A pair of 19th Century Bohemian red flashed glass trumpet shaped specimen vases with shaped rims, the exteriors finely engraved with a deer hunting scene, on octagonal knopped columns and conforming cut footrims, 12ins high (one column with old repair), and a ditto octagonal flared vase with shaped rim engraved with fruiting vine ornament, on cut footrim, 10.5ins high (rim slightly chipped) £125-160
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An Edwardian mounted easel-back photograph frame, with marks for Birmingham 1908, maker's mark J.G, of slim shaped rectangular outline decorated with sprigs of lily of the valley; an epergne, Birmingham 1906 (lacking one small trumpet shaped vase); an oval mounted glass preserve pot with hinged cover, 1838; together with a pair of mounted glass condiment bottles, London 1843 (one lacking stopper) (5) Heights: 29.5cm; 23cm; 10.5cm and 18.5cm
A collection of Crown Staffordshire Wares, decorated with the ‘Hunting Scene’ design, comprising: Pair of Trumpet Vases; Two large Mugs; Salt and two Pepperettes; Sugar Bowl; Two handled urn shaped Vase; Small Ginger Jar; Pen Tray; Two Plates and Bread and Butter Plate; Two small circular Trinket Plates; Two further oval Nut Dishes; Covered rectangular Box (repaired) and a Milk Jug
A pair of early 20th Century three light Candelabra, each with detachable nozzles over trumpet shaped and bladed sconces, over drip pans, to plain scrolling wire work arms, to a central removable sconce, the whole raised on a knopped baluster column, and further to a spreading circular base with presentation inscription, (loaded), height 20”
A late Victorian vaseline and opalescent glass epergne with central tall trumpet vase flanked by three matching shorter vases, plus three clear barley twist branches supporting three vaseline and opalescent glass baskets of trumpet form, all raised on a dished base with wavy rim, 52.5 cm high overall
A Queen Anne silver tazza. Edinburgh 1705, maker George Scott Junior, Assay Master James Penman, the plain circular top with the four hallmarks and raised rim, the underside with engraved initials M WL MG, set on a hollow trumpet support with circular collet foot, weight 16oz 9.75in (25cm) diameter, 3.5in (9cm) high.
An important pair of Charles I silver communion chalices. Edinburgh 1645, with hallmarks for maker Patrick Borthwick and Deacon Adam Lamb, the eight inch diameter bowls decorated to exterior of rim with a quarter inch band of engraved lines to simulate ermine, also engraved below 'For The Kirke Of Haddingtovne 1645', set on a hexagonal columns with central raised and engraved knop flanked by reeded decoration, with circular trumpet foot supports and chased decoration, weight 62oz 9in (23cm) high. * Provenance - Purchased 1973 from Sotheby's London. . These chalices are listed on page 234 of the book - Old Scottish Communion Plate by The Reverend Thomas Burns, published in 1892.. It states that they bear a strong resemblance to 'The Tolbooth Cups'. The Haddington chalices would have been used at large church assemblies for the drinking of port wine, and for congregation in St Martins Kirk, Haddington, which still exists, but sadly only as a ruin.. The columns of the chalices unscrew from the bowls, which would have made transportation and concealment more convenient.. The Haddington Kirk is all that remains of an original 12th century building, known to be one of the oldest surviving churches in Scotland.. St Martins formed part of the original Cistercian Abbey that was founded by Ada, the daughter of King David I in 1178.
A Coalbrookdale two handled vase circa 1830 the lobed body painted with bouquets of summer flowers within a florally encrusted surround the branch moulded trumpet neck applied with moss leaves and flowers with similarly moulded gilt highlighted handles all raised on four scroll moulded feet blue painted CD 8" high
A pair of French ormolu candelabra bases early 19th century of slender ovoid vase form with tall trumpet necks cylindrical bases and hexagonal plinths cast and overlaid in Grecian style with bands of classical foliage and draped figures against burnished matt and milled grounds the handles designed as seated winged mermaidens 66cm high (originally with candle branches)
George IV: an English porcelain vase, the tapering trumpet shaped body on short spreading foot painted with a likeness of the Monarch in ceremonial robes within a wide gilt Cartouche, the reverse painted with a spray of flowers, banded decorated in gilt, the underside inscribed in red 'George The 4th' and numbered 262, circa 1821, 162 high, rim restored
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32376 item(s)/page