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Lot 74
YVES SAINT LAURENT; a pair of 1960s ivory coloured oversized sunglasses with YSL gold tone logo to both sides and variegated tinted lens, a pair of 1970s light tortoiseshell aviator style sunglasses with gold tone logo to sides, and a pair of 1980s thick dark tortoiseshell rimmed sunglasses with silver tone YSL logo to sides (3). Additional InformationThe 1960s sunglasses are in good vintage condition with very few signs of wear except two small scratches to the front of the right lens, the 1970s are in very good vintage condition with few signs of wear and the 1980s sunglasses are also in very good unused condition.
Lot 124
A Qajar silk and metal thread brocade panel with painted details, depicting a Qajar official dressed partly in religious robes and carrying prayer beads Persia, late 19th Centuryrectangular, woven and embroidered with gold metal thread and polychrome silks, the beard, face and hat in polychrome paint, framed 108 x 53 cm.Footnotes:ProvenanceThe collection of Bryan Wilkins (1950-2021), son of Fraser Wilkins (1908-89), Inspector-General of the US Foreign Service 1964-71, US Ambassador to Cyprus 1960-64.Purchased in Baghdad, Iraq, in 1942 (where Bryan Wilkins was born).The identification of the official depicted here is uncertain. It is also peculiar that he wears on the one hand a plain robe associated with religious devotions, but retains the tall black hat so familiar from Qajar full-dress uniforms. The nature of the painting itself is also unusual, combining painted elements with brocade details. It is also possible that the painting is a fragment of a larger, multi-figure work.A possible candidate for its subject is Hajji Mirza Suleyman Khan, Rukn al-Mulk (1838-1912), Chief Secretary to Mas'ud Mirza, Zil al-Sultan, who later appointed him deputy governor of Isfahan. When Hajji Mirza died he was buried in a mosque in Isfahan which he himself had endowed, and portrait tiles were incorporated into its exterior decoration, based on a watercolour portrait by Abu Turab Ghaffari (executed circa 1880-89). For Hajji Mirza and the portrait, see L. Diba, Royal Persian Paintings: the Qajar Epoch 1785-1925, New York 1998, p. 254-55; also G. Fellinger et al, L'Empire des Roses: chefs d'oeuvre de l'art persan du XIXe siecle, Lens 2018, pp. 388-389, no. 389. The portrait combines the full beard, long robe (rather than tunic etc.), and tall hat.This lot is subject to the following lot symbols: * R* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.R This lot is subject to import restrictions when shipped to the United States.For further information on this lot please visit Bonhams.com
Lot 130
An unusual group of 38 album pages illustrating scenes from Firdausi's Shahnama, Nizami's Khamsa, Jami's Haft Awrang and other texts Persia, late 18th/19th Centurypaintings in gouache and some gold, most with identifying inscriptions in nasta'liq script, gold- and silver-decorated coloured inner borders, outer borders of each variously decorated with stylised floral designs or more naturalistic floral and vegetal motifs, on grounds of several different colours, each framed separately paintings approximately 240 x 170 mm. and slightly smaller; album pages 330 x 230 mm.(38)Footnotes:ProvenanceThe collection of Bryan Wilkins (1950-2021), son of Fraser Wilkins (1908-89), Inspector-General of the US Foreign Service 1964-71, US Ambassador to Cyprus 1960-64.The subjects are as follows:From Firdausi's Shahnama1: Two young boys before Jamshid, inscribed: The image of Jamshid-e jam.2: Afrasiyab bound and brought before Kay Khosraw and Rustam, inscribed: The image of Kay Khusraw [and] Rustam son of Zal and the killing of Afrasiyab.3: Kay Kavous in his flying machine, inscribed: Kay Kavous, known as Nimrud, flying to the sky.4: Faridun places a crown over his son's head, inscribed: The image of Faridun and him rewarding his sons with crowns. Two figures at the back are identified as 'Salm' and 'Tur'.5: The Indian Raj before Nushirvan, inscribed: The image of Nushirvan. The young Indian is described as the Indian Raj.6: Rustam about to break the ring with one hand, inscribed Rustam son of Zal breaks the ring, with the one-handed Rustam.7: Giv and Nawdhar before Siyavash and Rustam, inscribed: Image of Siyavakhsh [sic] with Rustam the crown-giver. The two figures are identified as Giv ibn Gudarz and Bahram ibn Gudarz.8: Bijan and Manijeh in bed, inscribed: The image of Bijan son of Giv with Manijah, the daughter of Afrasiyab.9: Brains of youths being prepared to feed the snakes on Zahhak's shoulders, inscribed: The image of Zahhak, the one with snakes on his shoulder and food [remainder illegible].From Nizami's Khamsa10: Shirin visits Farhad in Bistun (from Khosraw and Shirin), inscribed: Shirin and Farhad. 11: Gol Andam comes across Bahram hunting (from Haft Paykar), inscribed: The image of Bahram and Gol Andam.12. Bahram-e Gur amazed at seeing Gol Andam carrying an ox with ease on her shoulder up a flight of stairs (from the Haft Paykar). Caption: 'Image of Bahram and Gol Andam'. Hoping to regain Bahram's favour, she practices carrying a newborn ox up a flight of stairs on her shoulders.13: Layla goes to see Majnun in the wilderness (from Layla and Majnun), inscribed: The image of Layla and Majnun.14: Bahram-e Gur seizes the crown that had been placed between two lions and prepares to kill the second lion (from Haft Paykar), inscribed: Bahram taking the crown placed between two lions.15: Khusraw out hunting observes Shirin bathing (from Khusraw and Shirin), no inscription. For this scene, with a very similar composition, used on the lacquer binding of a manuscript of Nizami's Khusraw va Shirin, dated to the beginning of the 19th Century, see G. Fellinger (ed.), L'Empire des Roses: chefs d'oeuvre de l'art persan du XIXe siecle, Lens 2018, p. 264, no. 253.From Jami's Haft Awrang16: Yusuf is offered for sale in the market and Zulaykha bids for him (from Yusuf and Zulaykha), inscribed: Selling of Yusuf - peace be upon him – in the city of Misr.17: Women guests cut their fingers instead of oranges at seeing Yusuf (from Yusuf and Zulaykha), inscribed: The image of the cutting of oranges of Yusuf and Zulaykha. The original text features lemons.From Muhammad Quli Salim Tehrani's Qada va qadar, on predestination (2)18: Exact subject unknown. Caption: 'Qada and Qadar'.19: A figure pulled from the sea: exact subject unknown. Caption: 'Qada and Qadar of Muhammad Quli Salim'.From 'Attar's Mantiq al-Tayr20: Shaykh San'an goes to see the Christian maiden, inscribed: The image of Shaykh San'an.21: The Christian maid offers wine to Shaykh San'an, inscribed: The image of Shaykh San'an.From 'Ayyuqi's Varqah and Golshah22: Golshah offers wine to Varqah, inscribed: The image of Varqah and Golshah.From 'Unsuri's Wamiq and 'Adhra 23: 'Adhra receives Wamiq and embraces him, inscribed: The image of Wamiq and 'Adhra. From Naw'i Khabushani's Suz and Godaz24: The husband is being prevented from throwing himself into the fire after the death of his wife, inscribed: Suz and Godaz. However, in the original text, it is the wife who throws herself into the fire after the husband's death.Two scenes depicting Seljuk rulers25: Alb Arsalan, inscribed: The image of Alb Arsalan, the Sal Juqi [sic].26: Three youths before Sultan Malik Shah, inscribed: The image of Sultan Malik Shah, the Sal Juqi [sic].Two scenes depicting Timur and his son Shahrukh27: Timur gives a spear to a young boy, inscribed: The image of Amir Timur Gurkani. The name Timur is misspelt.28: Shahrukh watches men wrestling, inscribed: Shahrokh ibn Amir Timur.A scene from the Mehr and Mah of Hamid ibn Fadlluh Jamali (d. AH 942/AD 1535-36) 29: Mah dreams of being with Mehr [?], inscribed: The image of Mehr and Mah.A scene from the Hamzeh-nameh30: Hamzah and Mehr Negar, Nushrivan's daughter, meet while 'Umar is playing an instrument for Bozorgmehr, inscribed: The image of Hamzah and Mehr Negar/Baba 'Umar/Buzorjmehr.Miscellaneous:31. Ahmad-e Jam, the Sufi, author and poet (d. 1141), riding a lion, holding snakes in his hands as reins and whip. The subject sometimes appears in falnamehs. Caption: 'Zheneh Pir Ahmad-e Jami'.32. A man and a youth counting grapes before Pharaoh, as scene from the Bible [?]. Caption: 'The image of Pharaoh and the Satan'. The youth in the window is perhaps Satan.33. A young prince offering wine to a young lady, Sayf al-Muluk, the son of the king of Egypt and the princess Badi' al-Jamal depicted sitting on a throne, a story from the Thousand Nights and One Night. Caption: 'Sayf al-Muluk [and] Badi' al-Jamal Pari'. Sayf al-Muluk is misspelt.34. A young man killing a man. Caption: 'The mad Qandaruz [?] being killed by Badi' al-Zaman [?]' (spelled as Badi'ad zaman). Text unidentified.35. A man (Mulla Nasr al-Din) leading two men and a dog on leads. Caption: 'Mulla Nasir al-Din'. Exact subject unknown.36. A young man feeding a dragon with a deer before a king, while cutting its horns off. No caption, exact subject unknown.37. Two figures before a seated figure, identified as Rustam son of Zal (the young boy) and Zal son of Sam (the old bearded man) before Sam son of Nariman (the seated figure). These are characters from Firdausi's Shahnama, but this does not appear to correspond with a known scene.38. A young boy offering food to a man lying ill in bed. Exact subject unknown.This lot is subject to the following lot symbols: * R* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.R This lot is subject to import restrictions when shipped to the United States.For further information on this lot please visit Bonhams.com
Lot 759
A Late 19th Century Mahogany and Lacquered Brass Plate Camera,J. Robinson & Sons, 65 Grafton Street, Dublin, of hinged rectangular folding form with Morocco concertina bellows and screen adjustment and a screw in lens, signed "J.J.Dallmeyer - London"No 1a rectilinear lens.Glass plate 12 cm x 16.4cm, Height 22cm, Width 21.5cm
Lot 67
A STAINLESS STEEL ROLEX OYSTER 'SINGLE RED' SUBMARINER WRISTWATCH, reference 1680, circa 1970, believed MK4 black dial with baton, dot and arrow luminescent markers, date window and cyclops lens at three o'clock, Submariner written in red, unidirectional bezel, case width approximately 40mm, 1570 calibre, serial number 2571839, bracelet reference 93150, end links numbered 580, accompanied by its purchase receipt, certification, papers and a service receipt, service guarantee and a possible receipt for replacement of bracelet or additional links (Condition report:- the watch winds, sets and runs, but may require attention or service, weight is slightly vibrating within the case, the bezel will not rotate, general wear all over but not much play to the links, clasp works well and extends without any issues, scratches to the glass and a chip to the bottom right between four and five, cyclops worn, crown in good working order)
Lot 2469
Photography interest: plate camera parts, wooden slides, developing tank, lenses, etcCondition report: Brass lens measures 10.5cm long, the end measures 7.5cm diameter. Both lenses have the glass elements - there is some wear commensurate with age and use but they appear ok. The black lens is a bit cloudier.
Lot 775
Six Canon lenses and a Teleconverter. Canon Zoom lens EF-S 55-250mm 1:4 -5,6 ISII, A Canon zoom lens EF24-85mm 1:3,5-4,5, a Canon zoom lens EF-S 17-85mm 1:4-5,6 IS USM, a Canon zoom lens EF 28-80mm 1:3,5-5,6, A Canon EF 50mm 1:1,8 lens, a Canon Zoom lens EF-S 18-135mm 1:3,5-5,6 IS STM and a Canon Tele Converter TC-DC58N
Lot 306
NIKON AUSRÜSTUNG Kamera FE2, schwarzes Gehäuse Nr. 2010415 in Hülle mit Objektiv Micro-Nikkor 55mm, f/2,8, Nr. 374424, dabei: Nikon Motorantrieb MD-12, Nr. 1535950, Nikon Blitzgerät SB-16, Objektiv TAMRON f/2,5 28mm, Objektiv SOLIGOR C/D Zoom- und Makro 28-80mm, f/3,3-4,5, NIKON LENS Series E 100mm, f/2,8
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70728 item(s)/page