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Click here to subscribeVictorian walnut and marquetry inlaid trumpet shaped work/games table, the octagonal top with chess board inlay enclosing an interior fitted with compartments and integral basket, above foliate carved collar and turned column with pendant finial, on 3 foliate carved down swept legs with block feet.
A large and important Lobmeyr enamelled and gilt mosque lamp, Vienna, late 19th century painted by Gustav Schmoranz, after a 14th century original, the compressed ovoid form with flared neck and trumpet foot of greenish tint, applied with six shell-moulded handles, painted with inscriptions and roundels, the underside and foot painted with stylised flowers and leaves, highlighted with brushed gilding painted JLL grid mark in red above the foot, 38cm., 15in.
A Lobmeyr enamelled and gilt 'Persian-style' tazza, Vienna, circa 1880 the shallow wide cup-shaped bowl inscribed with Arabic lettering within gilt scrollwork, the interior with central medallion enclosing a stylised flower, above a trumpet foot with annulated collar, painted and gilt with panels of strapwork and flowers against a gilt foliate reserve, painted JLL grid mark in white enamel, 8.7cm. high, 3 3/8in.
A ROYAL WORCESTER TWO HANDLED "PERSIAN" VASE, of onion shape, the trumpet shaped neck with gilt rope moulding, the mouth with foliate scroll moulding, the body painted with cluster and spray of cabbage roses in pink with tube lined gilt and bronzed leaves on a cream ivory ground. Green transfer printed 1876-1891 factory mark. Impressed 675 - V7. Height 7".
A Bohemian Opaque White Overlay Glass Trumpet Vase, with crenellated rim, the frontal oval panel painted with a bust length portrait of a pretty young woman with long brown hair gazing pensively downwards, upon a double knopped stem and swept circular foot, gilded overall with tight scrolls, factory mark of a striped armorial shield beneath a crown printed in red, circa 1860, 32.5cm high.
A Royal Doulton "Faience" Large Pedestal Vase, the trumpet neck with everted petal carved rim, painted collar of leaves, the body with three main Art Nouveau panels of stylised yellow flowers and strapwork, on a conforming swept circular pedestal foot, impressed Doulton Ivory 6218, and signed by decorator C Collis, 58.5cm high.
A Pair of Wedgwood Bone China Vases, decorated by J Hodgkiss, circa 1900, of trumpet form, decorated in colour-washed stipple prints with Carracci-like putti between fruiting vine borders between gilt etched bands, both with detachable pierced flower discs, brown printed Portland Vase marks and retailer's mark for Thomas Goode, 21. 8cm (one vase restored)
A Documentary Shibayama/Tokyo School Ivory Okimono Carving of Boys with an Elephant, dated to the European equivalent of 1883, carved from a single block of elephant ivory, inlaid with "jewelled" detail in gold and silver coloured metals, and in green and coral tinted horn, the benign beast grazing as a troupe of five boy musicians perform on cymbals, drums (damaged) and flute upon the galleried stage while below a boy looks out from the rope ladder at whose base stands another with a trumpet, three further boys behind, one reclining, another raising his arms as if fallen, while the third approaches with a raised chawan (incised Dai Nihon.), 18.5cm, the inlaid motherof- pearl tablet incised with date equivalent to "15th year of the Meiji period . . . (?) Tokusei (artist)" (minor elements damaged).
Art glass vase, possibly William Powell, Whitefriars, with a wide trumpet neck and a dimpled sqaure section body with applied blue and green coloured prunts, 15cm, also a Powell Art Nouveau style specimen vase and a trumpet vase with applied clear and green wrythen vertilinear decoration, 20cm (3)
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