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Glassware, including, a George III wine glass with a drawn trumpet stem, a tear drop and folded foot, 15cm wide, a George III wine glass with an engraved band of fruiting and flowering foliage on a facet cut stem, 15cm high, a George III rummer on a lemon squeezer base, 13.5cm high, a George III sweetmeat glass with an engraved bowl and terraced foot, 13.5cm high, a Bohemian glass and cover, early 18th century, 27cm high and two decanters and stoppers (qty)Condition report: 1 - no obvious major faults.2 - no obvious major faults.3 - no obvious major faults.4 - sweetmeat: large chip to foot, re-affixed.5 - Bohemian: cover broken and re-glued. Base with rim chip.6 - Smaller decanter with later stopper.
Emile Gallé (French, 1846-1904): A Large Vase Parlant, circa 1900, circular section tapering towards a trumpet foot, broad bulbous neck, green glass internally decorated with streaks of darker green, overlaid in brown, etched with oak branches, the ground extensively wheel carved, the base with acid texturing, cameo inscription O forêts, ciel pur, Ombre des grands chênes, Au Delà des haines, Vous cherches l'azur, Victor Hugo, 65cm high. See illustration Literature: Victor Arwas Glass Art Nouveau to Art Deco, London 1977, page 111 Provenance: Sotheby's, Fine 20th Century Design, 28 April 2009, lot 14 Similar vase sold Elton John Volume III Art Nouveau and Art Deco, 7 September 1988, lot 542
A Victorian rosewood trumpet shaped ladies workbox, together with a Victorian rosewood and cream upholstered armchair (2)Workbox 42 w x 74h cmCondition report: Box - Usable, but unrestored, with general wear and marks inside and out. Base has been broken and glued. Chair - Clean and sturdy. fabric looks recent and well upholstered and although not perfect is in good condition. There are some marks to the frame and small losses, but overall it looks clean and is sturdy.
EARLY VICTORIAN OLD SHEFFIELD PLATE ARMORIAL FOUR-ARM EPERGNE, acanthus capped twisted S-form arms, circular collars, leaf-capped fluted trumpet centre, vine leaf friezes, raised on scallop shell feet, engraved with 'Merle' family armorial and motto, 34cms highComments: Trumpet and arms slightly bent, no glass dishes. Arms probably those of William Henry Merle (1791-1878)
A 19th Century Victorian mahogany trumpet work box / sewing table of octagonal shape with hinged lid opening to reveal a fully appointed interior with sectional compartments having three red silk covers. Central column with further stunning walnut panelling having a bulbous carved section over scrolled tripod legs.
THE POXWELL MANOR REFECTORY TABLE: AN IMPORTANT OAK AND ELM "MONASTIC" REFECTORY TABLE, 16th century, with old repairs and replacements, with a single plank rectangular top on two openwork elm trestle supports in the form of flying buttresses with down-curved legs, 78.5cm high x 104cm wide x 365cm long. The top is 9cm deepThis monumental refectory table is a remarkable survival. It represents the earliest form of English dining table and may be compared to depictions of similar tables in late medieval manuscripts.Provenance: Until the 1970's the table was at the ancient Manor of Poxwell (Pokeswell) having descended in the Trenchard family. In the Middle Ages the manor was in the possession of Cerne Abbey and, by tradition, the table was moved from the Abbey at the time of the Dissolution under Henry VIII. A new house was built for the Poole merchant, Thomas Henning, in 1613 and it passed to Elizabeth Trenchard (née Henning) in 1699. The table was acquired by the family of the present owners when the descendants of the Trenchards sold the manor house in the 1970's.Poxwell Manor served as a place of rest for King George III on a number of occasions when he visited Weymouth during the latter part of the 18th century. Later the house was visited by Thomas Hardy and it is believed it was the inspiration for Oxwell Hall in "The Trumpet Major" published in 1880.
A PAIR OF EDWARDIAN WEIGHTED SILVER TRUMPET VASES With a punched pattern design, hallmarked for Chester 1906 and standing approx. 29cm high Condition Report : both vases have numerous dents Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Two wine glasses c.1740-50, one with a round funnel bowl over a plain stem enclosing a single tear over a helmet foot, the other with a drawn trumpet bowl over a plain stem with swollen knop enclosing a tear, on a folded conical foot, 17cm max. (2) The first glass with a paper label for the Paul Kettle Collection.
Six wine or ale glasses c.1760-80, a pair of flutes with vertical cut bands, a drawn trumpet over a double series opaque twist stem, another over a plain stem and folded foot, one engraved with a band of polished ovals and raised on a hollow stem, the last glass engraved with vases and roundels over a narrow cut stem, 16.2cm max. (6)
A probable privateer glass c.1750-60, the drawn trumpet bowl engraved with a ship and the inscription 'Ye London Rob Yong of Pool', raised on a plain stem enclosing a large tear above a folded conical foot, 16.8cm. A Robert Young is recorded as having been granted letters of marque in 1756 for a ship called Somerset, and again in 1757 for a ship called St Kitts Planter.
A privateer wine glass c.1780, the drawn trumpet bowl engraved 'J Barton / Success to the Unity', raised on a plain stem with a long teardrop above a folded conical foot, 17.8cm. More than one ship called The Unity was involved in the American Wars of Independence, and it is likely that this glass relates to one of them.
Seven drinking glasses c.1750-1820, including a rare Jacobite drawn trumpet glass engraved with a carnation and moth and raised on a double knopped airtwist stem, a large glass with a bell bowl raised on a plain stem and folded foot, a small wine engraved with a bird and flower, another with a band of polished circles, a spiral-moulded mead glass, a pair of small glasses on facet stems, a pair of small salts raised on lemon squeezer bases, and a small moulded two-handled glass, and a cut glass jug, 18.8cm max. (13)
Three large wine glasses c.1750-80, the largest with a trumpet bowl engraved in diamond point with 'J M Pilling', over a swollen plain stem enclosing a tear, another with a bell bowl over a plain stem, the last with a drawn trumpet bowl over a plain stem with large tear and a folded conical foot, 19cm max. (3)
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32367 item(s)/page