We found 70722 price guide item(s) matching your search

An original classic car chrome RAYDYOT pillar mounted spotlamp with handle and mount. Lens diameter 9.5cms (3.75ins)

An original classic car chrome carbide or acetylene pillar mounted spotlamp with handle and mount, no makers name. Lens diameter 14.5cms (5.75ins)

A vintage Powell & Hanmer Ltd NEW 75 carbide bicycle lamp. Lens diameter 7.5cms (3ins)

Cameras, camera accessories and other miscellaneous items including Minolta 7000 camera with Minolta 'AF Zoom 35-70mm 1:4(22)' lens, Zenith-E camera with 'Helios-44-2 2/58 7302473' lens, Canon Speedlite 430EX flash in original box, various filters, 'WeMacro' rail etc, all items untested, in two boxesClick here to view further images, condition reports, sale times & delivery costs for this lot.

Great Western Railway 3 Aspect Copper Top handlamp stamped on the side GWR SWINDON S.B. and brass plated 7548. Complete with all interior glasses, GWR china marked burner and reservoir and GWR etched front lens. In nicely restored condition.

Great Western Railway tail lamp embossed in the chimney G.W.R. Complete with reservoir, GWR marked burner and red lens. In nicely restored condition.

Y  Peter Paul Lens (1714-1750)- a portrait miniature on ivory of a young woman, wearing yellow dress, blue background, signed P Lens, image 4.5cms high, pendant gilt metal case, 6cms high including loop. Condition Report: Unexamined out of case but looks to be in good condition- mild wear to extremities of case from handling and use suspension hoop possibly repaired, glass to edges of front is bevelled- by hand- and slightly uneven. Condition Report Disclaimer

Watch Makers Equipment, lenses, punches, etc:- One Tray lens accessory.

F=300mm Lens, Prints, Brassware, etc:- Two Boxes

Cameras: a Nikon FE2, with 36-72mm 1:3.5 series E lens; together with Teleconverter TC-201; various Nikon instruction manuals; and other related equipment. 

SELECTION OF CAMERAS AND EQUIPMENTincluding a Nikon 52mm Skylight lens, light meters, a Zenit Moskva 80 35mm camera in case, and a Billingham 15 canvas camera bag, etc.

FOUR SEAGULL TWIN LENS REFLEX CAMERASeach with a Haiou 31 lenses, in leather cases (4)

Bea Denton Out of Darkness i, 2021 Digital Print on Hahnemühle Signed verso 15 x 10cm (5¾ x 3¾ in.) Bea Denton's practice explores ideas around death and loss, faith and ritual. Photography, printmaking, found materials and lost images are intrinsic to her creative process. Pushing the boundaries of the technical and physical limitations of photography, her work transcends its realist conventions to achieve a deeper resonance. Denton is a collector and archivist of anonymous lives, departed and reincarnated, in pursuit of an essence in the image: the 'soul'. In her examination of faith and death, Denton attempts to find meaning and dimension through the imprint of time, light and phenomena. In a circuitous process, found images are penetrated, interrogated and excavated through alternate layers of photography, projection, recaptured from the lens of a Camera Obscura, from there back to photography and finally to print. The resulting enigmatic, dislocated images challenge a traditional idea of photography as a faithful record of reality, and instead explore the nature of perception, belief and memory.   Education   Denton graduated from UAL with Distinction in MA Fine Art Printmaking.   Exhibitions/Awards   She has exhibited widely, including publicly-sited work. She won the 2009 Creekside Open prize selected by Jenni Lomax; the 2007 Deptford X MacDonald Egan Award for Public Art, and the 2002 Ardizzone Prize (Major) for Printmaking. Denton has taught at AUB, UAL and in Brazil and China, and is a Trustee for Lewisham Education Arts Network (LEAN). www.beadenton.com / Instagram: Bea_Denton_Art   MA Fine Art Printmaking (Distinction) / University of the Arts London   Selected Exhibitions 2020 A Personal Perspective curated by Liz May / APT Gallery, London RA Summer/Winter Exhibition 2020 Woolwich Contemporary Print Fair National Brain Appeal - Everyday Things 2019 Creekside Open 2019 curated by Sacha Craddock RA Summer Exhibition 2019 National Brain Appeal - A Letter in Mind 2018 RE Masters / Bankside Gallery, London 2016 Ladies and Gentlemen / The Bawden Kingston tile project / Kingston Guildhall and Morley College 2014 PBA Gallery / Featured Artist / London 2012 Occupy My Time / Past and Present RA Summer Exhibition 2012 2009 Creekside Open 2009 selected by Jenni Lomax (Award winner) 2008 Cupboard Love / Site specific work / Greenwich Foot Tunnel (south side), London Electric Blue / Bargehouse Gallery (Oxo Tower), London RA Summer Exhibition 2008 2007 Via Dolorosa / site specific installation / Ha'Penny Hatch Bridge, Deptford (Winner - McDonald Egan Award for Public Art) 100% Glass / Three White Walls Gallery, Birmingham On Earth as it is... / Solo show / Bearspace and Renewal Gallery, London 2006 WhereNow / Six of One group of artists / APT Gallery, London 2005 Sculpture in Gardens / Godington House, Kent 2004 Glass Inspiration / British Glass / Burgdorf, Switzerland Where / Six of One group of artists / The Menier Gallery, London British Glass Biennale / International Festival of Glass Challenge the Nail / Salon Des Arts, London 2003 Art in Heaven / The Meeting House, Sussex University Campus Prints inspired by Poetry / 20:21 Visual Arts Centre, N. Lincolnshire Impact 2003 / Do-Don't/Can-Can't Michaelis School of Fine Art at the University of Cape Town / Rhodes University School of Fine Art, South Africa 2001 Imagining the body; The Figure as a container of experience / Kala Bhavana, Shantiniketan India, The National Art School Sydney Australia and Camberwell College of Art   Awards 2002 The Ardizzone Prize (Major) for Printmaking 2007 The MacDonald Egan Award for Public Art (Via Dolorosa) 2009 Creekside Open 2009 Prize selected and awarded by Jenni Lomax Teaching   2019 Head of School, Preparation for Higher Education, Arts University Bournemouth 2018 Programme Leader, FE Programmes / Escola Britânica de Artes Criativas, Brazil 2017 Curriculum Coordinator / Pathway Leader (Fine Art) Central Saint Martins.   About the postcard artworks   In this work for Art On A Postcard, I have considered resilience inherent in women, exemplified by The Virgin Mary, whose part in the birth of Christ was distinguished by steadfastness, strength, grief and absolute faith. The ephemeral shadow of her stone effigy captured by half-light alludes to these characteristics of resilience; an image revealed by the brilliance of light seeping into darkness, and fixing its place in the soul."  

Bea Denton Out of Darkness ii, 2021 Digital Print on Hahnemühle Signed verso 15 x 10cm (5¾ x 3¾ in.)   Bea Denton's practice explores ideas around death and loss, faith and ritual. Photography, printmaking, found materials and lost images are intrinsic to her creative process. Pushing the boundaries of the technical and physical limitations of photography, her work transcends its realist conventions to achieve a deeper resonance. Denton is a collector and archivist of anonymous lives, departed and reincarnated, in pursuit of an essence in the image: the 'soul'. In her examination of faith and death, Denton attempts to find meaning and dimension through the imprint of time, light and phenomena. In a circuitous process, found images are penetrated, interrogated and excavated through alternate layers of photography, projection, recaptured from the lens of a Camera Obscura, from there back to photography and finally to print. The resulting enigmatic, dislocated images challenge a traditional idea of photography as a faithful record of reality, and instead explore the nature of perception, belief and memory.   Education   Denton graduated from UAL with Distinction in MA Fine Art Printmaking.   Exhibitions/Awards   She has exhibited widely, including publicly-sited work. She won the 2009 Creekside Open prize selected by Jenni Lomax; the 2007 Deptford X MacDonald Egan Award for Public Art, and the 2002 Ardizzone Prize (Major) for Printmaking. Denton has taught at AUB, UAL and in Brazil and China, and is a Trustee for Lewisham Education Arts Network (LEAN). www.beadenton.com / Instagram: Bea_Denton_Art   MA Fine Art Printmaking (Distinction) / University of the Arts London   Selected Exhibitions 2020 A Personal Perspective curated by Liz May / APT Gallery, London RA Summer/Winter Exhibition 2020 Woolwich Contemporary Print Fair National Brain Appeal - Everyday Things 2019 Creekside Open 2019 curated by Sacha Craddock RA Summer Exhibition 2019 National Brain Appeal - A Letter in Mind 2018 RE Masters / Bankside Gallery, London 2016 Ladies and Gentlemen / The Bawden Kingston tile project / Kingston Guildhall and Morley College 2014 PBA Gallery / Featured Artist / London 2012 Occupy My Time / Past and Present RA Summer Exhibition 2012 2009 Creekside Open 2009 selected by Jenni Lomax (Award winner) 2008 Cupboard Love / Site specific work / Greenwich Foot Tunnel (south side), London Electric Blue / Bargehouse Gallery (Oxo Tower), London RA Summer Exhibition 2008 2007 Via Dolorosa / site specific installation / Ha'Penny Hatch Bridge, Deptford (Winner - McDonald Egan Award for Public Art) 100% Glass / Three White Walls Gallery, Birmingham On Earth as it is... / Solo show / Bearspace and Renewal Gallery, London 2006 WhereNow / Six of One group of artists / APT Gallery, London 2005 Sculpture in Gardens / Godington House, Kent 2004 Glass Inspiration / British Glass / Burgdorf, Switzerland Where / Six of One group of artists / The Menier Gallery, London British Glass Biennale / International Festival of Glass Challenge the Nail / Salon Des Arts, London 2003 Art in Heaven / The Meeting House, Sussex University Campus Prints inspired by Poetry / 20:21 Visual Arts Centre, N. Lincolnshire Impact 2003 / Do-Don't/Can-Can't Michaelis School of Fine Art at the University of Cape Town / Rhodes University School of Fine Art, South Africa 2001 Imagining the body; The Figure as a container of experience / Kala Bhavana, Shantiniketan India, The National Art School Sydney Australia and Camberwell College of Art   Awards 2002 The Ardizzone Prize (Major) for Printmaking 2007 The MacDonald Egan Award for Public Art (Via Dolorosa) 2009 Creekside Open 2009 Prize selected and awarded by Jenni Lomax Teaching   2019 Head of School, Preparation for Higher Education, Arts University Bournemouth 2018 Programme Leader, FE Programmes / Escola Britânica de Artes Criativas, Brazil 2017 Curriculum Coordinator / Pathway Leader (Fine Art) Central Saint Martins.   About the postcard artworks   In this work for Art On A Postcard, I have considered resilience inherent in women, exemplified by The Virgin Mary, whose part in the birth of Christ was distinguished by steadfastness, strength, grief and absolute faith. The ephemeral shadow of her stone effigy captured by half-light alludes to these characteristics of resilience; an image revealed by the brilliance of light seeping into darkness, and fixing its place in the soul."

Bea Denton Out of Darkness iii, 2021 Digital Print on Hahnemühle Signed verso 15 x 10cm (5¾ x 3¾ in.) Bea Denton's practice explores ideas around death and loss, faith and ritual. Photography, printmaking, found materials and lost images are intrinsic to her creative process. Pushing the boundaries of the technical and physical limitations of photography, her work transcends its realist conventions to achieve a deeper resonance. Denton is a collector and archivist of anonymous lives, departed and reincarnated, in pursuit of an essence in the image: the 'soul'. In her examination of faith and death, Denton attempts to find meaning and dimension through the imprint of time, light and phenomena. In a circuitous process, found images are penetrated, interrogated and excavated through alternate layers of photography, projection, recaptured from the lens of a Camera Obscura, from there back to photography and finally to print. The resulting enigmatic, dislocated images challenge a traditional idea of photography as a faithful record of reality, and instead explore the nature of perception, belief and memory.   Education   Denton graduated from UAL with Distinction in MA Fine Art Printmaking.   Exhibitions/Awards   She has exhibited widely, including publicly-sited work. She won the 2009 Creekside Open prize selected by Jenni Lomax; the 2007 Deptford X MacDonald Egan Award for Public Art, and the 2002 Ardizzone Prize (Major) for Printmaking. Denton has taught at AUB, UAL and in Brazil and China, and is a Trustee for Lewisham Education Arts Network (LEAN). www.beadenton.com / Instagram: Bea_Denton_Art   MA Fine Art Printmaking (Distinction) / University of the Arts London   Selected Exhibitions 2020 A Personal Perspective curated by Liz May / APT Gallery, London RA Summer/Winter Exhibition 2020 Woolwich Contemporary Print Fair National Brain Appeal - Everyday Things 2019 Creekside Open 2019 curated by Sacha Craddock RA Summer Exhibition 2019 National Brain Appeal - A Letter in Mind 2018 RE Masters / Bankside Gallery, London 2016 Ladies and Gentlemen / The Bawden Kingston tile project / Kingston Guildhall and Morley College 2014 PBA Gallery / Featured Artist / London 2012 Occupy My Time / Past and Present RA Summer Exhibition 2012 2009 Creekside Open 2009 selected by Jenni Lomax (Award winner) 2008 Cupboard Love / Site specific work / Greenwich Foot Tunnel (south side), London Electric Blue / Bargehouse Gallery (Oxo Tower), London RA Summer Exhibition 2008 2007 Via Dolorosa / site specific installation / Ha'Penny Hatch Bridge, Deptford (Winner - McDonald Egan Award for Public Art) 100% Glass / Three White Walls Gallery, Birmingham On Earth as it is... / Solo show / Bearspace and Renewal Gallery, London 2006 WhereNow / Six of One group of artists / APT Gallery, London 2005 Sculpture in Gardens / Godington House, Kent 2004 Glass Inspiration / British Glass / Burgdorf, Switzerland Where / Six of One group of artists / The Menier Gallery, London British Glass Biennale / International Festival of Glass Challenge the Nail / Salon Des Arts, London 2003 Art in Heaven / The Meeting House, Sussex University Campus Prints inspired by Poetry / 20:21 Visual Arts Centre, N. Lincolnshire Impact 2003 / Do-Don't/Can-Can't Michaelis School of Fine Art at the University of Cape Town / Rhodes University School of Fine Art, South Africa 2001 Imagining the body; The Figure as a container of experience / Kala Bhavana, Shantiniketan India, The National Art School Sydney Australia and Camberwell College of Art   Awards 2002 The Ardizzone Prize (Major) for Printmaking 2007 The MacDonald Egan Award for Public Art (Via Dolorosa) 2009 Creekside Open 2009 Prize selected and awarded by Jenni Lomax Teaching   2019 Head of School, Preparation for Higher Education, Arts University Bournemouth 2018 Programme Leader, FE Programmes / Escola Britânica de Artes Criativas, Brazil 2017 Curriculum Coordinator / Pathway Leader (Fine Art) Central Saint Martins.   About the postcard artworks   In this work for Art On A Postcard, I have considered resilience inherent in women, exemplified by The Virgin Mary, whose part in the birth of Christ was distinguished by steadfastness, strength, grief and absolute faith. The ephemeral shadow of her stone effigy captured by half-light alludes to these characteristics of resilience; an image revealed by the brilliance of light seeping into darkness, and fixing its place in the soul."

Sue Arrowsmith Temptation I, 2021 Gold Ink and Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Sue Arrowsmith was born in Manchester,1968. She studied at Tameside College of Technology, Ashton-Under-Lyne (Foundation) from 1984-86 and BA Hons Textiles at Goldsmiths College of Art from 1987-1990. She lives and Works in London. Exhibitions/Awards Prizewinner John Moores Liverpool Exhibition 20 -1997, Prizewinner Natwest Art Prize, London - 1998, Artist in Residence, Josef and Anni Albers Foundation, Connecticut, USA - 2010   Solo exhibitions Entwistle Gallery, London (1994), Cold Spring, Entwistle Gallery, London (1997) Galerie Frahm, Copenhagen (1999), Galerie Fahnemann, Berlin (2001), Artist of the Day, Flowers Central, London (2004), Galerie allerArt, Bludenz (2009) Courtyard Gallery, The National Botanic Garden of Wales, Carmarthen (2011), Sue Arrowsmith - Studio Show, October, London (2013), Whisper from The Shadows, Purdy Hicks Gallery, London (2015), Waiting for the Moon, Galerie Andres Thalmann, Zurich (2016), We could dream this night away, Purdy Hicks Gallery, London (2018), Let the wind blow through your heart, Galerie Andres Thalmann, Zurich (2019), Natura Naturans, Luca Tommasi Arte Contemporanea, Milan (2020)   Public Collections Fidelity Investments, Boston and London Arts Council Collection, Hayward Gallery, London Goldman Sachs Collection, London Kupferstichkabinett of the National Gallery of Berlin Royal Bank of Scotland Group Art Collection, London San Diego Museum of Contemporary Art, San Diego The Government Art Collection, London   About the postcard artworks Light is instrumental to Sue Arrowsmith's paintings. They start with the reflection of light through a camera lens that traps a fleeting splatter of leaves. She excludes all daylight from her studio to allow the image to travel through the cone of light from her projector to the painting surface. Here, working in the dark, she translates the colour figures into graceful marks ; the summation or negation of light. Each mark is a separate, complete gesture, crystallising the forms of coloured light that kiss the panel.  

Sue Arrowsmith Temptation II, 2021 Gold Ink and Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Sue Arrowsmith was born in Manchester,1968. She studied at Tameside College of Technology, Ashton-Under-Lyne (Foundation) from 1984-86 and BA Hons Textiles at Goldsmiths College of Art from 1987-1990. She lives and Works in London. Exhibitions/Awards Prizewinner John Moores Liverpool Exhibition 20 -1997, Prizewinner Natwest Art Prize, London - 1998, Artist in Residence, Josef and Anni Albers Foundation, Connecticut, USA - 2010   Solo exhibitions Entwistle Gallery, London (1994), Cold Spring, Entwistle Gallery, London (1997) Galerie Frahm, Copenhagen (1999), Galerie Fahnemann, Berlin (2001), Artist of the Day, Flowers Central, London (2004), Galerie allerArt, Bludenz (2009) Courtyard Gallery, The National Botanic Garden of Wales, Carmarthen (2011), Sue Arrowsmith - Studio Show, October, London (2013), Whisper from The Shadows, Purdy Hicks Gallery, London (2015), Waiting for the Moon, Galerie Andres Thalmann, Zurich (2016), We could dream this night away, Purdy Hicks Gallery, London (2018), Let the wind blow through your heart, Galerie Andres Thalmann, Zurich (2019), Natura Naturans, Luca Tommasi Arte Contemporanea, Milan (2020)   Public Collections Fidelity Investments, Boston and London Arts Council Collection, Hayward Gallery, London Goldman Sachs Collection, London Kupferstichkabinett of the National Gallery of Berlin Royal Bank of Scotland Group Art Collection, London San Diego Museum of Contemporary Art, San Diego The Government Art Collection, London   About the postcard artworks Light is instrumental to Sue Arrowsmith's paintings. They start with the reflection of light through a camera lens that traps a fleeting splatter of leaves. She excludes all daylight from her studio to allow the image to travel through the cone of light from her projector to the painting surface. Here, working in the dark, she translates the colour figures into graceful marks ; the summation or negation of light. Each mark is a separate, complete gesture, crystallising the forms of coloured light that kiss the panel.  

Julia Peintner Woman as Greenhouse, 2021 Linocut Print on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) "Julia Peintner graduated from Central Saint Martins in 2015 and has since been working as a printmaker and painter in London. Drawing, painting and printmaking coexist in her practice. She works from imagination and sourced image material and analog photos. Her figurative images reference magic realism and show universal experiences and symbolic motifs. The subject matter is the figure in contemporary everyday life as seen through a mythological lens, giving the work a sense of the surreal and mystical. Peintner's work explores various themes, such as the figure in nature and the elements, the female body and figure in transformation, the ambivalence and of life in a city and identity in flux, dreams and the visible and invisible to the eye. Education Central Saint Martins, 2012-2015 Exhibitions She has exhibited in the UK and US as well as in Japan after being a resident at Studio Kura residency in 2015 and in 2017 with a focus on Japanese printmaking. Peintner has been working for Blackbird Editions and as Eileen Cooper's studio assistant since 2016. 2020 36th Annual Open, Southwark Park Galleries, London, UK - With Love, digital exhibition curated by Paint_Talk, UK - ING Discerning Eye, London, UK - Summer Exhibition, Royal Academy, London, UK 2019 Studio Stories - Works on paper, Boecho Gallery, London, UK - National Original Print Exhibition, Bankside Gallery, London, UK 2018 - 9 Artists, Thin House, London, UK - Summer Exhibition, Royal Academy, London, UK 2017 - Studio Kura Gallery, Fukuoka, Japan - Summer Exhibition, Royal Academy, London, UK 2015 - Painting International, Hechima Gallery, Kofu, Japan - A Room in Japan, Studio Kura Gallery, Fukuoka, Japan - Degree Show, Central Saint Martins, London, UK - Print/4, Arcane Gallery, London, UK - Post Internet Is Dead!, Fisher Gallery, Oberlin, Ohio, USA"

Julia Peintner Woman as Facehouse, 2021 Linocut Print on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) "Julia Peintner graduated from Central Saint Martins in 2015 and has since been working as a printmaker and painter in London. Drawing, painting and printmaking coexist in her practice. She works from imagination and sourced image material and analog photos. Her figurative images reference magic realism and show universal experiences and symbolic motifs. The subject matter is the figure in contemporary everyday life as seen through a mythological lens, giving the work a sense of the surreal and mystical. Peintner's work explores various themes, such as the figure in nature and the elements, the female body and figure in transformation, the ambivalence and of life in a city and identity in flux, dreams and the visible and invisible to the eye. Education Central Saint Martins, 2012-2015 Exhibitions She has exhibited in the UK and US as well as in Japan after being a resident at Studio Kura residency in 2015 and in 2017 with a focus on Japanese printmaking. Peintner has been working for Blackbird Editions and as Eileen Cooper's studio assistant since 2016. 2020 36th Annual Open, Southwark Park Galleries, London, UK - With Love, digital exhibition curated by Paint_Talk, UK - ING Discerning Eye, London, UK - Summer Exhibition, Royal Academy, London, UK 2019 Studio Stories - Works on paper, Boecho Gallery, London, UK - National Original Print Exhibition, Bankside Gallery, London, UK 2018 - 9 Artists, Thin House, London, UK - Summer Exhibition, Royal Academy, London, UK 2017 - Studio Kura Gallery, Fukuoka, Japan - Summer Exhibition, Royal Academy, London, UK 2015 - Painting International, Hechima Gallery, Kofu, Japan - A Room in Japan, Studio Kura Gallery, Fukuoka, Japan - Degree Show, Central Saint Martins, London, UK - Print/4, Arcane Gallery, London, UK - Post Internet Is Dead!, Fisher Gallery, Oberlin, Ohio, USA"

 A boxed Canon Powershot A460, together with various Rollei lens hoods, cased Kodak camera, two Leica magazines etc. (one box)

A collection of cameras, vintage, with lenses, video camera, Canon lens, accessories etc with tripod stands

A collection of assorted cameras and lenses to include: Nikon D5300 body; Nikkor 28-200mm 1:3.5-5.6D lens; Sigma 18-200mm F3.5-6.3 lens; Finepix S5600 camera; Fujifilm S1 Pro; Finepix S100, Finepix HS30; Panasonic FZ200; Minolta; Miranda and other lenses. (one box)

A collection of assorted empty camera cases together with an empty Samsung lens box and others. (one box)

A hard carry case containing Minolta lens and other accessories, together with a soft carry case containing a Chinon CP-7m camera, an Olympus Zuiko Digital 40-150mm 1:3.5-4.5 lens and accessories. (2)

A quantity of mixed camera & photography equipment including a Minolta Dynax 80, Kodak Retina III, Minolta Lens AF75-300 & a Olympus XA2

A Nikon F3 189667 35mm camera with Nikkor 35 lens twinned with a Nikomat Ft 3826847 camera with Nikkor 28 lens & other photography accessories

Cannon Camera and Lens etc

Electricals - Camcorder, Lens and Telephone etc

Bradac Brothers Prague, Twin Lens reflex Kamerad MII TLR camera dating from 1937. With vintage cloth and leather carry bag. From a private collection.

A vintage cased Cherry wide angle conversion lens kit. Together with a USSR Industar lens and a USSR view finder. From a private collection.

3 camera lens. A Jupiter-II telephoto lens and Jupiter-12 fish eye lens. Together with a Auto P Palar wide angle lens. From a private collection.

A Zenit B camera with Helios 44M lens, Sunpac GT8 flash and leather case. Complete with instructions for Senit camera and Sunpak GT8 flash gun From a private collection.

A Zenit E camera with Helios-44-2 lens complete with cap. From a private collection.

A vintage German Practika L Pentacon M42 camera with Helios-44-2 lens and cap. From a private collection.

A 1950's Japanese Yashica Flex S Copal twin lens camera with original tan leather carry case. Complete with double lens cap. From a private collection.

A vintage Ikona Zeiss Ikon Telmar concertina camera. With vintage brown leather carry case. Nova Anastigmat lens. From a private collection.

A vintage Zeiss Ikon Nettar folding camera with Novar Anastigmat Vario lens. With original leather case. From a private collection.

Antique Victorian mahogany and brass bound folding telescope. Brass sliding lens gates present.

Four vintage Zenit cameras to include EM Olympic edition with Helios-44M F2 58mm M42 lens and a Zenit 3M fitted with similar lens. (4).

Cased Zenit TTL SLR camera with Helios lens, also included is a Helios 135mm F2.8 telephoto lens in original box with paperwork, etc. (5).

Four vintage Russian film cameras to include Zorki 4K with a Helios Jupiter 50mm F2 lens and a Fed 3 camera with a similar lens.Conditon report: Fed 4 - focusing ring is stiff.Zorki 4k - some oil separation on aperture.Leather holders all cracked and worn. 

Five vintage cameras to include a Russian Fed 3 with 53mm F2.8 lens and a Japanese Yashika J camera with a Yashinon F2.8 lens.(5).Condition report:Fed 3 focusing ring stiff. All cases exhibit wear to leather.

Five vintage cameras to include a 1950's Polaroid 800 land camera, Japanese Miranda SRL with a 50mm F1.9 lens and a Voightlander Vito BL. (5).

Box of vintage plate cameras etc. to include Agifold Agilux F4.5, No.1 pocket Kodak and Nettar folding camera with a Zeiss Ikon lens.

Box of photography equipment to include filters, flashguns and light meters. also included is a handmade wooden cased film camera fitted with a Hanimex 28mm F2.8 lens.

A Pentax Asahi SP1000 film camera with Asahi OPT.Co SMC Takumar 1:2/55 lens, and Skylight filter, along with a Federal Auto 1:35 R=200mm lens, both in leather cases

A Minolta X-500 SLR film camera with various lens filters and accessories in a camera case

Vintage photographic equipment & accessories to include a Velron ME-2 Tripod & case, a boxed Chelico 8 & 16mm tape splicer , a practica lens extension, a vivitar 55mm lens etc (9)

A small group of camera equipment, comprising a Minolta XD7 camera, with a Sigma 1-4/5.6 200mm multi coated lens, a Minolta flash, a Kiron 28mm lens, a Minolta 50mm 1-1.7 lens, and a Kiron macro 1-4 70-150mm lens, with various lens cases and covers. (a quantity)

Various cameras and effects, to include a Pentax camera with Techina 28mm lens, a Kodak Instamatic 133X, a Kodak baby hawk eye, a Crystar lens 2.5 and a Kodak Junior 620 with leather case. (1 tray)

A group of camera equipment and various lenses, to include Niko 135mm lens, converters, Porro prism, telescope piece, right angle finder, Nikon and Olympus cameras, chargers, etc. (a quantity)

A BRASS DRUM-TYPE MICROSCOPE, C1870, 14.5CM H, FITTED WALNUT BOX Condition reportA well preserved example complete with objective lens and eye piece, the instrument retaining practically all of the original lacquer, mirror undamaged

MISCELLANEOUS WOOD AND METALWARE, BYGONES AND WORKS OF ART, 19TH C AND LATER, TO INCLUDE A VICTORIAN OR EDWARDIAN EPNS GOLF CLUBS-AND-BALLS NOVELTY TOAST RACK, BRASS MOUNTED TORTOISESHELL HAND LENS, LEATHER WALLETS, PURSES AND CIGAR CASE, UNOPENED BOX OF PARKE, DAVIS & CO LONDON NEMA WORM TABLETS, THREE PHOTO ETCHED COPPER HALF PLATE FORMAT PRINTING PLATES, A DOLL'S BASKET AND BONNET, ETC Condition reportAs a lot in generally good condition

Two ammunition boxes and a large glass lens, Dia. 15cm.

Dual lens jewellers loupe 20 x 12 mm & 10 x 18 mm

Camera's and accessories to include Kodak easy share c713 digital camera, Canon powershot sx160is, Agfa Isoly 100, Kodak 255x instamatic camera, tripod, flashgun, lens

Canon t70 camera in carry bag with lens etc

A box of photographic equipment including Minolta Dynax 303si camera, tripods, Canon zoom lens etc

A collection of vintage camera equipment to include a A Chinon CE-4 automatic 35mm SLR camera, Pentax 28mm lens, Tefnon 28-80mm lens, Miranda 70mm-120mm, Auto Chinon 50mm and a Miranda 630CD flash, tripod, light measurer and more.  

A Victorian 19th century Instantograph 1893 field camera by J. Lancaster & Son of Birmingham. The camera is of mahogany and brass construction and fitted with a Lancaster brass bound patent lens.