mouthpiece. Provenance, formerly the property of David Jones clarinet player for the Kenny Ball Jazzmen. This was one of the clarinets played by Jones whilst in the group. Kenny ball was a trumpet player who founded the band Kenny Ball and his Jazzmen in 1958, his band went onto being at the forefront of the UK Jazz revival in the 1960’s. At the end of 1961 their recording of Cole Porter’s ‘Samantha’ reached number 2 in the UK singles chart. In 1962 the groups version of Midnight in Moscow sold over a million copies earning them a gold disc and getting them on the Billboard Hot 100. More hits and chart success was to follow ensuring the bands success in the UK. Dave Jones worked around the East London area with bands such as Charlie Galbraith's before becoming a founder member of the Kenny Ball Jazzmen. His clarinet tone can be heard on all of the great hits by the group until 1967. It is said in ‘The Rough Guide To Jazz’, by Digby Fairweather that his substantial tone, superior technique, powerful sound and driving approach became one of the strongest points of Ball's strong front-line, and helped to establish a new high standard for British Dixieland’ Following his work with Kenny Ball and his Jazzmen, Jones became a session musician working with The Kinks on baritone saxophone, he also played locally on the Dixieland scene with friends including Galbraith, Mike Cotton, Pat Mason and Bill Nile: he also subbed for Acker Bilk. later 1980's played regularly for Laurie Chescoe's band.
Yamaha CS Custom Clarinet, serial number 01813 with Yamaha 6C mouthpiece in case. Provenance, formerly the property of David Jones clarinet player for the Kenny Ball Jazzmen. Kenny ball was a trumpet player who founded the band Kenny Ball and his Jazzmen in 1958, his band went onto being at the forefront of the UK Jazz revival in the 1960’s. At the end of 1961 their recording of Cole Porter’s ‘Samantha’ reached number 2 in the UK singles chart. In 1962 the groups version of Midnight in Moscow sold over a million copies earning them a gold disc and getting them on the Billboard Hot 100. More hits and chart success was to follow ensuring the bands success in the UK. Dave Jones worked around the East London area with bands such as Charlie Galbraith's before becoming a founder member of the Kenny Ball Jazzmen. His clarinet tone can be heard on all of the great hits by the group until 1967. It is said in ‘The Rough Guide To Jazz’, by Digby Fairweather that his substantial tone, superior technique, powerful sound and driving approach became one of the strongest points of Ball's strong front-line, and helped to establish a new high standard for British Dixieland’ Following his work with Kenny Ball and his Jazzmen, Jones became a session musician working with The Kinks on baritone saxophone, he also played locally on the Dixieland scene with friends including Galbraith, Mike Cotton, Pat Mason and Bill Nile: he also subbed for Acker Bilk. later 1980's played regularly for Laurie Chescoe's band.
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32367 item(s)/page