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A mixed camera lot to include an OLYMPUS AF-10 MINI camera in case with instruction leaflet, an OLYMPUS AZ-300 super zoom with Olympus lens zoom 38-105mm 1:4, 5-6 and instructions and carry case, an AGFA SILETTE 35mm camera in leather case, a ROLLEI 121BC flash, a NATIONAL Hyper BII flash gun in original case, a WESTON Master V light meter in leather case, an unused SERVICE camera neck strap,
Great Exhibition Peep Show.- Lane (C., publisher) Lane's Telescopic View of the Interior of the Exhibition, 10 lithographed panels with hand-colouring, including vignette title with lens, and rear scene panel, folding concertina-style with linen, presented in original slip-case, a little rubbed and soiled, each panel 160 x 175 mm., extending to c. 600 mm. in length, 8vo, printed by C. Moody, 1851.
Zeiss Ikon Super Ikonta SLR single lens reflex camera with Carl Zeiss Jena #1413844 Tessae 1:2.8 f=8cm lens. A Jhagee Exacta SLR camera with Carl Zeiss Jena #3003408 Tessar 1:3.5/50 lens. Jhagee Exacta Varex SLR camera with Meyer-Optik Gorlitz #2217913 Primotar E 1:3.5/50 lens and a Reflex-Korelle camera with Schneider-Kreuznach #794328 Radionar 3.5/7.5 lens. (4) The shutters appear to function as expected.
Asahi Pentax Spotmatic SPII SLR camera #5206762 with Super-Multi-Coated Takumar 1:1.4/50 #5417331 lens. Also, boxed accessories including Super Takumar 1:4/300 #4393027 lens, a Super Takumar 1:4/200 #4200300 lens, Auto Bellows, Slide Copier, Power Pack etc., also a Super-Multi-Coated Takumar 1:3.5/24 #5117411 lens.
Rolleiflex DBP DBGM twin lens reflex TLR camera, serial number 1767880 with Schneider Kreznach Xenotar 1:3.5/75 and Heidosmat 1:2.8/75 lenses, Franke and Heidecke of Germany Synchro Compur collar, with brown leather case. Also, accessories including a Rollei Strobomatic flash gun, Rollei leather case containing lens filters, a Rollei Handbook by Alec Pearlman 1954, The Rolleifles Book by Walther Heering 1935, The Rolleo Manual by Alec Pearlaman 1955 etc. The shutters appear to function as expected.
A Leitz Wetzlar Leica III Rangefinder camera, 35 mm, 1935, in original fitted leather case, serial No. 153610, fitted with Leitz Elmar F=5 cm (50 mm) lens serial No. 232739, complete with black Japaned tin original Leica lens cap. 34 cm wide x 7 cm high.The mechanism cocks and releases on the button and the shutter speed seems to correspond to each increment (judged by ear)I can not see any fungus in the lens and the aperture opens and closes smoothly as expected
A collection of Edwardian and later cameras, to include a Linhof Technika of Germany standard 5 x 4 press camera with Schneider-Kreuznach Xenar lens 1:4.5/150 2567338, a Thornton-Pickard "Victory" medium format camera, a J. Lizars "Challenge" mahogany bodied bellows camera and other cameras and film carriers and photographic accessories.A private collection
A Lladro porcelain "Angelic Time" (5973) figurative mantle clock. 25 cm wide x 28 cm overall height.A private estateThe housing for the clock movement is damaged and has been re-stuck in place at some point but is now loose again.The perspex lens to the dial has some scuffs and scratches, I have tried a new battery in the movement and it seems to tick away happilyI can't see any chips or cracks in the porcelain elements of the body.
A 1958 Leica DBP Ernst Leitz GMBH Wetzlar IIIg camera, (No 933881), with Ernst Leitz GMBH Wetzlar Summicron F=3.5cm 1:3.5 lens (No 1638959), with lens cap, in original Leica branded leather case.Generally, mechanisms may require an overhaul. Shutter in working order, but can be a little sticky on occasions. Lens with UVa filter and appears to be in good condition.
Y A REGENCY ROSEWOOD GALLERY GLASS EARLY 19TH CENTURYOf conventional form, lacquered brass mount above handle 37.5cm long, 19.5cm diameterCondition Report: generally good condition- 2 mild edge wear- 1 small edge nick to glass approx. 4mm long- usuaual wear to lacquer to brass fixing mount Impossible to gauge the strength of the lens but feels relatively mild compared to others we have handled- placing the lens on section of typed text does not have much magnification effect.Condition Report Disclaimer
A pair of gold plated mother of pearl opera glasses,decorated with mother of pearl, with detachable handle, together with a small quantity of period costume jewellery,to include a heart shaped silver and paste necklace, Chester 1904, a single row coral bead necklace, a freshwater pearl brooch, and an imitation turquoise metal brooch. Silver 2.81gCondition ReportLens a little dirty.Mechanism working.No damage to the enamel sections.
An antique gold & coral Stanhope cross necklace pendant. The cross made predominantly from columns of peachy orange coral with gold ivy leaf detailing to the centre surrounding a magnifying lens encapsulating an imagine of the crucifix / Jesus being crucified & pendant bale. Unmarked, surface tests indicate 14ct gold. Total weight approx 1.9g. Measures approx 4.2x2.2x0.9cm. In fitted leatherette box.
A 2ct diamond solitaire ring set in platinum. The old brilliant cut diamond an estimated diamond weight of 2.03cts. Ring size P&1/2. Approx weight 3.9 grams. (B.P. 21% + VAT) There appears to be a cloud like inclusion to one side of the stone. It is difficult to say if this is caused by dirt on the back of the stone as the ring has not been cleaned. Overall clarity seems good. otherwise when viewed with a x10 lens.
*Item to be collected from Friargate, Derby*A mid 20th century snakeskin effect case, approx 51cm long; a black leather briefcase, approx 42cm; a W.E Jackson & Son Nottingham brown leather bag, approx 75cm; and a Westminster Bank leather night safe money bag; a pair of vintage Rayban aviators (chip to one lens); and other sunglasses and glasses (5)Condition - wear and tear commensurate with ageObject location - Ground floor bedroom
MARCEL MARIËN (1920-1993)Le cÅ“ur sur la main signé, inscrit et daté 'Le cÅ“ur sur la main 1991 Marcel Mariën' (sous la base)pierre et ruban dans une boîte en Plexiglas Exécuté en 1991signed, inscribed and dated 'Le cÅ“ur sur la main 1991 Marcel Mariën' (under the base)stone and ribbon in a Perspex boxExecuted in 199121 x 21 x 21cm (8 1/4 x 8 1/4 x 8 1/4in).Footnotes:ProvenanceCollection Jacques Schroeder, Belgique. Acquis auprès de celle-ci par le propriétaire actuel. Né à Anvers en 1920, Marcel Mariën est rapidement devenu l'un des membres les plus prolifiques du mouvement Surréaliste belge.Mariën a découvert le surréalisme en 1935 à travers deux peintures de son compatriote belge René Magritte lors d'une exposition d'art contemporain organisée au centre communautaire d'Anvers. Il rencontra Magritte deux ans plus tard en 1937 et rejoignit ensuite le groupe surréaliste dont il était le membre le plus jeune agé de 17 ans seulement. Ce fut cette année qu'il créa et exposa son tout premier objet surréaliste et son travail le plus connu : L'introuvable, une paire de lunettes à un seul verre.Ses travaux jouent avec la norme et la déforment, formant des ponts entre le langage, l'image et l'objet, jouant en concurrence avec la perception de la réalité. Ses expérimentations artistiques à travers différents media sont une preuve de sa polyvalence comme artiste et membre du mouvement.En dehors de sa participation au Surréalisme, Mariën était écrivain, poète et théoricien. Il écrivit la première monographie de René Magritte, publiée en 1943. En 1954 il fonda le magazine Les Lèvres Nues avec Jane Graverol et Paul Nougé et en 1979 il signa le premier livre de référence sur le Surréalisme en Belgique intitulé L'activité surréaliste en Belgique (1924-1950), pour ne nommer que ses publications les plus célèbres.Ses travaux sont conservés dans les institutions artistiques les plus prestigieuses du monde comme la Tate Modern à Londres, le Getty Museum à Los Angeles, le MoMA à New York, et le Musée royal des Beaux-arts à Bruxelles.Born in Antwerp in 1920, Marcel Mariën swiftly became one of the most prolific members of the Belgian Surrealist movement.Mariën discovered Surrealism in 1935 through two paintings by fellow Belgian René Magritte during a contemporary art exhibition organized at the Antwerp community centre. He met Magritte two years later in 1937 and subsequently joined the Surrealist group - he was the youngest member at 17 years old. It was this year that he made and exhibited his very first surrealist object and his most famous work: L'introuvable, a set of single-lens glasses.His works play and distort the accepted norm, creating bridges between language, image and object, all concurrently playing with the viewer's perception of reality. His experimentation with different media is testament to his versatility as an artist and member of the movement.Aside from his involvement with the Surrealists as an artist, Mariën was a writer, poet and theorist. He penned the first monograph of René Magritte, published in 1943; in 1954 he founded the magazine Les Lèvres Nues with Jane Graverol and Paul Nougé and in 1979 he authored the first reference book on Surrealism in Belgium titled L'activité surréaliste en Belgique (1924-1950), to name just a few.His works are housed in some of the world's most prominent modern art institutions such as Tate Modern in London, The Getty Museum in Los Angeles, MoMa in New York, and the Royal Museums of Fine Arts in Brussels.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
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70219 item(s)/page