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GREAT WAR - A PERSONALISED HANDMADE LEATHER FRAMED SHAVING MIRROR probably made by a harness maker, of thick leather construction stamped 'GRIFFIN CPL RE 1916-1917 1918 1919 DARDENELLES, BELGIUM, FRANCE', and verso 'ENLISTED 1.1.15 CHATHAM, CAPE HELLES, SILVA BAY, ALBERT, ARRAS CAMBRAEA, BAPAUME, LE CATEAU, YPRES, AIGRE, VENT, SOMME, SCAPE, LENS, DEMOBILISED 1919', 15cm high.
A late Victorian novelty hallmarked silver walking cane handle modelled as a kitten with brass collar and section of an ebonised stem attached, London 1898, a silver napkin ring, silver teaspoon, silver thimble, silver half thimble, pair of lorgnettes and a double pocket lens inscribed "Brownings Platyscopic Lens 78. Strand. London".
A boxed Canon EOS 1000 twin lens kit, together with an additional Sigma 24/50 wide angle zoom lens, a Pal Junior compact camera, an early Praktica digital camera, Zoomster holdall by CCS and a quantity of 1990s vintage photographic magazines. CONDITION REPORT EOS body has a fault with the film wind mechanism.
"Rear Window" 1954 James Stewart Original US Insert (14 x 36 inch) directed by Alfred Hitchcock. Excellent condition framed. James Stewart plays a photo journalist with a broken leg confined to his apartment whiling away the time looking out of the window through his telephoto lens. He becomes convinced and attempts to convince his high society girlfriend Grace Kelly that a neighbour has murdered his wife and cut her into pieces
A 2IN. REFRACTING TABLE TABLE TELESCOPE BY JESSE RAMSDEN, LONDON, CIRCA 1790 signed on top of the 25½in. lacquered brass tube Je Ramsden London, lens cap, focus wheel adjustment, three interchangeable threaded eyepieces with dust-slides or solar filter, folding tripod stand (possibly associated), contained within fitted wooden box of issue
A VERY FINE ¾IN. PINK SHAGREEN AND GILT-BRASS FOUR-DRAW VELLUM-COVERED CARD TELESCOPE BY J. AYSCOUGH, LONDON, CIRCA 1750 signed on the fourth draw as per title, parallel main tube with ray skin 'jewels' and delicate pink staining, gilt brass section dividers to green vellum-covered card draws with inked focus lines and dust slides each end -- 14½in. (37cm.) closed; 42in. (107cm.) open, mounted on associated turned wooden Georgian telescope table stand -- 18in. (46cm.) high (2) This telescope represents an expensive commission made at the apex of the pre-achromatic development of the refracting telescope and dates to between 1747 and the maker's death in 1759 at just 40 years of age. James Ayscough (1719-59) was one of the most creative and innovative London telescope opticians in the formative experimental period which led directly to the achromatic doublet objective being patented in 1758 by John Dollond Snr (1703-61). The son of a Wiltshire parson, at 13 he was apprenticed to James Mann II (w.1706-d.1756) and as such was at the forefront of many such achromatic lens trials from their inception by the London barrister Chester Moor Hall. Latterly educated at Christ's College, Cambridge, Ayscough gained his Freedom in 1740 under James Mann II, with whom he was later in partnership between 1743 and 1747. He became an independent maker in 1748 where he was known for quality experimental optical designs and published a fine optical treatise in 1752 entitled A Short Account of the Eye and Nature of Vision, chiefly designed to Illustrate the Use and Advantage of Spectacles. This aroused great jealousy and ire amongst other London opticians for promoting hard green crown glass, being rather expensive to procure and time-consuming to polish. Literature: 1. Gee, B, ed. McConnell, A & Mirrison-Low, A: Francis Watkins and the Dollond Patent Telescope Controversy, Ashgate, pp.41-47; 2. Talbot, S: Shagreen and Fish-skin - on Scientific Instruments, their Cases and Étui c.1700-1800, SIS Bulletin No.123 Dec. 2014, pp.10-27; 3. Louman & Zuidervaart: A Certain Instrument for Seeing Far, Wassenaar, 2013, Nos. 49, 152, 180.
A BINOCULAR TRUNK-TYPE MICROSCOPE BY R. & J. BECK, LONDON, CIRCA 1900 with lacquered and oxidised brass bedplate with hinged support signed on the back as per title and numbered 4994, platform with dual-adjusting knobs, filters, mirror, and rack-and-pinion focusing, together with a fitted tray of accessories including 1/8in.; ¼in.; 1in.; 2in. and 3in. nosepieces, alternative eyepieces, platform filters, bull's eye lens, etc., (lacking case) assembled height -- 15in. (38cm.) (2)
Ø A WITHERING FIRST-TYPE POCKET MICROSCOPE, CIRCA 1776 of standard form with brass-handled accessories comprising diamond-headed scalpel, pricket and tweezers, contained within original cylindrical card case of issue -- 4½in. (11.5cm.) high; together with a second-type Withering folding pocket microscope of usual form, with pasted label inside lid annotated A Gift from Lady Archer, 1799, the case with accessories including additional lens, tweezers, scalpel, and two four-aperture bone slides with samples -- 4¾in. (12cm.) wide (2)
A 6IN. TWO-DRAW REFRACTING OBSERVATORY TELESCOPE, CIRCA 1930 unsigned, with 59½in. painted, galvanised metal tube, the eyepiece with rack and pinion focusing acting on first draw tube, with lens cap and sliding trunnion mount, overall measurements -- 74in. (188cm.); together with an associated star finder (2)
A LATE 19TH-CENTURY LACQUERED BRASS MONOCULAR MICROSCOPE AND ACCESSORIES unsigned, contained in small case with accessories including two nosepieces, alternative eyepiece, bull's eye lens, platform specimen holder, the lower drawer containing a selection of card and glass slides, cased measurement -- 10 x 6¼in. (25.5 x 16cm.); together with a brass microscope oil lamp signed on the foot Swift & Son, with counter-signed porcelain shade -- 11in. (28cm.) high (2)
A 1¼IN. MARINE TELESCOPE BY LINCOLN, LONDON, CIRCA 1770 the reverse-taper decagonal main tube with single draw signed as per title, bulbous eyepiece and lens cap -- 34in. (86.5cm.) closed; together with an English ¾in. marine telescope circa 1770, unsigned, with reverse-taper decagonal tube, single draw with bulbous eyepiece and dust slide -- 25½in. (64.8cm.) closed (2)
A LATE 19TH-CENTURY MONOCULAR MICROSCOPE BY ARONSBERG & SON, MANCHESTER with lacquered brass barrel and support and oxidised brass foot signed as per title, contained within a fitted case with fittings and accessories including a ¼in. nosepiece, bull's eye condensing lens and slide drawer -- 14½ x 8¾in. (37 x 22cm.)
A 1¼IN. TWO-DRAW REFRACTING TELESCOPE BY SALOM & CO., EDINBURGH & LONDON, CIRCA 1850 signed on the draw tube Salom & Co. / Edinburgh & 137 Regents St / A20266, parallel wooden main tube with rack and pinion fine focusing on first draw, dust slide and lens cap -- 14in. (35.5cm.); together with an 'officer of the watch' type example by Ross, London no. 20602 (2)
A MONOCULAR TRUNK-TYPE MICROSCOPE BY R. & J. BECK, LONDON in lacquered and oxidised brass, signed as per title and numbered 7698 on the back of the folding stand, contained in fitted box with accessories including five nosepieces, live box, alternative platform, bull's eye lens, and a selection of slides etc., the box -- 16in. (40.5cm.) diameter
A FINE LACQUERED BRASS MONOCULAR MICROSCOPE BY WRAY, LONDON, CIRCA 1870 with rack-and-pinion adjustment to tube and platforms, contained in fitted case with accessories including four eyepieces, seven nosepieces for 3in.; two 2in.; two 1in.; 2/3in.; ½in.; ¼in. and 1/12in. powers; prism, bull's eye condensing lens and others, contained in fitted mahogany case with additional loose accessories including an early electric lamp and a reflector attachment -- 22 x 12¾in. (56 x 32.5cm.); together with an associated part-filled magazine of prepared slides; a box of blank slides, glasses and papers, an empty magazine and a copy of Lionel Beale's How to Work the Microscope, London, 1867 (5)
Ø A 19TH-CENTURY JONES-TYPE POCKET NATURALIST'S MAGNIFIER unsigned, in lacquered brass with folding turned ivory handle and lens, the specimen slider with reversible pin/pincer, contained in card pocket case -- 2¾in. (7cm.) wide; together with another of similar type, mid-19th-century, the case 6¼in. (16cm.) wide. (2)
Hasselblad 500C camera TT65979 with camera back TC93537, Carl Zeiss Planar 1:2.8 lens Nr 2573900, with two other lenses, Carl Zeiss Distagon Nr 3334721, 1:4 f=50mm and another Carl Zeiss Sonnar 1:4, Nr 2668206, all in aluminium fitted case, used by Harry GoodwinProvenance: Collection of Harry Goodwin 1924-2013, resident photographer of the BBC's Top of the pops from its first programme in 1964 until 1973. Bequeathed by Harry Goodwin to The Christie charity Manchester and entered into sale by them.
Nikon 35mm camera with 50mm 1.8 lens, Nikkormat 35mm camera with 50mm 1.4 lens, Nikkor 135mm 3.5 lens & Nikkor-S 50mm 1.4 lensProvenance: Collection of Harry Goodwin 1924-2013, resident photographer of the BBC's Top of the pops from its first programme in 1964 until 1973. Bequeathed by Harry Goodwin to The Christie charity Manchester and entered into sale by them.
Cameras including Yashica FX-2 with 50mm 1.9 lens; Nikon FM2 35mm camera with Nikkor 85mm 1:2 lens, Asahi Pentax SP500, Yashica-Mat TLR camera & a Balda cameraProvenance: Collection of Harry Goodwin 1924-2013, resident photographer of the BBC's Top of the pops from its first programme in 1964 until 1973. Bequeathed by Harry Goodwin to The Christie charity Manchester and entered into sale by them.
A Olympus OM-3 Outfit: two Olympus OM-3 bodies, black, serial nos. 1003543 / 1008622, body, F-G, shutters working, with Auto-Macro f/3.5 50mm lens, black, serial no. 227571, body, F-G, elements, G-VG, some internal haze, togther with various accessories including, Auto Bellows, Electronic Flash T20, T10 Ring Flash 1, and more, mostly in maker’s boxes (a lot)
A Fuji FX680 Camera, black, serial no. 3010070, with Fujinon EBC GX f/5.6 180mm lens, black, serial no. 8040013, body, VG, shutter not tested, lens, VG, some internal haze, with Fujinon EBC GX f/4 100mm lens, black, serial no. 9090020, body, VG, elements, VG, some internal haze, together with various accessories (a lot)
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70722 item(s)/page