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Lot 3064
A mid-20th century RAF aircraft camera lens, probably from a Lancaster bomber, together with an original photograph of Allenby Bridge over the River Jordan and a Royal Engineers pocket book, dated '1944'.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 479
SEVEN BOXES OF C.D'S, L.P RECORDS AND MISCELLANOUS ITEMS, to include over one hundred C.D's and D.V.D's, a large blue Triang scooter (rusting and worn), bookends, cash boxes, mirror and brush vanity set, a vintage Minolta XD5 camera with a carry case and a Sigma UC zoom lens, seven walking sticks, table lamps, textiles, soft toys, sixteen L.P records, a mixture of classical and film scores (s.d) (7 boxes)
Lot 516
TWO CAMERAS, comprising a Pentax MZ-60, with manual, Pentax 75-300 lens and a Pentax 28-80 lens and a black nylon shoulder bag, together with a Praktica MTL3 camera, a Pentagon auto 1.8/50 lens, a Vivitar MC tele converter lens, a Carl Zeiss Jena DDR Flektogon 2.4/35 lens, a Carl Zeiss Jena DDR MC 1:3.5f=135 lens and a green nylon shoulder bag (2) Condition report: no obvious damage, not tested)
Lot 521
A BOX OF CERAMICS AND A CAMERA, to include a Royal Doulton bed warmer, two Wedgwood 40th Anniversary of HM Queen Elizabeth II 1952-1992, a Shelley George V 1911 coronation mug, a Midwinter Edward VIII coronation mug, a Praktica BC1 Electronic camera fitted with an F1.8 50mm lens, in case with f2.8 28mm lens and instructions, etc (1 box) (sd)
Lot 527
THREE BOXES OF PHOTOGRAPHIC AND OPTICAL EQUIPMENT, RECORDS AND CDS, to include a Canon T80 camera body with Vivitar f3.5-5.6 28-210mm macro focusing zoom lens, a Canon f3.5-4.5 35-70mm zoom lens, a cased Russian 20 x 50 telescope, a Canon Sure Shot Multi Tele 35mm camera, two pairs of binoculars including Jessops 8 x 42, twenty two records including Elton John, The Three Degrees and Shirley Bassey, a box of mainly classical and easy listening cds, three albums of UK and worldwide stamps, etc (3 boxes) (sd)
Lot 251
Various early 18th-19th century portrait engravings. Including a mezzotint of The Royal Family, with King William,, Queen Mary, George and Anne of Denmark after B. Lens, a portrait of Richard II after S.F. Ravenet, Earl Rivers his Book & Caxton his Printer to Edw. after C.Grignion, Master John Prideauux Basset after A Ramsay, Maria Carolina (Queen of the Two Sicilies) after F Liani and an early 19th century engraving of Mary Wilcox as Caraboo (6)
Lot 210
Art Deco silver and enamel manicure set in blue leather case (case f/r), Birmingham 1936, to/w a Victorian tortoiseshell lorgnettes, a three-lens loupe, a page-turner and an easel mirror with tortoiseshell-mounted frame and bevelled plate; lot also includes a copper bowl enamelled with cranes, 23cm
Lot 3247
A collection of cameras and equipment to include; Pentax Asahi ME camera in case made in Japan, A Pentax lens, An Olympus Camedia digital camera in case, A Vivanco case with a Sony car battery charger. A small Prince mini camera, A Rollei 35 camera, A Solidex infra-red cassette rewinder in box, A Lumix Panasonic DMC-F28 in case, and other items.
Lot 169
§ NICOLAS PARTY (SWISS 1980-) UNTITLED SCULPTURE (ELEPHANT PLINTH MAQUETTE) - 2010 Acrylic on Card Dimensions:18.5cm x 10cm x 10cm (7.25in x 4in x 4in)Note: Note: We believe this work to be a unique, hand painted developmental piece that was the made in advance of the exhibition 'Elephants at the Woodmill' at artist led space, The Woodmill, in London in February 2011.This was the first outing of Nicolas' elephant plinth works, shown later that year at The Modern Institute's 'Dinner For 24 Elephants.'Through Nicolas Party’s dream-like lens, traditional portraiture and still life subjects are transposed into a world that is vivid and surreal. Party works across painting, sculpture and installation, usually implementing a signature jewel-toned palette. While his subjects invariably derive from nature, Party renders their organic forms smooth and geometrical, elucidating their underlying form: a head is portrayed as a sphere; a tree as a cylinder surmounted by a cone; an elephant as a cuboid. This unique hand-painted sculpture was a preparatory piece for Nicholas Party’s 2011 exhibition ‘Elephants at the Woodmill’. Each side of the cuboid bears a detailed painting of an elephant’s form, creating an interesting interplay between the flat planes and the three-dimensionality of the subject and plinth. ‘Elephants and the Woodmill’ brought together artists from London’s Woodmill Studios, and was the culmination of Party’s residency with Studio Voltaire’s New Work Scotland programme. Party’s seventeen elephant plinths were placed throughout the exhibition space, with Woodmill studio members displaying their works upon the plinths. New York-based Party was born in Lausanne, Switzerland in 1980. In his late teens and early twenties he was a graffiti artist, and would sneak out at night to paint on walls and trains. He drew constantly, and on the strength of his work was accepted to Lausanne School of Art. Party then studied for an MA at the Glasgow School of Art, graduating in 2019. He has since built up an international reputation, and is recognised as one of the biggest names in contemporary art. His work is held in public collections in London, Zurich, Essen and Nanjing.
Lot 184
§ THE CONNOR BROTHERS (BRITISH 1968-) I TRIED TO DROWN MY SORROWS - 2021 Hand-coloured pigment print with acrylic and oil stick, SP 1/5, signed, dated and numbered in pencil to margin, signed to an artist's label versoDimensions:the sheet 100cm x 68 cm (39.5in x 26.75in)Provenance:Provenance: To be offered to support The House of St Barnabas (Registered Charity 207242)Based in a Grade 1 listed townhouse in Soho, The House of St Barnabas has helped Londoners affected by homelessness since 1862. In 2013 the building became a members’ club with a difference; combining a not-for-profit creative and cultural space at No. 1 Greek Street with an Employment Academy for people affected by homelessness. Participants learn their craft in front of house, in the kitchen, the bar, or in the charity’s offices: since opening, 254 participants have graduated from the 12-week programme, many of which have secured lasting employment after graduation.The House of St Barnabas’ cultural events, music, and the generosity of members are key to the success of the charity, but the building also showcases work by both established and emerging contemporary artists. The permanent collection of visual art includes the works of Banksy and Tracey Emin alongside a programme of temporary exhibitions supporting emerging artists.The House have kindly been donated 11 works for sale, ranging from sculpture to paintings to support the charity's work. Most of the pieces have been donated by the artists themselves or by the galleries who represent them. Below we take a closer look at the works featuring in our January 2023 sale.2023 is the year of the house’s 10th anniversary. With your support and dedication, the charity hopes to continue to break the cycle of homelessness.Note: Note: It is the paradox of art that artifice is often the best way to depict reality, fiction the best way to challenge conventional ideas of what we think of as ‘the truth’. Most people are happy to think that this is the way it is. But it really isn’t. Who knows the truth of anything? - Mike SnelleThis obsession with truth and fiction is the golden thread that runs throughout the life and work of The Connor Brothers and is particularly relevant in the current climate of fake news, post-truth and social media. The brothers create retro style figurative images which encourage us to challenge our assumptions and preconceptions, and as a result to perhaps see the world a little differently. Their interest in undermining our assumptions and casual acceptance of cultural norms is reflected in their extraordinary background.They themselves started out as a fiction as in reality they are British artists Mike Snelle and James Golding. The fictional identity of Mike and James was designed to cloak their personal reality, and such was its success that it captured the imagination of the art world. The Connor Brothers were presented as innocent twins who had emerged traumatised from a Californian cult and were struggling to make sense of the world through their art – an interesting background no doubt, but the truth is more interesting still. After coping with some challenging personal issues for many years the two became great friends and started experimenting with making art as a way of looking at the world through a more positive lens. Their intelligence, humour and creativity gave their work enormous appeal, but when it was suggested to them that they might choose to exhibit it one day, both resisted the idea, unwilling to expose their artworks and themselves to the public gaze.
Lot 1012
Collectable 35mm cameras including Fujica Rapid D1, Rollei A26, Olympus 35EC, Russian SLR, Voigtlander Vito CL, Canon Epoca, Yashica Samurai 4000iX, Zorki 10, Mamiya, Konica AiBorg, Agfa Silette SL, Gnome Vario, Agfa Moviematic C100, Voigtlander Vito B, Fujica 35 automatic, Dixons disc 2500, New Tomson four lens camera, Halina Paulette electric and a boxed PCP cine projector
Lot 1025
Eight 35mm SLR cameras comprising Fujica AZ-1 with 1:2.2 55m lens, Praktica LLC with 1.8/50 lens, Minolta Dynax 3xi with 35-70mm lens, Pentacon 4/300 lens, Pentax MRE with 28-70mm 1:3.5-4.8, Pentax MG with 1:2 50mm lens, Pentax SFXN with 35-70 and 70-200 lenses and Pentax MZ-50 with 35-80 lens and further Miranda and Kenlock lenses
Lot 1026
Five 35mm SLR cameras, lenses and accessories comprising Pentax ME super with 50mm 1:1.7 lens and Tamron 35-80mm 1:2.8-3.8, 28-135mm 1:4-4.5 and 70-210mm 1:3.5 lenses, Pentax P50 with 1:1.7 50mm and 1:2.8 135mm lenses, Asahi Pentax Spotmatic SPII with 1:1.4/50 lens, in original box, Minolta 7000 with 35-105mm 1:3.5-4.5 lens and a Praktica LTL3 with 1:2/55 lens
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70722 item(s)/page