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Lot 863
A quantity of camera lenses.1 x Brumberger wide angle aux lens.1 x Brumberger telephoto aux lens.Photax auto tele converter x 2 japan.Regent auto tele converter x 2 japan.Photax auto tele converter x 2 japanPhotax auto tele converter x 2 japanPrinz galaxy no 33836 1-200mmB.D.B 49MM Super-serv standard.Carl zeiss jena DDR tessar 2.8/50 158858.Anastigmat 10cm F2.8 Aldis.unamed made in japan.
Lot 775
A Shand Mason & Co copper fire engine lamps of rectangular form with a leather covered oval folding handle and domed top above two glass panels one with a rectangular bevelled glass lens the other with a circular bevelled glass lens, the oval plaque stamped "Shand Mason & Co Fire Engine Makers, Upper Ground Street, Blackfriars Road, London", 31.5cm high
Lot 189
* Flying Apparel. A pair of RAF Mark II flying goggles, soft brown leather stamped in gold 'Goggle Mask Flying Mark II, The Triplex Goggle Mask & Lens Co Ltd, yellow tinted split lenses hinged in the centre, brown fur face pads and elasticated head strap, together with a Battle of Britain period brown leather flying helmet, the chamois lining with Air Ministry tailor's label for Frank Bryan dated 1940, 22C-65 (size 1), plus a pair of fur flying gloves the leather lining inscribed 'E.C. Taylor, Tanyard Farm, Hollingbourne, KentQTY: (3)NOTE:Please note that all three items are associated and have not been worn by the same pilot.
Lot 141
A Portuguese gold assorted gemstone plaque ring,with various examples of sapphire, ruby, emerald, garnet, amethyst and turquoise, all rub set to a curved plaque, with scattered bead detail. A twisted wire border with a solid engraved gallery, tapered graduated shoulders to a plain shank. Marks for Gondomar 1938 to date, for 800 standard. Head 21.30 x 14.00mm, 8.35g.Finger size O½Buying this second-hand gemstone ring could save up to 0.42 tonnes of CO2e compared to buying new.Condition ReportLight surface marks commensurate with its age.Scratches and marks consistent with its age.Dirty.Surface reaching inclusions to some gemstones under 10x lens.Surface reaching inclusions to some gemstones under 10x lens.800 standard is a Portuguese gold standard slightly higher than 18ct gold at 750 parts per thousand pure gold.The ring can be sized by a good jeweller/workshop, but they will need to be aware that some of the important marks are on the outside of the shank.They will also need to be aware of the carat standard to match the colour.
Lot 142
A single stone aquamarine ring,with an oval mixed cut aquamarine, claw set to a tapered pierced collet. Open flat shoulders to a plain flat section shank. Tested as approximately 18ct white gold. Head 17.20 x 11.50mm, 5.35g. Finger size O LEBuying this second-hand gemstone ring could save up to 0.42 tonnes of CO2e compared to buying new.Condition ReportUnder 10x lens, marks to the pavillion between the claws.Tarnish to the mount. Light surface marks.Visible solder lines at the shoulders.
Lot 144
A single stone tourmaline ring,with a modified trap cut green tourmaline, four claw set to a pierced collet, with open shoulders and a flat section shank. Marked 750. Head 12.60mm wide, 5.76g.Finger size Q LEBuying this second-hand gemstone ring could save up to 0.42 tonnes of CO2e compared to buying new.Condition ReportLight surface marks commensurate with its age.No obvious scratches or marks to the tourmaline.Under 10x lens - minor marks to the girdle.Tarnished.
Lot 546
A selection of photographic equipment, to include: a 35mm Canon EOS 500 SLR camera with autofocus 28mm-80mm zoom lens; a 35mm Nikon FG-20 SLR camera with 1:4-5.6 35-200mm zoom lens; a Minolta Maxxum 7000 SLR camera with autofocus 28mm-105mm lens; two 35mm Canon A-1 SLR cameras (at fault); and a Canon SX30 IS digital SLR; with further lenses, digital cameras, accessories and cables, plus binoculars, a video camera etc. (Qty) (all untested)
Lot 63
Sir Terry Frost R.A. (British, 1915-2003)Khaki, Blue and Orange signed, titled and dated 'Khaki Blue + Orange/(autumn)/Terry Frost/1956' (verso)oil on canvas76.2 x 63.5 cm. (30 x 25 in.)Footnotes:ProvenancePrivate Collection, U.K.In 1954 Terry Frost was appointed a Gregory Fellow at Leeds University, and the period he spent there was an incredibly important one for his development as an artist. The Gregory Fellowships were established in 1950 by Peter Gregory, and the programme brought poets, painters and sculptors to Leeds University, so that during the 1950s the city became an exciting centre for the arts. Bonamy Dobrée and Herbert Read advised Peter Gregory on the appointment of the Fellows – which over time included Frost as well as Reg Butler, Hubert Dalwood, Kenneth Armitage, Alan Davie and Trevor Bell as well as many others – with many chosen at formative moments in their careers. The University would benefit from creative artists working on campus and contributing to student life, while the artist would receive lodgings, a studio and a small stipend, allowing them to focus solely on their art.Frost arrived in Leeds in 1954 with a large and growing family, and the financial support that the Fellowship afforded him was sincerely welcome at this time. His Fellowship lasted for three years and it was to prove a pivotal time in his artistic career. His ethos for painting was 'a state of delight in front of Nature' (Terry Frost quoted by Ronnie Duncan in Terry Frost, ed. Elizabeth Knowles, Lund Humphries, Aldershot, 2000, p.66), and it was his interactions with the landscape surrounding Leeds which had such a great impact on his work at this time. As Ronnie Duncan has stated, 'there was a further dimension to Terry's time in Leeds, one of incalculable significance to him creatively. He has himself called this 'the true experience of black and white in Yorkshire'. It arose from the impact made upon him by the bleak sparseness of the North, the landscape of the Wolds and the Dales and especially the high Pennines with limestone outcrops intersected by drystone walls running vertically over the contours of the hills.' (Ibid., p.64).Terry himself described one transformative experience while visiting Herbert Read at his house at Stonegrave in the Wolds, where they went out for a walk together: 'I drove through the snow and had lunch with Herbert Read at his house at Stonegrave. After lunch we went for a walk. Herbert lent me wellingtons and we struggled through the snow, so deep it came over the tops of the wellingtons; the angle of the hills seemed about 45 degrees and we had to lean to walk and counter the slope. It was a clear bright day and I looked up and saw the white sun spinning on the top of a copse. Afterwards and now I recall that I thought I saw a naples yellow blinding circle spinning on top of black verticals. The sensation was true. I was spellbound and, of course, when I tried to look again 'it' had gone, just a sun and a copse on the brow of a hill covered in snow. I do remember my heart almost stopped at the experience and it was gone. So I came back and painted Red, Black and White 1956.' (Ibid., p.66)Red, Black and White (Private Collection) is very similar to the present lot, Khaki, Blue and Orange, painted in the same year and after this revelatory experience. Frost began to explore taut geometric shapes, often surrounded by black verticals, reminiscent of shafts of sunlight filtering through trees in a wood. In both Khaki, Blue and Orange and Red, Black and White, the polygonal shape is strongly defined in the centre of the composition and represents the sun spinning on the tops of the trees. While the composition is strongly defined, Frost's approach began to become looser, with many of the vertical lines formed in this work by thinned paint being applied to the canvas which was allowed to dribble down. Khaki, Blue and Orange has a wonderfully rich palette, painted as it was in Autumn of that year, with warm browns, umber, and ochre forming much of the colour scheme, accented by a warm, golden orange and a glimmer of blue, perhaps hinting at a body of water or the sky beyond. Frost's time in Leeds was a formative period for the artist and resulted in much of his most original work in the 1950s. Having discovered 'the true black and white experience of Yorkshire', he brought to this his signature flair for colour, filtering his delight in nature through this painterly lens. In 1958 he was to return to Cornwall, renewed by his experience of the North and energised by this incredible landscape. Khaki, Blue and Orange is a beautiful example of this incredibly fertile period for Frost, and a rare opportunity to acquire a painting from this important decade.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 49
Nabibakhsh Mansoori (Indian, B.1966)Everything your Heart Desires signed in Devanagiri and dated 'Nabibakhsh Mansoori 27 XII 2019' and dated, medium, size and year versooil on canvas71 x 106.8cm (27 15/16 x 42 1/16in).Footnotes:ProvenanceArcher Graphic Studio, Ahmedabad.Born in Idar, Gujarat, Mansoori obtained his Diploma in Fine Arts (Drawing & Painting) from the Sheth C.N College of Fine Arts, Ahemdabad. He subsequently obtained his Post Diploma in Fine Arts (Creative Painting) from Maharaja Sayajirao University, Baroda. His works are exuberant and feature layered and skewed imagery. He employs multiple view points in his works, as if one is looking at them through a prism, convex or concave lens which entices the viewer to look at it repeatedly from different perspectives; he came across this multiplicity of viewpoints in his childhood when his father gave him a prism, convex and concave lens and he viewed the rivers and rivulets in his village through these mediums and married them with the colours he could see.He uses both oils and acrylics as his medium and the dramatic use of light coupled with the unconventional perspective and the use of crisp bold colours are his trademark. His works have been exhibited in bot group and solo exhibitions in London, Mumbai, New Delhi, Hyderabad, Chandigarh and Ahmedabad, and he has been the recipient of various awards including the 1998 Gujarat State Lalit Kala Akademi Award for Painting.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 428
FOOTBALL, selection, inc. unsigned colour magazine photos, Lawton, Steel, Manion; teamsheets, 1989 Marlboro Cup, Arsenal, Rangers; signed large white cards, Bayern Munich, Stuttgart, Lens; hardback books by Tommy Lawton, Football is My Business, My Twenty Years of Soccer, All Star Football Book; Aston Villa home programme, v West Bromwich Albion, 9th Sep 1922; Arsenal press packs for CL matches (18 home & away), AC Milan 07/08, Manchester United 08/09, Dynamo Kiev 08/09, Celtic 09/10, Olympiacos 11/12, Marseille 11/12, Montpelier 12/13 etc., G to EX, 80*
Lot 475
A Leica DRP, Ernst Leitz Wetzlar, 35mm camera, serial no 475989, with Summitar f=5cm 1:2 lens no 722837, with leather case CONDITION REPORT: Overall condition good. Case worn to leather and strap. Lens appears clear. Shutter mechanism appears functional. No apparent dirt or fungus in the lenses
Lot 463
A vintage Canon AE-1 Camera, together with strap and lens CONDITION REPORTlenses are 50mm, 70-210 zoom (both canon)Condition disclaimerOur team of trusted experts are on hand to help and always endeavour to provide an accurate judgement. The ultimate responsibility lies with the buyer however, and we recommend that you make every effort to inspect the lot yourself.To that end, we have provided a number of additional images for your attention.
Lot 335
CARL ZEISS, JENA A RARE PAIR OF WORLD WAR TWO GERMAN 12x60 INCLINED FLAK RANGING BINOCULARS, serial no. 259185, circa 1943, with slightly tapering and truncated one-piece body, the last 5 1/4in. breaking open on a top-mounted catch and containing a narrow aperture light filter operated via a rotating catch, the top of main body with mount for an offset open sight (absent) and spirit level, bakelite knobs for fixing to a tripod, coloured filters and possibly illumination, the rear concave padded leather eye-guard opening to reveal the eye-pieces and complete with original bakelite lens guard, the underside with a trapezoid bracket for a tripod, the whole finished in its original German Ordnance Tan paint, marked with a red band around the observation lens guard and remaining in good condition.
Lot 421
A CANON CAMERA, LENSES, BAG AND ACCESSORIES, comprising a Canon EOS 750 35mm camera, a Sigma f4-5.6 70-210mm zoom lens, a Sigma f3.5-4.5 28-70mm zoom lens, a King Digital AF Video 0.38X macro lens, and an Achiever 260AF flash gun, contained within a Hama camera bag (Condition report: generally good condition, sd, untested)
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70728 item(s)/page