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A collection of vintage Camera Equipment to include Olympus OM-1n & OM-2 bodies, Clubamn 28-135mm Auto Zoom Lens, Tamron SP28-80 BBar MC Lens, Tamron CF 80-210 BBar Tele Macro Lens, Olympus 50mm Auto S Lens, Olympus T20 Flash Unit, Miranda ZF-3 Flash, Hanimex TS 855 Flash, Jessops Power Winder, filters & aluminium flight case
Includes Canon FT QL camera series no. 345661 with lens cover and leather case and Polaroid The Button Land Camera, Classic instant film camera with grey and tan plastic body and black neck strap. Canon camera measures: 5.75"L x 4.75"W x 4"H. Polaroid measures: 4.5"L x 5.75"W x 3.75"H. Case measures: 6"L 5"W x 4.5"H. Condition: Age related wear.
A Polyrama Panoptique, French, 19th Century, arched label to top reads 'POLYRAMA PANOPTIQUE BREVET D'INVENTION 'viewer with French polished mahogany front panel, decorative green-paper circular bellows and box covering, lens and 5 19 x 14cm topographical day/night views of Oxford, Le Tombeau du Doge, Edinboug - Stirling Castle, Charing Cross, Wellington chapelle
A Rare & Early Camera Obscura, English, c.1800, unsigned, case opens with top folding up with triangular fold-up sides with brass catches and wooden guides, fold-up lens holder with mirror to back, empty square to front for name plaque (missing), viewing lens 9.5cm diameter, case with folding brass handles, case 50.5cm wide For a similar example see christies sale 23.11.2000 lot no.36
A Blair Camera Co. Hawk-Eye 4x5 Detective Camera, 1895, wood, serial no. 204, with an internal lens, body G, some areas of light wear, shutter working, lens optics G, some haze & cleaning marks present, together with a ground glass insert, with single crack along short length, still functional, also with five wooden plate holders,
A Gandolfi Simplex 3½x2½ Hand & Stand Mahogany Camera, 1925, with Ross Homocentric f/6.3 5" lens, black, serial no. 96633, body, VG, lens, VG, complete with one DDS with and other film accessories, in fitted wooden box Note: Made by Fred Gandolfi as an apprentice; see notes from his 1974 lecture, included as confirmation.
A Sanderson de Luxe Hand & Stand Camera with Photographs,1900, black leather covered, with Carl Zeiss Jens Protarlines f/5.6 224mm lens, body, VG, lens, VG, complete with three DDS and maker's case.Provenance: This camera belonged to James Leonard Wood (1890 - 1941) who ran a photography business in Royston in Yorkshire. His commercial work specialised in photographing coal mines and was featured at the Photography in Commerce and Industry exhibition of 1938. An archive of his work is now in the National Coal Mining Museum. He was an intrepid photographer, on one occasion shooting down an open shaft from two boards placed across it.This lot includes a large quantity of wood mounted cut out photographs with some examples including a Colliery Ambulance, Brierley Central Rescue Station department showing early breathing apparatus, 'Monckton' pit pony receiving 1st prize at the Yorkshire Show 1932 and other various coal miners. Only two wooden holders are included. A large selection of resin prints from the coal mining industry are included.James Wood was an accomplished portrait photographer and his youngest daughter Betty Miller (b1926-) is a noted Post-War artist and sculptor. A major piece, ’The Village,’ was purchased by The National Coal Mining Museum in 2005 (https://artuk.org/discover/artists/miller-betty-b-1926)
A J. Lancaster & Sons Folding Instantograph Camera, 1894, mahogany body with blue leather and gold detailing, with J. Lancaster & Sons brass lens in See Saw Shutter, body, G-VG, some scuffs to covering, handle detached both sides, lens, VG-E Footnote: This lot contains ivory and has been registered in accordance with the Ivory Act (Section 10), Ref.VUZPR1T6 Flints Auctions CANNOT ship this item out of the UK. Please arrange your own courier or contact Oxford Pack & Send to see if they can offer shipping. Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.
Frank Meadows Sutcliffe, Fishermen, Whitby Fishermen c1885, 8x6 inch albumen print. Condition: Slight discolouration and fading. Light creasing. Francis Meadow Sutcliffe, affectionately known as Frank, was an important figure in photography, leaving an indelible mark on the visual documentation of Whitby, England, and its environs during the late Victorian era and early 20th century. Sutcliffe's prolific career as a photographic artist captured the essence of life in this seaside town, earning him the moniker "pictorial Boswell of Whitby." Initially embarking on his career as a portrait photographer in Tunbridge Wells, Kent, Sutcliffe moved to Whitby, where he resided for the remainder of his life. Living initially in Broomfield Terrace in Whitby before relocating to Sleights, Yorkshire, Sutcliffe's artistic journey was influenced by his father's connections with notable art figures such as John Ruskin. Despite initial reluctance to engage in what he perceived as a commercialization of his art through photographing holiday-makers, Sutcliffe's studio in Skinner Street, a converted jet grinding and polishing works, became a pivotal space anchoring him to Whitby and the Eskdale valley. Sutcliffe's lens, however, did not focus solely on the picturesque landscapes or the fashionable elite. Rather, he delved into the lives of ordinary people, creating a comprehensive and revealing portrait of late Victorian Whitby and its denizens. Through intimate portrayals of individuals well-known to him, Sutcliffe uncovered the nuanced tapestry of a town and its inhabitants. Sutcliffe's contributions to photography extended beyond his visual artistry. He was a prolific writer on photographic topics, regularly contributing to periodicals and maintaining a column in the Yorkshire Weekly Post. His legacy endures in the collections of institutions such as the Whitby Literary and Philosophical Society and various national collections. As a founding member of the Linked Ring Brotherhood, a society dedicated to advancing photography as an art form, Sutcliffe played a crucial role in elevating the status of photography in the art world. In recognition of his significant contributions, he was honored as an Honorary Fellow of the Royal Photographic Society in 1941. Remarkably, at the age of 70, Sutcliffe assumed the role of curator at the Whitby Gallery and Museum, a position he held until his passing at the age of 87 in 1941. Through his lens, words, and curatorial efforts, Francis Meadow Sutcliffe cemented his place as a visionary photographic artist and a dedicated chronicler of Whitby's bygone eras.
A collection of vintage 20th century cameras, lenses and accessories. Comprising of a Quarz-2M with selection of lenses (made in USSR), Polaroid Square Shooter 2, Ensign Pocket 20, Halina Prefect with Hakings Double Meniscus lens, Polaroid SX-70 Land Camera Model 2, Voigtlander, KODAK Dualflex, TOPCON Uni, with TOKYO UVTOPCOR lens, Halina Paulette Electric, Halina Anastigmat, Kodak Instamatic 233 and Kodak Brownie 44A. All housed in their original cases. Also includes a TASCO full coated 312 binoculars and a pair of International Opera Glass Company Opera Binoculars. Largest case measures 21cm x 13cm x 19cm.
A collection of vintage 20th century 35mm cameras and lenses. The lot to include a Yashica Minister-D 35mm rangefinder camera (serial number MD 4041057), a Fujica ST605 35mm SLR camera with Fujinon 55mm f2.2 prime lens, alongside a Clubman MC Auto Zoom 80-200mm f4.5-5.5 lens, a Minolta MD 50mm f1.7 prime lens, and a Hanimex Automatic 200mm f3.3 lens.
A large collection of 20th century 35mm cameras. The lot to include a Canon EOS 3000N 35mm SLR camera with Canon Zoom 28-90mm f4-5.6 lens, a Nikon EM with Nikon Series E 50mm f1.8 lens, a Ricoh KR-10 35mm SLR camera with XR Rikenon 50mm f2 lens, a Pentax K1000 35mm SLR with Pentax-M 28mm f2.8 lens, a Pentax Program A with Pentax-A 50mm f2 lens, and a Canon EOS 5 with Canon Zoom 28-105mm f3.5-4.5 lens, alongside four 35mm viewfinder cameras.
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70219 item(s)/page