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A BILINGHAM CANVAS BAG CONTAINING A NIKON F4 FILM SLR CAMERA with an MB21 winder, a Nikkor AF 50mm f1.8 lens, a Nikkor AF 20mm f2.8 lens. a Nikon Speedlight SB-24 flash, manuals and remote

A MAMIYA M645 1000S MEDIUM FORMAT CAMERA fitted with a Sekor C 80mm f2.8 lens ( missing winding handle assemble but does wind) and a Polaroid 340 Instant Film Camera

FOUR CANON AND CANON FIT ZOOM LENSES comprising of a Canon 70-300 f4 EF IS USM lens, a Sigma 70-200 f 2.8 HSM APO EX (focus ring works but continues to turn) with padded case, a Sigma 70-300mm f4 DG lens and a Sigma17-35mm f2.8 HSM EX lens (5)

A MANFROTTO CAMERA RUCK SACK CONTAINING A NIKON D90 DIGITAL SLR CAMERA with charger, cable and one battery, a Nikkor AF-S ED G 24-85mm f3.5 lens and a Boxed Sigma 150mm f2.8 APO Macro DG HSM lens and padded case ( all in almost new condition)

A ZENZA BRONICA MODEL C MEDIUM FORMAT SLR CAMERA with a Zenzanon MC 200mm f3.5 lens, a Nikkor PC 75mm f 2.8 lens, a Nikkor OC 50mm f2.8 lens, a Nikkor Q 105mm f3.5 lens, three film backs, an eye piece viewer, a boxed lens reversing kit, a boxed rubber lens hood all in a padded bag

A CANVAS CAMERA BAG CONTAINING A NIKON F2 PHOTAMIC FILM SLR CAMERA, with a Micro Nikkor 55mm f3.5 lens , a Nikkor 24mm f2.8 lens and a Speedlight SB-16 flash

A YASHICA-MAT TLR CAMERA with 80mm lenses one at f3.2 the other at f3.5, two Yashica FR film SLR cameras both fitted with 55mm f2 lenses, two Yashica Winders, a Tamron CF 80-120mm f3.8 lens, a Tamron CF 35-70mm f 3.5 lens all in an Aluminium case and a Leather look case

A CAMERA BAG CONTAINING A CANON FTb QL FILM SLR CAMERA , a FD SSC 50mm f1.4 lens, a FD 35mm f2 in case, a FD SC 135mm f3.5 in case, a FD 35-70mm f3.5 lens, a Speedlite 133D flash, a Jessops tripod and various accessories , manuals receipts etc

A NIKON FM2 FLIM SLR CAMERA fitted with a 50mm f1.8 lens, a Nikkor 35-200mm f3.5 lens in a leather bag

AN ALUMINIUM CASE AND A BOX CONTAINING a Praktica MTL-3 film SLR fitted with a Tessar 50mm f1.8 lens, two Sirius Lenses a Hanimex flash, a Kodak Disc 4000, a pair of Tecnar binoculars etc

A SMALL TRAY CONTAINING MOSTLY VINTAGE NIKON CAMERA LENSES comprising of a H-Auto 300mm f4.5 in tube, a P-Auto 180mm f2.8 in tube, An O-Auto 35mm f2, a 105mm f2.5, a 28mm f2.8, a lens hood for a 135mm , a Rollei HFT 50mm f1.8 in tube, a Rodenstock 150mm f4.5, etc (10)

A TRAY CONTAINING CAMERAS AND LENSES including a Praktica LLC fitted with a CZJ Pancolour 50mm f1.8 lens, a City Sale and Exchange Salex folding camera, a Panagor 85-205mm f3.8 lens, a Tamron 28mm f2.5 lens, a Tamron 135mm f2.8 lens, a Tamron 70-210 f4 lens, etc

A WRAYFLEX 1 FILM CAMERA fitted with a Wray 50mm f2.8 lens , a Zeiss Ikon Contessa Nettel Picolette, and a Ross Ensign Selfix 820 special

A GRAFLEX MINIATURE SPEED GRAPHIC FOLDING CAMERA, with two lens carriages with Copal Shutter release and Eskofot lens, an adapted Polaroid Film back, various lens carriages without lenses, etc

A ZENZA BRONICA ETRS MEDIUM FORMAT FILM CAMERA fitted with a Zenzanon 75mm f2.8 lens, a Zenza Tele converter X2, three film backs, a Polaroid Film Back, a Zenza Eye level Viewer, a Weston Master 3 , etc

OLYMPUS FILM SLR CAMERAS AND ACCESSORIES comprising of a boxed OM1N body, a boxed OM10 fitted with a 50mm f1.8 lens, a boxed OM10 case, a boxed MC Auto-s 50mm f1.8 lens, a boxed Auto-W 28mm f2.8 lens, a boxed Auto-T 135mm f3.5 lens, a boxed OM focusing Screen, a Jessops Electronic flash, a boxed Tamron 2X converter, a boxed Tamron 70-210mm f3.8 lens, a tripod and a Town and Country camera bag

A BOXED CANON EOS 1000FN FILM SLR CAMERA BODY, a boxed EF 35-135mm f4 lens, a boxed EF 3 USM 75-300mm f4.5 lens, a boxed Cobra 700AF flash, a boxed Cobra Pro grip, a Jessops camera bag and matching tripod bag containing a Velbon Tripod

TWO TRAYS CONTAINING VOIGTLANDER CAMERAS including a Bessamatic fitted with a 50mm f2.8 lens, a Dynarex 135mm f4 lens, V6s, Avus', sheet Metals, and Bakelites etc

A TRAY CONTAINING DIGITAL AND FILM CAMERAS including a Pentax MZ-50 Film SLR with a 35-80mm f4 lens all in boxes with outer packaging, a Canon Powershot A720IS digital camera in box with manuals and cables, a Canon Powershot A710IS in box with manuals and cables, a tray containing Cokin and Hoya Filters and carriers, a Canon Sureshot AF7 film camera, a Braun Gloria vintage film camera, a Mamiya 8 cine camera etc

A ROLLEI RDE COLOUR 6X7 COLOUR PHOTOGRAPHIC ENLARGER with Rollei power supply, a Nikon EL 50mm f2.8 lens in box, a Nikon EL 75mm f4 Lens in case, a Sony Handy cam, a Hanimex Slide Projector and a quantity of Developing Equipment, trays, tanks, cutters etc

A CASED P.ANGENIEUX TYPE 10x12B LENS 12-120mm f2.2 with both caps Condition is very good, the optics appear clear and fungus free, externals needs a minor clean

A CASED BOLEX PAILLARD H16 REFLEX CINE CAMERA fitted with a Kern Vario-Switar 18-86mm f 2.5 lens. a Kern Switar 10mm f1.6 lens, a Macro- Switar 26mm f1.1 lens, a Kern Switar 75mm f1.9 lens and a Blex Paillard B8SL Cine Camera in case

A TRAY CONTAINING CAMERAS AND EQUIPMENT including a Canon EOS750QD film SLR camera fitted with an EF 35-70mm f3.5 lens, a Kodak Instant load 126, a Le Clic 308, a Practika 950AF in box, a Hanimex IC 2000 etc

A NEWMAN AND GUARDIA BABY SYBIL FOLDING CAMERA ( rear panel missing), a Graflex 3A folding box camera ( no shutter and lens assembly some covering loose or missing) and an Ihagee folding camera

AN ASSORTMENT OF CAMERA EQUIPMENT TO INCLUDE A SAMSUNG CAMCORDER, A MINOLTA MAXXUM AF REFLEX 500MM LENS AND A FURTHER SONY LENS ETC

Eisengeschnittener Galadegen, Amsterdam, um 1710/20 Schlanke zweischneidige Stichklinge mit abgeflachtem Mittelgrat. Am Ansatz Zierkehlungen mit Resten von Vergoldung und Blüte im Linsenschliff zwischen fein geätztem Banddekor. Am Klingenansatz beidseitig signiert "Anthony van de Puttelaar Mr. Swaardveger tot Amsterdam". Fein geschnittenes und durchbrochen gearbeitetes eisernes Bügelgefäß mit beidseitigem ovalen Stichblatt. Darstellung mythologischer Figuren zwischen Rankendekor. Hilze mit originaler Eisendrahtwicklung und Türkenbünden. Länge 92 cm.Hochwertig gearbeiteter Degen in nahezu neuwertigem Zustand. A small-sword with chiselled hilt, Amsterdam, circa 1710/20 The narrow, double-edged thrusting blade of flattened hexagonal section. Decorative fullers at the root with remnants of gilding and a lens-cut flower amidst finely etched scrolling bands. Signed "Anthony van de Puttelaar Mr. Swaardveger tot Amsterdam" on both sides at the root of the blade. Finely chiselled and openworked, iron knuckle-bow hilt with an oval guard plate on both sides. Depiction of mythological figures amidst decorative tendrils. The grip with the original iron wire winding and Turk's heads. Length 92 cm.Magnificent weapon of the highest order, in almost mint condition.

Four Praktica MTL50 cameras with Pentacon auto 1.8/50 lens. P&P Group 2 (£18+VAT for the first lot and £3+VAT for subsequent lots)

BOX OF CAMERAS, LENS AND ACCESSORIES

A Persian dignitary wearing a green coat, standing on a palace terrace with a landscape beyond, by Abu'l-Hasan Ghaffari, Sani' al-Mulk, Chief Painter (naqqash-bashi) Qajar Persia, dated AH 1262/AD 1845-46watercolour on paper, signed and inscribed in nasta'liq script at upper left, the Chief Painter (naqqash-bashi), and dated AH 1262/AD 1845-46 350 x 256 mm.Footnotes:A rare and important newly-discovered early portrait of a court official by Abu'l Hasan al-Ghaffari, Sani' al-Mulk.ProvenanceGeorge Kidston CMG, Head of the Eastern Department of the British Foreign Office, 1919-20.Thence by descent to the estate of the late Hon. Mrs Patricia A. Kidston (1927-2021).In this newly discovered painting by Abu'l Hasan Ghaffari, Sani' al-Mulk - 'arguably the greatest artist of the Qajar period' (B. W. Robinson, in R. W. Ferrier (ed.), The Arts of Persia, London 1989, p. 229) - a nobleman is shown in green courtly garb with black headgear, and a colourful waist-shawl in which a scroll of paper is inserted as a sign of his position in court. As with all Abul-Hasan's signature works, meticulous attention has been paid to detail and patterning. The subject stands in an interior lavishly decorated with wallpaper in a rich palette of dark red and a boldly patterned blue and white floor made up of a well known type of Qajar tile that imitated ikat patterned silk garments, a composition similar to those seen in the later portrait of Prince Ardeshir Mirza, 1269AH/1853-4 (see L. Diba (ed.), Royal Persian Paintings: the Qajar Epoch, 1785-1925, Brooklyn 1998, pp. 250-251); and also Murad Hesam al-Saltaneh's portrait, 1273AH/1856-7 (see G. Fellinger et al, L'Empire des Roses: chef-d'oeuvre de l'art persan du XIXe siecle, Lens 2018, pp. 232-233). The artist's careful and dexterous treatment of the towering trees in the background of the scene is also particularly noteworthy. Abu'l-Hasan Ghaffari Kashani (d. 1282/1865-6) was a painter of the Muhammad Shah and Nasir al-Din Shah period. In AH 1258/AD 1842, during the reign of Muhammad Shah, he received the title of Naqqash-bashi. A year later, in 1845, he was sent to Italy to study painting. After his return, Abu'l-Hasan painted the murals of Nizamiyah Hall for Mirza Aqa Khan Nuri in 1857-58 by which time his fame was such that Nasr al-Din Shah rewarded him with a gold box studded with a large diamond, and installed him in various posts including that of the title 'Sani' al-Mulk' in 1861. He is most well known for the paintings of the famous 'One Thousand and One Night' in the Gulistan Library, Tehran. His recorded work is dated between AH 1258/AD 1842-43 and AH 1282/AD 1865-666, and this painting therefore represents the discovery of an early work, executed during the reign of Muhammad Shah.During this period, Abu'l-Hasan painted superlative portraits which also testify to the early effect of photography on Persian painting, in contrast to its impact in Europe, where it supplanted portraiture. This painting also bears features which point to his future style, showing that he was a keen painter with a refined sense of humour who strove to capture the eccentricities of his subjects, in contrast to more rigid, academic and stylized earlier trends in Qajar portraiture.For a painting of a court official, attributed to Abu'l Hasan Ghaffari, circa 1850-60, see Sotheby's, Persian and Islamic Art: the Collection of the Berkeley Trust, 12th October 2004, lot 33, where it is noted that typical features of his work include the textured surface of the Astrakhan hat, and the voluminous robe of the sitter.See also the portrait of Mirza Abdullah Mostufi, in the Reza Abbasi Museum, Tehran (inv. 20443), which has the same signature and date.For more on his work, see (in addition to the works already cited):M. A. Karimzadeh, The Lives and Art of Old Painters of Iran, Vol. I, London 1985, pp. 23-34.Zoka, The Lives and Art of Sani-al-Molk, Tehran 2003, pp. 136-144.Important Notice to BuyersSome countries e.g., the US, prohibit or restrict the purchase by its citizens (wherever located) and/or the import of certain types of Iranian-origin works. As a convenience to buyers, Bonhams has marked with the symbol R all lots of Iranian (Persian) origin. It is each buyer's responsibility to ensure that they do not bid or import a lot in contravention of the sanctions or trade embargoes that apply to them.This lot is subject to the following lot symbols: RR This lot is subject to import restrictions when shipped to the United States.For further information on this lot please visit Bonhams.com

A page from the Nasr al-Din Shah Album, with a painting by a Persian artist working in the manner of Muhammad Zaman, after a European print depicting the Holy Family Persia, the painting late 17th Century, the album page circa 1888gouache on paper, laid down on an illuminated page with gold-sprinkled inner border, outer border with polychrome and gold decoupage flowers, cartouches and palmettes on an orange ground painting 247 x 192 mm.; album page 435 x 286 mm.Footnotes:The distinctive borders of this page originate from the now-dispersed album made in 1888 for Nasir al-Din Shah Qajar (reg .1848-96), probably to mark the fortieth anniversary of his accession to the throne. The dedication page, with large bold nasta'liq inscription, was sold at Christie's, Art of the Islamic and Indian Worlds, 26th April 2012, lot 219. The page facing this, the centre with a stylised decoupage floral composition, appeared at Christie's, Art of the Islamic and Indian Worlds, 1st April 2021, lot 33. The practice of laying down earlier paintings (mostly Safavid miniatures) on album pages with finely-illuminated borders was a common practice in the Qajar period, and it seems that our page (as well as some of those from the Nasr al-Din Shah Album offered at auction) exemplify this practice. For examples and discussion, see G. Fellinger (ed.), L'Empire des Roses: chef-d'oeuvres de l'art persan du XIXe siecle, Lens 2018, pp. 68-71, nos. 62, 63 and 64.Other folios from the Album illustrate this, and of particular relevance for our page, some are European-influenced and/or of Christian subject-matter, including one of four lots sold at Christie's (Islamic Art and Manuscripts, 10th October 2000, lots 88, 89, 90 and 91). Lot 90 included one page with an illustration described as 'the Blessed Virgin' (no illustration available), and three with scenes from the life of Christ. One (depicting a man with hunting dogs) was inscribed ya sahib al-zaman, indicating that someone at least saw a connection with Muhammad Zaman's work, however fanciful. A page from the Album (Sotheby's, Arts of the Islamic World, 9th October 2013, lot 5), had a 16th Century Shahnama illustration in the centre).Other examples of pages from the Album included a large section comprising 27 folios (Christie's, Art of the Islamic and Indian Worlds, 6th October 2011, lot 265); and six bifolia, all with calligraphic compositions, Christie's, 21st April 2016, lots 130-135.Muhammad ZamanMuhammad Zaman (d. circa 1700) was one of the first Safavid court painters to imitate European painting styles and perspective. Little is known of his life, but he worked at the court of Shah 'Abbas II (reg.1642-66). Works attributed to him include miniatures added and restored in Shah Tahmasp I's copy of Nizami's Khamsa (British Library inv. Or.2265). On the strength of these royal commissions it can be assumed that Muhammad Zaman was at some point attached to the Royal atelier or kitabkhaneh (see A. Ivanov, Persian Miniatures, in E. Kostioukovitch (ed.), The St. Petersburg Muraqqa', Milan 1996, p. 35). European painting and prints circulated widely in 17th Century Persia (see A. Welch, Shah Abbas & the Arts of Isfahan, New York 1973, p. 148). A miniature by Muhammad Zaman of a biblical scene in the Fogg Art Museum (inv. 1966.6), dated AH 1100/1689 AD, depicts the Return from the Flight to Egypt (Welch, op. cit. pl. 72, p. 108). The origin of that miniature has been traced to a mid-17th Century engraving by the Flemish artist Lucas Vosterman, though based on an original painting by Rubens, (Welch, p. 117). The painting in our page is an almost exact copy of an engraving of 1646 by Pierre Daret, depicting the Holy Family, with Joseph on the left holding a book, and on the right the Christ Child seated in the Virgin's lap, after the French painting Simon Vouet (see an example in the British Museum (1841,1211.39.16).Examples of works attributed to Muhammad Zaman are few, and often have Christian subjects.A painting of the Madonna and Child after a European model, signed by the artist and dated AH 1093/AD 1682-83, sold at Christie's, Art of the Islamic and Indian Worlds, 7th April 2011, lot 261.Sotheby's, Arts of the Islamic World, 20th April 2016, lot 45, signed and dated AH 1087/AD 1676-77, depicting Shaykh San'an and the Christian woman.Christie's, Art of the Islamic and Indian Worlds, 1st April 2021, lot 20: depicting the Rest on the Flight into Egypt, with inscriptions, the name Muhammad Zaman, and the date AH 1076/AD 1665-66, described as 'by or in the mode of Muhammad Zaman'.A number of paintings by Muhammad Zaman were recently exhibited at the Walters Art Museum, Baltimore, at the exhibition Pearls on a String: Artists, Patrons, and Poets at the Great Islamic Courts, and the subject of an essay in the accompanying catalogue by Amy Landau entitled 'Man, Mode, and Myth' (see Landau (ed.) 2015, pp. 157-194). See also E. Sims, 'Muhammad Zaman', in The Grove Encyclopedia of Islamic Art and Architecture, vol. 3, Oxford 2009, pp. 21-22.Important Notice to BuyersSome countries e.g., the US, prohibit or restrict the purchase by its citizens (wherever located) and/or the import of certain types of Iranian-origin works. As a convenience to buyers, Bonhams has marked with the symbol R all lots of Iranian (Persian) origin. It is each buyer's responsibility to ensure that they do not bid or import a lot in contravention of the sanctions or trade embargoes that apply to them.This lot is subject to the following lot symbols: † R† VAT at the prevailing rate on Hammer Price and Buyer's Premium.R This lot is subject to import restrictions when shipped to the United States.For further information on this lot please visit Bonhams.com

A Zeiss Ikon Contarex Bulls Eye SLR Camera, serial no T 93015, shutter working, light cell responsive, self timer working, body G-VG, tiny scratch to back, with Carl Zeiss 50mm f/2 lens, barrel G, elements G, with interchangeable back, with dark slide

A Zeiss Ikon Contarex Bulls Eye SLR Camera, serial no D 22698, shutter working light cell responsive, self timer runs but does not fire shutter, body F, previous owners name engraved on top of finder, camera back, inside bottom edge and lens barrel, otherwise G, with Carl Zeiss 135mm f/4 Sonnar lens, aside from engraving barrel F-G, some plastic damage to bezel, with metal strap

A Robot II Camera, serial no B 73724, shutter staying open on slow speeds, spring drive working, body G, light wear, with Schneider Kreuznach 40mm f/1.8 Xenon lens, elements F, haze

A Robot I Camera, serial no 20518, shutter erratic on slow speeds, spring drive working, body G, with Carl Zeiss Jena 3cm f/2.8 Tessar lens, elements F, haze, with two film canisters, shoe added to top of finder, in Robot ERC, with cased Voigtländer Kontur finder

An Olympus OM-1 MD SLR Camera, black, serial no 394523, shutter working, meter working, self timer working, body G-VG, with E Zuiko 100mm f/2.8 lens, barrel VG, elements VG, with 2.8/100 hood, front/rear caps, lens case, Pol filter and body cap

An Olympus OM-1 SLR Camera, chrome, serial no 18284, shutter working, meter working, self timer working, body G, some pitting to one side of viewfinder, with F Zuiko 50mm f/2.8 lens, barrel G-VG, elements F-G, some haze to rear element, with a Zuiko 75-150mm f/4 lens, barrel VG, elements G, light haze, with lens caps, zoom lens case and body cap

A Contax G2 Rangefinder Camera, serial no 032291, powers up, shutter working, appears to function as should, body G-VG, light wear, with Carl Zeiss 90mm f/2.8 T* Sonnar lens, auto focus working, barrel VG, elements G, with lens cap

A Contax G2 Rangefinder Camera, serial no 064354, powers up, shutter working, appears to function as should, body G, some wear bellow front viewfinder window, light wear, with Carl Zeiss 90mm f/2.8 T* Sonnar lens, auto focus working, barrel VG, elements G-VG, with hood and lens cap

A Voigtländer Bessa R3A Rangefinder Camera, serial no 0003352, shutter working, meter working, rangefinder working, body G, some general wear, with Voigtländer 21mm f/4 Color Skopar lens, barrel P-F, what looks like paint/adhesive residue to hood, barrel and filter ring, elements P, black internal mark, fungus

An Olympus mju II Compact Camera, powers up, shutter working, flash working, self timer working, body G, some marks to edge of lens door, elements G-VG, with wrist strap, in Olympus case and an untested RC-100 remote control, in case

A Wrayflex Ia Camera, serial no 2652, shutter working, body G-VG, light marks to base plate, tiny spot of wear to top, with Wray 50mm f/2 lens, barrel G, some paint wear to filter ring, elements G, some scratches from cleaning, some clouding, with Wray 35mm f/3.5 Lustar lens, barrel G, elements F-G, some haze. with lens caps, worn camera manual, a set of 6mm, 7mm (2), 9.5mm extension tubes, with worn chart, in worn ERC

A Rollei 35 LED Compact Camera, shutter working, meter responsive, body VG, with Rollei Triotar 40mm f/3.5 lens, elements VG, with wrist strap, Rollei case, warranty card, Rollei service card, inspection card, in maker's box

A Kodak Bantam Special Rangefinder Camera, shutter sluggish on slow speeds, rangefinder working, body B, some light wear, with Kodak Anastigmat Ektar 45mm f/2 lens, elements G, some haze

A Robot Royal III Rangefinder Camera, serial no G-149953, spring drive working, shutter working, rangefinder working, light squeak when focusing, body G, light wear to shoe and base, with Schneider Kreuznach 40mm f/1.9 Xenon lens, barrel G, elements G-VG

A Robot Royal 24 Rangefinder Camera, serial no 184129, spring drive working, shutter working, rangefinder working, body G, some paint wear to film door edges and hinges, light paint wear to front edges, with Schneider Kreuznach 40mm f/1.9 Xenon lens, barrel G-VG, elements G-VG

A Reid III Rangefinder Camera, later version, with B T sync, serial no P 2593, shutter sometimes sticking, needing firm presses to shutter button to fire, rangefinder working, body G-VG, light marks to base, with Taylor Hobson 2 Inch f/2 Anastigmat lens, serial no 329215, barrel G, elements G, light fungus to edge of front element, with Reid lens cap, in Reid ERC

A Contax G1 Rangefinder Camera Body, serial no 017548, powers up, shutter working, appears to function as should, body G-VG, with Carl Zeiss T* 28mm f/2.8 Biogon lens, barrel VG, elements VG, with lens cap, strap, manual, GC-21 case, camera and case in maker's boxes

A Hasselblad XPan Camera, serial no 11SH25263, shutter working, meter working, LED display on back working, rangefinder working, body G, would benefit from a clean, with Hasselblad 45mm f.4 lens, barrel G, elements G-VG, a Hasselblad 90mm f/4 lens, barrel G, elements VG, a Hasselblad 30mm f/5.6 Asphericallens, with hood, barrel G, elements VG, all with caps and centre filters, a 30mm XPan finder, manual, lens bubbles, matching serial number maker's case for camera body and 45mm lens, Hasselblad black leather outfit bag and worn camera case

A Contax T2, Kyocera, serial no. 066870, with Zeiss Sonnar f/2.8 38mm T* lens, in maker's box, body F-G, appears to function, black smudge inside flash suggests failure

A Nikon F2 Photomic SLR Camera, black, serial no F2 7962378, shutter working, self timer working, with DP-1 finder, meter responsive body G, light wear, paint scratch to front of finder, with Nikkor S.C Auto 50mm f/1.4 non Ai lens, barrel G, light paint wear to focus ring, elements G-VG, some dust, with MD-1 motor drive, with MB-1 battery pack, drive functions, some paint wear to base, with body cap, rear cap and HN-3 hood

A Nikon F2 Photomic SLR Camera, chrome, serial no F2 7691809, shutter working, self timer working, with DP-1 finder, meter responsive, body G, light wear, some brassing to edges of finder, with Nikkor 50mm f/1.8 AI lens, barrel G-VG, slight wear, elements G-VG, some dust, with MD-2 motor drive, with MB-1 battery pack, some signs of battery leakage in holders, drive untested, some wear to edges, with body cap, rear lens cap and 50/2 hood

A Nikon F2 Photomic SLR Camera, chrome, serial no 7818296, shutter working, self timer working, with DP-2 finder, meter responsive, body G, some brassing to edges of finder, light wear, with Nikkor 24mm f/2.8 AI lens, serial no 582909, barrel G, light paint wear, elements G-VG, with rear cap, body cap and HK-6 hood

A Nikon F Photomic FTN SLR Camera, chrome, serial no 7243495, shutter working, meter responsive, self timer working, body VG, with Nikkor S-C 50mm f/1.4 lens, serial no 1585794, barrel G, light paint wear to focus ring, elements G, in Nikon F ERC

A Nikon F2 Photomic SLR Camera, black, serial no F2 7462221, shutter working, self timer working, with DP-1 finder, meter responsive, with Nikkor 50mm f/1.4 non AI lens, serial no 37770381, barrel G, elements G-VG, with Nikon F2 DE-1 eye level finder, in maker's box, a boxed F2 flash unit coupler, lens cap, in Nikon ERC

A Nikon FM2 SLR Camera, serial no 7805421, shutter working, meter working, self timer working, body VG, with Nikkor 50mm f/1.8 AI lens, barrel G-VG, elements G-VG, with Nikkor 24mm f/2.8 non AI lens, barrel G, elements G-VG, with micro-Nikkor 55mm f/3.5 non AI lens, barrel G, elements G-VG, with Nikon ERC

A Nikon F3 High Eyepoint SLR Camera, serial no 1840974, shutter working, meter working, self timer working, body VG, with Nikkor 50mm f/1.2 AI lens, serial no 192926, barrel G-VG, elements G-VG, with L39 filter, with boxed DW-3 wAIst level finder, VG, two Nikon F3 brochures, F3 Eyepoint maker's box and red Nikon ERC

A Nikon F4 SLR Camera, serial no 2130521, powers up, shutter working, meter working, appears to function as should, body G, light finger wear to back, with AF Micro Nikkor 60mm f/2.8D lens, auto focus working, barrel G-VG, elements VG, with lens cap, manual, maker's box, strap and CF-41 case

A Nikon F5 SLR Camera, serial no 3134298, powers up, shutter working, meter working, appears to function as should, body G, light wear, with AF Nikkor 50mm f/1.8 lens, auto focus functions, barrel G-VG, elements VG, with front/rear lens cap, body cap, manual and Nikon F5 strap

A Nikon F6 SLR Camera, serial no 0018519, powers up, shutter working, meter working, appears to function as should, body VG, with AF Nikkor 50mm f/1.4D lens, auto focus working, barrel VG, elements VG, with lens cap, Nikon F5 strap, manual and maker's box

A Nikon F SLR Camera, serial no 6415080, shutter working, self timer working, body G, slight lifting to leatherette front top edge, light wear, with Nikkor-S Auto 5.8cm f/1.4 non AI lens, serial no 142638, barrel G, light wear, elements G-VG, light dust, with front cap, lens hood, in Nikon F ERC