We found 32376 price guide item(s) matching your search

An Edwardian coloured glass epergne having two hanging baskets and two trumpet vases, overall H: 44 cm. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

A large quantity of Edwardian epergne spares including baskets, trumpet vases etc (29). Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

A VICTORIAN TRUMPET WORK TABLE A/F, WITH A CHILDS BENTWOOD CHAIR, PURDONIUM AND CORNER CUPBOARD (4)

18th Century Derby porcelain figure of Britannia, incised marks to the base, 25.5cm high approx. (B.P. 21% + VAT) Poor condition with damage and losses including fingers, flowers and bocage, head dress and trumpet. Head may have been off.

Bag of assorted silver items to include; trumpet vase with loaded base and ladies vanity brushes with silver mounts etc. (B.P. 21% + VAT)

Modern student alto saxophone in original box, a Chinese students violin in hard case and a student trumpet in hard case. (3) (B.P. 21% + VAT) All appear in good near new condition.  Sax - CranesViolin - ChineseTrumpet - Cranes

Three glass trumpet sconce wall light with table lamp and six matching glass shades. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133Condition Report: All electrical items in this lot have been PAT tested for safety and have passed. This does not confirm that the item is in full working order.

TRUMPET

A pair of Chinese 'Shipwreck' blue and white trumpet vases, painted with pendant ribbons and brocade balls, 25.5cm high (2)青花花卉纹觚两件Condition Report: in good condition other than glaze degradation Condition Report Disclaimer

Mixed Lot comprising a small Indian 935 grade silver trophy cup by Peter Orr, two further napkin rings and a small silver trumpet vase with loaded base, weighable silver 96gms, largest piece 9cm high, various dates and makers (4)

Edward VII silver vase of trumpet form, having an ornate pierced rim to a spreading circular foot, 20cm tall, 170gms, Birmingham 1912, makers mark for Mappin & Webb

Early 20th century electro-plated stem vase of trumpet form raised on a spreading loaded circular base, 20cm high

Late 19th/early 20th century water jug of ovoid form with reeded handle and etched decoration of butterflies and insects amongst grasses, polished pontil, 26cm high; a stem vase of hexagonal trumpet form on circular foot with etched ribbon swag decoration, 25.5cm high and a cut glass wine ewer, 32.5cm high.  (3).Condition report:All hand cut/etchedEtched jug - Crack to top of handle where joining body. Wear to edge of footrim and a few small scratches to interior base. Vase - good condtion, slightly cloudy interior drawn base with a few small scratches.Ewer - Cloudy interior, visible lines and small nick on base of handle. small scratches consistent with age.  

Bernard Kim (born 1942) bronze sculpture of three maidens swooping through air or water, playing a trumpet, flute and harp, mounted on rectangular black plinth base, signed Kim B. and dated 1990.1, 52cm high, 60cm long.

Forty pieces of a late-19th/early-20th century tea set, with gilt, pink and green floral decoration and an opaque glass trumpet-shaped vase.

A Late Victorian Single Trumpet Epergne with Wavy Rimmed Cranberry Glass on Silver Plated Base, 44cm high  (Loss to Glass on Trumpet)

A Victorian burr walnut trumpet sewing table, the hinged octagonal top with a bevelled edge, opening onto textile lined compartments, raised on a splayed base, terminating in a moulded tripod base, 45cm diameter, 76cm highCondition report: The textile lined compartments with heavy wear.

A BOXED SET OF SIX ROYAL DOULTON LIMITED EDITION BUNNYKINS JAZZ BAND COLLECTION FIGURES, comprising Banjo Player DB182, no 500, Clarinet Player DB184, no 2020, Double Bass Player DB185, no 303, Saxophone Player DB186, no 2014, Trumpet Player DB210, no 1497 and Drummer Player DB250, no 913, all from an edition of 2500, produced exclusively for UK International Ceramics, all with certificates (6) (Condition report:- all six figures and certificates are in good condition, the boxes are generally in a reasonable condition)

TWO BOXED ROYAL DOULTON LIMITED EDITION JAZZ BAND COLLECTION BUNNYKINS FIGURES, comprising Trumpet Player DB210, no 1498 and Drummer Player DB250, no 912, produced exclusively for UK International Ceramics Ltd in an edition of 2500, both with certificates (2) (Condition report:- both figures are in good condition, boxes are in good order)

NINE BESWICK PIG PROMENADE FIGURES, comprising John PPI, Matthew PP2 (trumpet loose), David PP3 (flute loose), Andrew PP4, Daniel PP5, Michael PP6, James PP7 (Triangle Striker loose), Richard PP8 and Christopher PP9 with eight boxes (9) (Condition report:- as mentioned in description for loose items)

A drawn trumpet bowl wine glass with air twist stem on plain foot. Minor chip to base other wise good

A Vintage Strathearn art glass trumpet shaped vase. [17cm in height]

A CHINESE FAMILLE VERRE PORCELAIN VASE, trumpet-shaped, painted in a characteristic palette with figures and objects, bears underglaze blue four character mark to base, raised on hardwood stand. Vase 18cm high

Two Royal Doulton trumpet vases, 28cm and 26cm tall, both good condition

TWO VENETIAN GLASS GOBLETS, CIRCA 1950S, one with an octagonal blue glass bowl enamelled with floral reserves and lattice above a spiral fluted gilt stem to a domed glass foot, 20.5cm high, the other goblet with a trumpet bowl and decorated in a similar manner, 25cm high. (2)CONDITION REPORTBoth with wear, losses and discolouration to the enamel, no noted chips or losses to glass.

JARMILA MUCHA PLOCKOVÁ FOR AJETO, A LIMITED EDITION 'LILY' GLASS VASE, of trumpet form and decorated in colours with a band of stylised lilies to a frosted ground, with gilt rims, numbered 12/500 to base, boxed with certificate. 16cm high, rim 13cm wide CONDITION REPORTGood overall condition, no noted damage.

A King USA trumpet, a/f

A Victorian inlaid mahogany trumpet shaped sewing table and a pine milking stool

A brass B & S Sonora Trumpet with mouth piece, in brown case.

A Boosey & Hawkes Emperor brass trumpet; serial no: 196119, in a hard case.

A Bach silver plate trumpet; serial no: F13345, in soft case.

Four pieces of modern Art Glass, comprising three vases, one of slightly ovoid form, another of tapering cylindrical form, and the third of trumpet form, tallest H29.5cm, and a flared bowl, D27cm, each with merging brown decoration.

A Segie Model 7A 12v trumpet horn.

A trumpet type horn as fitted to Alvis and other quality marques.

Camberwick Green – Robert Harrop – a collection of x6 statues / figurines. To include; CG112 Captain Snort, CG75 Grubb (Trumpet), CG69 Captain Flack (Conductor) (in wrong box), CG83 PC McGarry Bees By The Bakery, CGM01 Trumpton Town Hall, and CG74 Dibble (Bass Drum). Highly detailed resin statues based on the classic children’s animated series. All appear mint, with no damage. Boxed. Note; from a large collection of Robert Harrop & other statues / figurines. Condition is stated within each description, however buyers are reminded that such statements are not forensic reports and all items will remain sold 'as is'. As a rule, statues do appear mint and undamaged, but this is not guaranteed. Boxes range in condition, and some have wear from storage. In all instances buyers are required to satisfy themselves. Certificates / paperwork are present if photographed, if there are no photographs of certificates then one isn't present. 

Camberwick Green – Robert Harrop – a collection of x4 statues / figurines. To include; CG70 Pugh (Clarinet), CG75 Grubb (Trumpet), CG13 Cuthbert and CG73 Cuthbert (Tuba). Highly detailed resin statues based on the classic children’s animated series. All appear mint, with no damage. Boxed. Note; from a large collection of Robert Harrop & other statues / figurines. Condition is stated within each description, however buyers are reminded that such statements are not forensic reports and all items will remain sold 'as is'. As a rule, statues do appear mint and undamaged, but this is not guaranteed. Boxes range in condition, and some have wear from storage. In all instances buyers are required to satisfy themselves. Certificates / paperwork are present if photographed, if there are no photographs of certificates then one isn't present. 

A Collection of Assorted Silver, including: two pepper-mills, one with spiral-fluted glass body; a George III style salt-cellar, by Charles Stuart Harris, London, 1911; a mustard-pot; a matchbox-cover, applied with a picture of a pheasant; a trumpet-shaped vase and an ashtray, weighable silver 9oz 13dwt, 300gr; together with a stone trinket box, the cover applied with a gilt metal lizard (qty)

Two silver cigarette-boxes, one wood lined, the other silver and with fall front, 19.2cm wide and smaller; Together With: a silver trumpet-shaped vase, 21cm high, gross weight of weighable silver 23oz, 716gr (3)

A collection of assorted silver, including a sugar-basket with overhead swing handle; a part fluted sugar bowl; a caster; two trumpet shaped vases; various napkin rings and other items (qty)

A collection of assorted silver and silver plate, including: a pierced trumpet-shaped vase; a cased pair of napkin-rings; a cased egg-cup and spoon; 8 various napkin-rings; a toast-rack and various other times, weighable silver 13oz 15dwt, 428gr (qty)

A trumpet stamped Super Ref, brass and copper bugle stamped John Grey & Sons, a brass and silver-plated hunting horn makers Swaine & Adeney, London, German squeeze box, a bamboo flute and a bamboo rain maker (one box)

Five Georgian glasses comprising three wine glasses, one having double opaque and red twist stem, a cordial glass with faceted stem and and ale flute etched with hops and barley (5)Condition report: Coloured stem glass with a small foot chip. Etched and flat cut glass with a large foot chip. Trumpet shaped glass with a small foot chip. Cordial glass with a hevily chipped foot. Ale flute with a heavily chipped foot.

An unusual pair of ormolu corner sconces, incorporating early 19th century elements, probably previously lustre wall lights, each strap work and engine milled body issuing three and four trumpet form sockets respectively, with Neoclassical mounts, later mounted to cream painted board, 113cm high, 54cm wide Provenance: Property from a Private Collection Condition Report: Assembled from something else- and incomplete- decorative only ELECTRICAL GOODS. These are sold as 'antiques' only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician before use.   Condition Report Disclaimer

A silver three piece cruet; a silver pepperette; glass bottle with EP pierced sleeve; a plated and glass trumpet vase; a Swiss/Danish glass vase painted with flower, signed AN.AL; a cranberry glass jug; and an Edinburgh Crystal vase

A George V silver raised bon bon dish with gallery rail, trumpet foot, hallmarked by William Devenport, Birmingham, 1925, 2.14 ozt (66.6 grams) - marks slightly rubbed otherwise condition good) 

Mixed Lot of Silver. 137 g. Various Dates and Makers.Pin dish (Carr's, Sheffield 1993), pin dish on 4 ball feet (Roberts and Belk, Sheffield 1943, another pin dish (W.I.Broadway and Co., Birmingham 1994), and a small trumpet vase (Crisford and Norris, Birmingham 1985)Condition report: Excellent condition. No issues. Hallmarks crisp and clear

A GOOD PAIR OF BLACK FOREST CARVED WOOD VASE STANDS, one carved as a pair of rabbits, the other a pair of foxes, each holding a glass trumpet shaped vase. 19ins high

A Victorian silver triple bud vase, trumpet form with frilled rims and embossed base, by Horace Woodward & Co Ltd, hallmarks London 1896, height 13cm, loaded baseNo damage or repairs, settings lightly abraded, hallmarks slightly rubbed

Flemish school; XVI century."Saint Jerome".Oil on panel.Requires cleaning and has restoration band on the back.Measures: 64 x 48 cm.In this work the artist reveals an exceptional sense of drawing through which he has described the anatomy of the saint, showing great precision. Especially achieved in the anatomical capture that is revealed through thin but defined muscles, which give a glimpse of the saint's life as a hermit. His anatomy presents a certain elongation of the forms, which makes the hands stand out in particular, rotund, but at the same time defined and refined. The face also reveals this technical care, which is determined by the treatment of the wrinkles and bags that can be seen under the saint's expressive eyes. The detail with which the hair has been painted stands out, and each hair that forms part of the beard can be seen. This shows the artist's interest in capturing an almost microscopic reality. This prominence of details and qualities is a characteristic feature of the Flemish school. This statement added to the hieratism and rotundity of the figure, invite us to think of aesthetic compositions close to the painter Ambrosius Benson (Region of Lombardy?, ca. 1490-1500 - Bruges, January 1550), whose Saint Jerome in the collection of the Mayer van den Bergh Museum in Antwerp, has great similarities with this work. In both pieces the saint is immersed in a rocky interior, which opens slightly to the landscape in the upper left area. Located in the center of the composition, St. Jerome, dressed in a grayish tunic that reveals his torso, holds a cross with the body of Christ in his hands. It is at this point where the two works differ since, in the painting of the museum, the saint only holds the cross. Finally, the work is completed with the iconographic attributes typical of St. Jerome, such as the lion and the skull. Ambrosius Benson was one of the so-called masters of the tradition, successor of Van der Goes, and showed the influence of Van Eyck, Van der Weyden and the Flemish primitives in general. However, in his work we can appreciate features already typical of the 16th century, coming from Italy, such as the triangular composition that we see in this work. Originally from Lombardy, more Italian features can be appreciated in his painting. As we can see in this workshop work, especially important was his personal use of color, with a predominance of maroon tones in contrast to the whites and light tones of the flesh tones, which are thus very highlighted in the composition. Also typical of his work is the velvety quality of the cloaks. Benson was a painter of religious subjects and portraits, and trained with Gerard David in Bruges from 1518, the year he became a citizen there.The representation of St. Jerome has been one of the most represented subjects in the art world. Whether as a penitent or as a sage, the saint's biography has served to connect with the faithful and transmit the values of the Church. Saint Jerome was born near Aquileia (Italy) in 347. Trained in Rome, he was an accomplished rhetorician, as well as a polyglot. Baptized at the age of nineteen, between 375 and 378 he retired to the Syrian desert to lead an anchorite's life. He returned to Rome in 382 and became a collaborator of Pope Damasus. The accumulation of books and parchments next to the saint alludes to the saint's translation of the Bible into Latin, which was considered the only official translation since the Council of Trent. The theme of St. Jerome hearing the trumpet of the Last Judgment would become fashionable in Counter-Reformation Europe, and would gradually impose itself, displacing the previous interpretations of the saint as a sage or as a penitent.

Stuart crystal decanter, another cut glass decanter, Stuart fruit bowl, cut glass trumpet form vase and other glass in one box

Pair of Pre-Third Reich Period Regimental Trumpet Banners for the 1st (Prussian) Battalion 18th Infantry Regiment, super untouched pair of trumpet banners both produced in a fine blue silk cloth with Imperial style white diagonal sections leading to the central black chain stitched eagle within a bullion wire wreath. Gold tassel fringing to three sides of the banners and leather trim to the top with leather securing straps. The reverse sides of the flags differ in style, both in white silk cloth, first with six chain stitched shields having emblems and details of various Imperial German regiments which amalgamated into 18th Infantry regiment, in gold bullion wire embroidery is “I.(βreuß.) Batl. 18. Inftr. Regiment”, the second has a central shield which is chain stitched and scroll below within laurel wreath “Inf.Reg. GrafBarfuβ (4.Westf.) no.17”, also bullion embroidered “1. Kompanie I.(βreuß.) Batl. 18. Inftr. Regiment”. Both show light wear with a couple of small moth nip holes to one and a slight stain to the other but generally both are very good condition. Both were liberated by a British serviceman when stationed in Germany at the end of WW2. These trumpet banners were probably used in the Reichswehr period and into the early stages of the Third Reich era. (2 items)

Third Reich Deutsche Jungvolk (DJ) Fanfare Trumpet and Banner, fine example of a early trumpet banner for the youth movement, black velvet banner with white cloth single rune emblem to the centre of both sides. White cloth twist cord fringing. Attached to a original period brass trumpet, un-marked. Fine quality trumpet banner.

Scarce WW2 Hitler Youth Trumpet, fine example of the brass trumpet complete with the original mouth piece. To the lower centre is the tombak eagle insignia used by the Hitler Youth. Some small dents but overall a good example. Rare to find original Hitler Youth marked trumpets.

A pair of 19th century candle lamps, cast metal octagonal base, spreading stepped foot, clear glass trumpet shade, 37cm high overall (2)

Torquay ware and Devon ware pottery; a small teapot, decorated with a country cottage in 'Brixham' and the words '...ave a cup a tay'; a similar cup; a tall coffee pot 'Dinna let yer modesty wrang ye'; a small globular four-trumpet neck posy vase, decorated with a diving kingfisher; others, qty.

salt-glazed earthenware, similarly marked, 26.5cm high; a ‘WAVING CORN’ PATTERN TRUMPET VASE, salt-glazed earthenware, similarly marked, 21cm high; and a ‘LEAVES IN THE WIND’ PATTERN DISH, similar impressed marks, 16.5cm across

A PAIR OF EDWARDIAN PIERCED SILVER TRUMPET SHAPED VASES decorated with birds amongst flowers and reeds, green glass liners, on loaded bases, Rd No 415410, maker: WA, Birmingham 1903, with old repairs.

AN EDWARDIAN SILVER PLATED TABLE EPERGNE, the central shaped rim trumpet vase raised on a circular base with three detachable vases, 9 1/2 ins and a silver plated rococo design TABLE EASEL, 10 ins high. (2)

AN EDWARDIAN SILVER PLATED SCROLLED WIRE WORK TABLE EPERGNE with detachable trumpet bases, 13 ins high and an oval pierced sided swing handle CAKE BASKET. (2)

THREE CUT GLASS BUD VASES each with hallmarked silver collars, a circular silver PIN DISH, Birmingham 1921 and a pair of silver trumpet VASE BASES, maker: JDWD, Sheffield 1902.