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A pair of trumpet vases,by John Round, Sheffield 1905, with scalloped pierced decoration, 11cm hightogether with two further examples,Birmingham 1905 and 1906, with a flared rim leading to a tapering stem, on weighted bases, the largest 15cm high a cased set of enamelled cocktail sticks,Birmingham 1927, the handles modelled as roosters, 7.5cm higha silver coin dish,inset with a Maria Theresa Thaler,10cm wide, and a silver-topped jar, 8.5cm highweighable 6.36oztCondition ReportThe pierced decoration to the pair of bud vases is intact. The largest bud vase is heavily dented, whilst the other example rocks on a flat surface. Dents to the silver lid and coin dishes. One blue liner has possibly been polished to the rim, the other is in good order.
FOUR BOXES OF CERAMICS AND GENERAL SUNDRIES, to include an oak framed fire screen with a hand embroidered panel of a vase of Pansies, Hollyhocks and Iris, a large framed Japanese design cross stich, a wooden hourglass made from old mill reels, a Radford posy bowl, five dinner plates by Ridgway Potteries Ltd 'Homemaker' pattern, a vintage Murano Sommerso tricolour ashtray, cocktail glasses, dishes, a large Blue Jasperware trumpet vase, 1950's West German tennis set, etc (4 boxes + loose)
Hardy, Thomas: a collection of six Folio Society volumes, uniformly bound and in slip-case, to include The Trumpet Major, Far from the Madding Crowd, The Return of the Native, Under the Greenwood Tree, The Mayor of Casterbridge and Tess of the d'Urbervilles, together with Jude the Obscure, The Woodlanders and Wessex Tales, each in slip-case. (4)
Pair of early 20th century silver specimen vases, each of facetted trumpet form with pierced flared rim, upon spreading filled foot, hallmarked Thomas Bishton, Birmingham 1911, H19.5cm, together with a 20th century Maltese silver dish, of circular form, with flower head centre and embossed flower heads to rim, various marks including purity 917 mark, D15cm, approximate weighable silver 3.19 ozt (99.1 grams)Condition Report:General wear commensurate with age and use, including surface scratches and nicks.Vases with a few small indentations, and one example slightly unsteady on foot.Maltese dish with some knocks to rim.Marks with some light wear, but generally clear and legible.
Pair of small Edwardian silver cornucopia vases, of trumpet form with flared and pierced rims, supported upon shell scroll feet and dolphin tails, hallmarked Goldsmiths & Silversmiths Co Ltd, London 1903, H8cm, 3.35 ozt (104.1 grams)Condition Report:General wear commensurate with age and use, including surface scratches and nicks.Some slight knocks throughout to each, and knocks and splits to pierced rim. Rims slightly uneven as a result.Hallmarks clear and legible.
A Victorian cranberry fading to clear glass epergne centrepiecehaving central larger petal edge trumpet shaped vase with crimped trailing decoration surrounded by three conforming smaller vases and three clear barley twist canes suspending baskets, the base with crimped rimHeight 54 cm.Condition: Good condtion
Two pairs of Edwardian silver candlesticks and a pair of spill vasesfirst Sheffield, 1908 by Thomas Bradbury & Sons, of oval navette form, on tapering faceted knopped stems reeded borders, detachable drip pans on weighted bases, second Birmingham, 1906 by Ellis & co., plain dwarf column form with weighted bases, third London, 1900 by Horace Woodward & Co. Ltd, of fluted trumpet form on weighted bases, (6)first Height 18.8cm., Condition: first good condition. Slight rock to one. second knocks and dings to base of one candlestick.
BJORN WIINBLAD - a Danish pottery centre piece vase, modelled with face and trumpet flower decoration, dated 1984, height 30cm, and 1 other Danish pottery vase by the same sculptor, a Sonja Rauter-Zelenko (Slovenian, 1918 - 2010), a ceramic sculpture of a female, 2 Cinque Ports Rye Pottery vases, largest height 30cm, and 2 Staffordshire style Cinque Ports Rye Pottery sculptures, 1 of a shepherd his wife and 2 sheep, and 1 other (7)
Flemish school; 16th century."Saint Jerome.Oil on panel.Measures: 64 x 48 cm.In this work the artist reveals an exceptional sense of drawing through which he has described the saint's anatomy, showing a great precision. Particularly successful is the anatomical capture which is revealed through the slender but defined muscles, which give a glimpse of the saint's life as a hermit. His anatomy shows a certain elongation of the forms, which makes the hands stand out in particular, rounded but at the same time defined and refined. The face also reveals this technical care, which is determined by the treatment of the wrinkles and bags under the saint's expressive eyes. The detail with which the hair has been painted is also noteworthy, with each hair forming part of the beard visible. This shows the artist's interest in capturing an almost microscopic reality. This emphasis on detail and quality is a characteristic feature of the Flemish school. This, together with the hieratic and emphatic nature of the figure, suggests aesthetic compositions similar to those of the painter Ambrosius Benson (Lombardy, ca. 1490-1500 - Bruges, January 1550), whose Saint Jerome in the collection of the Mayer van den Bergh Museum, Antwerp, is very similar to the present work. In both works the saint is immersed in a rocky interior that opens slightly onto the landscape in the upper left corner. In the centre of the composition, Saint Jerome, dressed in a greyish tunic that reveals a glimpse of his torso, holds a cross with the body of Christ in his hands. It is on this point that the two works differ, as in the present painting the saint only holds the cross. Finally, the work is completed with the iconographic attributes typical of Saint Jerome, such as the lion and the skull. Ambrosius Benson was one of the so-called masters of the tradition, a successor of Van der Goes, and was influenced by Van Eyck, Van der Weyden and the Flemish Primitives in general. Nonetheless, his work reveals 16th-century features from Italy, such as the triangular composition in the present work. Originally from Lombardy, his painting reveals more Italianate features. As can be seen in the present panel, his personal use of colour is particularly important, with a predominance of maroon tones in contrast to the whites and light tones of the flesh tones, which are thus very much emphasised in the composition. Also typical of his work is the velvety quality of the cloaks. Benson was a painter of religious subjects and portraits and trained with Gerard David in Bruges from 1518, the year in which he became a citizen.The depiction of Saint Jerome has been one of the most frequently depicted subjects in the world of art. Whether as a penitent or as a sage, the saint's biography has served to connect with the faithful and to convey the values of the Church. Saint Jerome was born near Aquileia (Italy) in 347. Trained in Rome, he was an accomplished rhetorician, as well as a polyglot. Baptised at the age of nineteen, between 375 and 378 he withdrew to the Syrian desert to lead an anchorite's life. He returned to Rome in 382 and became a collaborator of Pope Damasus. The accumulation of books and scrolls next to the saint alludes to the saint's translation of the Bible into Latin, which was considered the only official translation since the Council of Trent. The theme of Saint Jerome hearing the trumpet of the Last Judgement would become fashionable in Counter-Reformation Europe and would gradually take hold, displacing previous interpretations of the saint as a sage or penitent.
CLASSICAL - CD / CD BOX SET COLLECTION. A collection of around 450 x CDs / CD Box Sets. Composers / Performers / Titles include Verdi - The Complete Works (Box Set), Erwin Schulhoff, Shostakovich - Complete String Quartets, Puccini - Manon Lescaut, Haydn - Karajan, Beethoven - Complete String Quartets, Biber and Schmelzer Trumpet Music and Puccini - Tosca - Sinopoli. See pictures for full list of titles. The condition appears to be excellent.
A GROUP OF HUMMEL GOEBEL PORCELAIN FIGURES, comprising a boxed 'Postman' 269, 'Home From Market' 198, 'Just Resting' 112, 'Little Sweeper' 171, 'Eventide' 99, 'She Loves Me She Loves Me Not' 174, 'Tree Girl' , 'Let's Swing' 110, 'Baker' 128, 'Trumpet Boy' 97, 'Wayside Harmony' 111 (chipped hat and base) (11) (Condition Report: older pieces have a small amount of crazing, obvious damage mentioned in description, in good condition, dust free)
A SMALL COLLECTION OF GLASS AND CERAMICS, comprising a Murano style candle holder in the form of a masked female figure, approximate height 24cm, a Caithness footed bowl, pressed glass candy dish, pressed glass fruit bowl raised above a circular foot, Slack & Barlow three trumpet epergne, glass candle holder, lamp shade, two Royal Doulton plates D5437 and D3088, Wedgwood jasperware napkin ring and a pin dish, Condition Report: small chips to the base of the footed bowl
Five Late 19th / early 20th century epergnes to include a four-branch silver plated example of trumpet form, 28cm high, 2 x silver plated & glass four-branch epergnes with cut foliate decoration, a brass & glass three-branch epergne with two cranberry glass branches, and an early 20th century example with mirrored base (lacking two branches)
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32367 item(s)/page