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Sixteen 19th century Chinese botanical paintings of flowers including, chrysanthemum, magnolia, prunus, rose, peony, etc, each 38cm x 28cm, framed and glazed, some with Chinese descriptions including Zi Ju Hua (purple chrysanthemum) (16) CONDITION REPORT: All paintings paper is laid paper, very slightly buckled, very slightly cream/brown 1) Pale purple chrysanthemum, crease to left hand edge of paper under frame, tiny areas of marking to paper, paper slightly buckled, Chinese description 2) Pink blossom, tiny browning to edge, slight foxing to paper 3) Orange trumpet flower, slight marks to paper, one slightly larger 'grease' spot 5mm x 7mm, Chinese description 4) Pink peony, slight edge browning to paper, few dark spotting areas 2 larger, 2mm sq areas below flower, Chinese description 5) Dog rose, pink, brown staining at edges, grease spot/brown spot top left, some slight foxing at centre of flower painting 6) Browning to edges, Chinese description 7) Small orange flowers, browning on three edges moderate foxing in central area 8) Orange flower, broad leaves, browning at edges, spotting at left hand side and more general browning/motting of paper, foxing at centre crease on left hand side diaginally, showing on leaf 9) Yellow flower, five branch leaves, Chinese description, Browing to paper edge, mainly on left 10) Orchia, Chinese description, slight browning to edges, slightly more creasing to surface, slight discolouration bottom left corner 11) Narcissus bulb, staining to edges, foxing on left, three or four slightly larger, very light fixing to central area 12) White flowers, one larger 'grease;/brown stain top left c1cm square slight fixing to beside top flower and lower leaf 13) White peony, browning to edges, four larger fox spots, slight creasing across centre, few very slight losses of paint to crease, overall slight more brown 14) Maroon and pink flowers, magnolia, small spots near flower and stems areas, browning to edges 15) Yellow Chrysanthemum, slight browning to edges 16) White magnolia, Chinese description, two slight larger fox spots on left, slight browning at edges
18th or 19th century etched glass flute of trumpet form, the body etched with botanical study raised on a cane and latticino twist stem terminating in a cup foot, 19cm tall, and another 18th century ale glass, 12.5cm tall CONDITION REPORT: Glass 1, smaller, unfinished, pontel No apparent chips or restoration. Some small bubbles to foot rim More to glass some scratches to bowl and also to stem Glass 2, engraved Some surface scratches to bowl, rough areas, some bubbles some small chip. Flat chip to underneath of foot rim. c shaped c8mm x 5mm max No obvious repairs Two or three small areas of gript spark at top of stem
A pair of late Victorian tall blue glass vases painted in the Mary Gregory style with a young man and a young woman, and with "crimped" clear glass decoration to the sides, 27.5cms high; a 20th Century blue glass trumpet shaped vase and another tall blue glass vase both with white painted figures in the Mary Gregory style (4)
A tall silver trumpet vase, weighted base, 20.5 cm approx, hallmarked for Birmingham 1965, a smaller trumpet vase with canted square stem, weighted base, hallmarked for Birmingham 1973, 13 cm approx and another small, tapering trumpet vase, weighted base, hallmarked for Birmingham 1979, 12.5 cm. approx (3)
A pair of Victorian squat vases, by Walker & Hall, Birmingham 1899, circular tapered with embossed foliate design, 3 1/4in. (7.5cms), 5.5oz; a late Victorian milk jug, by James Dixon & Son, Sheffield 1898, oval with crimped border and scroll handle, 5 1/4in. (13.5cms); an Edwardian cream jug, maker's mark worn, Birmingham 1904, helmet-shaped with embossed floral design, 2 3/4in. (7cms); an Edwardian two-handled sugar bowl, by Walker & Hall, Sheffield 1905 (damaged leg), 5 1/2in. (14cms); and a pair of George V vases, by Zimmerman, Birmingham 1921, with trumpet-shaped rims and spreading filled bases, 6in. (15cms), 14.3oz. of weighable silver. (7)
Engraved drawn ale glass, the trumpet bowl engraved with ears and leaves of barley above drop shaped tear, on conical foot, mid 18th Century, height 21cms. PROVENANCE William MacAdam BADA, 10 September 1999, £375. NOTE The majority of engraved ale glasses show both hops and barley, this glass being engraved with barley only. It has been suggested that this category of glasses were intended for barley wine.
Engraved composite stem wine glass, the drawn trumpet bowl with fruiting vines, the grapes as polished circles above multiple spiral air-twist stem extending to beaded knop, on similarly engraved conical foot, mid 18th Century, height 17.1cms. See illustration PROVENANCE William MacAdam, BADA, Edinburgh, 20 September 1986, £395. NOTE Composite stems are thought to originate mainly, if not exclusively from Newcastle. Engraved examples are rare.
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32376 item(s)/page