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Lot 1801
STANLEY KUBRICK - Stanley Kubrick Reference Book CollectionA Stanley Kubrick reference book collection. Several books have been written regarding the life and work of the legendary filmmaker. This lot consists of five hardcover books: A.I. Artificial Intelligence: From Stanley Kubrick to Steven Spielberg: The Vision Behind the Film; Stanley Kubrick: A Life In Pictures; Stanley Kubrick's 2001: A Space Odyssey; Stanley Kubrick's Napoleon: The Greatest Movie Never Made; and Through a different Lens: Stanley Kubrick Photographs. They exhibit minor wear and creasing throughout all items. Dimensions: 22" x 15.5" x 13" (56 cm x 37.5 cm x 33 cm)This lot comes from the collection of Lucasfilm historian J.W. Rinzler. Estimate: $100 - 150This lot will be auctioned on Friday, June 24th. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Wednesday, June 22nd; or Thursday, June 23rd.
Lot 397
STAR WARS: THE EMPIRE STRIKES BACK (1980) - N.J. Farmer Darth Vader Touring CostumeA Darth Vader touring costume created by N.J. Farmer Associates Ltd. for touring and promotional events in the U.K. circa 1980s. Lucasfilm commissioned Farmer to produce a number of high-quality Darth Vader costumes for use in public events and press appearances. Farmer had a relationship with Lucasfilm U.K. as he was previously part of Palitoy, the toy-manufacturer who created Star Wars toys and merchandise in the U.K. They first created costumes for Lucasfilm around the time of The Empire Strikes Back's release, and continued to support Lucasfilm's U.K. division with costumes and components through the release of Return of the Jedi and beyond into the later 1980s.This costume consists of a number of components, including a two-piece helmet, shoulder armor, chest control box, belt, cape and internal robe, vest, shirt, codpiece, pants, greaves, and boots. The fiberglass helmet was molded from a genuine film helmet and is painted black and gray with machined aluminum "tusks," dual-layer metal grills in the vents, a single acrylic lens piece which is screwed in place, foam padding for wearer comfort, and elastane straps. The faceplate and dome, both marked "7" in a silver color and "12," in a red color, are secured together via a two-piece ring mounting system. The fiberglass shoulder armor is painted black and gray with hinged ends. The black cotton cape features a leather-trimmed collar with a metal chain across it and a matching interior robe layer, both with N.J. Farmer Associates labels marked "769" and "770" respectively. The quilted black leather vest features a zippered and buckled back with an N.J. Farmer Associates label. The cotton shirt features quilted black leather sleeves, a tie-up back, and an N.J. Farmer Associates label. The chest control box is made of fiberglass with painted buttons and leather straps. The black leather belt features a metal buckle, a battery slot for four "D" batteries, and two metal belt boxes with embellishments including red lights and green buttons that light up when powered. Red and blue wires extend from the battery slot, while a TS cable leads out of one of the belt boxes. The codpiece is made of black leather with a felt backing. The quilted black leather pants feature boot stirrups, a fastening strip fly, and an N.J. Farmer Associates label. The greaves are made of vacuum-formed plastic with fastening-strip straps, and the tall riding-style boots are made of black leatherette. The costume dates to the 1980s with specific promotional use unknown. It originated with members of the N.J. Farmer crew and elements such as the helmet are believed to have been re-finished at some point in their life. Replica gloves were added to complete the costume. Various components some wear from use and age, including scuffing, discoloration, creasing in the leather, and one of the belt box embellishments having come unglued and fallen inside the belt box.Contains electronic components; see notice in the Buyer's Guide. Estimate: $80,000 - 120,000This lot will be auctioned on Tuesday, June 21st. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 22nd; Thursday, June 23rd; or Friday, June 24th.
Lot 584
BREAKING BAD - Set of Wayfarer Flight 515 EvidenceWayfarer 515 evidence from Vince Gilligan's crime thriller series Breaking Bad. In the Season 2 finale "ABQ," evidence was collected from the Wayfarer flight 515 crash caused by Walter White (Bryan Cranston).This set consists of a pair of silver-color wire-rimmed glasses with faux tortoiseshell frames and a smashed lens, a plastic doll dressed in a pink elephant dress, and a brown sneaker. Each exhibits distressing by production to appear burned, charred, or damaged and comes in a plastic bag, two of which are labeled "Personal Property Inventory." Dimensions (each): 10" x 10" x 4" (25.5 cm x 25.5 cm x 10.25 cm) Estimate: $1,000 - 1,500This lot will be auctioned on Wednesday, June 22nd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Thursday, June 23rd; or Friday, June 24th.
Lot 753
G.I. JOE: THE RISE OF COBRA - Cobra Neo-Viper Helmet with Snake Eyes' (Ray Park) Throwing StarA Cobra Neo-Viper helmet with Snake Eyes' (Ray Park) throwing star from Stephen Sommers' action film G.I. Joe: The Rise of Cobra. Snake Eyes used a variety of weapons, including throwing stars, to defeat Cobra's helmeted Neo-Viper troopers.This lot consists of a padded fiberglass helmet with a gray metal finish, blue lenses, a black nylon chin strap with a plastic buckle, and magnetic couplings allowing it to separate in the middle. The left eye of the helmet features a black and silver-color urethane throwing star screwed onto the lens. Production-made cracking has been added where the star impacts the lens. The helmet exhibits some scuffing and interior pads coming unglued. Estimate: $3,000 - 5,000This lot will be auctioned on Wednesday, June 22nd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Thursday, June 23rd; or Friday, June 24th.
Lot 839
I AM LEGEND - SFX Eye Scanner with SD CardA light-up SFX eye scanner with an SD card from Francis Lawrence's post-apocalyptic thriller I Am Legend. Manhattan evacuees were scanned for signs of infection.This resin and biscuit foam scanner has decal buttons, multicolor lights, a scanning lens, a green screen, a card slot, and trigger button. Included is a 256 MB SanDisk SD card. When the SD card is pressed in, the screen, power, and battery indicators light up and the trigger button causes the scanning lens to flash and the standby indicator to light up. The scanner is powered by two 9V batteries and exhibits scuffing, paint chipping, and a piece broken off the top exposing foam inside. Dimensions: (scanner) 12.5" x 8.5" x 2.5" (31.75 cm x 21.75 cm x 6.5 cm); (SD card) 1.25" x 1" x 0.25" (3.25 cm x 2.75 cm x 0.75)Contains electronic components; see notice in the Buyer's Guide. Estimate: $800 - 1,200This lot will be auctioned on Wednesday, June 22nd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Thursday, June 23rd; or Friday, June 24th.
Lot 926
UNKNOWN PRODUCTION - Howard Kazanjian Collection: Newton and Co. Magic LanternA Newton and Co. Magic Lantern projector. Considered a precursor to the slide projector, the lantern was used as such by projecting an image painted onto a glass slide by using a particular lens to focus candle light or electric light when it came later. The lantern reached peak popularity in the 18th century for its use to both entertain and educate.This piece is comprised of mahogany and brass plates and tubes used in the projection lens. The lantern includes a black metal chimney and a small door on either side for access to the illuminant. The projector exhibits some scuffs to the wood and discoloration to the metal elements. Dimensions: 26" x 17.5" x 8.25" (66.25 cm x 44.5 cm x 21 cm)Contains mechanical components; see notice in the Buyer's Guide. Estimate: $800 - 1,200This lot will be auctioned on Wednesday, June 22nd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Thursday, June 23rd; or Friday, June 24th.
Lot 1170
A collection of camera filters and lenses, to include a cased set of three Kodak filters for colour, sky, and portrait, a smaller single filter in leather case, three further boxed filters, and two leather wallet housed filters, a Adon patent lens, signed J.H. Dallmeyer, in leather case, a Kodak film tank and box, etc.
Lot 148
Olympus zoom lens 35-70mm AZ-1 zoom, AGFA camera colour-Agnar 1.3.5/45 in case, Kodak Instamatic 33 camera in case, Japan camera lens 52mm in case, Sanyo auto-reverse stereo Dolby NR in Sportster case, pair of Carl Zeiss Jena Galan binoculars 2.5x 41365 in case, singular binocular made in USSR, Hans Weiss optic fully hard coated 7x50 field 7.1 degrees binoculars, Super Vargo 12 surfaces coated high quality 8x30 field 75 degrees binoculars, Prinz fully coated 8x30 7.5 degrees Korea binoculars in case and a pencil sharpener
Lot 1209
A Sony Alpha 99 single lens reflex digital camera with Zeiss Vario-Sonnar 2,8/ 24-70 ZA lens to/w another Sony Alpha camera and five lenses, Zeiss Sonnar, 1,8/135 ZA, Sony 2.8/100 Macro Sony 135 5TF Sony 3,5-6,3/18-200 and Sony 1,4/50 to/w other accessories in a fitted rucksack and a camera-bag, lot also includes a Manfrotto tripod and a Gitzo Monopod
Lot 480
signed and dated 21.9.1966gouache on card30 by 19cm With Clarke's arrival back in South Africa in 1962 from Europe, the artist was faced with the harsh realities of the stringent, punitive laws that affected every aspect of people of colour's lives at the time. The late 50s and throughout the 60s saw the implementation of forced removals, with the Nationalist government enforcement of the Group Areas Act directly impacting Clarke's beloved Simon's Town and the life he had created there. Many of the works created by the artist during this period were portrayals of the turbulent political climate and the exclusions of apartheid South Africa. While many of these works carried a political message, this wasn't the only framework within which his works could be interpreted, as the artist points out "I was not just involved with the politically inspired pictures because there were other concerns too: the drama of life itself. There are all kinds of social demands made on people, whoever they might be". The subjects of Clarke's works often possess a sense of group identity, with individual figures lacking identifiable features. The artist portrays people through a humanist lens of dignity and subtle humour, where tough times are offset by moments of happiness. Clarke would often escape the scenes of hardship that surrounded him by infusing his works with nostalgia of his childhood. For the artist, bathers represented his youth and a longing for days of freedom, rid of the anxieties of life for a 'coloured' artist during this time. In Bathers (lot 480), Clarke?s colourist and graphic approach is emphasised through lush colour choices and simplified planes. The work is centred around a scheme of simple, bold shapes, showing four bathers arranged against a vibrant orange beach scene. Clarke works with a brilliant palette, modelling his forms with tones of the same colour and flattening the surrounding environment by using slight variations of a disquieting orange, making it difficult for the viewer to distinguish a horizon. In this way, continuous, flat areas of colour blend space, with distance only defined by the scale of the figures. The surrounding environment is also seemingly washed with the warmth of the afternoon sun, with the sea and the sand reflecting the colours of the sky as the sun begins to set. Clarke's resolute use of thick layers of gouache permeates this work with the intensity and emotional evocation that his works are known for. Clarke's contributions to the South African art scene extended beyond painting and illustration, as he was an equally respected writer and poet who inspired and mentored many artists during his life. His gentle critique and generosity extended to many young artists, as well as well-established artists and friends. Bathers (lot 480) was gifted to Kees de Jong, a Dutch poet, who travelled to South Africa in an old Landrover. The current owner of the work recalls de Jong and Clarke's shared adventurous spirit, and their becoming fast friends after meeting, often spending hazy afternoons writing together and exchanging ideas. This is one of many stories about Clarke's willingness to engage with fellow creators, and this small, impactful work contributes to Clarke's role as a senior statesman of the South African art community and his lasting impact on those that surrounded him.-AC Hobbs, Philippa and Rankin, Elizabeth (2011), Listening to Distant Thunder: The Art of Peter Clarke, Johannesburg: Fernwood Press, pp. 99-117
Lot 1560
Interesting box of photographic accessories to including Weston meters, Trinod flash units, Nikon F3 eyepiece lens, enlarging lens and many more, together with a selection of three Nikon SLR film cameras to include - FG 20 C/W zoom Nikkor 35-70mm/f3.5-4.8 and ERC, an EM c/W body only and manufacturers boxes, instruction books and long nose CF 28A ERC
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70722 item(s)/page