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A Zeiss Ikon cine camera in case; Carl Zeiss Ikon camera, with 1:3.5 F=7cm compact bellows camera, in carry case with accessories; a Vario Bellows camera, in carry case; a Dual reflex bellows camera; an AGFA Compur bellows camera in carry case; a Paxina 29 35mm camera in carry case; together with an Arguet editing device; Minolta flash unit; Minolta 50mm 1:2 lens etc
A WWI German Carl Zeiss “Marineglas” x 6 prismatic binocular, regimentally marked “9 K.M.G. R.J.R. 29”. Basically GC (finish worn, protective rim to one lens missing), with its leather carrying strap and case, the lid with printed label “Gebrauchsanweisung fur das Fernglas 03 (F.F. 6x30)”. GC (some age wear) £50-60 .
Two pairs of Carl Zeiss binoculars, 10 x 50w Jenoptem and 10 x 48B TP, both in cases, together with a monocular telescope 20- 60 x 60 on a Manfrotto telescopic monopod (3)Condition report: No fungus.All clear.No lens caps for binoculars.Lens cap present for monocular telecope.Both clean inside and out.All in good order.
Various camera equipment developing equipment, etc., vintage and other, boxed Ilford photographic paper, Nikkor 50mm boxed lens, various other camera equipment, photographic equipment, developing equipment, etc., Sun-pak items, Photx autoviewer 3, 35mm boxed developing tank, another similar, etc. (a quantity)
Various camera equipment and developing equipment, etc., a boxed extension tube for an SP 90mm Tamron camera, a Kodak instamatic 100 camera, 10cm wide and partly boxed, various other accessories, a Stellar 2 slide viewer, a boxed Kairon 28mm F2.8 lens, various other accessories, etc. (a quantity)
A loose, unmounted black opal doublet, oval, 36 x 21mm., with good kingfisher blue, dark blue, green and red colour.* There are some nibbles and frits around the edge and also several larger small chips at one end. The surface has tiny scratches overall, but these are only visible through a 10x lens.
An 18ct white gold, ruby and diamond three stone ring, the central, round cut ruby weighing approximately 0.95ct and flanked by two, round brilliant cut diamonds. Ring size M.* A few absolutely miniscule frits to the girdle on the ruby. No other faults. The diamonds are approx. H-I / SI1 - they are nice and lively but they do have some tiny inclusions visible when viewed through a 10x lens. The colour is well matched. The ruby has a pale wispy inclusion to the edge but is otherwise clear and has a lovely colour.
The Beatles / Iain Macmillan: The Hasselblad 500C camera used by Iain Macmillan to photograph the cover image for the Beatles' Abbey Road album,1969,comprising a Hasselblad 500C camera with Zeiss Planar 80mm f/2.8 lens, the viewfinder with applied lines similar to the Abbey Road zebra crossing, supposedly used by Iain to line up with on the day of shooting the cover, together with a Zeiss Distagon 50mm f/4 lens; a tripod; a number of accessories including filters; lightmetres; and a black Nikkormat camera with four interchangeable lenses; all housed in an aluminium camera case labelled IAIN MACMILLAN, and accompanied by a black and white photograph of Iain with the Hasselblad camera around his neck, 15 1/4in x 10 3/4in (39cm x 27.5cm) (Qty)Footnotes:Provenance:Offered directly by the Iain Macmillan archive.Having met John Lennon at the Indica Gallery with Yoko Ono in 1966, Lennon later invited Macmillan to photograph the Beatles for the cover of their final album 'Abbey Road'. Given the Beatles recorded most of their music at the EMI Studios on Abbey Road, St John's Wood, London, they decided to name their last album after the road. Armed with a sketch Paul McCartney had given him a couple of days before of what the picture should look like, Iain knew he didn't have long to get the right shot for the world's most famous band.On 8th August 1969, at around 11:30 am, a hired policeman stopped the traffic, Iain climbed up a large stepladder in the middle of Abbey Road and took just six pictures of the Beatles crossing the street. In approx 10 minutes Iain shot the band in various orders, but it was frame no.5 that was used for the cover of the album - the only photo where all four of them are striding in perfect formation. 'The whole idea was McCartney's. A few days before the shoot, he drew a sketch of how he imagined the cover, which we executed almost exactly that day. I took a couple of shots of the Beatles crossing Abbey Road one way. We let some of the traffic go by and then they walked across the road the other way, and I took a few more shots. The one eventually chosen for the cover was number five of six. It was the only one that had their legs in a perfect 'V' formation, which is what I wanted stylistically. - Iain Macmillan.After the shoot, Macmillan went to find a road sign for use on the back cover. Over 50 years on, and the cover for 'Abbey Road' by the Beatles is still undoubtedly one of the most iconic album covers of all time.For further information on this lot please visit Bonhams.com
MAGNIFYING GLASS. A large magnifying glass with turned ebonised handle. Diameter of lens 12.5cm. WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.

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80828 item(s)/page