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Ten green glasses 1st half 19th century, seven with flared trumpet bowls raised on double-knopped stems, the other three with varied bowls raised on plain stems, 13cm max. (10)

A wine glass c.1760, the flared trumpet bowl rising from a slender opaque twist stem, 16.8cm.

A ratafia glass c.1760, the narrow drawn trumpet bowl rising from a double series opaque twist stem, 17cm.

A pair of ale glasses 2nd half 18th century, engraved with an ovolu and dart band, the drawn trumpet bowls rising from faceted stems, 15.8cm. (2)

Two wine glasses mid 18th century, one with a drawn trumpet bowl rising from a teardrop stem, the other with a wrythen bowl above a plain stem, both on folded feet, 15.2cm max. (2)

An early 20th century silver card case together with three serviette rings and two trumpet vases.

An early 20th century silver card case together with three serviette rings and two trumpet vases.

Pair Edwardian silver vases of trumpet form, with chased bands of floral decoration in the Art Nouveau style and flared rims, on stepped circular feet (London 1903), S. Mordan & Co., 17.2cm overall height

Late 19th / early 20th century Chinese white metal trumpet vase of tapering form, with flared rim with foliate and swag decoration, on a similarly decorated domed foot - underside with Chinese character marks, 21.5cm overall height

An Edwardian silver centrepiece,by Atkin Brothers, Sheffield 1906,the circular dish on art nouveau wirework tripod base, supporting a central trumpet vase and three sconces with detachable smaller vases, all with scroll pierced borders, 35.5cm high, 32oz

An Edwardian silver bowl, by A E Jones, Birmingham 1904,of circular form applied with teardrop decoration, supported by four stylised branches on trumpet foot, 10.25cm high, 6oz

A Victorian Gothic Revival silver gilt chalice,by Carl Krall, London 1893, also stamped Krall in a rectangular shield, the plain tapering circular bowl above a knopped column stem, the knop with foliate decoration surrounding a pierced band inset with six amethyst cabochons, on hexagonal lobed trumpet foot resting on a pierced gallery base, 20cm high, 13oz CONDITION REPORT: General wear. Wear to gilding: to section of stem above rings and prominent areas and edges, also some scratches to gilding on bowl. Please view additional images (upon request).

An early 20th century silver card case together with three serviette rings and two trumpet vases.

A set of twelve wine glasses, with flared trumpet bowls raised on knopped stems, 13cm. (12)

Three ale glasses late 18th century, all with drawn trumpet bowls rising from various knopped, Silesian and twist stems, and a sweetmeat glass raised on a Silesian baluster stem above a domed folded foot, 17.8cm max. (4)

A wine glass and an ale glass 2nd half 18th century, the wine with an ogee-shaped bowl raised on a double series opaque twist stem, the ale with a drawn trumpet above a cotton spiral around a latticino twist, 19.5cm max. (2)

A cider glass mid 18th century, with drawn trumpet bowl engraved with a large fruiting apple tree, the reverse inscribed `Cyder`, raised on a thick airtwist stem, 19.4cm.

A baluster glass mid 18th century, the drawn trumpet bowl rising from a plain stem above a teardrop knop, raised on a domed foot, 17.5cm.

Ten green glasses 1st half 19th century, seven with flared trumpet bowls raised on double-knopped stems, the other three with varied bowls raised on plain stems, 13cm max. (10)

A wine glass c.1760, the flared trumpet bowl rising from a slender opaque twist stem, 16.8cm.

A ratafia glass c.1760, the narrow drawn trumpet bowl rising from a double series opaque twist stem, 17cm.

A pair of ale glasses 2nd half 18th century, engraved with an ovolu and dart band, the drawn trumpet bowls rising from faceted stems, 15.8cm. (2)

Two wine glasses mid 18th century, one with a drawn trumpet bowl rising from a teardrop stem, the other with a wrythen bowl above a plain stem, both on folded feet, 15.2cm max. (2)

A wine glass c.1760, with drawn trumpet bowl rising from a mercury twist stem, 16cm.

A Royal Doulton vase, of flared trumpet form, decorated with flowers on a blue ground, printed marks, D6227, 21cm h.

A Victorian green vaseline and cranberry glass epergne, the single green vaseline glass trumpet with wavy edged cranberry rim, the stem with pinched spiral trailing, on base with wavy edge, 50cm h.

A Silver Sheffield 1903 Art Nouveau trumpet vase

A Royal Doulton vase, of flared trumpet form, decorated with flowers on a blue ground, printed marks, D6227, 21cm h.

A Victorian green vaseline and cranberry glass epergne, the single green vaseline glass trumpet with wavy edged cranberry rim, the stem with pinched spiral trailing, on base with wavy edge, 50cm h.

A 1970's brown ceiling light of trumpet form with aluminium bands CONDITION REPORT: working order unknown, wear commensurate with age

A 1970's aluminium and brass coloured ceiling light of trumpet form CONDITION REPORT: working order unknown, wear commensurate with age

A silver trumpet shaped vase with weighted base, height 15.5cm, Birmingham 1946

A single trumpet French epergne with gilt floral holder

A pair of Denby electric blue trumpet vases; stoneware; Masons; Commemorative jug (two boxes)

Two Edwardian silver trumpet vases, weighted, Birmingham 1907, together with a silver backed mirror and brush with heavy repousse type foliate scroll decoration (4)

A Victorian 'Bristol Blue' single trumpet epergne with gilding and white flower decoration, fluted edges to base and trumpet, rough pontil mark and thirty to base

A trumpet - Austria - cased

Carte Itineraire et Politique d`Europe d`Apres les Derniers Traites de Paix avec les Plans des Principales d`Europe This large-scale map of Europe depicts the political boundaries subsequent to the Napoleonic Wars. There is also excellent detail of towns of various sizes and roads throughout. The map is adorned with a drape-style title cartouche held aloft by the angel of Fame, blowing her trumpet. Bird`s-eye plans of 10 key cities of Europe flank the map, including Paris, London, Vienna, St. Petersburg, Istanbul, Rome, Naples, Madrid, Berlin and Copenhagen. Each of the plans features a note on the city and a numbered key identifying important locations and buildings.The map is dissected into 24 sections and mounted onto linen with green ribbon edging and marbled paper board covers. The map folds into a matching marbled paper slipcase. A very nice example with original outline color, a few tiny spots, and very minor toning along a few folds. The covers and slipcase show light wear and rubbing. 29.4"" W x 43.3"" H Maire, N. 1818

A near pair of English porcelain trumpet spills, decorated with colourful summer flowers, in gilt cartouche, paw feet, 13.5cm high, c.1810

After Giovanni Giambologna, a pair, dark patinated bronzes, Mercury and Fortuna , he wearing a winged helmet, holding a flask, standing on tiptoe issuing from the mouth of Zephyr, she conforming, holding a trumpet and leaves, turned Sienna marble base, 46cm high c.1850

A reproduction HMV gramophone, brass trumpet; a quantity of 78 records

MILITARY MEDALS, A Fascinating IGSM and RAF Long Service Pair awarded to Trumpet Major Albert Horace ‘Ime’ Imeson, Royal Air Force Central Band, late Derbyshire Yeomanry and 4th Dragoon Guards, he was later wounded at Gallipoli in 1915, and later became the RAF’s first official Trumpet Major, playing at St Paul’s Cathedral 10 October 1930 to the victims of the R101 airship disaster, and numerous times at the Cenotaph, comprising: India General Service Medal, 1895-1902, single clasp, Punjab Frontier 1897-98 (4032 Pte A. Imeson 4th Dragoon Gds.), Royal Air Force Long Service Medal, GVR (402169 Sjt. A. H. Imeson. R.A.F); the first officially engraved in a running script, the second officially impressed, pair loose. Lightly toned, and polished as can be expected for a long service soldier, with a few tiny marks and nicks in places. Proudly worn, fair. Trumpet Major Albert Albert Horace Imeson enlisted as a Trumpeter Private in the 4th Dragoon Guards at the age of 14, later serving during the Punjab campaign of 1897-98. On completion of 12 years’ service he was living in Derbyshire and enlisted into the Derbyshire Yeomanry in the Great War and was severely wounded at Gallipoli in 1915. Presumably as a result of his wounds he transferred to the Royal Flying Corps. Awarded his RAF LS&GC Medal in 1920 in 1922 Imeson was appointed the first official Trumpet-Major in the Royal Air Force. From this period until his retirement in 1931 he taught recruits to play the bugle and trumpet. Annually he would train and lead the trumpeters at the Armistice Day Cenotaph ceremony and played at the memorial service at St. Paul’s Cathedral on 10 October 1930 to the victims of the R.101 disaster. On reaching 55 years’ service he was discharged to a pension on 28 October 1931 on completion of 29 years and 110 days regular service. Four years later he died, aged 59, at his home, Casella, Hercies Road, Hillingdon, Middlesex. In his obituary published in the Daily Express it stated: ‘Last Post will be sounded on Wednesday over the grave of the man who has sounded the same call every Armistice Day for the past seven years at the Cenotaph in Whitehall. He was Trumpet-Major A. H. Imeson, late of the Royal Irish Dragoons, who died yesterday at Hillingdon, Middlesex, aged fifty-nine. The hill passes of India heard his trumpet, and it rang on the battlefields of Gallipoli, where he was wounded in action. Millions throughout the world have heard its notes broadcast on Armistice Day.’ A further more detailed obituary was published in a Tasmanian newspaper, The Mercury, it read: Trumpet-Major Albert H. Imeson, the finest trumpeter the Royal Air Force has ever known has died at his home in Hillingdon, near Uxbridge. Thousands of airmen new “Ime”. For years he was one of the most popular figures in the training depot at Uxbridge. For seven years he was called upon to train and lead the trumpeters at the Armistice Cenotaph service in London. At all the big Royal Air Force ceremonial parades, including the funeral of the R.101 victims, he had charge of the trumpeters sounding “The Last Post.” “Ime” taught hundreds of men how to blow a trumpet and bugle. His whole life was devoted to “calls”. At the age of 14 he joined the Dragoon Guards as a trumpeter and served in India for 12 years. During the war he was severely wounded at Gallipoli. Later he transferred to the Royal Air Force, and was appointed trumpet-major of the band. Just before he was due to be discharged on pension he said, “It will kill me if I leave the service. I can never go on without my trumpet.” As a civilian he “haunted” the Royal Air Force depot at Uxbridge. He refused to leave the district, living only a short distance from the camp gates. Now he has died at the age of 59 – died, his friends say, of a broken heart. At his funeral on the 2 October 1935 The R.A.F.

A DANISH SILVER TRUMPET VASE

An 18th century Indian brass Suhari Of globular form, on a spreading foot, the sides with a wide band of lappets rising to a trumpet neck. 34 cms high. CONDITION REPORTS: Some patination wear, some surface wear, slight denting, general wear.

An 18th century Indian brass Suhari Of globular form, on a spreading foot, the sides with a wide band of lappets rising to a trumpet neck. 34 cms high. CONDITION REPORTS: Some patination wear, some surface wear, slight denting, general wear.

Framed needlework sampler, executed in cotton on linen, having a verse `Great God what do I see and hear The end of things created The Judge of mankind doth appear On clouds of glory Seated The trumpet sounds the grave restore The dead which they contained before Prepare my Soul to meet him Luther` Signed Jane Parkins ons [sic] Work in the 9 [sic] year of her age August 19th 1830,` above a landscape with a house, trees, birds, and dogs, the whole with a vine and berry border and tulips, framed and glazed, 21""sq

Shreve & Company, San Francisco, Art Nouveau sterling silver trumpet vase, the free form vessel having a polished exterior detailed with stylized thistles, bears a script FLH monogram, and inscribed Arthur Redington Stent July 1937 on base, 17.5""h (weighted)

Framed needlework sampler, executed in cotton on linen, having a verse `Great God what do I see and hear The end of things created The Judge of mankind doth appear On clouds of glory Seated The trumpet sounds the grave restore The dead which they contained before Prepare my Soul to meet him Luther` Signed Jane Parkins ons [sic] Work in the 9 [sic] year of her age August 19th 1830,` above a landscape with a house, trees, birds, and dogs, the whole with a vine and berry border and tulips, framed and glazed, 21""sq

Shreve & Company, San Francisco, Art Nouveau sterling silver trumpet vase, the free form vessel having a polished exterior detailed with stylized thistles, bears a script FLH monogram, and inscribed Arthur Redington Stent July 1937 on base, 17.5""h (weighted)

Framed needlework sampler, executed in cotton on linen, having a verse `Great God what do I see and hear The end of things created The Judge of mankind doth appear On clouds of glory Seated The trumpet sounds the grave restore The dead which they contained before Prepare my Soul to meet him Luther` Signed Jane Parkins ons [sic] Work in the 9 [sic] year of her age August 19th 1830,` above a landscape with a house, trees, birds, and dogs, the whole with a vine and berry border and tulips, framed and glazed, 21""sq

A Jacobite type wine glass, late eighteenth century. With trumpet shaped bowl engraved with a rose and a moth, raised over a double helix opaque twist stem with a single knop over a plain spreading base. 16.5cm. Condition Report. To be used as a guide only. Very good condition. Free from chips and cracks. The foot looks of original diameter.

A cut lead crystal vase of imposing proportions and trumpet form, the reeded and facet cut body on a circular star cut foot, 34cm.

Boosey & Hawkes, a brass trumpet numbered 157137.

A small mixed lot of silver, including two trumpet shaped vases, two dwarf candlesticks, two cigarette cases, a silver back brush and teaspoon with shell bowl. Various dates and makers.

A Victorian walnut trumpet shape workbox, the octagonal top decorated with a chess board veneer, enclosing divided interior on three leaf carved swept legs.

A Poole Pottery large trumpet vase/stickstand, circa 1990, black with gold vine (17'').

A Poole Pottery large trumpet vase/stickstand, circa 1990, black with gold vine (17'').

A Quarter Veneered Galleried Tray, Two Glass Decanters and a Trumpet Vase

A Poole Pottery large trumpet vase/stickstand, circa 1990, black with gold vine (17'').

Two Royal Worcester Crown Ware lustre vases, the first of trumpet form decorated with gilt tall trees with buildings in the distance, height 21cm (restored), the second of cylindrical form decorated with gilt grape vines to an orange lustre ground, height 16cm, both with printed marks and date codes for 1926 (2)