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Lot 749J
A collection of Bayonet fitting Camera Lens to include: Kiron 28-85mm , Sigma 70-210 1:4-5.6, Canon EF 50mm 1:1.8,Canon FD 50mm 1:1.8, Smc Pentax -A 1:1.7, Soligor Tele , Auto 1-2.8 105mm, Sigma Zoom AF 28-200m 1:4-5.6, Itorex MC 1:2.8 135mm, Sun Wide Auto F 2.5 F-28mm, Vivitar 28mm 1:2.8 Mc, Cosina MC 135mm 1:3.5, Makinon MC 80-200, Vivitar 28-85mm etc
Lot 749K
A collection of Screw Fitting Camera Lens to include: Super Travenar 1:28mm, Mayer Lyaith 3.5/30, Auto Makinon 135mm Hoya Mc Zoom 80-200mm Soligor 250mm , Pentacon auto 2.8/135mm, Mitsuki MC 135mm, Vivitar Auto Telephoto 200mm, Auto Promura 135mm, Vivitar MC 70-150mm, Carl Zeiss Jena MC 135mm etc
Lot 261
A box containing various cameras and accessories including Bolex 233, Rollei magic, Kodak Reina Reflex, Minolta Digital, Konica lens, etc. IMPORTANT: Online viewing and bidding only. No in person collections, an additional charge of £25 (inc. VAT) applies to this lot to cover postage to registered address.
Lot 292
A box containing various cameras and equipment, including a Canon, Canon Skylight lens, pair of binoculars and tripod stand. IMPORTANT: Online viewing and bidding only. No in person collections, an additional charge of £25 (inc. VAT) applies to this lot to cover postage to registered address.
Lot 2107
Microscopes Two Black Lacquered Examples (i) C Baker no.37703 with course/fine focusing, three lens turret, adjustable stage with condenser and plano-concave mirror in mahogany case (ii) Beck Model 47 no.26154 with course/fine focusing, adjustable graduated stage with condenser and plane mirror, three lens turret, in mahogany case (2)
Lot 2146
Various Cameras And Lenses including Pentax ME Super with Tokina f2.8 28mm lens; Pentax ME Super with Pentax-M f2.8-4 40-80mm lens; Komura Prinzgalaxy f6.3 400mm lens; Makinon MC f8 500mm mirror lens; Vivitar f2.8 55mm lens; Paillard Bolex e8 Cine Camera and others; together with two Micrometers and other items
Lot 62
R & J Beck Ltd, London, 23923 lacquered brass monocular microscope contained within mahogany carrying case, the fitted interior suggests that at least three components are missing as accessories for this instrument, height 26cm (10").Condition report: Mahogany case with brass folding handle in good order, lacquering appears to be in good order to microscope, however, there are at least two eye pieces missing and one other accessory reflector lens.
Lot 13
Stephen Kenny You Complete Me, 2020 Letterpress on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) My paintings most often focus on the human figure paired with elements found in nature. These surreal, symbolic juxtapositions are intended to work on at least two levels. The first alludes to the fact that we are an integral part of the natural world and subject to its laws. This seems like an obvious statement until we step back and objectively assess our symbiotic relationship with each other and the Earth. Depending on your perspective, these relationships fall somewhere on the scale between harmonious and dysfunctional. The second turns the lens around to look inward upon the stewardship of our own emotional, intellectual and psychological landscapes. The same pictorial subject matter allows me to make references to our individual journeys of self-exploration and discovery. Again, depending on who is holding the compass, we are either lost or on the right path. At the very least, I desire to create images of beauty and mystery that allow the viewer to find their own personal significance in them.
Lot 14
Stephen Kenny You Complete Me, 2020 Letterpress on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) My paintings most often focus on the human figure paired with elements found in nature. These surreal, symbolic juxtapositions are intended to work on at least two levels. The first alludes to the fact that we are an integral part of the natural world and subject to its laws. This seems like an obvious statement until we step back and objectively assess our symbiotic relationship with each other and the Earth. Depending on your perspective, these relationships fall somewhere on the scale between harmonious and dysfunctional. The second turns the lens around to look inward upon the stewardship of our own emotional, intellectual and psychological landscapes. The same pictorial subject matter allows me to make references to our individual journeys of self-exploration and discovery. Again, depending on who is holding the compass, we are either lost or on the right path. At the very least, I desire to create images of beauty and mystery that allow the viewer to find their own personal significance in them.
Lot 15
Stephen Kenny You Complete Me, 2020 Letterpress on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) My paintings most often focus on the human figure paired with elements found in nature. These surreal, symbolic juxtapositions are intended to work on at least two levels. The first alludes to the fact that we are an integral part of the natural world and subject to its laws. This seems like an obvious statement until we step back and objectively assess our symbiotic relationship with each other and the Earth. Depending on your perspective, these relationships fall somewhere on the scale between harmonious and dysfunctional. The second turns the lens around to look inward upon the stewardship of our own emotional, intellectual and psychological landscapes. The same pictorial subject matter allows me to make references to our individual journeys of self-exploration and discovery. Again, depending on who is holding the compass, we are either lost or on the right path. At the very least, I desire to create images of beauty and mystery that allow the viewer to find their own personal significance in them.
Lot 16
Stephen Kenny You Complete Me, 2020 Letterpress on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) My paintings most often focus on the human figure paired with elements found in nature. These surreal, symbolic juxtapositions are intended to work on at least two levels. The first alludes to the fact that we are an integral part of the natural world and subject to its laws. This seems like an obvious statement until we step back and objectively assess our symbiotic relationship with each other and the Earth. Depending on your perspective, these relationships fall somewhere on the scale between harmonious and dysfunctional. The second turns the lens around to look inward upon the stewardship of our own emotional, intellectual and psychological landscapes. The same pictorial subject matter allows me to make references to our individual journeys of self-exploration and discovery. Again, depending on who is holding the compass, we are either lost or on the right path. At the very least, I desire to create images of beauty and mystery that allow the viewer to find their own personal significance in them.
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70728 item(s)/page