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A George V silver pedestal comport, Martin Hall and Co., Sheffield 1918, ogee reticulated foliate scroll rim and plain rounded bowl on a knopped stepped trumpet foot, 20cm diameter, 13.09ozt

A pair of George V silver candlesticks, Jones and Crompton, Birmingham 1919, oval section Neoclassical knopped trumpet baluster form, with fluted splayed base, 19.5cm high, weighted (2)

A pair of Arts and Crafts silver vases, Samuel Levi, Birmingham 1908, footed conical trumpet form with wrythen tendril twin handles, 12cm high (2)

An Arts and Crafts silver chalice, J Wippell and Co., London 1936, in the style of Edward Spencer, planished hemispherical bowl on a hexagonal section cushion knop with ropetwist banding and splayed trumpet foot, 10.5cm high, 4.43ozt

A LARGE DAVIDSON CLOUD GLASS CENTREPIECE, Dia. 33 cm, together with a smaller example, a trumpet vase etc., a green cloud glass rose bowl and three items of Art Deco amber glass to include a pair of vases and a Sowerby 'Iris' bowl complete with flower frog (9)

HERBERT CHARLES LAMBERT; a good quality George V hallmarked silver trumpet vase with applied Chinese figural masks and embossed floral swags, also stamped with retailer's mark to base, London 1911, height 14.75cm, approx 8.1ozt/253.1g.Additional InformationA good solid gauge, no damage at all, apart from slightly misshapen foot rim, so it is leaning ever so slightly. Clear hallmarks and maker's mark. Tarnishing and toning throughout with light surface wear.

HENRY GRIFFITHS & SONS; a set of six Elizabeth II hallmarked silver napkin rings with bright cut foliate detail, Birmingham 1974, and a sterling silver trumpet vase with loaded circular base, weighable silver approx 2.3ozt/74.5g (7).Additional InformationVase dented and misshapen, some knocks to napkin rings.

THET. V. ALLEN CO LOS ANGELES, CALIF; a sterling silver pedestal bowl, diameter 12.6cm, a loaded hallmarked silver trumpet vase decorated with floral sprays, a small pair of hallmarked silver vases and a further small loaded vase, weighable silver approx 7.75ozt/241.5g (5). Additional InformationThe sterling dish is very slightly misshapen, has a few pinhead sized dents, also a 1cm crease beneath the rim. The taller trumpet vase has been repaired around the collar, is leaning and has surface scratches and dents throughout. The small pair of vases, one has been damaged and crudely repaired through the lower section, again slightly misshapen with pinhead sized knocks and surface scratches and wear. The final small vase also has general surface wear.

A pair of early 20th century hallmarked silver gilt napkin rings engraved with initials and dates 1862-1912 (hallmarks obscured), a cased set of six silver teaspoons, a loaded silver trumpet vase, two similar cherub decorated small silver pin dishes and a further napkin ring, weighable silver approx 8.1ozt/252.6g.Additional InformationThere is heavy wear throughout, the pair of napkin rings are heavily worn with surface scratches, the loaded trumpet vase is misshapen with heavy tarnishing and toning and a loose base. The spoons have wear to the ends of the bowls, the two pin dishes have splits and are very loose, the hallmarks are rubbed throughout.

A mixed group of variously hallmarked and silver topped/mounted items including a trumpet vase on loaded base by Williams Ltd, Birmingham 1921, height 20.1cm, vanity jars including a green glass example by Sydney & Co, Birmingham 1902, a brush with bright cut detail and engraved initials ‘I S’ by A & J Zimmerman, Birmingham 1912, a silver handled button hook and shoe horn (different makers), etc, weighable silver approx 2.7ozt/86g (numerous items af).Additional InformationHeavy general wear throughout, vase heavily dented, further dents and knocks, scratches, nibbles and small chips to glass, tarnish, etc.

A SILVER CENTRE PIECE VASE the trumpet shaped vase form with three scroll form hanging brackets, with beaded border decoration hallmarked Sheffield 1906 by William Hatton and Sons Ltd, 31cm high, loaded base Condition Report : Good, no obvious damage or repair, minor denting Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

A SMALL SILVER ROSE BOWL by Gorham Manufacturing Co, Birmingham 1912, decorated with flowerheads, on a trumpet foot, 8.5cm high, 12.4cm diameter, 126g (4 troy ozs) gross

A COLLECTION OF SIX BOXED ROYAL DOULTON WINNIE THE POOH FIGURES: WP43 'Sometimes Autumn Tickles Your Nose'; WP38 'Summer is Full of Fluttery Surprises'; WP45 'Who's Cake? Pooh's Cake?'; WP37 'All the Flowers are Waking Up'; WP39 'Love Makes All Your Bothers Disappear' WP58 'Tiggers Splash Time'; together with two Border Fine Arts Winnie the Pooh groups AI1348 'Pooh Pushing Piglet in Wheelbarrow' and A7880 'Pooh Drinking Tea' and a boxed Royal Doulton Rupert Bear figure RB8 'Ruperts Silver Trumpet'

TWO MOORCROFT ENAMELS VASES: a baluster shaped vase decorated wtih lilies on a yellow ground, signed to base by Sandra Dance, 8.5cm high, and a limited edition 'Beauty of Livermore' trumpet shaped vase decorated inside and out with poppies and butterflies, with certificate numbered 49/50 and signed by Marie Graves

Francesco Trevisani, 1656 Capodistria "" 1746 Rom Der im heutigen Koper in Slowenien gebürtige Maler begab sich zunächst nach Venedig, um unter Antonio Zanchi (1631-1722) zu studieren, ging jedoch 1678 nach Rom, gefördert von Kardinal Pietro Ottoboni, später auch von Kardinal Chigi. Die ruhige Haltung seiner Gemälde, trotz oft extatischer Darstellungen von Visionsthemen, führt auf den eher klassizistischen Stil von Carlo Maratti (1625-1713) zurück. Nach dessen Tod 1713 unterhielt er eine eigene Malschule, in der auch Einflüsse des Paolo Veronese (1528-1588), Pietro da Cortona (1596-1669) und Guido Reni (1575-1642) wirksam wurden. DIE EINGEBUNG DES HEILIGEN HIERONYMUS Öl auf Leinwand. 93 x 74 cm. Um 1715 - 1720. Als einer der Kirchenlehrer der Christenheit war er der Erste, der das Alte Testament ins Lateinische übersetzt hatte und sich als Kommentator der Propheten beschäftigte. Seiner Lebensgeschichte gemäß, hat er sich in die Einsamkeit bzw. die Wüste zurückgezogen, was hier im Bild durch seinen nackten Oberkörper und die Felsbrocken mit Efeulaub im Hintergrund angedeutet werden soll. In Dreiviertelfigur sitzend nach links gewandt, sein Arm auf ein offenes Buch gelegt, blickt er nach oben, dem Lichtstrahl entgegen, der sein Gesicht und den Oberkörper betont beleuchtet. Diesen Einfall des Lichtstrahls hat der Maler bewusst als Metapher für die geistige göttliche Eingebung verstanden wissen wollen. Nicht wenige seiner Werke lassen sich mit dem hier vorliegenden zum Vergleich heranziehen, so ein weiteres Hieronymus-Gemälde, in der der Heilige seine Eingebung durch Trompetentöne erfährt (Florenz, Pandolfini). Aber auch Christusdarstellungen Trevisanis lassen sich mit dem vorliegenden Gemälde vergleichen, wie dies in der Expertise von Alessandro dell Priori dargestellt wurde. In ausgezeichnetem Erhaltungszustand. Provenienz: Italienische Privatsammlung. (12512917) Francesco Trevisani, 1656 Capodistria '''' 1746 Rome THE AWAKENING SAINT JEROME Oil on canvas. 93 x 74 cm. Ca. 1715 - 1720. There a numerous paintings in the artist''~s oeuvre that show similarities with the work on offer for sale in this lot, for example another painting of Saint Jerome in which the saint is receiving his divine awakening by means of trumpet sounds (Florence, Pandolfini). However, paintings of Jesus Christ by Trevisani also easily compare, as Alessandro dell Priori explains in his expert''~s report. In very good condition. Provenance: Private collection, Italy.

A GERMAN EXECUTIONER'S SWORD, LATE 17TH CENTURY with broad flat blade of characteristic form, rounded at the tip and retaining traces of brass-lined latten marks on each side, iron hilt comprising a pair of straight trumpet-shaped quillons and tall conical fluted pommel, and original wooden grip bound with fishskin between brass collars, painted at the base on one side with a white inventory number, in its original leather-covered wooden scabbard with iron chape 82.3 cm; 32 3/8 in blade Provenance The Welfen Museum, Hanover, circa 1910 The Royal House of Hanover, sold Sotheby's, Schloss Marienburg, 5th October 2005, lot 359.

A SPANISH LEFT-HAND DAGGER, SECOND HALF OF THE 17TH CENTURY with tapering blade formed in two-stages, the upper portion double-edged and the lower formed with a scalloped design along the back-edge, rectangular ricasso pierced with a pair of shaped scrolling apertures, engraved with stars and rondels on one face and with a bladesmith's mark (indistinct), the inner face hollowed for the thumb, steel hilt comprising a pair of straight spirally-fluted quillons with trumpet-shaped terminals, curved triangular guard formed with a rounded turned edge with three groups of fluting on each side, the outer face engraved 'M de E' in large scrolling letters, spirally fluted bun-shaped pommel, and the grip bound with a later plaited brass wire binding between 'Turk's heads' (areas of light pitting) 37.8 cm; 14 7/8 in blade

An Indian Kutch silver libation ewer, of Mughal form, domed cover with restraining chain, dragon mask to spout, grotesque avian handle, profusely chased and engraved with scrolling foliage and flowers, trumpet-shaped base, 32cm high, 19th century, 32oz

A pair of Edwardian silver trumpet vases, by Mappin and Webb, Sheffield 1901/2, tapering circular form, crimped borders, embossed with chrysanthemum decoration, on raised weighted circular bases, height 20.7cm. (2) Condition Report: Sandwich box: marks are good the hinged side and cover are part marked, gauge is good, the hinges are good and cover closes flush, pale gilt interior has some wear, overall some surface scratches. Bottle: the mount is marks only 'Made in England' and 'Swaine & Brigg London', bayonet fitting cover is fitted with a cork, gilt interior has wear, cover closes flush, neck is good, body is good, overall stains to the case and the straps are worn/damaged.

A mid 20th century floral spray brooch, triple trumpet spray each inset with four pinky red ruby tipped stamen's, 18ct gold frame, import marks, London 1973, 58mm long, 15.3g gross

A 16th century Spanish brass capstan candlestick, pierced cylindrical sconce, broad slightly dished drip pan with a border of punched flowerheads, trumpet shaped base, 11.5cm high, c.1550

A Worcester King of Prussia bulbous jug, printed in monochrome with an engraving after Robert Hancock, with half-length portrait of the King of Prussia, above Cupid with laurel wreath, trophy of arms, of drums, pikes, muskets, cannon and Fame, blowing a trumpet and three flags, inscribed with the Kings nine battle victories, marked R .H. Worcester and Josiah Holdship Anchor Rebus, 14cm high, c.1760

A 19th century ormolu mounted hobnail-cut clear glass trumpet shaped table centre vase, engine-turned socle, re-entrant square base, knop feet, 25cm high, c.1835

A pair of George V loaded silver posy vases, of trumpet form, Sheffield 1915, together with a further George V silver posy vase, Chester 1914, 5.96oz all in.

A quantity of plated ware to include Georgian-style tray with shell decorated twin handles, a pair of turned candlesticks, a quantity of flatware to include teaspoons, knives, forks and various spoons, a pair of trumpet vases to circular spreading bases, a four-piece tea service comprising teapot, hot water pot, milk and sugar, a Christening mug with etched image of a poodle, etc.

A large Romano-Celtic bronze trumpet whorl roundel Circa 1st-2nd Century A.D.The openwork design with curled tendrils of the 'trumpet' style, with three circular attachment holes on the outer edge and one original bronze rivet remaining, 13.6cm wideFootnotes:Provenance:with Maurice Braham, London, 1990s. Celtic and Prehistoric Museum collection, Ireland, acquired from the above.For related examples, see D.G. Mitten and S.F. Doeringer (eds), Master Bronzes of the Classical World, Mainz, 1968, p. 312, no. 314a and b.Lots 134-145 have been exhibited at the Celtic & Prehistoric Museum on the Dingle Peninsula, Republic of Ireland. This private museum was founded by musician and antiquarian, Harris Moore in 1998. While travelling extensively and immersing himself in museums and antiquarian shops on the continent, Harris developed a deep passion for the form and simplicity of prehistoric stone implements. Over time, he cultivated relationships with several prominent 20th century collectors of Stone, Bronze, and Iron Age European material. Objects acquired from these collections formed the basis of what is now an extensive and eclectic collection at the Museum. A native of Connecticut, Harris elected to settle on the west coast of Ireland, an area steeped not only in natural beauty, but also rich in ancient monuments which perennially draw many visitors to the region. This dynamic museum continues to evolve; the proceeds from this offering will fund improvements in preparation for its re-opening to the public in the Spring.For further information on this lot please visit Bonhams.com

A Romano-Celtic bronze trumpet whorl roundel Circa 1st-2nd Century A.D.The openwork design with curled tendrils of the 'trumpet' style, 11cm diam.Footnotes:Provenance:B. R. collection, 1980s. Anonymous sale; Gorny and Mosch, Munich, 17 December 2014, lot 345.Celtic and Prehistoric Museum collection, Ireland, acquired from the above sale.Cf. a similar example in the Seattle Art Museum, Eugene Fuller Memorial Collection, acc. no. 59.23.Lots 134-145 have been exhibited at the Celtic & Prehistoric Museum on the Dingle Peninsula, Republic of Ireland. This private museum was founded by musician and antiquarian, Harris Moore in 1998. While travelling extensively and immersing himself in museums and antiquarian shops on the continent, Harris developed a deep passion for the form and simplicity of prehistoric stone implements. Over time, he cultivated relationships with several prominent 20th century collectors of Stone, Bronze, and Iron Age European material. Objects acquired from these collections formed the basis of what is now an extensive and eclectic collection at the Museum. A native of Connecticut, Harris elected to settle on the west coast of Ireland, an area steeped not only in natural beauty, but also rich in ancient monuments which perennially draw many visitors to the region. This dynamic museum continues to evolve; the proceeds from this offering will fund improvements in preparation for its re-opening to the public in the Spring.For further information on this lot please visit Bonhams.com

A small collection of 19th and 20th Century green coloured glassware, of a variety of sizes and shapes, to include a large trumpet shaped glass of deep conical form with circular knop, height 17cm, a conical glass with multiple faceted sides and three flaring knops, height 13.5cm with a dealers label to the base reading 'Bristol c1800' and others with both faceted sides and faceted stems (quantity)

A James Powell & Sons Arts and Crafts amethyst glass vase, designed 1908, of trumpet form, engraved rd. no. 543290, 18.5cm highCONDITION: Provenance - Andrew Rudebeck collection of glass. The second part of the collection including Roman to 18th century glass will be offered in Gorringe's 8th December Fine sale.Condition - typical minor imperfections and striations to the glass. Wear to the bases consistent with age. Chip to the foot.

A VICTORIAN ROSEWOOD OCTAGONAL TRUMPET SEWING BOX, with fitted interior including accessories, foliate apron and finials, on tripod legs, diameter 41cm x height 75cm

A PART SUITE OF CUT GLASSES, trumpet shaped with double twist stems, of four various sizes (17), together with a single glass flute with silver base, height 28.5cm  Condition Report  The silver foot of the fluted vase is loose, slight staining to the bottom of the glass, no other damage to any other pieces

A pair of trumpet vases in blue white Chinese ceramics "Gu" depicting landscape. XVIII century. Brand double circle painted on the base. H 31.5 cm. Mouth 15 cm.

An early 20thC Mappin & Webb silver epergne, the central trumpet flute above six scrolling branches, supporting three smaller flutes and three detachable bowls, all having scalloped rims, on spreading circular foot with scalloped rim - Birmingham 1912, 16.5" high.

A modern Edinburgh silver candlestick on trumpet base with pierced knop and hammered finish in Arts & Crafts taste by Hamilton & Inches, 8".

A Clarice Cliff Pottery Ribbed Trumpet Shaped Vase, Circa 1933, painted with Jonquil design, with Newport backstamp and No. 618/18, 18.5ins high

A mixed lot of Epns including a four piece tea set, including sugar and cream, a pair of plated trumpet vases (h.19cm)

Trompetenvase Meissen kobaltblauer Fond, farbig staffiert, reiche Mattgoldauflage, schauseitig in der Reserve Deutsche Blume Bouquet, blaue Schwertermarke, 1. Wahl, H: 24,5 cm Trumpet Vase Meissen with cobalt blue background, colored decor, rich matt gold plating, at the frontside in the reserves Deutsche Blume bouquet, blue swords mark, 1st choice, height: 24.5 cm

A cased Besson Scolastic trumpet. Has some dents and plate loss and missing mouth piece.

Prunkvase mit Ansichten von Berlin und Stolzenfels KPM Berlin, 2. H. 19. Jh. Über achteckigem Sockel der runde Fuß mit der eiförmigen Kuppa und Trompetenhals, zwei hochgezogene, gerollte und vergoldete Akanthusblatthandhaben; auf der Wandung mit königsblauem Fond ausgespart ovale Reserven mit goldradierter und von Kaiserkrone gekrönter Blattrahmung, darin Ansichten nach Gemälden von Carl Daniel Freydanck: das Stadtschlosses mit Schlossbrücke in Berlin und Schloss Stolzenfels am Rhein. Porzellan mit äußerst feiner, polychromer Malerei und reich radiertem Golddekor. Unterseitig unterglasurblaues Zepter mit rotbrauner Reichsapfelmarke. H. 73 cm. - Provenienz: Berliner Privatsammlung. deutsches Porzellan, Königsresidenz, Porzellanvase, Preußen, Rheinlandschaft Splendid vase with views of Berlin and Stolzenfels KPM Berlin, 2nd half of the 19th century Above an octagonal base the round foot with the egg-shaped dome and trumpet neck, two raised, rolled and gilded acanthus leaf handles; on the wall with a royal blue background oval reserves with gold etched leaf frames crowned by an imperial crown, inside views after paintings by Carl Daniel Freydanck: the City Palace with the Palace Bridge in Berlin and Stolzenfels Palace on the Rhine. Porcelain with very fine polychrome painting and richly etched gold decorations. Underglazed blue sceptre with a red-brown imperial orb mark. H. 73 cm. german porcelain, porcelain vase, Rhine landscape

Bodenvase "Melodie" Bad Staffelstein, Kaiser-Porzellan - 20. Jh. Dekor K. Nossek. Eiförmig mit Trompetenhals; Paradiesvogeldekor in Gold. Porzellan. Bodenmarken. H. 55 cm. Fränkisches Porzellan, Porzellanvase German Porcelain Vase ''Melodie'' Bad Staffelstein, Kaiser company - 20th century Decoration K. Nossek. Egg-shaped with trumpet neck; decoration of birds of paradise in gold. Bottom marks. H. 55 cm. porcelain vase

Burmese style white metal trumpet shaped vase, decorated with dragons within floral scene above waves on circular base, mounted on carved hardwood stand (H22cm)

A LATE VICTORIAN SILVER LILY VASE of trumpet form, slender tapering stem on lobed platform base, London 1900, 36.5cm

TWO EDWARDIAN SILVER TRUMPET FORM BUD VASES of tapering form, on loaded bases, both Birmingham 1903, both by S. Blanckensee & Son Ltd, the tallest 17.5cm, together with a silver MILK JUG and a silver VESTA with striker, weighable silver; 145g (4)

Pair of Edwardian silver spill vases by William Comyns with weighted bases, of trumpet form and embossed with a basket of flowers, height 21cm, London 1908

Besson trumpet, serial no. 139168, with two Besson mouthpieces

A Victorian porcelain trumpet vase with swan form relief, scrolled supports, green gilt enriched panels, hairline cracks, 23cm tall

A George VI silver epergne, with a central trumpet with a shaped edge and three arms with removable trumpets on a spreading foot, Birmingham, 1938, weighted, 24.5cm high

18th / 19th century trumpet form stemmed wine glass. Approx. 18cms height.

18th / 19th century trumpet form air bubble stemmed wine glass. Approx. 16.5cms height.

18th / 19th century trumpet form wine glass, with air twist stem. Approx. 17cms hieght.

18th / 19th century trumpet form wine glass, with air twist stem. Approx. 12.5cms height.

A 19th Century brass candle holder, in the manner of Hardman & Co, circular top and base united a trumpet form turned moulded column with foliage fretwork, three painted lines on the columns. 37cm H

Glassware - a cut crystal glass decanter; others, bowls, trumpet vase, atomizer etc quantity

Ceramics, metal & glassware - a Victorian brass dinner gong, surmounted with mermaids, mahogany & brass plinth 38cms high; a graduated set of five small brass & copper pans; a Wedgwood black jasperware pedestal trumpet vase; a Chelsea studio pottery pedestal dish decorated with a horse by Joyce Morgan; a Victorian Wedgwood terracotta jug, impressed marks (af); a Royal Doulton Lambeth stoneware vase, decorated by Minnie Webb, impressed marks; a Waterford lead crystal Rainfall pattern mantel clock, boxed; an Arte en Cristal reverse cast sculpture depicting a stag etc.

Pair of Victorian silver bud trumpet vases, of slender tapering form, flared rims, the bodies decorated with scroll and trailing flowers, London 1889, maker's marks rubbed, 16cm tall (loaded) (a/f)

Elizabeth II pair of silver trumpet vases, flared rims with slender tapering bodies to a circular foot (loaded), Birmingham 1971, maker's mark Sanders & MacKenzie, 15cm tall

Mixed Lot: three silver trumpet vases, two tapering cylindrical designs and a panelled example, Sheffield 1915 and 1930, Birmingham 1978, all loaded (3)

Pair Edward VII small silver trumpet vases with flared rims and slender tapering bodies to a circular foot, weighted bases, Chester 1910, James Deakin & Son, 12.5cm high

Group of six assorted hallmarked trumpet specimen vases with loaded circular bases, the tallest 13cm, various dates and makers, total g/w 198gms (6)

FAMILLE ROSE PINK GROUND 'GU' VASE QIANLONG MARK BUT 20TH CENTURY finely decorated overall with scrolling lotus flowers reserved on pink ground, the interior and base enamelled in turquoise, inscribed to the beginning of the trumpet-shaped neck with a line of Qianlong mark(27.3cm high)