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Click here to subscribeA collection of vintage 20th century camera, lens and photographic equipment. To include a Tamron Tele Macro lens in case, a Hanimex MC, a Prinzgalaxy lens, a Takina RMC lens, a Praktica LLC camera body, an Olympus CM10 body, a Chinon 35 EE 35mm film camera, a Kodak Instamatic 304 camera, a Halina Instant Load 126, a Chinon Genesis, a Pentax Zoom 105-R, Minolta Hi-Matic 5,
CHANEL Sonnenbrille "c.127/87". Scheibenbrille in Schwarz mit schwarz getönten Gläsern und silberfarbener Hardware. Bügel mit Leder überzogen und Diamantsteppung. Etui und Box anbei. Leichte Tragespuren.| CHANEL sunglasses "c.127/87". Lens glasses in black with black tinted lenses and silver hardware. Temples covered with leather and diamond stitching. Case and box enclosed. Light traces of wear.
Leica IIIf, DRP mit Leica Ledertasche. Kamera.Ernst Leitz GmbH Wetzlar Germany, Seriennummer 640188 von 1952 - 1953, Objektiv Leitz ELMAR 1:3,5/50 Nr. 573670; ohne Gewähr für Funktion. Versand kann organisiert werden.Leica IIIf, DRP with Leica leather case. Camera. Ernst Leitz GmbH Wetzlar Germany, serial number 640188 from 1952 - 1953, lens Leitz ELMAR 1:3,5/50 No. 573670; no guarantee for function. Shipping can be organized.
Churchill, Sir Winston Leonard Spencer: (1867-1965), Ceremonial to be Observed at the Funeral of the Right Honourable Sir Winston Leonard Spencer-Churchill, 30 January 1965 and The Order of Service for the Funeral, together with various other ephemera to include John Fitzgerald Kennedy December 1st 1963 Order of Service, a typed note from Sir Thomas Johnstone Lipton to Mr Andrew Thomson relating to a trip to Ceylon and a The Society of Old Friends Ladies Dinner programme, dated June 3rd 1921 and signed Ben Tillet (1860-1943) Socialist and Union Leader etc.The black dots are blemishes on the lens – not the items.Smaller funeral service cover is smudged.Back cover of St Paul’s Evensong is creased.
Lampascope Carré, um 1880 Lapierre, Paris. Metallgehäuse mit goldfarbenem Original-Lack, Höhe 30 cm, für 63 mm breite Streifen, ohne Brenner, original mit Rückwandspiegel, Schornstein, Optik und dem sonst meist fehlenden Objektivdeckel. – Dabei: 2 Chromatrope. – Schönes Exponat! Start Price: EUR 160 Zustand: (3-/3)Lampascope Carré Magic Lantern, c. 1880 Frères Lapierre, Paris. For 63 mm wd. slides, metal body with original gilt monochrome lacquer, original rear mirror, chimney, lens and the often missing lens cap, height 30 cm, without illuminant. – In addition: 2 chromatropes. – An especially attractive design! Start Price: EUR 160 Condition: (3-/3)
Schnittmodell Ambi Silette, um 1956 Agfa, München. Gehäuse ohne Nummer mit aufwendig eingearbeiteten Sichtfenstern, trotzdem voll funktionstüchtige Kamera, Verschluß und Entfernungsmesser laufen, Photographieren möglich, mit Wechseloptik Color-Solinar 2,8/50 mm. – Demonstrationsmodell der Agfa für die Auszubildenden der neu gegründeten Staatlichen Höheren Fachschule für Photographie in Köln. Sehr gut erhalten. Start Price: EUR 180 Zustand: (2/3+)Ambi Silette Cutaway Model, c. 1956 Agfa, Munich. Unnumbered body with elaborately incorporated viewing windows and interchangeable Color-Solinar 2.8/50 mm lens, still fully functional camera, shutter and rangefinder working, photography possible, in very good condition. – Note: An Agfa Demonstration model for the trainees of the newly founded state college for photography in Cologne. Start Price: EUR 180 Condition: (2/3+)
Bessa-L mit Heliar 4,5/15 mm Aspherical Voigtländer (Cosina, Japan). Bessa-L, 24 x 36 mm, Nr. 00012790, mit M39-Wechselobjektiv Super-Wide-Heliar 4,5/15 mm Aspherical, Glas sauber, LED-Belichtungsmesser läuft, mit Aufstecksucher 15 mm. Mit Deckeln, Anleitungen und beiden Original-Kartons. Start Price: EUR 180 Zustand: (3-/2)Bessa-L with Heliar 4,5/15 mm Aspherical Lens Voigtländer (Cosina, Japan). 24 x 36 mm, no. 00012790, with M39 lens Super-Wide-Heliar 4,5/15 mm Aspherical, with 15mm viewfinder, caps, instructions and both original maker’s boxes, optics clean, LED exposure meter working. Start Price: EUR 180 Condition: (3-/2)
Sinar Norma 4 x 5 und 5 x 7 Inch Ausrüstung Sinar, Schweiz. 1) Sinar Norma, Nr. 2008761, mit Rückteilen 13 x 18 cm/5 x 7 in. und 9 x 12 cm/4 x 5 in. (9 x 12 ohne Libellen), Normal- und Weitwinkelbalgen 13 x 18, Normalbalgen 9 x 12, Verlängerungsrohr, Kompendiumhalter mit Balgen, Sucherlupe mit Balgen, Halter und Stange, Neigekopf, 4 Doppelkassetten 13 x 18 cm und 3 Kassetten in 9 x 12 cm, "Mode d’emploi Sinar" mit 28 Seiten und Sinar-Anstecknadel, alles in Sinar-Koffer. Mit den Zollerklärungen "Certificat de dédouanement" für die Ausrüstung. (3+/3) – 2) Schneider Super Angulon Sinar 8/121 mm Nr. 7576945, Glas sauber, Compur läuft, mit Deckeln. (2/2) – 3) Symmar 5,6/300 mm Nr. 7576415, Frontlinse außen mit kleinem Punkt, Glas innen sauber, Compound läuft, mit beiden Lederdeckeln. (2-/3) – 4) Symmar 5,6/210 mm, Rücklinse mit kleinem Kittfehler. (3/3-) – 5) Sinar-Tischklemme und Grundrohrhalter, neu. (2/2) – 6) Sinar Six Gossen, mit Halter für 9 x 12 cm, Belichtungsmesser läuft, unbenutzt, mit Anleitungen und Prospekten. (2/2-) – 7) Gossen Sixticolor, läuft. (2/2) – 8) Linhof Stativ, schwere Ausführung mit Kurbel. (3/3) – Und: 9) Großformat-Lektionen von Sinar und Linhof in Französisch, sowie Kamera-, Optik- und Laborunterlagen von Sinar, Linhof, Zeiss, Agfa, Adox, Ilford und anderen. – Eine Fundgrube! Start Price: EUR 400 Zustand: (-/-)Sinar Norma 4 x 5 and 5 x 7 Inch Equipment Sinar, Switzerland 1) Sinar Norma, no. 2008761, with backs of 13 x 18 cm/5 x 7 in. and 9 x12 cm/4 x 5 in. (the latter without levels), 13 x 18 standard and wide-angle bellows, 9 x 12 standard bellows, extension piece, compendium holder with bellows, viewfinder loupe with bellows, holder and rod, tilting head, 4 double-cassettes 13 x 18 cm and 3 cassettes 9 x 12 cm, "Mode d’emploi Sinar" with 28 pages and Sinar pin, all in Sinar case. Included is the customs declaration ("Certificat de dédouanement") for the equipment. (3+/3) – 2) Schneider Super Angulon Sinar 8/121 mm no. 7576945, glass clean, Compur works, with caps. (2/2) – 3) Symmar 5,6/300 mm no. 7576415, front element with minor spot, glass inside clean, Compound works, with both leather caps. (2-/3) – 4) Symmar 5,6/210 mm, rear element with minor lens separation. (3/3-) – 5) Sinar table-clamp and holder, new. (2/2) – 6) Sinar Six Gossen, with holder for 9 x 12 cm, exposure meter works, unused, with instructions and brochures. (2/2-) – 7) Gossen Sixticolor, works. (2/2) – 8) Heavy Linhof tripod, with crank. (3/3) – And: 9) Large-format literature produced by Sinar and Linhof in French, and camera, lens and laboratory documents from Sinar, Linhof, Zeiss, Agfa, Adox, Ilford and others. – Well-documented equipment! Start Price: EUR 400 Condition: (-/-)
3 Kameras 1) Zeiss Ikon, Dresden. Super Ikonta 531, anstelle des Albada-Sucher wurde ein übergroßer Newtonsucher eingebaut, Tessar 3,5/7 cm Nr. 1825256, innen etwas mit Belag. Ungewöhnliche Super-Ikonta! (3/3) – 2) ICA, Dresden. Ideal für 13 x 18 cm, frühe Version um 1911, Wechseloptik Helios 8/190 mm, Mattscheibenrückteil geklebt, mit russischem Händlerschild aus Moskau. (3-/3) – Und: 3) Bülter & Stammer, Hannover. Zweiverschluß-Klapp-Kamera, 10 x 15 cm, um 1911. Dreifacher Auszug, mit Meyer Citoplast 6,8/165 mm. Compur läuft, Schlitzverschluß träge, Tücher trocken. (3/3-) – Drei interessante Kameras! Start Price: EUR 180 Zustand: (-/-)3 Cameras 1) Zeiss Ikon, Dresden. Super Ikonta 531, with oversized Newton finder instead of the usual Albada finder, Tessar 3.5/7 cm no. 1825256, slightly fogged on the inside. An unusual Super Ikonta! (3/3) – 2) ICA, Dresden. Ideal, 13 x 18 cm, early version from c. 1911, interchangeable Helios 8/190 mm, ground-glass back (repaired), with Moscow dealer’s plaque. (3-/3) – And: 3) Bülter & Stammer, Hanover. Two-shutter folding camera 10 x 15 cm, c. 1911, triple-extension, with Meyer Citoplast 6.8/165 mm lens, Compur working, focal plane shutter sluggish, cloth dry. (3/3-) – Three interesting cameras! Start Price: EUR 180 Condition: (-/-)
Studiokamera mit Stativ, um 1920 Unbezeichnet. Edelholz mit vernickelten Beschlägen, Wechselschlitten-Rückteil für Format 16 x 16 cm, mit Mattscheiben-Rückteil. Auszug von 41 cm, nachträglich versehen mit Kenngott Paris Amateur Aplanat 8/22 cm, Kurbelstativ für 90–116 cm Höhe. Einige Schrauben erneuert, sonst gut erhalten. – Eine im Sinne der Neuen Sachlichkeit gestaltete Version einer Studiokamera für engagierte Amateure der 20er Jahre. Start Price: EUR 280 Zustand: (3/3)Studio Camera with Tripod, c. 1920 Unmarked, hardwood with nickel-plated fittings, slide back for 16 x 16 cm format, with focusing screen back, extension of 41 cm, with associated Kenngott Paris Amateur Aplanat 8/22 cm lens, on crank-adjusted tripod for heights of 90–116 cm, some screws renewed, otherwise in good condition. – A studio camera designed in the spirit of the New Objectivity for dedicated amateurs of the 1920s. Start Price: EUR 280 Condition: (3/3)
Bellieni Jumelle Stéréo Panoramique 8 x 16, 1905 Bellieni, Nancy. Nr. 8444, Stereokamera für Platten 8 x 16 cm, Carl Zeiss Jena Tessar 6,3/11 cm Nr. 131704 und 112054, Blenden 256 (= f/6,3) bis 8 (= f/46), Guillotine-Verschluß, Fokusierung 0,75 m bis unendlich, Front vertikal und für Panoramen horizontal verschiebbar, Plattenmagazin mit Schäden, ohne Rahmensucher. – Literatur: Werner Weiser, "More Stereo Cameras Using Film", S. 209. Start Price: EUR 160 Zustand: (3-/3-)Bellieni Jumelle 8 x 16 cm Stéréo Panoramique Camera, 1905 Bellieni, Nancy. No. 8444, stereo camera for plates of 8 x 16 cm, Carl Zeiss Jena Tessar 6,3/11 cm nos. 131704 and 112054, iris diaphragm 256 (= f/6,3) to 8 (= f/46), guillotine shutter, focusing from 0,75 m to infinity, lens-plate with vertical movement and horizontal movement for panoramic photographs, plate magazine damaged, without frame viewfinder. – Literature: Werner Weiser, "More Stereo Cameras Using Film", p. 209. Start Price: EUR 160 Condition: (3-/3-)
3 Reisekameras 13 x 18 cm, um 1900 Unbezeichnet, Deutschland. 1) Nußbaumholz, Messingbeschläge, grüner Balgen, mit dekorativer Optik und Mattscheibenrückteil. (3/3) – 2) Poliertes Edelholz, Messingbeschläge, grüner Balgen, lose montiertes Rodenstock Eurynar 5,4/20 cm, mit Mattscheibenrückteil. (4/4) – 3) Fichtenholz, grüner Balgen, ohne Mattglas, ergänzte Platine, zum Restaurieren. (4-/–) – Und: 4) 2 Optiken: Aplanat "Helios Paris" ca. 8/22 cm und Schneider Xenar 4,5/18 cm Nr. 13136. (3/3-) Start Price: EUR 140 Zustand: (-/-)3 Tailboard Cameras 13 x 18 cm, c. 1900 Unmarked, Germany. 1) Walnut, brass fittings, green bellows, with decorative lens and ground-glass back. (3/3) – 2) Polished wood, brass fittings, green bellows, loosely mounted Rodenstock Eurynar 5.4/20 cm, with ground-glass back. (4/4) – 3) Wood, green bellows, without ground-glass, plate replaced, for restoration. (4-/–) – And: 4) 2 lenses: Aplanat Helios Paris approx. 8/22 cm and Schneider Xenar 4.5/18 cm no. 13136. (3/3-) Start Price: EUR 140 Condition: (-/-)
Schottisches Taschenfernrohr von Bell, um 1870 Signiert "D. Bell, Kilmarnock", versilbertes Messing, sechs Auszüge, mit Mahagoni ummantelter Tubus, Länge ausgezogen 38 cm, Länge eingezogen 10 cm, Okular mit Schiebeabdeckung, der vorletzte Tubus graviert "Adjusting Tube", klare Optik. Start Price: EUR 240 Zustand: (2-3/2)6-Draw Scottish Pocket Telescope by Bell, c. 1870 Signed "D. Bell, Kilmarnock", silver-plated brass, mahogany-covered tube, sliding lens cover on eyepiece, the second to last tube engraved "Adjusting Tube", length extended 15 in., length retracted 4 in., clear optics. Start Price: EUR 240 Condition: (2-3/2)
A George III Mahogany Zograscope, late 18th century, of typical construction with hinged mirror and lens, on an adjustable turned column and circular plinth, 63.5cm highThe right-hand finial is missing, the backboard is split, the rise and fall screw is not tightening, components generally loose, timber of good colour
A late 19th Century French Stereoscopic viewer by Jules Richard Paris together with a collection of glass slides depicting nude women, rural and coastal scenes and furtherStereoscopic viewer with a chip to the right lens and scratches to the paintwork, slides in varying condition, some with large scratches
A Swift Student Petrological Microscope English, c.1900, signed to foot Swift & Son, London, supported on a black enamel foot with plano-concave mirror on an articulated arm, with swing-out sub-stage polariser and pull out condenser, rotating black glass stage, body tube incorporating a slide in/out analyser and Bertrand lens, with two Swift objectives, two eyepieces, and other items in fitted mahogany case, width 34cm
English, c.1743, unsigned but by Cuff, the square solid mahogany plate with a rotating centre mounted to the front with a brass flange into which screws the main body of the microscope constructed of brass with leather covering, a drawer tube had a mount at the front onto which fits the Wilson-type screw barrel microscope, at the rear of the microscope is a single condenser lens in a brass frame and the adjustable mirror in a brass-bound frame, with a sharkskin covered case lined with green silk velvet with 6 objectives, handle for the Wilson microscope, talk box, tweezers, mahogany plate 20cm x 20cm. [CITES]Note: This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.Footnotes:According to Clay & Court, in their book, ‘The History of the microscope’ an identical instrument belonged to George the III[i] and formed part of the Frank Crisp Collection, which after Crisps death, was sold at Stevens Auctions in 1925. The microscope was bought at the sale by the Science Museum and is now in their collections [ii].The Cuff microscope, now in the science museum collection, is described in great depth by Clay & Court on pages 215-217, of their book, and includes an image of an identical instrument that they refer to as ‘Cuff Solar, First Form’, Clay and Court go on to state “The Solar Microscope.-Cuff appears to have been the originator of this form of solar microscope in which the tube was fixed, and the motion of the sun in the Heavens was allowed for by adjusting the mirror. One of the original forms of solar microscopes of Cuff’s make is illustrated in fig 1.48. It is mounted on a mahogany plate which I about eight inches square….”.Clay and Court also allude to an original document held in the British Museum, dated 1743, in which Cuff claims “ I added a mirror to an ingenious suggestion of a friend who had introduced me to Dr. Leiberkuhn, and with the assistance of several Gentlemen of the greatest understanding and ability, I had been able to alter and improve it from time to time”.John Cuff (c. 1708 – c. 1772) was an important English scientific instrument maker during the 18th Century. Although he made all types of instruments today he is best known for his contribution to microscope design. In particular with his Solar or Camera Obscura microscope and his double microscope that became known as the ‘Cuff-type’.Unfortunately, Cuff was apparently not much of a businessman. Despite his ability, expertise, and patronage of the naturalist Henry Baker in 1750 he had to declare himself bankrupt [iii], just a year after, the main competitor of his, Benjamin Martin, opened a shop next door. [i] from Clay & Court s book ‘The History of the Microscope’, from the Preface.[ii] Science Museum South Kensington, London collection, inv.no. A203100[iii] https://www.whipplemuseum.cam.ac.uk/explore-whipple-collections/microscopes/three-microscope-makers/john-cuff-and-new-constructed
A Large Aplanatic Microscope Bench Condenser, English, c.1900, unsigned but identical to the ones produced by Watson & Sons, 313 High Holborn, London, on heavy lead filled brass base with adjustable column, lens mount with X-Y screw adjustment, iris diaphragm, 28cm tall Footnote: according to the Watson trade catalogue, these condensers were 'specially arranged for photography, Projection etc..'
A Quartz Spectrograph Camera, by Hilger, London, English, c.1900, signed along the collimator tube 'ADAM HILGER LTD LONDON ENGLAND', on a cast iron base painted in grey lacquer with three brass leveling feet, brass collimator tube with adjustable slit, finely finished French polished mahogany body with an internal prism and quartz lens, Leather bellows and adjustable quarter-plate holder with sets of plates taken in 1968 and a set of calibration plates by Hilger & Watts dated 1957, with an envelope addressed 'Photographic Plates, University of Oxford, Clarendon Laboratory Oxford Attn: Mr. C. G. Carrington, height 41cm Footnote: this is part of a collection of instruments from the Oxford University Physics Department
A Large and Impressive Laboratory Burning Glass, French, c.1880, unsigned, on large tri-form cast iron foot, with tall upright column finished in lacquered grey oxide, with single drawer and locking collar, the large lens (glass 20cm diameter) in a brass frame held in a gimbal with locking nuts, closed height 54cm Footnote: this is part of a collection of instruments from the Oxford University Physics Department
A Lanternoscope Magic Lantern Slide Viewer, Adams, English, c.1890, signed to a round ivorine ( a cellulose based artificial material) plaque 'THE PANTOSCOPE, ADAMS & CO LONDON, Rd, No182910', constructed of Polished mahogany with brass viewing hood with lens, glass screen to rear. 25cm tall
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