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A Paillard Bolex H-16 16mm Clockwork Cine Camera, black, body G-VG, motor winds & runs, with Octameter, without Eye-Level Focuser, together with a Som Berthiot Cinor 10 f/1.9 lens, a Pizar 26mm f/1.9 lens, a Meyer-Gorlitz Tele Megor 6" f/4 optics F-G, some haze & fungus present, with maker's case, Octameter & camera body serial no. 84519
William Anders The most celebrated image of the Earth rising above the Moon's horizon. This is the first Earthrise witnessed by humans and captured in colour on camera. The view was observed by the crew of Apollo 8 at 75h 48m and 39s of the mission and during the fourth orbit of the Moon. Taken with a 70 mm Hasselblad camera, 250 mm telephoto lens, colour magazine 14/DApollo 8, 24 December 1968 16.49 GMTVintage chromogenic print on fibre-based paper, 25.2 x 20.5 cm (10 x 8 in), [NASA AS08-14-2383], with A KODAK PAPER watermark on the verso (NASA/North American Rockwell)Condition Report: Very goodCondition Report Disclaimer
William Anders Very rare, black and white version of the second colour photograph of the Earthrise, taken moments after the first - most celebrated - photograph of the same view. The view was photographed at 75h 49m and 06s hours of the mission and during the fourth orbit of the Moon. Taken with a 70 mm Hasselblad camera, 250 mm telephoto lens, colour magazine 14/DApollo 8, 24 December 1968 16.50 GMTVintage gelatin silver print on fibre-based paper, 25.2 x 20.5 cm (10 x 8 in), [NASA photo no AS08-14-2384], with a number printed in lower margin 18567-8Condition Report: A line of abrasion to the right portion of the image and a crease to the right margin, light pencil annotation on versoCondition Report Disclaimer
Frank BormanThird Earthrise witnessed by humans, photographed by the crew during seventh revolutionApollo 8, 21-27 December 1968Vintage chromogenic print on resin-coated paper, 20.5 x 25.5 cm (8 x 10 in), [NASA photo no AS8-14-2392], with A KODAK PAPER watermarks on the verso Footnotes:Borman took this fantastic photograph looking west across the 233-km Crater Pasteur with the 80mm lens. The Earth appears fragile ands delicate above the bleached and lifeless lunar horizon.
Thomas Stafford, Eugene Cernan or John YoungLunar terrain: Crater SchmidtApollo 10, 18-26 May 1969Vintage chromogenic print on fibre-based paper, 25.2 x 20.5 cm (10 x 8 in), [NASA AS8-34-5162], with A KODAK PAPER watermark on the versoFootnotes:An amazing photograph taken through the 250mm telephoto lens. The wall of the 11-km long and 2.3-km deep Crater Schmidt on the southwest border of the Sea of Tranquillity (latitude / longitude: 1° N / 19.5° E) is dramatically lit by a low-sun angleCondition Report: MintCondition Report Disclaimer
Neil Armstrong Buzz Aldrin stands next to the deployed Solar Wind Collector. The U.S. Flag is clearly visible on the Lunar ModuleApollo 11, 20 July 1969Vintage gelatin silver print on resin coated paper, 20.5 x 25.3 cm (8 x 10 in), [NASA NASA AS11-40-5872], with a very faint NASA caption on the versoFootnotes:Armstrong took this historic first photograph of Buzz Aldrin with his feet on the lunar surface having set up the lunar surface TV camera.Aldrin is unfurling the solar wind sheet, designed to trap tiny particles hurled from the distant sun. The two spots in the sky above the horizon and the foggy areas seen in the photograph were caused by the refraction of sunlight in the lens of Armstrong's cameraIllustrated: Chaikin, A Man on the Moon, p. 320
Jack Swigert or Fred HaiseFour views of the receding Moon during the homebound journeyApollo 13, 11-17 April 1970Four vintage chromogenic prints on fibre-based Kodak paper, each 25.4 x 20.3 (10 x 8 in), RED NUMBERED NASA AS13-62-8937, AS13-62-8924, AS13-62-9002 and AS13-62-9035, with A KODAK PAPER watermarks on the verso (NASA Manned Spacecraft Center)Footnotes:On the way back to Earth, Swigert and Haise, despite exhaustion and grave danger they found themselves in, took a fantastic series of photographs of the Moon with magazines 60/L, 61/I, 62/JJ and both a 60mm lens and a 250mm telephoto lens.'We really got out the cameras, at least Jack and I, and tried to make use of as much of the film as we could.' Fred Haise
David ScottTelephotographs of distant moonscapes, viewed from Station 9A and from the landing site, EVA 3Apollo 15, 26 July - 7 August 1971Four vintage gelatin silver prints on fibre-based paper, each 25.4 x 20.3 cm (10 x 8 in), BLACK NUMBERED in top margins: NASA AS15-89-12070, NASA AS15-89-12106, AS15-89-12175 and AS15-84-11327 (NASA/Manned Spacecraft Center)Footnotes:Apollo 15 was the first mission equipped with a 500-mm lens Hasselblad to document the areas the crew could not explore. From station 9A on the edge of Hadley Rille, David Scott used the telephoto lens to photograph interesting moonscapes. He captured a debris-filled crater on the opposite wall of the lunar canyon (first photograph) and the lip of the canyon with the mare surface beyond (second photograph). Back at the landing site, he used the telephoto lens to photograph a dark crater on Mount Hadley Delta (third photograph). "We had to push very hard to get a 500-mm lens. There was a lot of scepticism on whether it would be useful at all. And we were always pleased that it was useful. And yeah, we got some great pictures, because it was pretty easy. You point the dude and you've got a great scene out there to take pictures of." David Scott
Charles DukeFour views from an extensive panorama of the rim and interior of the North Ray Crater, Station 11, EVA3; taken with a 500 mm telephoto lens, black and white film magazine 105/MApollo 16, 16-27 April 1972Three unreleased vintage gelatin silver prints on fibre-based paper, 25.3 x 20.5 cm (10 x 8 in), BLACK NUMBERED NASA AS16-105-17122 , AS16-105-17129 and AS16-105-17167, and one unreleased vintage gelatin silver print on resin-coated paper, 25.3 x 20.5 cm (10 x 8 in), with NASA/Kennedy Space Center caption numbered AS16-105-17175 on the verso (4)
A Negretti & Zambra monocular microscope, 19th century, the brass eyepiece and eyepiece tube with single lens turret, fine/coarse adjustment, and plano-concave mirror, 31cm high in mahogany case together with a small collection of slidesCondition report: Tarnishing evident throughout, not been tested
19th century hand lens, in rosewood and mahogany and a similar hand mirror. (2). Condition - Larger - 14cm diameter. - Some chipping to front bezel, with crack to rear, scratches and wear across entire body, some play in glass lens. Smaller - 11cm diameter - Mirror oxidised, bezel scratched and chipped.
PHOTOGRAPHIC EQUIPMENT ETC, to include a Canon Epoca 35mm camera with close-up attachment, comes with Sanyo rechargeable battery but lacks a charger, Canon EOS 500N 35mm SLR camera fitted with a Canon 20-80 zoom lens, Jessops AF280C flashgun for Canon, Werra 35mm camera fitted with a Carl Zeiss Jena 50mm f2.8 Tessar lens, Olympus Pen EE half frame camera, Gossen Sixtino lightmeter, together with other cameras and accessories etc (1 box)
Agfa Standard folding plate camera, with an Anastigmat f/4.5 105mm lens and three further plates, together with an unmarked mahogany folding plate camera in leather case, with a plate holder, a boxed Hanimex Hanorama slide viewer, Ilford Darkroom Safelight, and a Johnson Pocket Viewer, all three in their original boxes (qty)
A boxed DNH Car 6T 6 watt bi-directional projector Loudspeaker, a pair of Bakelite Microphone Stands, a USSR Microscope lamp/Illuminator ON-19 with variable output power supply, Ross of London HOMO 8½ inch f/6.3 Lens, Bayonet fitting motor Fan, various Audio recordings on reel to reel tape etc.
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70722 item(s)/page