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Two hardstone carvingsThe first a pale greenish-white jade landscape rock deeply undercut on both sides with aged scholars playing the qin and weiqi or visiting within the deep hollows of the boulder; the second a white hardstone vase deeply undercut as a flowering trumpet vine. 7 3/4 and 7 7/8in (19.5 and 20cm) high (2).
An iron red and gilt-enameled vase Tao yi zhen pin mark, Republic periodOf ovoid form with a trumpet neck and bat-shaped handles applied along the shoulder, the front depicting the famous Southern Song general Yue Fei (1103-1142) on his horse and reversed by a transcription of his poem on his lost homeland, the Man jiang hong, the four-character seal inscribed on the recessed base (hairline crack). 15 3/8in (39cm) high
Three assorted brass cornets comprising an early 20th century Thibouville-Lamy in C, Low Pitch, Crooked in C, an early 20th century Laussedat (Clermont-Ferrarand) in B flat, crooked in G. Low Pitch, Probably for military use and with Besson trumpet mute and a Metzler example in B flat, high pitch, in original fitted case with mouthpiece and piano crook etc.
A famille noire enameled 'phoenix tail' vase19th centuryPotted with a trumpet neck rising from a baluster-form body, painted with a myriad of wild fowl perched on blossoming branches or flying toward a phoenix resting on a garden rock worked in bright enamels or showing the white of the glazed porcelain ground beneath a matte black enamel ground applied to the exterior, the white porcelain ground and colorless glaze also visible on the interior and across the recessed base.27in (68.5cm) high
A Doulton Lambeth jardiniere, late 19th century, decorated by Lizzie Padbury, the crimped rim above a cobalt blue floral border, the body with scrolling acanthus leaf pattern on a buff ground, artist's mark and impressed maker's mark to base, numbered 920I, 20cm high, with a Doulton Lambert trumpet form vase, early 20th century, decorated by Christine Abbot and Annie Horton, the crimped rim above a scrolling beaded diamond pattern on a green ground, artist's mark and impressed maker's mark to base, numbered 7168 and 669, 20.5cm high, and a Doulton Lambert cachepot, late 19th century, decorated by Alice Cooke (at fault) (3)
Three 19th century air twist cordial glasses on long stems, the tallest 16cm, a further cordial glass with twin knopped stem, a trumpet shaped ale glass, the stem with inset teardrop, 16cm high,an etched wine glass of tapering form, 13cm high and two further 19th century wine glasses (9) For condition information please view this lot on our website HERE
A collection of silver, including: a pair of wine-coasters, by Broadway and Co., Birmingham, 2000, with lattice pierced sides, with turned wood base; two other differing coasters, each with turned wood base; a small pierced bowl; two differing ashtrays; a pair of knife-rests; a christening-mug; a napkin-ring; a cased condiment set; three cased serving pieces and a trumpet-shaped vase, filled, weighable silver 17oz 4dwt (qty)
James Stinton for Royal Worcester, a pair of trumpet shaped vases, each painted with pheasants in wooded landscapes, signed, shape No.G923, date cypher for 1917, height 23cm together with a wavy rim low vase also painted with pheasants and signed James Stinton, shape No.G957 (3)Condition: all good overall with no restoration
Hardy (Thomas). A Pair of Blue Eyes, 1895; Tess of the D'Urbervilles, 1895; The Trumpet-Major, 1896; The Woodlanders, 1896; Jude the Obscure, 1896, London: Osgood, McIlvaine and Co., half-titles present, etched frontispiece to each, endpapers spotted, some splitting to hinges, top edges gilt, remainder rough-trimmed, uniform original gilt decorated dark green cloth, some marks and one or two creas rexes, spines variously torn and frayed at ends (Woodlanders with small piece missing at head), some corners showing, 8vo (Qty: 5)NOTESEach volume inscribed by the author to Susan, Countess of Malmesbury, and signed variously 'Thomas Hardy' or 'T.H.' (two inscriptions, those to Jude and Tess , dated November 1895 and February 1896 respectively). Provenance: Bequeathed by Susan, Countess of Malmesbury to her niece Barbara, and thence by descent. Susan Harris (née Hamilton), Countess of Malmesbury (1854-1935), married Victorian statesman James Howard Harris, 3rd Earl of Malmesbury (1807-1889) in 1880. She later, in 1896, married British army officer Major-General Sir John Charles Ardagh (1840-1907). The Countess was a fellow writer, friend and correspondent of Thomas Hardy. The two saw a great deal of each other, particularly during the period between her marriages, when these books were inscribed. Hardy's marriage to Emma Gifford had become increasingly troubled, and it is telling that it was Susan with whom Hardy dined on his birthday in 1892, not his wife. Hardy's second wife, Florence, in her biography of her husband, relates an anecdote of April 1894: "At Lady Malmesbury's one of her green linnets escaped from its cage, and he [Hardy] caught it - reluctantly, but feeling that a green linnet at large in London would be in a worse predicament than as a prisoner."
Mo Better Blues 30x40 approx original movie poster from the 1990 American musical drama film starring Denzel Washington, Wesley Snipes, and Spike Lee, who also directed. t follows a period in the life of fictional jazz trumpeter Bleek Gilliam played by Washington as a series of bad decisions result in his jeopardizing both his relationships and his playing career. The film focuses on themes of friendship, loyalty, honesty, cause-and-effect, and ultimately salvation. It features the music of the Branford Marsalis quartet and Terence Blanchard on trumpet, who also plays for the Bleek Gilliam character. The film was released five months after the death of Robin Harris and is dedicated to his memory, and is his second final acting role. Grade A condition. Good condition Est.
A London Olympics 1908 Judge`s commemorative medal by P. Vaughton, the obverse depicting 'Flame' standing upon a globe with trumpet and palm branch, and legend, the reverse showing a quadriga driven by standing figures, in original blue leather presentation case with 'Olympic Games. Judge. London.1908', in gilt lettering.
A Large Japanese Bronze Vase, the compressed body of six-lobed, lappet form on a short, splayed foot, the trumpet neck rising to a hexilobed mouth surmounted by an everted lip, the body cast with crashing waves, the neck formed with handles in the shape of dragons entwined around a torii, the base bears a cast seal Takamitsu tsukuru kore, height 49.8cms, Meiji-Taisho Era
AN EARLY 20TH CENTURY CHINESE WHITE METAL TRUMPET FROM AN EPERGNE, wavy rim over applied foliate decoration, height 22cm, together with two early 20th Century Chinese silver plated conical posy vases, one cast with dragons in clouds and lacking sleeves, the other with lightly dimpled surface, blind cartouche, stamped TC to foot, heights 18cm and 13cm (3) (condition: epergne has evidence of glue/solder on underside, smallest vase has spots of solder to the underside of the foot and some dints to wavy rim)
FIVE PIECES OF ROYAL WORCESTER BLUSH IVORY, comprising a trumpet shaped posy vase on a circular base with three paw feet, shape No.1746, printed and tinted floral decoration, puce marks, date cypher for 1895, height 23cm, a similarly decorated relief moulded plate, shape No.1512, puce marks, date cypher for 1892, diameter 22.2cm, a shallow dish with ribbed sides, printed and tinted with flowers, shape No.1416, puce marks, date cypher for 1912 and two reticulated pot pourris, one with a cover, green backstamps and shape No.G76 and G302, heights 11.5cm and 7.5cm (5) (condition: all pieces appear to be in good condition, no signs of chips, cracks or restoration)
A rare contemporary Channel Islands silver spirit measure hallmarked with Guernsey crest, maker's 'AG' probably Andrew Gillison, silver and 925, the double ended trumpet form measure, having planished finish with loop handle, 4 1/8in. (10.5cm.) high, weight 3.2 tr.oz. *Condition: good condition, nothing to note.
An Edward VII silver sweet meat basket, with swing handle, and pierced decoration, Birmingham 1907, together with a George V silver vase, of trumpet form, Birmingham 1930, and a George V cut glass powder bowl, with silver lid, having engine turned decoration, shield reserve, Birmingham 1933, 7.68oz (3)
An Edward VII silver spill vase, of trumpet form, embossed with harebell swags, Birmingham 1901, silver scent bottle holder, repousse decorated with cherubs and rococo scrolls, Chester 1898, Edward VII silver jewellery casket, of serpentine form with engraved decoration, raised on three hoof feet, Birmingham 1908, and a silver heart shaped pin cushion holder with pierced decoration, Birmingham 1906, 5.46oz all in.
Victorian electroplated table centre, the central trumpet vase with acanthus collar supporting a cut glass fruit bowl with fan cut scalloped border above four foliate scrolling arms supporting smaller cut glass fruit dishes, over an acanthus collar and baluster stem, with a square base and scrolling feet, height 58cm, width 54cm
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32367 item(s)/page