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Click here to subscribeMiranda DR camera body, serial no. 669077, with 'Miranda Soligor 1:1.9 f=5cm' lens, serial no K4871146, Miranda camera body, serial no. 664497 and Miranda C camera body, serial no. 602501, with 'Soligor Miranda 1:2.8 f=5cm' lens, Miranda Sensorex camera body, serial no. 719569, with 'Auto Miranda 1:1.9 f=50mm' lens, serial no. 4577612, all in ever ready cases Condition Report:Maranda C the slow speed is faulty
Konica Auto Reflex camera body, serial no.852320, with 'Konica Hexanon 1:1.8 f=52mm' lens, serial no. 7474970, in ever ready case,Halina 35x camera body, with 'Halina Anastigmat 1:3.5 f=45mm' lens, Agilux Agimatic camera body, serial no. 00756, with 'Anastigmat f/2.8 45mm' lens, in ever ready case, Exakta Varex II B camera body, with 'Meyer-Optik Gorlitz Domiplan 2.8/50' lens, serial no. 3223932
Four Zeiss Ikon camera bodies, to include, Contaflex Super B camera body, serial no. B31591, with 'Carl Zeiss Tessar 2.8/50 lens, serial no.3425553, Contaflex Super BC camera body, serial no. P81728, with 'Carl Zeiss Tessar 2.8/50' lens, serial no 4822280, etc, together with three cased lenses; 'Carl Zeiss Pro-Tessar 1:4 f=115mm' lens, serial no 3734740, 'Carl Zeiss Pr-Tessar 1:3.2 f=85mm' lens, serial no. 3647764 and 'Carl Zeiss Pr-Tessar 1:3.2 f=35mm' lens, and other Zeiss Ikon equipment
Collection of camera bodies and lenses, to include, Minolta SRT101 camera body, serial no 2079645, with 'Minolta MC Rokkor-PF 1:1.4 f=58mm' lens, serial no 5888209, Mamiya / Sekor 500dl, serial no. 337167, with mamiya/ sekor 1:2 f=50mm' lens, serial no. 172342, Asahi Pentax Spotmatic F camera body, serial no. 4923429, etc
Paillard Bolex H8 RX4 cine camera body with turret for interchangeable lenses, serial no. 216071, with 'Macro Switar H8RX f1.4 36mm' lens, serial no.863406, 'Macro Switar H8RX f1.3 12.5mm' lens, serial no. 865770, 'Switar H8RX f1.6 5.5mm' lens, serial no. 937691 and RX fader, in fitted leather case
Ray Ban, two pairs of vintage sunglasses, to include a pair of New Wayfarer sunglasses with imitation tortoiseshell acetate frames, together with a pair of Rituals sunglasses with red acetate frames, one with maker's case- Overall fair condition - Few small scratches to lenses and dust around lens edges - Scratches and marks to acetate frames - One without case - Condition reports are a guide only and clients are advised to view items before bidding - For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com
Tafadzwa Masudi Secret Lover I, 2023 Acrylic paint on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Tafadzwa Masudi (b. 1988) started painting at an early age in Harare while assisting a family friend who introduced him to the visual arts. In 2010 he moved to South Africa and started working in a clothing factory until 2020 when he was laid off. He took the opportunity to start painting full-time and soon his work featured in group exhibitions at galleries in Cape Town. "Circumstances forced me to leave my country of birth and become a migrant. I relate to people who had to travel elsewhere to create a better life and this is what I currently paint. Images that show their sense of self, their dreams and their aspirations." Select Exhibitions/Awards SOLO EXHIBITIONS 2022 - Pakutsvaga. Africa First X Gordon Gallery, Tel-Aviv 2021 - Waiting for a better tomorrow. WORLDART, Cape Town ART FAIRS 2023 - Volta New York 2023 - Investec Cape Town Art Fair 2022 - AKAA, Paris 2022 - Volta New York 2022 - London Art Fair 2022 - Investec Cape Town Art Fair 2021 - Turbine Art Fair, Johannesburg 2021 - FNB Art Joburg, Johannesburg (online) 2021 - Art X Lagos (online) Gallery Representation WORLDART, Cape Town. Blond Contemporary, UK. Gordon Gallery, Tel Aviv. Statement about AOAP Submitted Artwork My brightly coloured paintings depict scenes filled with balloons, people and patterns. Observed through the lens of a migrant person existing in a foreign land, the works reflect on optimism and the pursuit of a better future. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Tafadzwa Masudi Untitled, 2023 Acrylic paint on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Tafadzwa Masudi (b. 1988) started painting at an early age in Harare while assisting a family friend who introduced him to the visual arts. In 2010 he moved to South Africa and started working in a clothing factory until 2020 when he was laid off. He took the opportunity to start painting full-time and soon his work featured in group exhibitions at galleries in Cape Town. "Circumstances forced me to leave my country of birth and become a migrant. I relate to people who had to travel elsewhere to create a better life and this is what I currently paint. Images that show their sense of self, their dreams and their aspirations." Select Exhibitions/Awards SOLO EXHIBITIONS 2022 - Pakutsvaga. Africa First X Gordon Gallery, Tel-Aviv 2021 - Waiting for a better tomorrow. WORLDART, Cape Town ART FAIRS 2023 - Volta New York 2023 - Investec Cape Town Art Fair 2022 - AKAA, Paris 2022 - Volta New York 2022 - London Art Fair 2022 - Investec Cape Town Art Fair 2021 - Turbine Art Fair, Johannesburg 2021 - FNB Art Joburg, Johannesburg (online) 2021 - Art X Lagos (online) Gallery Representation WORLDART, Cape Town. Blond Contemporary, UK. Gordon Gallery, Tel Aviv. Statement about AOAP Submitted Artwork My brightly coloured paintings depict scenes filled with balloons, people and patterns. Observed through the lens of a migrant person existing in a foreign land, the works reflect on optimism and the pursuit of a better future. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Claire Kerr Lake, 2023 Pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Claire Kerr is a painter based in Dublin; she also uses drawing, print, objects and text. Modest in scale, her work invites intimacy with a viewer but leaves open the question of meaning and interpretation. Often concerned with the fundamental properties of an image - surface, depth, context - her work seeks out the idiosyncratic or peculiar, trains of thought at a tangent, an unobtrusive weirdness. Education Wimbledon School of art and IADT, Dun Laoghaire Select Exhibitions/Awards Selected one-person exhibitions One Thing Turns into Another: New Work, BravinLee Programs, New York, opening 24 October, 2019 What else do I believe in?, Purdy Hicks Gallery, London, 5 May - 5 June, 2017 Madrid Paintings, New Work, espacio artkunstarte, Madrid, 26 February - 31 July, 2016 Should we have stayed at home and thought of here? Galerie Stefan Röpke, Cologne (Düsseldorf-Cologne Open Galleries), 05 September - 11 October, 2014 Selected group exhibitions Summer Show 2022, Graphic Studio Dublin, 30 July - 3 September, 2022 The Golden Fleece Award: 21 Years, Solstice Arts Centre, Navan, Co. Meath, 23 April - 4 June, 2022 Eye on Nature, Purdy Hicks Gallery, London, 27 January - 28 February, 2022 Paint on a Photo of a Painting Based on a Photograph, espacio artkunstarte, Madrid, 10 September - 23 December, 2020 Selected Awards 2021 Print Residency, Graphic Studio Dublin (DLR) 2021 Arts Council of Ireland, Visual Arts Bursary (an Chomhairle Ealaíon) 2016 Residency, r/e projects, Madrid 2013 Culture Ireland/Cultúr Éireann 2012 Golden Fleece Award 2009 Thomas Dammann Jr Memorial Trust Award 2002 Fergus O'Ryan Memorial Award Gallery Representation Purdy Hicks Gallery, London Statement about AOAP Submitted Artwork The lake in this drawing is the mysterious Loe Pool in Cornwall, one of the locations associated with Excalibur and the Lady of the Lake. I visited the lake last spring and with no-one else around, it seemed timeless in the sunny afternoon. The ripples on the surface of the water and the rushes by the water's edge were exactly as I had imagined from reading about Sir Bedevere in Tennyson's Idylls of the King, when, instead of throwing the sword into the depths of the lake as he had promised, he at first hides it at the water's edge, replying to Arthur's question as to what had happened, ''I heard the water lapping on the crag/ And the long ripple washing in the reeds'', giving himself away by his answer. I drew the lake as if through a monocular or lens, or perhaps as if at the end of an old film, wanting to give a sense of both nearness and distance in time and space. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Daniel Hosego Small Town Hero, 2023 Pen and ink on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Drawings on paper. Prints on Perspex. Paintings on wood. All exploring the values of our modern world through a historical lens. Education BA Fine Art at Kingston University, UK (2005) MA Sculpture at the Royal College of Art, UK (2010) Select Exhibitions/Awards Solo exhibitions include: The Prisoner, James Freeman Gallery, London (2021); OMG!!!, James Freeman Gallery, London (2019); The Return of the Cat in the Box in the Forest of Falling Trees, Paul's Taxis, London, UK (2013); The Last Question, Paul's Taxis, London, UK (2013); The Cat in the Box in the Forest of Falling Trees, No Format Gallery, London, UK (2013); My Father My King, ASC Glasshill Street, London, UK (2010). Selected Group exhibitions include: A Renaissance of Victor Hugo, AFG Gallery, St Peter Port, Guernsey (2023); Modern Baroque, James Freeman Gallery, London (2022); Transformation, AFG Gallery, St Peter Port, Guernsey (2022); Electric Avenue, James Freeman Gallery (2020); Early Modern Matters, James Freeman Gallery, London (2019); Makers of Marks, James Freeman Gallery, London (2018) Gallery Representation James Freeman Gallery, London You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Daniel Hosego The Procrastinator, 2023 Pen and ink on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Drawings on paper. Prints on Perspex. Paintings on wood. All exploring the values of our modern world through a historical lens. Education BA Fine Art at Kingston University, UK (2005) MA Sculpture at the Royal College of Art, UK (2010) Select Exhibitions/Awards Solo exhibitions include: The Prisoner, James Freeman Gallery, London (2021); OMG!!!, James Freeman Gallery, London (2019); The Return of the Cat in the Box in the Forest of Falling Trees, Paul's Taxis, London, UK (2013); The Last Question, Paul's Taxis, London, UK (2013); The Cat in the Box in the Forest of Falling Trees, No Format Gallery, London, UK (2013); My Father My King, ASC Glasshill Street, London, UK (2010). Selected Group exhibitions include: A Renaissance of Victor Hugo, AFG Gallery, St Peter Port, Guernsey (2023); Modern Baroque, James Freeman Gallery, London (2022); Transformation, AFG Gallery, St Peter Port, Guernsey (2022); Electric Avenue, James Freeman Gallery (2020); Early Modern Matters, James Freeman Gallery, London (2019); Makers of Marks, James Freeman Gallery, London (2018) Gallery Representation James Freeman Gallery, London You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Tafadzwa Masudi Secret Lover II, 2023 Acrylic paint on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Tafadzwa Masudi (b. 1988) started painting at an early age in Harare while assisting a family friend who introduced him to the visual arts. In 2010 he moved to South Africa and started working in a clothing factory until 2020 when he was laid off. He took the opportunity to start painting full-time and soon his work featured in group exhibitions at galleries in Cape Town. "Circumstances forced me to leave my country of birth and become a migrant. I relate to people who had to travel elsewhere to create a better life and this is what I currently paint. Images that show their sense of self, their dreams and their aspirations." Select Exhibitions/Awards SOLO EXHIBITIONS 2022 - Pakutsvaga. Africa First X Gordon Gallery, Tel-Aviv 2021 - Waiting for a better tomorrow. WORLDART, Cape Town ART FAIRS 2023 - Volta New York 2023 - Investec Cape Town Art Fair 2022 - AKAA, Paris 2022 - Volta New York 2022 - London Art Fair 2022 - Investec Cape Town Art Fair 2021 - Turbine Art Fair, Johannesburg 2021 - FNB Art Joburg, Johannesburg (online) 2021 - Art X Lagos (online) Gallery Representation WORLDART, Cape Town. Blond Contemporary, UK. Gordon Gallery, Tel Aviv. Statement about AOAP Submitted Artwork My brightly coloured paintings depict scenes filled with balloons, people and patterns. Observed through the lens of a migrant person existing in a foreign land, the works reflect on optimism and the pursuit of a better future. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Tafadzwa Masudi My Own Space, 2023 Acrylic paint on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Tafadzwa Masudi (b. 1988) started painting at an early age in Harare while assisting a family friend who introduced him to the visual arts. In 2010 he moved to South Africa and started working in a clothing factory until 2020 when he was laid off. He took the opportunity to start painting full-time and soon his work featured in group exhibitions at galleries in Cape Town. "Circumstances forced me to leave my country of birth and become a migrant. I relate to people who had to travel elsewhere to create a better life and this is what I currently paint. Images that show their sense of self, their dreams and their aspirations." Select Exhibitions/Awards SOLO EXHIBITIONS 2022 - Pakutsvaga. Africa First X Gordon Gallery, Tel-Aviv 2021 - Waiting for a better tomorrow. WORLDART, Cape Town ART FAIRS 2023 - Volta New York 2023 - Investec Cape Town Art Fair 2022 - AKAA, Paris 2022 - Volta New York 2022 - London Art Fair 2022 - Investec Cape Town Art Fair 2021 - Turbine Art Fair, Johannesburg 2021 - FNB Art Joburg, Johannesburg (online) 2021 - Art X Lagos (online) Gallery Representation WORLDART, Cape Town. Blond Contemporary, UK. Gordon Gallery, Tel Aviv. Statement about AOAP Submitted Artwork My brightly coloured paintings depict scenes filled with balloons, people and patterns. Observed through the lens of a migrant person existing in a foreign land, the works reflect on optimism and the pursuit of a better future. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Camera Interest - Collection of Cameras & Equipment, comprising a Sony Video Camera in case, Praktica Super TL2, Pentax Cimko MT Series 820 80-200mm Close Up, Nimslo Opti-Lite, Nimslo 3D Camera, Prinzflex Telephoto Converterm for entax, Prinz Jupiter 377, Prinz Galaxy Lens, assorted lenses, etc.
A 19th century single draw brass and leather telescope by Dollond of London signed and numbered 5260, with lens cap, extended length 32½in. (82.5cm.), faults, lacks eye piece. *Eye piece is missing. Split to seam at end of leather and brass capping to end of barrel is loose and detaches. Leather has scratches, stains, paint spots and marks throughout. Wear and spotting/tarnishing to gilt brass.Line indent to signed single draw. Optics working but dirt to lenses which should clean off easily.
A Celestron PowerSeeker Series 114EQ Newtonian astronomical telescope 35in. (89cm.) optical tube length, 114mm. (4½in.) aperture, f/8, 900mm focal length, with equatorial mount, Barlow lens, 269x highest useful magnification, with original tripod with 2.7kg counterweight, , accessories, instruction booklet and quick set-up guide.
A World War One Sighting Telescope No.4 Mark III by Troughton & Simms Ltd. of London dated 1916, with broad arrow, brass with remnants of black lacquered finish in places, 16¾in. (42.5cm.) long.*Good patination throughout. Optics clear and focus working correctly. Some dark spotting visible through lens - not known if cause is dirt or fungus.
A 19th century three draw day or night telescope by Charles Marks of Plymouth brass with mahogany casing, signed near eyepiece, with sliding eyepiece and lens covers, 34in. (86.3cm.) long fully extended. *A couple of tiny dings to first draw. Scratches and marks to surface of wood casing. Optics relatively clear - some dirt and possibly some fungus beneath the lens - should be fairly simple to clean.
A collection of fifteen various cameras and photographic equipment including a Zenit 12XP, a Bexnt 19, a Nikai PDS 35mm, a Gnome Baby Pixie, a Zenit Industra 50, Kodak Brownie 127, a Voigtländer Vitomatic 11B and others various, together with a Prinz 770C flash, Federal 3000 flash, a Weston Master II Universal Exposure meter and a Galaxy lens
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