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A retro vintage 20th Century French upcycled lamp light converted from a brass trumpet of typical form. The mouthpiece top form the light bulb holder with the bell forming the base. Added weight to the base. Inscribed 'J, Gras, Curnisseur De L'Armee, 17. Parvis St. Maurice'. Wear commensurate with age. Measures approx; 50cm x 12cm diameter.
A collection of cranberry glass, including overlaid etched design floral bowl, 18cm diameter, two plain glass scalloped and shaped bottle coasters, candlestick and two overlaid vases, footed trumpet example with cross hatch and circular design 17cm high waisted example with fern and spray pattern, 16.5cm high together with a small specimen vase.
Flynn Silver (Australian) Lyre Bird tea spoon, boxed, pierced silver trumpet vase with cranberry glass insert, Birmingham 1910, pair of silver bon-bon dishes with pierced border, Birmingham 1926, small sterling silver beaker, seven serviette rings, marked Mexico 925, together with various white metal items to include a pair of spoons with figural terminals, middle eastern dish with inset coin, Dutch style ashtray and bon-bon dish
Commemorative Glass Rummer, etched to the bowl with a sailing ship named WARREN HASTINGS 1805, a ship of the East India Company, captured by the French in 1805, recaptured by the British in 1808 and returned to the EIC; the rummer with an air twist stem, 7 inches (17.5cms) high, together with a trumpet shaped wine glass with an air twist stem, 6.5 inches (16.25cms) high (2)
PAIR OF ROYAL DOULTON VASES,of cylindrical form with trumpet rim and moulded scroll handles, on a further moulded circular foot, transfer decorated in blue with foliage, gilt highlights, printed Burslem marks to base, 32.7cm high, along with a Doulton faience ever (3)Condition report: Additional images of ewer now available.
Officina Bodoni.- Brown (George Mackay) Stone, one of 125 copies, signed by the author and artist, colour photographs by Gunnie Moberg, original morocco-backed boards, t.e.g., others uncut, transparent plastic dust-jacket, morocco-edged slip-case, Verona, Officina Bodoni for Kulgin D. Duval & Colin H. Hamilton, 1987; The Hooded Fisherman, one of 55 copies, signed by the author and artist, woodcut illustrations by Charles Shearer, original boards, The Trumpet Press, Francis Cleverdon for Kulgin Duval & Colin Hamilton, 1985 § Cameron (Elizabeth) A Books of White Flowers, one of 250 copies, signed by the artist, this also marked "artist's copy", colour plates, original cloth-backed pictorial boards, transparent plastic dust-jacket, slip-case, Verona, Stamperia Valdonega for K. D. Duval, 1980; and another, published by Duval, v.s. (4)
CHARLES BRANNAM; a late 19th century art pottery vase of trumpet vase with floral decoration, height 54cm, signed and dated 1896 to base.Additional InformationCrazing to the body, there is a crack from the rim into the body of the piece approx. 10cm in size. The odd glaze chip to the relief decoration.
WI BROADWAY; an Elizabeth II hallmarked silver trumpet vase, Birmingham 1978, height 19.5cm, filled, with a group of hallmarked silver, including weighted candlesticks, two lidded mustards with blue glass liners, pair of pepperettes, two napkin rings, also a white metal cup holder with embossed decoration, possibly Russian.
Jackanory, The eyes of the Amaryllis, ill.Paul Birkbeck 1939-2019, written by Natalie Babbitt, read by Joanna David, Jenny Reade and her grandmother indoors, Jenny playing a trumpet, 37 x 55 cms., inscribed verso Part 2 Cap 10, not signed, BBC broadcast 1980.ABOUT PAUL BIRKBECK; an appreciation, written by one of his daughters and published in the Guardian following his death. "My father, Paul Birkbeck, who has died aged 80, was an artist and illustrator whose work is familiar to those of a certain generation brought up on BBC childrens TV programmes such as Crystal Tipps and Alistair, Play School and Jackanory. His distinctive style and keen eye for detail ensured that he became one of the BBCs most-used artists through the 1970s and 80s. Born in Woolwich, south-east London, Paul attended Brighton College and Epsom School ofArt. After completing his national service, he also became the banjo player for the Dedicated Men Jugband, who signed to Pye Records in 1965. The bands single, Boodle Am Shake, did not trouble the charts but Paul soon began designing sleeves for Decca Records. In 1965 working with BBC childrens TV he became a prolific illustrator for its programmes. For Jackanory he illustrated 14 stories, including A Dog So Small (read by Judi Dench) and Peter Pan, (some in this sale), as well as the BBC Sunday afternoon Bible stories series In the Beginning. His work for Jackanory continued for many years. He created the memorable opening titles for The Vikings in 1980, presented by Magnus Magnusson, and the iconic Miss Marple series, starring Joan Hickson. Paul also drew the backgrounds for the ground-breaking TV series Jane, starring Glynis Barber, which mixed cartoon backgrounds with live actors and was based on the 1940s comic strip of the same name. (some in this sale). In 1991, as well as supplying illustrations, he was in front of the camera playing himself each week in the BBCs six-part childrens TV history programme Now Then, an educational show that cleverly brought our ancestors to life. Paul taught illustration at Leicester Polytechnic, Epsom College and the Royal College of Art, but continued to work in TV, including delivering the titles for the Stanley Baxter Show on Channel 4. He branched out into book illustration with Salman Rushdies 1990 childrens fairy tale Haroun and the Sea of Stories, for which his lavish pictures were much lauded, not least by Rushdie. My father spent the latter part of his life on personal commissions. His work appeared at the Keith Chapman Gallery, London, in Royal Academy summer shows and Sunday Times watercolour exhibitions between 2003 and 2008, and in the Mall Galleries Discerning Eye exhibitions. PROVENANCE The artworks in this sale have been consigned by his family. NOTES: The pictures in this sale were prepared in various mediums often used by the artist and often in conjunction with one another, including, pen and ink, crayon, water-colour, gouache, pastel, and oil and acrylic paints on card or on paper. The auctioneers acknowledge the help of his family in cataloguing this collection, and where-ever known each picture has been listed under its broadcast designation. but the vendors do not guarantee that all attributions in this respect are correct. The family do however guarantee that the pictures, both signed and unsigned are the work of Paul Birkbeck. . All sizes are approximate.
A Large pair of alabaster urnsCirca 1930Of trumpet form with turned bodies on circular socles and square plinth bases, 51cm wide, 51.5cm deep, 89cm high (20in wide, 20in deep, 35in high) (2)Footnotes:Provenance: Christie's, London, South Kensington, 26 October 2016, The Hone Collection, lot 10.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A collection of 18th century table glass,comprising: a wine glass, c.1750, with a trumpet bowl raised a plain stem with an air tear, above a conical folded foot, 17.7cm high, a sweetmeat glass, c.1740, with a wrythen moulded bowl, over a hollow blown and moulded stem, raised on a high conical foot, 18cm high, a drinking glass, possibly German, mid-18th century, with a large funnel bowl raised on a hollow blown inverted baluster stem and a conical folded foot, 19.6cm high, andanother similar example, 19.3cm (4)Provenance: The Peter and Pat Crofts Collection.Condition report: Watermarks to the bowl of the larger funnel bowl glass. Smaller funnel bowl glass with a chip to the rim. Wine glass with a slightly sloped rim suggesting it could have been polished, although not particularly sharp. Wine glass with cullet spots to the bowl and foot. Sweetmeat glass chipped to the foot.
A Bohemian blue and clear glass chandelier for the Persian market,early 20th century, the central baluster issuing scrolling arms ending in dished bobeche and hurricane shades depicting various Qajar rulers,130cm high78cm diameterProvenance: 47 Phillimore Gardens, Holland Park, London, W8.Condition report: Overall the chandelier is quite worn and rubbed particularly to the gilt decoration, several of the shades are replacements, the wiring would require professional attention prior to installation however it was used up until fairly recently, there are small chips to some of the shades particularly to the bottom edges three of the sconces are broken and glued. Large glass shades three replaced, one cracked and glued (see image). Two gilt/blue dishes broken and repaired. Chips to top of central lower glass trumpet. One gilt blue flower shaped holder broken and re-stuck. Wear to gilt in several places particularly on the belts.
A Victorian silver-plated centrepiece in the manner of Elkington & Co.,with a tapering cut-glass trumpet vase and platform, supported by two palm trees with deer to the base, on a mirrored glass and oak-leaf cast stand,38cm diameter56cm highProvenance: 47 Phillimore Gardens, Holland Park, London, W8.Condition report: Rubbing and wear to plate. Surface wear, scratches and chips to glass. Tarnish and discolouration. Some misshapen areas. Base doesn't sit flat. Base potentially associated. General wear.
A Victorian cranberry and semi opalescent glass flower stand, with central trumpet issuing from a sexafoil collar set three smaller trumpets and three spiral twist scrolling branches, trumpet shaped frilled circular base, 47cm h Chips to terminals of spiral fluted branches, otherwise generally good
A large quantity of Edwardian and later glassware to include numerous wine coolers, finger bowls, decanters, silver rimmed trumpet shaped vases, twin lipped cut glass bowls, etched tumblers, candlesticks, ice plates, jugs, etc, various beakers, (large collection approx 200+ country house butlers pantry clearance)
TOWER ARMOURIES, LONDON A GOOD .750 FLINTLOCK MUSKET, MODEL 'NEW LAND PATTERN', no visible serial number, circa 1810, with blacked 39in. barrel, Tower proofs struck out and reproved in London when sold out of service, plain breech and colour-hardened top-tang, military type 6 1/2in. lock signed 'TOWER' on the tail (rubbed) and with a 'G.R.' and crown device below pan, ring-necked cock, walnut 'shotgun'-style full-stock without an apron around the top-tang (armourer's repairs around the lock) and fitted with brass furniture including a trumpet mouth ramrod pipe to the fore and complete with an iron under-barrel ramrod, the whole refinished at time of sale, overall length 55in., weight approximately 9 3/4lbs. and fitted with a buff leather sling.
A .750 FLINTLOCK SERVICE-MUSKET SIGNED THOMAS, MODEL 'BROWN-BESS TYPE', serial no. 27, WITH BAYONET, third quarter of the 18th century and possibly cut down from a Long or Short Land Pattern, with 39in. round iron barrel, Tower proofs at breech, block fore-sight, moulded band forwards of the solid top-tang, radiused borderline engraved lock signed 'THOMAS' below the pan, swan-necked cock, borderline engraved frizzen, walnut full-stock, brass furniture including oval escutcheon at wrist numbered '27', solid moulded three-screw sideplate, the front two ramrod pipes with trumpet mouths, three iron barrel keys and iron worm-ended iron ramrod from a 42in. model, complete with a period socket bayonet signed 'DAWES' also numbered '27' (no scabbard, distressed).
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32203 item(s)/page