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Click here to subscribeArchaic Period, circa 750 B.C. With narrow trumpet-shaped foot, broad shoulder and ribbed lateral handles; painted circumferential bands to the inner neck, rim and body, hatched panels and symbols to the shoulder. Cf. Brown, A.C., Catling, H.W., Ancient Cyprus, Oxford, 1975, p.45, no.5, for the type. 1 kg, 18.3 cm (7 1/4 in.). with Phillips, 27 November 2001, lot 51.From an important Cambridgeshire estate; thence by descent. [No Reserve]
1st century B.C.-4th century A.D.. Mixed group including a cosmetic grinder bed, a fish-shaped silver plate broch, a looped rein guide, a La Tène I brooch fragment, trumpet brooch fragment and other items. 127 grams total, 16-54 mm (5/8 - 2 1/8 in.). Acquired since the 1970s.From the private collection of a Surrey, UK, gentleman. [12, No Reserve]
AN IMARI PORCELAIN VASE 19TH CENTURY Of 'trumpet' form 32cm high, 13cm wide, 11cm deep Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. 6-8cm hairline crack to top- at least 4 or 5 cracks to base- surface scratches and wear Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
LARGE QUANTITY OF GLASSWARE, including red glass vase of slender design, 51cms H, 2 x glass chemists' bottles with stoppers, 34cms H, pair of moulded spiral glass two handled celery vases, 19cms H, various glass trumpet vases for epergnes, inkwells and other itemsProvenance: private collection Conwy
A selection of silver backed dressing table accessories, including: two silver backed brushes, by E S Barnsley & Co, Birmingham 1921; a silver collared glass ink well or jar; a late Victorian/Edwardian silver backed hand mirror; and a silver solifleur trumpet vase; together with a selection of silver plated wares including an entrée dish and cover; a Christening cup; and other items.
Tribal art. Central Africa - a carved wood club, decorated with a band of cowry shells, 62cm l and a hardwood side blown trumpet wrapped with copper wire, possibly Mangbetu DRC, mid 20th c Trumpet with chip to one end otherwise good condition. Club with shrinkage crack and signs of old minor worm
Hand painted in matte finish. Charming young boy with blowing the scout trumpet. Goebel backstamp. This item has its original box. Box measures: 5"L x 7.5"W x 3.75"H. Issued: 20th c.Dimensions: 2"L x 2.25"W x 5"HManufacturer: Goebel HummelCountry of Origin: GermanyCondition: Age related wear.
A THAI BENJARONG YELLOW GROUND PORCELAIN VASE China, 19th/20th century, bottle shape with wide belly and trumpet neck, body decorated in four panels of Thepphanom alternating with Garuda, the neck with similar design, wide glazed base with painted four character mark, later timber stand 37.5cm height Condition: Condition Report No visible damage or restoration. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A CLOISONNÉ ENAMEL PHOENIX TAIL VASE, YENYEN, WANLI PERIOD 萬曆掐絲琺瑯鳳尾尊Please note this Lot is to be sold at No Reserve. 本拍品不設底價China, 1573-1620. The baluster body rising from a splayed foot to a long slender neck with a trumpet mouth, finely decorated in bright enamels on a turquoise ground to the exterior and the interior of the mouth with stylized lotus blooms borne on scrolling leafy vines, with a band of ruyi heads bellow the rim and a lappet band above the base.Provenance: Raymond and Victoria Tregaskis, Sydney, Australia. A noted Austrian private collection, acquired from the above. Dorotheum, Vienna, 12 October 1993, lot 219, the catalog entry confirming the dating above. A Viennese private collection, acquired from the above. Raymond ‘Ray’ and Victoria ‘Vicki’ Tregaskis are noted collectors, scholars, and dealers in Asian art from Sydney, Australia, who have been active since 1978.Condition: Old wear and expected manufacturing irregularities, including pitting. Some losses to enamels with associated old fills and touchups, small dents, minor nicks. The neck slightly leaning.Weight: 1,603 gDimensions: Height 36.7 cm Auction result comparison: Type: Closely related Auction: Christie’s London, 8 November 2011, lot 62 Price: GBP 10,000 or approx. EUR 18,500 converted and adjusted for inflation at the time of writing Description: A cloisonné enamel ‘phoenix tail’ vase, 17th century Expert remark: Compare the closely related phoenix-tail form and lotus decoration. Note that the notched flanges were clearly applied later, as they cover some of the lotus blossoms which would have been unacceptable at the time of the original manufacture of the vase. Note the closely related size (36.5 cm).Auction result comparison: Type: Related Auction: Bonhams London, 13 May 2021, lot 13Price: GBP 20,250 or approx. EUR 29,500 adjusted for inflation at the time of writing Description: A large cloisonne enamel ‘lotus’ vase. Yuhuchunping, 17th centuryExpert remark: Compare the closely related lotus decoration. Note the different form and the size (42.5 cm).Auction result comparison: Type: Related Auction: Christie’s New York, 22 August 2019, lot 149 Price: USD 9,375 or approx. EUR 10,000 adjusted for inflation at the time of writing Description: A Chinese cloisonne enamel vase, Meiping, Ming dynasty, 16th-17th centuryExpert remark: Compare the closely related lotus decoration. Note the different form and the size (32.3 cm). 萬曆掐絲琺瑯鳳尾尊中國，1573-1620年。喇叭形大撇口，豐肩，鼓腹下斂，至底外撇。掐絲琺瑯工藝裝飾，天藍色琺瑯釉作底，整器飾纏枝蓮紋，足部以芭蕉葉紋與如意紋為飾，佈局舒朗有致。 來源：Raymond and Victoria Tregaskis，Sydney，Australia. 澳大利亞悉尼Raymond 與Victoria Tregaskis收藏；奧地利知名私人收藏，購自上述收藏；維也納Dorotheum拍賣行，1993 年 10 月 12 日，拍品 219，目錄條目確認了上述日期； 維也納私人收藏，購自上述拍賣。Raymond ‘Ray’ 和 Victoria ‘Vicki’ Tregaskis 是來自澳大利亞悉尼的著名亞洲藝術收藏家、學者和經銷商，自 1978 年以來一直活躍在亞洲藝術領域。 品相：磨損和製造缺陷，包括點蝕。一些琺瑯釉質損失與小修，釉面小凹痕、小刻痕，頸部微微傾斜。 重量：1,603 克 尺寸：高36.7 厘米 拍賣結果比較： 形制：非常相近 拍賣：倫敦佳士得，2011年11月8日，lot 62 價格：GBP 10,000（相當於今日EUR 18,500） 描述：掐絲琺瑯纏枝蓮紋鳳尾瓶 專家評論：比較非常相近的鳳尾外形、蓮紋。請注意缺口凸緣顯然是後來修補的，因為它們覆蓋了一些蓮花紋，這在花瓶最初製造時是不可接受的。請注意非常相近 尺寸(36.5 厘米)。 拍賣結果比較： 形制：相近 拍賣：倫敦邦翰斯，2021年5月13日，lot 13 價格：GBP 20,250（相當於今日EUR 29,500） 描述：十七世紀銅胎掐絲琺瑯纏枝蓮紋玉壺春瓶 專家評論：比較非常相近的蓮紋。請注意不同的的外形和尺寸(42.5 厘米)。 拍賣結果比較： 形制：相近 拍賣：紐約佳士得，2019年8月22日，lot 149 價格：USD 9,375（相當於今日EUR 10,000） 描述：十六至十七世紀明代銅胎掐絲琺瑯梅瓶 專家評論：比較非常相近的蓮紋。請注意不同的的外形和尺寸(32.3 厘米)。
A SMALL LONGQUAN CELADON PHOENIX TAIL VASE, YENYEN, SOUTHERN SONG TO YUAN DYNASTY 南宋至元代龍泉窯青釉鳳尾尊 Please note this Lot is to be sold at No Reserve. 本拍品不設底價China, 12th-13th century. Delicately carved around the upper body with blossoming chrysanthemum borne on leafy scrolling vines above a band of petals rising from the foot and below a series of concentric rings encircling the trumpet-shaped neck. Covered overall and on the base with a thick bubble-suffused glaze of pale sea-green tone, the foot rim left unglazed exposing the buff ware burnt orange in the firing.Provenance: From the collection of Vice-Admiral Edgar Humann, and thence by descent in the same family. Edgar Eugène Humann (1838-1914) was a French naval officer who rose through the ranks to Admiral. In 1892 he was placed in command of the Far East naval division. From 1894 to 1895, he served as Chief of Staff of the French Navy, and in 1898, he was made Inspector General and Grand Officer of the Legion of Honor. He retired from active duty in May 1903.Condition: Very good condition with minor old wear and firing irregularities including a firing crack to the foot and few burst bubbles. Occasional light scratches to glaze. The vase slightly leaning.Weight: 971.3 gDimensions: Height 22.3 cm Auction result comparison: Type: Closely relatedAuction: Christie’s New York, 26 March 2010, lot 1339Price: USD 17,500 or approx. EUR 22,500 converted and adjusted for inflation at the time of writingDescription: A rare small longquan celadon trumpet-necked baluster vase, Southern Song/Yuan dynasty; 12th-13th centuryExpert remark: Compare the closely related trumpet-necked baluster form, sea-green glaze, carved decoration, and floral motifs. Note the slightly larger size (25.2 cm).Auction result comparison: Type: Related Auction: Sotheby’s New York, 15 September 2018, lot 1384 Price: USD 11,250 or approx. EUR 12,500 converted and adjusted for inflation at the time of writing Description: A small ‘Longquan’ celadon-glazed ‘peony’ vase, Yuan dynasty Expert remark: Compare the closely related form, carved decoration, and floral motifs. Note the more olive-tinged celadon glaze. Also note the slightly smaller size (18.5 cm). 南宋至元代龍泉窯青釉鳳尾尊中國，十二至十三世紀。頸部修飾弦紋，腹部暗刻盛開的菊花紋，足部芭蕉葉紋。通體施一層厚厚的淺青色釉，釉色瑩潤，足沿未施釉，露出淺黃色胎，燒成橙色。來源：海軍中將Edgar Humann收藏，在同一家族傳承。Edgar Eugène Humann（1838-1914 年）是一位法國海軍軍官，後來晉升為海軍上將。1892年，他被任命為遠東海軍師司令。1894年至1895年，他擔任法國海軍參謀長，1898年被任命為監察長和榮譽軍團大軍官，1903 年 5 月退役。 品相：狀況極好，有輕微磨損和燒製不規則現象，包括足部的燒製裂紋和少量破裂氣泡。局部輕微的釉面劃痕。花瓶微微傾斜。 重量：971.3 克 尺寸：高 22.3 厘米拍賣結果比較： 形制：非常相近 拍賣：紐約佳士得，2010年3月26日，lot 1339 價格：USD 17,500（相當於今日EUR 22,500） 描述：南宋至元代龍泉青釉鳳尾瓶 專家評論：比較非常相近鳳尾的外形，海綠釉面，雕刻裝飾，以及花卉主題。請注意尺寸較大 (25.2厘米)。 拍賣結果比較： 形制：相近 拍賣：紐約蘇富比，2018年9月15日，lot 1384 價格：USD 11,250（相當於今日EUR 12,500） 描述：元龍泉窰青釉纏枝牡丹紋瓶 專家評論：比較非常相近的外形，雕刻裝飾，以及花卉主題。請注意橄欖色青瓷釉面和尺寸較小(18.5厘米)。
AN IMPERIAL PAIR OF QUADRILOBED CLOISONNÉ ENAMEL ‘LOTUS’ VASES, QIANLONG FIVE-CHARACTER MARK AND OF THE PERIODPlease note this Lot is to be sold at No Reserve. 本拍品不設底價China, 1736-1795. Each baluster body is distinctively four-lobed and rises from a splayed foot to a waisted neck surmounted by a trumpet mouth with an everted lip in gilt-copper. Decorated around the exterior with bands of lotus blooms borne on meandering leafy scrolls between bats, ruyi and stylized lappet bands, all reserved on a deep turquoise ground. The recessed gilt copper base neatly incised with a five-character mark Qianlong nianzhi ze and of the period. (2)Provenance: From the collection of J. J. Lally, New York, USA. To each box, a collector’s label, ‘Lally & Co. New York’ with handwritten inventory number ‘4289.’ James J. Lally was a renowned antique dealer and connoisseur, recognized as one of the greatest scholar-dealers of Chinese art, who has been a leader in the field for more than 40 years. After graduating from Harvard College and Columbia University, Lally joined Sotheby’s where he held many positions within the Chinese art department. In 1970 he served as the director of Chinese works of art at Sotheby’s in New York and Hong Kong, and by 1983 was named president of Sotheby’s in North America. In 1986, he founded his namesake gallery, J. J. Lally & Co., at 41 East 57th Street in New York - just a few blocks away from the MoMA, to provide advisory services for keen collectors. Lally fondly recalls the moment, not long after he opened his gallery, when a young man walked through the door with a Shang Dynasty gong-a bronze vessel shaped like a gravy boat-decorated with a dragon and tiger and in beautiful condition. It was, Lally described, “one of the most important objects I ever had in my hands.” The young man said he had inherited it from his father and was not really interested in Chinese art himself. He wanted to buy a sailboat and wondered if the gong was valuable enough to pay for that. “I was very happy to tell him that it was valuable enough to buy two sailboats,” Lally noted. The gallery helped to establish New York as a major center of commerce for Chinese art and allowed Lally to concentrate on his own specific interests, particularly early ceramics, ritual bronze vessels, archaic jade carvings and sculpture. Lally brought a learned approach to his work, publishing detailed, scholarly catalog that have remained important reference guides within the field. This meticulous approach continued when he produced his own exhibitions and catalog. Giuseppe Eskenazi, dubbed the “Godfather of Chinese Antiques,” and one of the world’s most esteemed Chinese art dealers, also spoke highly of Lally for his achievements in the industry, alongside William Chak from Hong Kong, and the Marchant family from London. In the spring of 2023, Christie’s and Bonhams conducted single owner sales of Lally’s collection which broke several auction records.Condition: Excellent condition with expected manufacturing irregularities and wear to gilt, minute hairlines, dents and nicks to enamels. Minor losses to enamels with associated old fills. Overall displaying exceptionally well.Weight: 1494.1 g and 1499.2 gDimensions: Height 36.3 cm (each) Each with a padded silk box and cover. (4)Auction result comparison: Type: Related Auction: Christie’s London, 11 May 2010, lot 110 Price: GBP 37,250 or approx. EUR 73,500 converted and adjusted for inflation at the time of writing Description: A large and rare cloisonné enamel vase, gu, Qianlong incised four-character mark within a double square and of the period Expert remark: Compare the related cloisonné decoration, lotus motif, and incised reign mark. Note the size (57 cm), different form, absence of an additional character to the reign mark, and that the lot comprises only a single vase.Auction result comparison: Type: Related Auction: Christie’s Hong Kong, 28 May 2014, lot 3005 Price: HKD 400,000 or approx. EUR 56,500 converted and adjusted for inflation at the time of writing Description: A fine Imperial small cloisonné enamel ‘lotus’ dish, Qianlong incised six-character mark within double rectangles and of the period Expert remark: Compare the related cloisonné decoration, lotus motif, and incised reign mark (albeit six characters). Note the size 13 cm), different form, absence of an additional character to the reign mark, and that the lot comprises a single bowl.Due to length restriction on Drouot this entry is shortened. For full description please visit www.zacke.at.由于Drouot平台拍品叙述的长度限制，我们移除了中文叙述，完整中文叙述请至www.zacke.at查看
A PEACHBLOOM-GLAZED ‘CHRYSANTHEMUM’ VASE, JUBAN PING, 19TH CENTURY 十九世紀豇豆紅釉菊瓣瓶Please note this Lot is to be sold at No Reserve. 本拍品不設底價China. Of ovoid form, molded with a band of chrysanthemum petals above the flaring foot, surmounted by a tall trumpet neck, covered to the exterior in a glaze of raspberry suffused with speckles of mushroom and green copper oxide, running thinner on the rim and molded petals, the inner rim partly covered in raspberry thinning into white towards the interior. Provenance: From a noted private collection in Geneva, Switzerland, assembled since the 1960s, and thence by descent. An important part of this collection was on permanent loan and exhibited over several decades at the Asia-Africa Museum in Geneva. Two labels, ‘4239’ and ‘Asia-Africa Museum Geneve AMA 4239’ to the base. A label ‘4239 AMA’ to the base. A copy of a handwritten entry in the inventory of the collection, describing the present vase, accompanies this lot. Condition: Good condition with minor wear, a small repair to the rim with touchups, and manufacturing flaws including minor firing cracks. The wood stand with minor wear.Weight: 321.7 g (excl. stand), 368 g (incl. stand) Dimensions: Height 17.3 cm (excl. stand), 20.4 cm (incl. stand)The recessed base with an apocryphal underglaze-blue six-character mark da Qing Kangxi nianzhi.With a carved and reticulated wood stand. (2)The peachbloom glaze has been the focus of scientific research since the mid-20th century. Both the overall soft pinkish red of the glaze, and the areas of clear green which appear to a greater or lesser extent within it owe their hue to copper. Firing in a reducing atmosphere creates the red color, while re-oxidation creates the green. This was therefore a glaze that had to be applied very precisely and fired with great care. Research suggests that a copper-lime pigment was applied between two layers of colorless glaze. The copper-lime pigment was applied by blowing through a bamboo tube with fine silk gauze over the end, to achieve an effect similar to modern spraying techniques. This allowed the thickness of the copper-lime layer to be adjusted so that some areas would be thicker than others. In those thicker areas, there was additional flux, which thinned the upper glaze layer and allowed the copper to re-oxidize and produce clear green. In the other areas, some of the pigment was undissolved making it appear slightly opaque and yet smooth on the surface, while the majority of the copper did dissolve and produced a rich pinkish red and creating one of the most highly esteemed glazes from the Qing imperial kilns. Auction result comparison:Type: RelatedAuction: Christie’s New York, 23 August 2017, lot 189Price: USD 4,000 or approx. EUR 4,500 converted and adjusted for inflation at the time of writingDescription: A Chinese peachbloom-glazed 'chrysanthemum' vase, juban ping, late Qing dynastyExpert remark: Compare the related form, glaze, and apocryphal Kangxi mark. Note the slightly smaller size (15.9 cm).
EDWARDIAN SILVER MOUNTED "PREMIER" GOLF SCORING BOOK, WILLIAM HAIR HASELER, BIMRINGHAM 1906 the hinged cover with golfing scene, retaining score card, silver mounts pierced with crossed clubs over ball, on hoop suspension, along with a white metal miniature trumpet Condition of book, good to fair. Splits and warps to front cover. Discolour to pages.Both pieces subject to age and use related wear. Additional images now available.
With broad flat and line incised socket flange, a single upper fillet to cylindrical stem and a ball knop, on a spreading circular base with stepped footrim, height 17.8cm, base diameter 14cm Provenance: Private Collection, London, 2000, thence Anne & Frederick Vogel III Collection. Sold Sotheby's, New York, 19 January 2019, Lot 1033 Literature: A similar example illustrated C. Bangs, The Lear Collection: A Study of Copper-Alloy Socket Candlesticks, A.D. 200 - 1700 (1995), p. 142, Cat. 115. In Old Domestic Base-Metal Candlesticks (1978), R. F. Michaelis wrote about the ball-knop trumpet-based candlestick (a type more commonly found in pewter) as 'a late, and abortive, attempt at a departure from the drip-tray proper, the hollow 'ball-knop' obviously serving a very useful function as a grip for lifting or carrying the piece, but almost completely useless as a hindrance to falling candle-grease' (p. 83). He goes on to note that to compensate, the flange at the top of the socket is wider than usual, which is a noticeable feature of this rare candlestick ** This item is part of the Christopher Bangs collection **.
A collection of 20th century glassware including: an early 20th century Celery vase with folded rim, knopped stem, splayed foot and wheel etched pattern of a Swan under the word CELERY (H 20cm); a ribbed trumpet form vase in the manner of Waterford Crystal (H 26cm); a tall cylindrical vase in the manner of Crystal d'argues (H 33cm); a large stemmed celery vase by London Crystal with etched floral patter and knopped stem (H 25cm); a large sail shaped vase by Justin of Poland (H 39cm); a Bohemian lead crystal vase with flared rim (inscribed as a golfing award) (H 30cm); a moulded glass flared vase (H 15cm); a led crystal rose bowl with metal insert (H 15cm, D 20cm); and a crystal glass bonbon dish in chromed metal basket (D 14cm). (9) Part of the Bowles collection.
Collection of 20th Century art glass vases to include a Murano ruffle rimmed trumpet shaped vase in orange with a splayed black glass foot (Height 28cm); two slender orange cylindrical vases ( Height 32cm and 25cm); a slender ruby glass tapering bud vase with clear glass "elephant's foot" base (Height 25.5cm); and a tall orange/white and clear glass asymmetric vase in the manner of Dragon Drobnjak for Prokuplje with twisting flanges and nodules (height 37cm). (5) Part of the Bowles collection.
A WW1 medal pair, bronze cap badge, autograph book, and period photographs, relating to 266153 Pte Ernest George Ewens of the Hertfordshire Regiment, and later the Bedfordshire Regiment. To include: the British War Medal, Victory Medal, period bronze Herts Regiment cap badge on slider, a WW1 era autograph book, containing poems, illustrations and greetings from various soldiers, and various WW1 period photographs of Pte Ewens in uniform. Notes: Pte Ewens’ medal entitlement is confirmed as being the pair only. Contemporary records would suggest that he was part of the territorial force. in the Bedfordshire & Hertfordshire Regiment. A couple of the photographs included would indicate that he was a music9na in the regiment, as in one image he is pictured holding a trumpet, and another shows him holding a bugle. Another image shows a group of drummers, but it’s uncertain whether Pte Ewens is in this image. Information supplied by the vendor states that Ernest was born in Wood Green, on November 23rd 1897. He enlisted just before his 17th birthday, in 1914, and spent 2 years serving with a Home Service (TF) unit. After attaining the required age, Ernest was sent overseas for service in France & Flanders. He joined the regimental brass band, which managed to excuse him from some of the dreary trench duties. The autograph book is named and dated November 23rd 1914, seemingly a birthday present from his parents. It contains amusing rhymes and poems, written by fellow soldiers, plus some illustrations of camps, particularly from the 30th Company Grenadier Guards. Condition: generally good. Both are in good clean condition, with a good level of detail still present. The medals are both complete with their original ribbons, but these are a little frayed. The photograph are all good, as is the cap badge. The autograph book has a couple of loose pages, but is otherwise good.
A pair of Arts and Crafts style silver vases by A. E. Jones (Albert Edward Jones), Birmingham 1924, trumpet shaped and hammered overall, 156.5cm (6 1/2in) high, loaded; a small pair of vases by Page, Keen & Page of Plymouth, London 1900, 9cm (3 1/2in) high; a scroll engraved cigarette case by Joseph Gloster Ltd, Birmingham 1927; and a late Victorian silver mounted leather wallet, London 1892, initialled, 15cm (6in) long, 177g (5.7 oz) weighable (6)
A pair of mid 18th century Swiss silver candlesticks by Pierre Masmejan & Elie Papus, Lausanne, faint XI marks for .916 standard, trumpet shaped and spiral lobed decorated, with detachable sconces, knopped stems and octagonal flared bases, applied with a family crest?, 19.5cvm (7 5/8in) high, 619g (19.9 oz)
A Victorian silver baluster cream jug, maker's mark rubbed, Birmingham 1898, with lion capped feet,;an Art Deco cream jug; silver pepper grinder;a silver christening mug with engraved initials 'J.E.C.K'; a silver trumpet vase; a silver vase shaped sugar shaker; three silver miniature armada dishes; a silver napkin ring; a cased set of six silver coffee spoons and a cased pair of Trusty Servant spoons with cast knobs, 900g (28.9 oz) gross, (12)
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