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A cased John Packer JP171 trumpet, a/f

A near pair of 19th Century Viennese enamelled and gilt silver figural pedestal globes. One a hinged globe with timepiece to centre, with a verge and fusee movement with enamel dial a/f, the other globe being lidded, both with silver and enamelled figural supports of semi-nude man and maiden, and surmounted by miniature cherubs, hand painted with semi nude Viennese classical scenes on trumpet form bases, 23cm high

THREE GEORGE III WINE GLASSESwith trumpet bowls above air twist stems on a circular foot, 18cm high; two rummers with etched bowls on a circular folded foot, 14.5cm high; and a Georgian wine with an etched bowl to Polly Scott on a faceted stem with an etched folded foot, 15.5cm high (6)

A vintage brass trumpet

A Victorian walnut and marquetry trumpet work table on scroll carved tripod support

A tall Georgian ale glass with rounded trumpet form bowl, the lower half lightly fluted, opaque twist stem, conical foot with rough pontil scar, 18.5cm high, 7.5cm diameter

A Victorian overlay green glass pedestal bowl, the bowl with eight painted plaques alternately depicting head and shoulder portraits of ladies with flowers, all surrounded by gilded trailing foliage, shaped gilded rim and borders, the trumpet form foot conforming, 26cm high, 19cm diameter (extensive faults)

A pair of small Russian niello silver goblets, the trumpet form bodies engraved with arches and foliage, folded over upper rims, circular pedestal feet, marked with Kokoshnik head 875 and makers mark ЗЗНА, come with two tags inscribed п Кубачц СЕРЕБРО, each 6.5cm high, 5.2cm diameter, 110gms gross

A selection of Victorian and Edwardian green glass to include: a small green jug and beaker, both with matching gilt and white enamel shell pattern; a trumpet bowl wine glass with slice cut stem; a dimpled decanter with silver collar, by William Hutton & Sons Ltd, Birmingham 1902, 32cm high; a small uranium green coloured jug, lower bowl spirally moulded, applied leaf rim and foot (5) (faults)

A collection of MVM Cappellin and other Murano glass vases, comprising a large smoke glass trumpet vase, etched mark, an amber glass vase with knopped neck and five other unsigned vases (7) The large trumpet vase and the double gourd shaped vase are both signed, the others are not. All ar ein good condition.

Royal Worcester 'Highland Cattle' Trumpet Vase, signed H.Stinton, showing two cows in a misty Highland setting, the vase finished with a gilt flared rim and base; 7.5 inches high (restoration to all of of top rim, probably including some in-filling, and continuing further down the vase in several places)

W. Moorcroft Signed Tube Lined and Trumpet Shaped Vase, Ochre Pomegranate Design on Blue Ground, with Flared Base. Stands 8.25 Inches Tall. Rings Well.

A relief mouled coffee pot, baluster form with foliate handle, the body decorated with the 'Toilet of Venus' in a Classical landscape, possibly early Capodimonte, together with a similar trumpet vase on dolphin feet (2)

A collection of silver and silver plate various to include: two pairs of weighted silver trumpet vases, Birmingham, a silver plated sugar bowl and a cranberry glass liner, a silver shoe horn and others various (one box)

A scarce and interesting Fitzgerald patent flintlock signal trumpet, converted musket with private Ordnance proof marks and double bridle lock signed 'FOWLER', barrel truncated and fitted with a threaded brass collar to accept a brass and copper 'trumpet' with widely flaring mouth, walnut stock with brass furniture, trumpet with embossed plate bearing Royal Arms and the legend 'FITZGERALD PATENT SIGNAL TRUMPET SOLD BY APPOINTMENT THO CLIO RICKMAN', early 19th Century. Willam Fitzgerald was granted English Patent No. 2288 in 1799 covering a system for converting guns to amplify their muzzle report, making small arms a more efficient alternative to cannon for signalling purposes or, as the patent specification states "in every case in which the increase ...of sound may be desired". The Board of Ordnance purportedly found that "with the charge of a musket cartridge, it is equal to a nine pounder" Thomas Clio Rickman was the sole retailer. References: Blackmore, 'Gunmakers of London'; 'Repertory of Patent Inventions', printed by John Nichols, Fleet Street, 1799.

Britains Display Set 73 in original two-tier slide top wooden box card cavalry compartments and slotted infantry strips, contents label on underside of lid, containing: General Officer on 'sway back' horse (F), FIRST VERSION Royal Horse Artillery Gun Team with shafted limber, gun with bucket seat, four seated men, six horse collar harness team and mounted officer (G-F, two heads loose, one bucket seat and one capline missing, officer one small crack in horse neck and crack under belly), Band of the Line, FIRST VERSION, slotted arms (G-F, one trumpeter, euphonium player,, one trumpet bell, side drumstick, five helmet spikes and top of drum major baton missing, bombardon player waist broken), 2nd Life Guards on 'Life Guard ' horses with tin swords, white sheepskins, with officer (G, two tin swords broken), Royal Welch Fusiliers 'bemedalled' officer, 'wasp-waisted' colour bearer, two pioneers, goat mascot and four FIRST VERSION with valise packs at the slope (F, two axe heads and two bayonets missing, colour bearer base and arm bent, one ankles broken, some arms loose), 17th Lancers in 'Ulundi' foreign service dress, five and trumpeter on pony horses with full dress officer (G, two lance heads, one lorse leg and one hoof missing, arms loose, officer one horse leg bent), Gordon Highlanders SECOND VERSION, box packs (F, one man, one rifle tip and four pipers missing, arms loose) and Royal Scots Greys FIRST VERSION tin swords with officer (G, two troopers and one tin sword missing) (box F-P, two sides of slide grooves, part of lid and label missing, some compartments loose) 1901 (61)

Daisy Makeig Jones for Wedgwood, an ordinary lustre ovoid vase with trumpet neck, gilded with scaly Chinese dragons on a wet cobalt blue ground, pattern number Z4829, gilded Portland vase mark with Wedgwood Made in England, 22.5cm

Philip Gibson for Moorcroft Pottery, a short trumpet vase, decorated with Ivory Bells pattern of multi headed pink and white flowers, impressed and printed marks, dated 2004, 16cm high

A large silver trumpet vase, Chester 1898, loaded base, makers mark worn, 33cm high

Jupiter brass student's trumpet in plastic case.

19th century rosewood 'trumpet' form work table

A pair of mid 20th century Norweigan silver twin branch candlesticks the tapered trumpet sconces on oval bases, (2).

A large 18th century English firing glass, with trumpet bowl and heavy conical foot, rough pontil, 13cm

A Victorian walnut trumpet shaped work table, the octagonal hinged lid enclosing a fitted interior on a knopped leaf carved column, three downswept legs and scrolled feet, 75 x 48cm

Victorian octagonal "trumpet" workbox with fitted interior

A Victorian workbox with octagonal games top over a trumpet shaped work base raised on carved tripod framework

A quantity of mainly reclaimed teracotta flower pots of varying size, a vintage oval galvanised tin bath, a weathered cast composition novelty garden planter in the form of an old boot, a circular two tiered planter/fountain with central trumpet shaped vase, a cast iron pig trough, etc

Armstrong Patent lever action corkscrew, a metal ear trumpet and a small quantity of other miscellaneous small items of metalware

Victorian walnut and marquetry inlaid octagonal trumpet work table raised on carved cabriole tripod support

EARLY TWENTIETH CENTURY INLAID MAHOGANY MANTEL CLOCK OF NAPOLEONS HAT FORM, 10" WIDE, PAIR OF VICTORIAN BRASS CANDLESTICKS WITH TRUMPET FORM AND KNOP STEMS ON SQUARE FORM BASES, WITH EJECTORS, 9 1/2" HIGH AND AN AUCTIONEERS TURNED WOOD GAVEL (4)

PAIR OF GEORGE V SILVER TRUMPET VASES, typical form with wavy rim, 8" (20.2cm) high, Birmingham 1910 (one a.f.), TOGETHER WITH A CANDLE HOLDER on circular weighted base, 3 1/4" (8.3cm) high, Birmingham 1919 (?), (3)

A plated and glass flower trumpet with four holders and a selection of perfume bottles etc

A William and Mary style tripod side table on a trumpet turned column ending on paw feet, the six petal moulded top veneered in burr walnut. c19th century. H64cm, W60cm. Repairs and restorations, re-polished. Provenance: Mr. P. Symeonides collection, Larnaka.

A William and Mary style Cabinet on Stand, veneered in figured walnut. The stand with scrolled skirt and arched kneehole recess, moulded edge, with four frieze drawers arranged in two rows, trumpet turned legs ending to scrolled hoof feet united by stretchers, the cabinet with a pair of doors inlaid with panels of quarter veneered walnut, enclosing shelves, with brass chinoiseries hinges and lock, c19th century. H161cm, W111cm, D45cm. Repairs and restorations, re-polished. Provenance: Mr. P. Symeonides collection, Larnaka.

A William and Mary style desk armchair in walnut having arched top back, scrolled arms and trumpet turned legs ending to scrolled hoof feet united by stretchers, upholstered in beige Damask, late 19th / early 20th century. H105cm, W67cm, D57cm. Some damage to one arm. Provenance: Mr. P. Symeonides collection, Larnaka.

A William and Mary style writing table / desk, the moulded top veneered in figured walnut, with scrolled skirt below three frieze drawers, trumpet turned legs ending to scrolled hoof feet united by stretchers, c19th century. H77cm, W140cm, D85cm. Repairs and restorations, re-polished. Provenance: Mr. P. Symeonides collection, Larnaka.

A silver epergne, 'R & P', Birmingham 1923, with central trumpet and four further smaller examples surrounding, loaded, 27cm high

A quantity of Wedgwood blue jasper cameo wares, to include; a pedestal bowl 21cm diameter, a trumpet vase 15cm high, a selection of boxes and covers, and a black jasper cameo ware jar and cover 12cm high (10)

A Chinese celadon glazed jardiniere, of lobed form and with wide trumpet neck, blue seal mark to base, 15cm high

An undated archaistic D-section silver hoop with raised panels to the outer face, two piriform with leaf detailing, two discoid with starburst design, two piriform with coiled tendrils; trumpet-shaped bezel with scaphoid plaque, incised facing nimbate bust of Christ with Cross above, starburst below, monogram and text flanking. 15 grams, 28mm overall, 18.60mm internal diameter (approximate size British Q 1/2, USA 8 1/2, Europe 18.4, Japan 17) (1"). Property of a London, UK collector; acquired London market, 1990s. [No Reserve] Very fine condition.

Five assorted sterling silver trumpet vases 17cm high (tallest) approx.

Victorian silver plate 3 branch epergne with central glass trumpet, 31cm high approx.

PAIR OF EARLY 20TH CENTURY JAPANESE SATSUMA VASESof trumpet form, decorated with figures, each 21cm high

MONART GLASS TRUMPET VASEcirca 1930's, shape GC, with a compressed ring foot rising to a flared trumpet form body, internal random air bubble pattern over indigo ground, 16cm high

JAMES POWELL WHITEFRIARS; a sherry glass with ribbed trumpet bowl, plain stem and slight wrythen moulded foot, height 13.4cm, illustrated on page 289 of the EVANS, ROSS & WERNER; WHITEFRIARS GLASS, JAMES POWELL & SONS OF LONDON as set no.2445 and three similar glasses with ribbed trumpet bowls, double ball knopped stems and plain feet, height 13.6cm, 13.7cm and 12cm (4). CONDITION REPORT: The first glass has a miniscule chip to the rim and a miniscule chip to the foot, otherwise all four appear good with no further obvious signs of faults, damage or restoration.

FRENCH GILT BRASS AND FROSTED GLASS CENTREPIECE, late 19th century, modelled as three giraffes standing around the central trumpet shaped vase with turquoise coloured jewelling, height 37cm

FRENCH ALABASTER, ORMOLU AND CHAMPLEVE CENTREPIECE, 19th century, the engraved glass trumpet vase above an alabaster dish on a base with geometric enamels and a pair of ormolu putti, height 41cm

English made lacquered brass ear trumpet and one other Hawksley Ltd., London. Condition report: see terms and conditions

A Victorian vaseline glass and green tinted epergne The lower crimped rim bowl extending to a central trumpet with spiral twist nodules and green pinched overhang, flanked by two twisted scroll branches, supporting baskets and two further flower holders with further spiral ring glass designs. 57cm tall.

18TH CENTURY WINE GLASS, the trumpet bowl engraved with fruiting vines over a teardrop stem, slightly domed foot with folded over rim, height 16cm

Silverplate - an Art Deco three piece tea set comprising teapot, milk jug and sugar bowl; a trumpet vase; sauce ladles; etc, qty

A 19th Century Chinese export silver trumpet-shaped posy vase with cast bamboo decoration by Wang Hing, 2.9oz troy approx

A silver trumpet vase with spiral decoration and weighted base together with a cylindrical silver posy vase with bulbous weighted base

Various Kaiser Germany Porcelain Arkade design vases by Kane Nossek, to include one of trumpet outline 24cm high, various other wares, etc., (a quantity).

A 19thC Masonic toasting glass, having flared trumpet bowl, faceted stem and engraved with symbol enclosing G and numbered 226, 8.5cm high.

A LARGE TRUMPET GLASS VASE AND A COPPER KETTLE, HEIGHT 60CM & 27CM. D5

A pair of Masons Ironstone trumpet shaped vases, decorated with tree and peacock decoration on blue ground numbered C2296.

A 19TH CENTURY PAIR OF LIQUOR GLASSES, of trumpet form, with diamond cut banding and knopped stems.

A PAIR OF ITALIAN PIETRA DURA MARBLE PANELS, 19th century, depicting Gabriel the Archangel playing his trumpet, contained within ripple moulded ebonised frames. Each 20cm high. (2)

A PAIR OF 19TH CENTURY PUGH GLASS CELERY VASES IN THE MANNER OF FRANZ TIEZE, of trumpet form decorated with wheel cut continuous landscapes of deer in woodland. 25.5cm tall In 1855 Thomas and Richard Pugh left the glassworks firm Irwin's of Potters' Alley to set up a small glassworks at Lower Liffey Street. The business expanded quickly and by 1863 the Pughs had taken over the historic premises at Potters' Alley where glass had been manufactured since the middle of the 18th Century. The firm produced a wide range of domestic and industrial glass and when it closed its doors in 1890 no led glass was manufactured in Ireland until the establishment of Waterford Glass in 1947. In an effort to meet the growing popularity of good quality table glass the Pughs recruited accomplished bohemian glass engravers, among them was Franz Tieze. Here Tieze developed an elegant, highly individual style focusing on naturalistic and Celtic revival motifs. He was one of the only engravers brought over by the firm who settled in Dublin, remaining here long after the Pugh's glassworks had closed.