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Nikon 'ED AF Micro Nikkor 200mm 1:4D' lens, Tamron 'SP Di AF 180mm 1;3.5 Macro1:1' lens, serial no 501075 and Tamron 'AF 70-300mm 1:4-5.6 Tele-Macro (1:2) ' lens, serial no 305906 Condition Report:Untested, the lenses are well used. Inclusion, debris, mould to the lenses

Minolta Autocord camera body serial no 360656, with 'Minolta Rokkor 1:3.5 f=75' lens serial no. 2440535 and Rokkor 1:3.2 f=75mm' view, serial no 2012721, with leather carry case and accessories

Kueb 88 camera body, with 'Mc Bonha-3 2.8/80' lens serial no 824052

Mamiya RZ67 professional camera body, serial no 120282, with 'Mamiya-Sekor Z f=50mm 1:4.5 W' lens, serial no 18057 and RZ67 AE Prism Finder serial no 106809

Nikon ED 'AF-S Nikkor 200-400mm 1:4G' lens, serial no 300970, with caseCondition Report:Untested, the lens is well used. Inclusion, debris, mould to the lens

Olympus 'OM-System Zuiko MC Auto-T 1:11 f=1000mm' lens serial number 103010, in carry caseCondition Report:Lens with light wear but no major scratches noticed

Seven camera lenses, including 'Pentacon 4/300' lens, serial no 8613038, 'Hoya HMC Zoom 28-85mm 1:4' lens serial no 215421, Minolta MD zoom 70-210mm 1:4' lens serial no 1022848, etc

Otto Wernhard folding mahogany and brass plate camera, with Steinhart Munchen lens No. 35129, together with two other plate camera and various plates

Sanderson Koilos folding plate camera in mahogany and lacquered brass, with 'Ensign Anastigmat Series IV No 2' lens, serial no 173998, with original leather case

Minox C camera with 'Minox 1:3.5 f=15mm' lens, in fitted leather case with original box

Selection of Brass Camera Lenses, to include Ross London lens 8 1/2 x 6 1/2, Beck Symmetrical lens, etc together with lens holders

Canon EOS 5D camera body, with 'Tamron SP 70-300mm F/4-5.6 lens, and accessories, together with soft case

Phase One 645DF camera body, serial no PX001074, with 'Schneider Kreuznach 80mm 1:28' lens, serial no PK004451, Phase one P25+ digital back, with other accessories with original transit case

J H Dallmeyer London brass camera lens, engraved J H Dallmeyer London, No 63653, 3A Patent

Ross of London lens for plate camera, sold by W.Morley, serial no 11243, lens D6cm

Canon A1 camera body, serial no 884847 with 'Canon FD 55mm 1;1.2 s.s.c' lens serial no 115005

Minolta AF Reflex 500mm 1:8' camera lens serial no 1920721, in case

Four Olympus camera bodies, including Olympus OM10, serial no 20744269, with 'Olympus OM-System Zuiko Auto-S 50mm 1:1.8' lens serial no 3633644, Olympus OM-2 camera body serial no 460280 with 'Olympus OM-System G.Zuiko Auto-s 1:1.4 f=50mm' lens, serial no 729750, etc

Seiko 'Mamiya Macro M 1:4.5 f=140mm M/L-A' lens serial no 003593 and Seiko 'Mamiya-Sekor Z f=110mm 1:2.8W' lens, serial no 56560

Zenit FS-12 "Fotosnaiper" Photographic Set, with Zenit 12S camera body, serial no 85001674, 'Tair-3S 4,5/300' lens serial no 580306, etc in fitted metal case

Rollei Rolleiflex 3.5C camera body, serial no 1775847, with 'Planar 1.35 f-75mm' lens serial no 1788432 and 'Heidosmat 1:2.8/75' lens serial no 2440876, complete with a cased set of additional lenses

Yashica-Mat Copal MXV camera body, serial no 408717, with Yashinon 1;3.2 f=80mm' and Yashinon 1;3.5 f=80mm' lens serial no 460802, together with Yashica 635 Copal-MXV camera body serial 4080675 with Yashinon 1;3.5 f=80mm' lens serial no 229427 and 'Yashikor 1;3.5 f=80mm' lens serial no 228386

Olympus OM-2 camera body, serial no 1117526, with Olympus OM-System Zuiko Auto-W 28mm 1:2.8' lens serial no 336591, Olympus OM10 camera body serial no 2392257, with Olympus OM-System Zuiko Auto-Macro 50mm 1:3.5' lens serial no 225784, Soligor C/D mirror lens 1:8 f=500mm' serial no 784035650 together with other camera equipment

Sigma '300-800mm 1:5.6 APO EX DG Hyper Sonic Motor' lens with Nikon fitting, serial no 1543902, with case Condition Report:Untested, the lens is well used. Inclusion, debris, mould to the lens

Welta Superfekta Folding twin lens camera, with 'Meyer Gorlitz Trioplan 1;3.8 f=10cm' lens serial no 649219 and 'Meyer Gorlitz Trioplan 1;3.8 f=7.5cm' lens serial no 653168, in fitted case

Nikon D7100 camera body, serial no 4370016, with Nikon 'AF-S Micro Nikkor 60mm 1:2.8G ED' lens serial no 234883 and battery Grip HN-D7100, with Lowepro camera bag Condition Report:Untested as no charger, a well used collection. Inclusion, debris, mould to the lens

Leica DRP, Ernst Leitz Wetzlar camera body, serial no indistinct with 'Leitz Elmar 1:3.5 f=50mm' lens

A Powell & Hanmer (P&H) Vulture chromed brass acetylene or carbide plated brass cased bicycle lamp, 2.5" lens and red and green tell tales, 17.5 cm (h). [W]

A Miller Regalite nickel plated, brass cased, acetylene or carbide bicycle lamp with 3" convex lens and green tell tales, 16 cm (h). [W]

A Jabez Bate & Co Verona oil fired bicycle lamp with 2" red lens, 11.5 cm (h). [W]

A Powell & Hanmer (P&H) Panther De Luxe acetylene or carbide bicycle lamp with 3" clear convex lens and red and green tell tales, 14 cm (h)

A Joseph Lucas Aceta carbide or acetylene bicycle lamp with 3" clear convex lens, 15.5 cm (h). [W]

A Powell & Hanmer (P&H) Panther acetylene or carbide bicycle lamp with 3" convex clear glass lens an red and green tell tales, 15 cm (h). [W]

A Joseph Lucas Calcia Cadet acetylene or carbide bicycle lamp with 2¾" clear convex lens and green tell tales, 14 cm (h). [W]

A vintage acetylene or carbide bicycle lamp with 2¾" clear glass lens, approximately 15 cm (h). [W]

Cameras to include 'Kopil Zoom 8 EE' and accessories in bag, 'Fujica ST505N', 'Mitakon 135mm f=1:2.8 lens and a 'Fujifilm instax mini 8' etc. 1 Box

Axomat 4 Enlarger, Yashica FX.D Camera, Tokina 75-150mm lens, Kodak camera, tripod.

Annette van Waaijen The Pool (Rio) I, 2023 Giclee print on Hahnemühle Photorag with stitching Signed on Verso 8.7 x 14.6cm (3¼ x 5½ in.) This lot has been curated by AOAP About Annette has an eye to uncover the beauty of the ordinary and of the unappreciated. She captures it with her lens, prints the photograph on canvas, and embroiders the work to highlight its beauty. This approach not only adds physical structure and depth to the otherwise flat surface but also creates a layered effect that is both figurative and tangible. The embroidery serves to enhance, blend, and imbue new significance to the artwork. In fact, the embroidery work is executed with such finesse that it can be challenging to discern where thread has been used and where it has not, giving the impression of painting with needle and thread. Following her graduation from the Gerrit Rietveld Academy in Amsterdam, Annette embarked on her journey as an independent artist at the age of 40. During her travels to places like Italy and Brazil, she captures photographs, often unposed, to serve as the foundation for her artwork. After printing these photos on canvas, she incorporates embroidery and textiles, sometimes to accentuate specific details, sometimes to add something that were not already there. The use of textiles, embroidery, and handicrafts has long been a tradition among the women in her family, albeit in a different manner. Annette's work is frequently showcased in exhibitions and art fairs, including the Affordable Art Fair in Amsterdam and Brussels, as well as the Cobra Museum in Amstelveen. Notably, one of her pieces, titled "THE POOL," was featured in the Summer Exhibition 2023 at the Royal Academy of Art last summer. Education Gerrit Rietveld Art Academy, Amsterdam; Photofactory (Private Photography college); Graphic School of Amsterdam (Design education) Select Exhibitions/Awards Select Exhibitions: 2023 Summer Exhibition 2023, Royal Academy of Art, London, June 13 - August 20 Art Fair Brabant, Tilburg, March 18-19 Atelierroute Amstelveen, Amstelveen, June 17 - 18 CV EDUCATION 2000 - 2004, Gerrit Rietveld Academie, grafisch ontwerpen 1990 - 1992, Grafisch Lyceum Amsterdam 2005 - 2006, Fotofactory PRICES 2007, Aemstelle Kunstprijs 2007, Cobra Museum voor Moderne Kunst, Amstelveen 2005, Prijswinnaar Groninger Archieven fotowedstrijd 2001, Prijswinnaar NPCI (Nikon Photocontest International) 2000-2001 PUBLICATIONS 2012, Amstelveens Nieuwsblad, oktober 2012, over 'Flirten onder het Viaduct'. 2011, Naturelle Magazine, 2 spreads 2010, Amstelveens Nieuwsblad, kunstpagina 2009, BK Info, nr 1, afbeelding werkAriadne, special interieurs i.v.m. Huishoudbeurs, afbeelding werk 2008, Friesch Dagblad, 8 oktober, recensie expositie bij Galerie de VisAmstelveens Nieuwsblad, 10 december 2007, Amstelveens Nieuwsblad, 31 oktober 2002, Distel, tijdschrift voor universiteiten, afbeelding 2 werken in spreads 2001, NPCI, Nikon photocontest, boek met prijswinnaars   OVERVIEW EXHIBITIONS 2023 Art on a Postcard, auction of postcard-size artwork prints, London, October 27 - November 15 Summer Exhibition 2023, Royal Academy of Art, London, June 13 - August 20 Art Fair Brabant, Tilburg, March 18-19 Overview of the Atelierroute, Cobra Museum of modern Art, Amstelveen, June 9 - 18 Atelierroute Amstelveen, Amstelveen, June 17 - 18 2022 NEST, Collage series, Galleria Café, Saõ Paulo, Brasil, December 1 - March 31 GLEICH IS NICHT GLEICH, Boterhal, Hoorn, February 13 - March 14 2021 The Future, Het Oude Raadhuis Aalsmeer, June 18 - September 29 In & Out of the Box, Ateliers 2005, Amstelveen, June 25 - 27 Sustainable Art, De Boem, Amstelveen, September 25 - 26 Awards: Aemstelle Artprice 2007, Cobra Museum for Modern Art, Amstelveen; NPCI (Nikon Photocontest International) 2001; Groninger Archives Photography competition. Statement about AOAP Submitted Artwork Painting with needle and thread. The Pool is found somewhere in the suburbs of Rio de Janeiro, in a private garden surrounded by rainforest. It was not used for some time. The silence of that pool in this garden made it a very special moment. Adding embroidery emphasises the colours, creates even more depth and makes the work tactile.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Annette van Waaijen The Pool (Rio) II, 2023 Giclee print on Hahnemühle Photorag with stitching Signed on Verso 9.5 x 14.9cm (3½ x 5¾ in.) This lot has been curated by AOAP About Annette has an eye to uncover the beauty of the ordinary and of the unappreciated. She captures it with her lens, prints the photograph on canvas, and embroiders the work to highlight its beauty. This approach not only adds physical structure and depth to the otherwise flat surface but also creates a layered effect that is both figurative and tangible. The embroidery serves to enhance, blend, and imbue new significance to the artwork. In fact, the embroidery work is executed with such finesse that it can be challenging to discern where thread has been used and where it has not, giving the impression of painting with needle and thread. Following her graduation from the Gerrit Rietveld Academy in Amsterdam, Annette embarked on her journey as an independent artist at the age of 40. During her travels to places like Italy and Brazil, she captures photographs, often unposed, to serve as the foundation for her artwork. After printing these photos on canvas, she incorporates embroidery and textiles, sometimes to accentuate specific details, sometimes to add something that were not already there. The use of textiles, embroidery, and handicrafts has long been a tradition among the women in her family, albeit in a different manner. Annette's work is frequently showcased in exhibitions and art fairs, including the Affordable Art Fair in Amsterdam and Brussels, as well as the Cobra Museum in Amstelveen. Notably, one of her pieces, titled "THE POOL," was featured in the Summer Exhibition 2023 at the Royal Academy of Art last summer. Education Gerrit Rietveld Art Academy, Amsterdam; Photofactory (Private Photography college); Graphic School of Amsterdam (Design education) Select Exhibitions/Awards Select Exhibitions: 2023 Summer Exhibition 2023, Royal Academy of Art, London, June 13 - August 20 Art Fair Brabant, Tilburg, March 18-19 Atelierroute Amstelveen, Amstelveen, June 17 - 18 CV EDUCATION 2000 - 2004, Gerrit Rietveld Academie, grafisch ontwerpen 1990 - 1992, Grafisch Lyceum Amsterdam 2005 - 2006, Fotofactory PRICES 2007, Aemstelle Kunstprijs 2007, Cobra Museum voor Moderne Kunst, Amstelveen 2005, Prijswinnaar Groninger Archieven fotowedstrijd 2001, Prijswinnaar NPCI (Nikon Photocontest International) 2000-2001 PUBLICATIONS 2012, Amstelveens Nieuwsblad, oktober 2012, over 'Flirten onder het Viaduct'. 2011, Naturelle Magazine, 2 spreads 2010, Amstelveens Nieuwsblad, kunstpagina 2009, BK Info, nr 1, afbeelding werkAriadne, special interieurs i.v.m. Huishoudbeurs, afbeelding werk 2008, Friesch Dagblad, 8 oktober, recensie expositie bij Galerie de VisAmstelveens Nieuwsblad, 10 december 2007, Amstelveens Nieuwsblad, 31 oktober 2002, Distel, tijdschrift voor universiteiten, afbeelding 2 werken in spreads 2001, NPCI, Nikon photocontest, boek met prijswinnaars   OVERVIEW EXHIBITIONS 2023 Art on a Postcard, auction of postcard-size artwork prints, London, October 27 - November 15 Summer Exhibition 2023, Royal Academy of Art, London, June 13 - August 20 Art Fair Brabant, Tilburg, March 18-19 Overview of the Atelierroute, Cobra Museum of modern Art, Amstelveen, June 9 - 18 Atelierroute Amstelveen, Amstelveen, June 17 - 18 2022 NEST, Collage series, Galleria Café, Saõ Paulo, Brasil, December 1 - March 31 GLEICH IS NICHT GLEICH, Boterhal, Hoorn, February 13 - March 14 2021 The Future, Het Oude Raadhuis Aalsmeer, June 18 - September 29 In & Out of the Box, Ateliers 2005, Amstelveen, June 25 - 27 Sustainable Art, De Boem, Amstelveen, September 25 - 26 Awards: Aemstelle Artprice 2007, Cobra Museum for Modern Art, Amstelveen; NPCI (Nikon Photocontest International) 2001; Groninger Archives Photography competition. Statement about AOAP Submitted Artwork Painting with needle and thread. The Pool is found somewhere in the suburbs of Rio de Janeiro, in a private garden surrounded by rainforest. It was not used for some time. The silence of that pool in this garden made it a very special moment. Adding embroidery emphasises the colours, creates even more depth and makes the work tactile.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Jack Jubb Fish, 2023 Airbrush, acrylic on postcard Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Ell Pennick About Jack Jubb is an Artist whose practice is grounded in a critical engagement with the politics of the image, having access to one of the earliest iterations of Photoshop's suite of airbrushing and liquify tools as a child through his father's job as a graphic designer, Jack developed an acute interest in the power of editing tools to transform and recontextualise media. Jack's airbrush paintings derive from the historical context of the airbrush as one of the earliest tools used for the editing of photographs. Even as the practice has been long been superseded by advancements in digital photo editing, the "airbrushed" photograph remains in the popular vernacular, denoting a dawning paranoia associated with the truth or falsehood of the images that one is confronted with in every sphere of life, employing an airbrush as a lens-based tool of image reproduction and doctoring. Jack's painting practice is an editorial process in which elements of source material, gathered from personal photographs and vast tracts of online data, may be destroyed, or embellished to craft affecting narratives concerning memory, alienation, and countercultural anxieties. Education Goldsmiths University (Graduated 2015) Select Exhibitions/Awards 2023 VEGAN / House of Spouse / Vienna AUS Half-Life / Stems Gallery / Brussels, BE 2022 The Empath / Carl Kostyál / Milan, IT Viscous Cycle / The Residence Gallery / London, UK 2021 Feeling Sentimental / DJ / Berlin, DE Statement about AOAP submitted work The Painting of a Betta Fish is derived from a fragmentary low-resolution video still     You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Isabella Lolita Amram Anti-Matter Field Oil and oil pastel on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Isabella Lolita Amram is a Turkish and Venezuelan artist living in London. Isabella ritualistically combines astrological chart analysis and tarot card divination in relation to the places, people, and events that inspire her, with paint. Her paintings can best be described as cosmological landscapes and portraits that capture the world through a lens of occult knowledge. Further to that, she not only conceptually and experientially investigates, but also "processually" embodies and performs her research on tarot- and astrology-centric symbolic and archetypal storytelling through a gestural, circular, and textured manner of layering paint, using the materials as an extension her body. On the one hand Isabella's practice is built on a foundation of conceptual research on esoteric meaning-creating symbols based on astrology and tarot. On the other, it emphasises approaching the occult by dropping out of analysis and storytelling into "mystery," which she does through practices like automatic drawing and using her body as a vessel rather than a tool of conscious material manipulation. The intention behind this seemingly dualistic foundation is to bridge the gap between body and cosmos, material and meaning, the unknown and knowledge, something and no-thing, and the observed and imagined, through the use of the physical and tactile properties of paint, surface and colour. As such, Isabella touches upon moments of individuation and transformation - both personally and collectively. Furthermore, through her work, Isabella aims to open the door to conversations about the relationship between space and time, the unknown that exists beyond storytelling, contemporary attitudes on mysticism, as well as age-old discussions on consciousness, free will, and the cyclically patterned nature of history. The crux of Isabella's oeuvre is the fleeting and transformative process that goes on in her studio, while the works displayed are heirlooms from these voyages throughout space and time. Education BA from Brown University Foundation Degree in Fine Art from UAL Graduate Diploma in Fine Art from UAL (ongoing) Select Exhibitions/Awards 'There, Yet' group exhibition at The Department Store Brixton, London, UK Pop-up group exhibition at Standpoint Gallery, London, UK 'Intuition Goes Before You' group show, 13 Soho Square, London, UK 'ONE Akaretler' group show by Bilgili Holding and shopigo art platform, Istanbul, Turkey Statement about AOAP Submitted Artwork Isabella Lolita Amram's practice is built on a foundation of radical processual embodiment - a durational way of painting as felt and experienced by the body, on the one hand, and research on ancient and esoteric meaning-creating symbols based on astrology and tarot, on the other. The intention behind this foundation is to bridge the gap between body and cosmos, material and meaning, mystery and knowledge, something and no-thing, and the observed and imagined, through the use of the physical and tactile properties of paint, surface and colour. As such, Isabella touches upon moments of individuation and transformation - both personally and collectively. Isabella not only conceptually investigates, but also "processually" embodies and performs her research on tarot and astrology-centric symbolic and archetypal storytelling through a gestural, circular, and textured manner of weaving materials. Ritualistically combining astrological charts and tarot divination with paint, her works can best be described as cosmological landscapes and portraits of events and people informed by divination. Analysing moments of significance through the lens of such occult tools and transcribing them onto surfaces opens the door to conversations about the relationship between space and time, the unknown that exists beyond storytelling, contemporary attitudes on the esoteric, as well as age-old discussions on consciousness, free will, and the cyclically patterned nature of history.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Isabella Lolita Amram We Both Stood Up a Little too Fast Oil and oil pastel on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Isabella Lolita Amram is a Turkish and Venezuelan artist living in London. Isabella ritualistically combines astrological chart analysis and tarot card divination in relation to the places, people, and events that inspire her, with paint. Her paintings can best be described as cosmological landscapes and portraits that capture the world through a lens of occult knowledge. Further to that, she not only conceptually and experientially investigates, but also "processually" embodies and performs her research on tarot- and astrology-centric symbolic and archetypal storytelling through a gestural, circular, and textured manner of layering paint, using the materials as an extension her body. On the one hand Isabella's practice is built on a foundation of conceptual research on esoteric meaning-creating symbols based on astrology and tarot. On the other, it emphasises approaching the occult by dropping out of analysis and storytelling into "mystery," which she does through practices like automatic drawing and using her body as a vessel rather than a tool of conscious material manipulation. The intention behind this seemingly dualistic foundation is to bridge the gap between body and cosmos, material and meaning, the unknown and knowledge, something and no-thing, and the observed and imagined, through the use of the physical and tactile properties of paint, surface and colour. As such, Isabella touches upon moments of individuation and transformation - both personally and collectively. Furthermore, through her work, Isabella aims to open the door to conversations about the relationship between space and time, the unknown that exists beyond storytelling, contemporary attitudes on mysticism, as well as age-old discussions on consciousness, free will, and the cyclically patterned nature of history. The crux of Isabella's oeuvre is the fleeting and transformative process that goes on in her studio, while the works displayed are heirlooms from these voyages throughout space and time. Education BA from Brown University Foundation Degree in Fine Art from UAL Graduate Diploma in Fine Art from UAL (ongoing) Select Exhibitions/Awards 'There, Yet' group exhibition at The Department Store Brixton, London, UK Pop-up group exhibition at Standpoint Gallery, London, UK 'Intuition Goes Before You' group show, 13 Soho Square, London, UK 'ONE Akaretler' group show by Bilgili Holding and shopigo art platform, Istanbul, Turkey Statement about AOAP Submitted Artwork Isabella Lolita Amram's practice is built on a foundation of radical processual embodiment - a durational way of painting as felt and experienced by the body, on the one hand, and research on ancient and esoteric meaning-creating symbols based on astrology and tarot, on the other. The intention behind this foundation is to bridge the gap between body and cosmos, material and meaning, mystery and knowledge, something and no-thing, and the observed and imagined, through the use of the physical and tactile properties of paint, surface and colour. As such, Isabella touches upon moments of individuation and transformation - both personally and collectively. Isabella not only conceptually investigates, but also "processually" embodies and performs her research on tarot and astrology-centric symbolic and archetypal storytelling through a gestural, circular, and textured manner of weaving materials. Ritualistically combining astrological charts and tarot divination with paint, her works can best be described as cosmological landscapes and portraits of events and people informed by divination. Analysing moments of significance through the lens of such occult tools and transcribing them onto surfaces opens the door to conversations about the relationship between space and time, the unknown that exists beyond storytelling, contemporary attitudes on the esoteric, as well as age-old discussions on consciousness, free will, and the cyclically patterned nature of history.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Isabella Lolita Amram Bad Hologram Oil and oil pastel on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Isabella Lolita Amram is a Turkish and Venezuelan artist living in London. Isabella ritualistically combines astrological chart analysis and tarot card divination in relation to the places, people, and events that inspire her, with paint. Her paintings can best be described as cosmological landscapes and portraits that capture the world through a lens of occult knowledge. Further to that, she not only conceptually and experientially investigates, but also "processually" embodies and performs her research on tarot- and astrology-centric symbolic and archetypal storytelling through a gestural, circular, and textured manner of layering paint, using the materials as an extension her body. On the one hand Isabella's practice is built on a foundation of conceptual research on esoteric meaning-creating symbols based on astrology and tarot. On the other, it emphasises approaching the occult by dropping out of analysis and storytelling into "mystery," which she does through practices like automatic drawing and using her body as a vessel rather than a tool of conscious material manipulation. The intention behind this seemingly dualistic foundation is to bridge the gap between body and cosmos, material and meaning, the unknown and knowledge, something and no-thing, and the observed and imagined, through the use of the physical and tactile properties of paint, surface and colour. As such, Isabella touches upon moments of individuation and transformation - both personally and collectively. Furthermore, through her work, Isabella aims to open the door to conversations about the relationship between space and time, the unknown that exists beyond storytelling, contemporary attitudes on mysticism, as well as age-old discussions on consciousness, free will, and the cyclically patterned nature of history. The crux of Isabella's oeuvre is the fleeting and transformative process that goes on in her studio, while the works displayed are heirlooms from these voyages throughout space and time. Education BA from Brown University Foundation Degree in Fine Art from UAL Graduate Diploma in Fine Art from UAL (ongoing) Select Exhibitions/Awards 'There, Yet' group exhibition at The Department Store Brixton, London, UK Pop-up group exhibition at Standpoint Gallery, London, UK 'Intuition Goes Before You' group show, 13 Soho Square, London, UK 'ONE Akaretler' group show by Bilgili Holding and shopigo art platform, Istanbul, Turkey Statement about AOAP Submitted Artwork Isabella Lolita Amram's practice is built on a foundation of radical processual embodiment - a durational way of painting as felt and experienced by the body, on the one hand, and research on ancient and esoteric meaning-creating symbols based on astrology and tarot, on the other. The intention behind this foundation is to bridge the gap between body and cosmos, material and meaning, mystery and knowledge, something and no-thing, and the observed and imagined, through the use of the physical and tactile properties of paint, surface and colour. As such, Isabella touches upon moments of individuation and transformation - both personally and collectively. Isabella not only conceptually investigates, but also "processually" embodies and performs her research on tarot and astrology-centric symbolic and archetypal storytelling through a gestural, circular, and textured manner of weaving materials. Ritualistically combining astrological charts and tarot divination with paint, her works can best be described as cosmological landscapes and portraits of events and people informed by divination. Analysing moments of significance through the lens of such occult tools and transcribing them onto surfaces opens the door to conversations about the relationship between space and time, the unknown that exists beyond storytelling, contemporary attitudes on the esoteric, as well as age-old discussions on consciousness, free will, and the cyclically patterned nature of history.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Isabella Lolita Amram Forgotten Shadows Oil and oil pastel on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Isabella Lolita Amram is a Turkish and Venezuelan artist living in London. Isabella ritualistically combines astrological chart analysis and tarot card divination in relation to the places, people, and events that inspire her, with paint. Her paintings can best be described as cosmological landscapes and portraits that capture the world through a lens of occult knowledge. Further to that, she not only conceptually and experientially investigates, but also "processually" embodies and performs her research on tarot- and astrology-centric symbolic and archetypal storytelling through a gestural, circular, and textured manner of layering paint, using the materials as an extension her body. On the one hand Isabella's practice is built on a foundation of conceptual research on esoteric meaning-creating symbols based on astrology and tarot. On the other, it emphasises approaching the occult by dropping out of analysis and storytelling into "mystery," which she does through practices like automatic drawing and using her body as a vessel rather than a tool of conscious material manipulation. The intention behind this seemingly dualistic foundation is to bridge the gap between body and cosmos, material and meaning, the unknown and knowledge, something and no-thing, and the observed and imagined, through the use of the physical and tactile properties of paint, surface and colour. As such, Isabella touches upon moments of individuation and transformation - both personally and collectively. Furthermore, through her work, Isabella aims to open the door to conversations about the relationship between space and time, the unknown that exists beyond storytelling, contemporary attitudes on mysticism, as well as age-old discussions on consciousness, free will, and the cyclically patterned nature of history. The crux of Isabella's oeuvre is the fleeting and transformative process that goes on in her studio, while the works displayed are heirlooms from these voyages throughout space and time. Education BA from Brown University Foundation Degree in Fine Art from UAL Graduate Diploma in Fine Art from UAL (ongoing) Select Exhibitions/Awards 'There, Yet' group exhibition at The Department Store Brixton, London, UK Pop-up group exhibition at Standpoint Gallery, London, UK 'Intuition Goes Before You' group show, 13 Soho Square, London, UK 'ONE Akaretler' group show by Bilgili Holding and shopigo art platform, Istanbul, Turkey Statement about AOAP Submitted Artwork Isabella Lolita Amram's practice is built on a foundation of radical processual embodiment - a durational way of painting as felt and experienced by the body, on the one hand, and research on ancient and esoteric meaning-creating symbols based on astrology and tarot, on the other. The intention behind this foundation is to bridge the gap between body and cosmos, material and meaning, mystery and knowledge, something and no-thing, and the observed and imagined, through the use of the physical and tactile properties of paint, surface and colour. As such, Isabella touches upon moments of individuation and transformation - both personally and collectively. Isabella not only conceptually investigates, but also "processually" embodies and performs her research on tarot and astrology-centric symbolic and archetypal storytelling through a gestural, circular, and textured manner of weaving materials. Ritualistically combining astrological charts and tarot divination with paint, her works can best be described as cosmological landscapes and portraits of events and people informed by divination. Analysing moments of significance through the lens of such occult tools and transcribing them onto surfaces opens the door to conversations about the relationship between space and time, the unknown that exists beyond storytelling, contemporary attitudes on the esoteric, as well as age-old discussions on consciousness, free will, and the cyclically patterned nature of history.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Coco Lom Spot Light, 2023 Paint, paper and photography collage on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Verity Babbs About Coco Lom is an artist and designer from Hackney specialising in abstract pattern. Her style mixes a bold bright colour palette with black and white pattern and she's designed printed clothing, painted giant murals, and even transformed London's first art basketball court. She's on a mission to open people's eyes to all the patterns, shapes and colours that lie in the world around us and help people celebrate the quiet details we might not normally notice. Her work has been featured by Sky Sports, Adobe, Creative Boom, Design Week, It's Nice That and more. Clients include Disney, Covent Garden, Holland & Barrett, Pink Lady Apples and Shoreditch Studios. Education Coco Lom is a graduate of Kingston University (Foundation) and Norwich University of the Arts (BA Hons Illustration). Select Exhibitions/Awards The Book Club - Solo Exhibition 'Nudibranch' Dezeen - 'Designed in Hackney' at One Hundred Shoreditch Statement about AOAP Submitted Artwork Each postcard is a collage of bright block colour combined with my black and white shadow photography. I've always seen the world through the lens of shapes, shadows, patterns and textures. Every day, we pass so many visually beautiful moments, but we often forget to appreciate them. Through my photography, I capture these overlooked details which I've cut and collaged to create my block postcard series. Searching for happy pattern moments brings me a great sense of joy and calm and my daily mission as an artist is to help people celebrate these quiet but mighty moments. I hope that my work encourages people to put their pattern goggles on and sparks a new appreciation for our spectacular world around us.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Kate Walters Ms. (1) Watercolour sticks, oil pastels and ink on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Kate lives and works in west Cornwall. She works every day in her studio, after walking beside the sea. Viewing Kate's totemic figures, so delicately rendered in Rorschach-esque watercolour, for the first time, is as though peering into the very cycles of life and death. These paintings show both an abstract interest and material contact between the primordial and the universal -- a suggested communion with that same spirit who first cast images on those low-lit caves in Lascaux. Indeed, like them, it is not so much figure Kate's works seek to represent: her preoccupation is rather with movement, with spirit and sensation, with being itself. Education Foundation Byam Shaw; Fine Art Brighton University; post graduate studies at Falmouth University. Also studied classical shamanism with Chris Luttichau at Northern Drum. Select Exhibitions/Awards RA summer show 2005; ACE awards 2004, 2007 and 2020; a-n awards to visit and write about Venice Biennale, and tour the Outer Hebrides researching and working; awards from Cultivator Cornwall and Creative Skills to research Shetland and Venice. Solo show Newlyn Art Gallery 2012, with support from Newlyn Art Gallery and the Juliet Gomperts Trust. Short-listed for the Trinity Buoy Wharf Drawing Prize in 2023 and Jerwood Drawing Prize in 2003 and 2008. Solo exhibition Tremenheere Gallery 2019. Solo exhibitions with Arusha Gallery in 2014, 2019, 2022 and forthcoming May 2024 (London). Gallery Representation Arusha Gallery, Edinburgh, New York and London. Statement about AOAP Submitted Artwork I made these drawings as part of a long sequence of drawings I'm making in found and vintage books. They explore imagery I receive in dreams and from spiritual traditions which fascinate and inspire me. Everything I do and make is through the lens of my deeply felt bodily sensations.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Kate Walters Ms. (2) Watercolour sticks, oil pastels and ink on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Kate lives and works in west Cornwall. She works every day in her studio, after walking beside the sea. Viewing Kate's totemic figures, so delicately rendered in Rorschach-esque watercolour, for the first time, is as though peering into the very cycles of life and death. These paintings show both an abstract interest and material contact between the primordial and the universal -- a suggested communion with that same spirit who first cast images on those low-lit caves in Lascaux. Indeed, like them, it is not so much figure Kate's works seek to represent: her preoccupation is rather with movement, with spirit and sensation, with being itself. Education Foundation Byam Shaw; Fine Art Brighton University; post graduate studies at Falmouth University. Also studied classical shamanism with Chris Luttichau at Northern Drum. Select Exhibitions/Awards RA summer show 2005; ACE awards 2004, 2007 and 2020; a-n awards to visit and write about Venice Biennale, and tour the Outer Hebrides researching and working; awards from Cultivator Cornwall and Creative Skills to research Shetland and Venice. Solo show Newlyn Art Gallery 2012, with support from Newlyn Art Gallery and the Juliet Gomperts Trust. Short-listed for the Trinity Buoy Wharf Drawing Prize in 2023 and Jerwood Drawing Prize in 2003 and 2008. Solo exhibition Tremenheere Gallery 2019. Solo exhibitions with Arusha Gallery in 2014, 2019, 2022 and forthcoming May 2024 (London). Gallery Representation Arusha Gallery, Edinburgh, New York and London. Statement about AOAP Submitted Artwork I made these drawings as part of a long sequence of drawings I'm making in found and vintage books. They explore imagery I receive in dreams and from spiritual traditions which fascinate and inspire me. Everything I do and make is through the lens of my deeply felt bodily sensations.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Kate Walters Ms. (3) Watercolour sticks, oil pastels and ink on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Kate lives and works in west Cornwall. She works every day in her studio, after walking beside the sea. Viewing Kate's totemic figures, so delicately rendered in Rorschach-esque watercolour, for the first time, is as though peering into the very cycles of life and death. These paintings show both an abstract interest and material contact between the primordial and the universal -- a suggested communion with that same spirit who first cast images on those low-lit caves in Lascaux. Indeed, like them, it is not so much figure Kate's works seek to represent: her preoccupation is rather with movement, with spirit and sensation, with being itself. Education Foundation Byam Shaw; Fine Art Brighton University; post graduate studies at Falmouth University. Also studied classical shamanism with Chris Luttichau at Northern Drum. Select Exhibitions/Awards RA summer show 2005; ACE awards 2004, 2007 and 2020; a-n awards to visit and write about Venice Biennale, and tour the Outer Hebrides researching and working; awards from Cultivator Cornwall and Creative Skills to research Shetland and Venice. Solo show Newlyn Art Gallery 2012, with support from Newlyn Art Gallery and the Juliet Gomperts Trust. Short-listed for the Trinity Buoy Wharf Drawing Prize in 2023 and Jerwood Drawing Prize in 2003 and 2008. Solo exhibition Tremenheere Gallery 2019. Solo exhibitions with Arusha Gallery in 2014, 2019, 2022 and forthcoming May 2024 (London). Gallery Representation Arusha Gallery, Edinburgh, New York and London. Statement about AOAP Submitted Artwork I made these drawings as part of a long sequence of drawings I'm making in found and vintage books. They explore imagery I receive in dreams and from spiritual traditions which fascinate and inspire me. Everything I do and make is through the lens of my deeply felt bodily sensations.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Coco Lom Shadow Ladder Paper and photograph collage on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Verity Babbs About Coco Lom is an artist and designer from Hackney specialising in abstract pattern. Her style mixes a bold bright colour palette with black and white pattern and she's designed printed clothing, painted giant murals, and even transformed London's first art basketball court. She's on a mission to open people's eyes to all the patterns, shapes and colours that lie in the world around us and help people celebrate the quiet details we might not normally notice. Her work has been featured by Sky Sports, Adobe, Creative Boom, Design Week, It's Nice That and more. Clients include Disney, Covent Garden, Holland & Barrett, Pink Lady Apples and Shoreditch Studios. Education Coco Lom is a graduate of Kingston University (Foundation) and Norwich University of the Arts (BA Hons Illustration). Select Exhibitions/Awards The Book Club - Solo Exhibition 'Nudibranch' Dezeen - 'Designed in Hackney' at One Hundred Shoreditch Statement about AOAP Submitted Artwork Each postcard is a collage of bright block colour combined with my black and white shadow photography. I've always seen the world through the lens of shapes, shadows, patterns and textures. Every day, we pass so many visually beautiful moments, but we often forget to appreciate them. Through my photography, I capture these overlooked details which I've cut and collaged to create my block postcard series. Searching for happy pattern moments brings me a great sense of joy and calm and my daily mission as an artist is to help people celebrate these quiet but mighty moments. I hope that my work encourages people to put their pattern goggles on and sparks a new appreciation for our spectacular world around us.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Kate Walters Ms. (4) Watercolour sticks, oil pastels and ink on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Kate lives and works in west Cornwall. She works every day in her studio, after walking beside the sea. Viewing Kate's totemic figures, so delicately rendered in Rorschach-esque watercolour, for the first time, is as though peering into the very cycles of life and death. These paintings show both an abstract interest and material contact between the primordial and the universal -- a suggested communion with that same spirit who first cast images on those low-lit caves in Lascaux. Indeed, like them, it is not so much figure Kate's works seek to represent: her preoccupation is rather with movement, with spirit and sensation, with being itself. Education Foundation Byam Shaw; Fine Art Brighton University; post graduate studies at Falmouth University. Also studied classical shamanism with Chris Luttichau at Northern Drum. Select Exhibitions/Awards RA summer show 2005; ACE awards 2004, 2007 and 2020; a-n awards to visit and write about Venice Biennale, and tour the Outer Hebrides researching and working; awards from Cultivator Cornwall and Creative Skills to research Shetland and Venice. Solo show Newlyn Art Gallery 2012, with support from Newlyn Art Gallery and the Juliet Gomperts Trust. Short-listed for the Trinity Buoy Wharf Drawing Prize in 2023 and Jerwood Drawing Prize in 2003 and 2008. Solo exhibition Tremenheere Gallery 2019. Solo exhibitions with Arusha Gallery in 2014, 2019, 2022 and forthcoming May 2024 (London). Gallery Representation Arusha Gallery, Edinburgh, New York and London. Statement about AOAP Submitted Artwork I made these drawings as part of a long sequence of drawings I'm making in found and vintage books. They explore imagery I receive in dreams and from spiritual traditions which fascinate and inspire me. Everything I do and make is through the lens of my deeply felt bodily sensations.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Coco Lom Sun Stripes, 2023 Paper and photograph collage on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Verity Babbs About Coco Lom is an artist and designer from Hackney specialising in abstract pattern. Her style mixes a bold bright colour palette with black and white pattern and she's designed printed clothing, painted giant murals, and even transformed London's first art basketball court. She's on a mission to open people's eyes to all the patterns, shapes and colours that lie in the world around us and help people celebrate the quiet details we might not normally notice. Her work has been featured by Sky Sports, Adobe, Creative Boom, Design Week, It's Nice That and more. Clients include Disney, Covent Garden, Holland & Barrett, Pink Lady Apples and Shoreditch Studios. Education Coco Lom is a graduate of Kingston University (Foundation) and Norwich University of the Arts (BA Hons Illustration). Select Exhibitions/Awards The Book Club - Solo Exhibition 'Nudibranch' Dezeen - 'Designed in Hackney' at One Hundred Shoreditch Statement about AOAP Submitted Artwork Each postcard is a collage of bright block colour combined with my black and white shadow photography. I've always seen the world through the lens of shapes, shadows, patterns and textures. Every day, we pass so many visually beautiful moments, but we often forget to appreciate them. Through my photography, I capture these overlooked details which I've cut and collaged to create my block postcard series. Searching for happy pattern moments brings me a great sense of joy and calm and my daily mission as an artist is to help people celebrate these quiet but mighty moments. I hope that my work encourages people to put their pattern goggles on and sparks a new appreciation for our spectacular world around us.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Coco Lom City Blocks Paper and photograph collage on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Verity Babbs About Coco Lom is an artist and designer from Hackney specialising in abstract pattern. Her style mixes a bold bright colour palette with black and white pattern and she's designed printed clothing, painted giant murals, and even transformed London's first art basketball court. She's on a mission to open people's eyes to all the patterns, shapes and colours that lie in the world around us and help people celebrate the quiet details we might not normally notice. Her work has been featured by Sky Sports, Adobe, Creative Boom, Design Week, It's Nice That and more. Clients include Disney, Covent Garden, Holland & Barrett, Pink Lady Apples and Shoreditch Studios. Education Coco Lom is a graduate of Kingston University (Foundation) and Norwich University of the Arts (BA Hons Illustration). Select Exhibitions/Awards The Book Club - Solo Exhibition 'Nudibranch' Dezeen - 'Designed in Hackney' at One Hundred Shoreditch Statement about AOAP Submitted Artwork Each postcard is a collage of bright block colour combined with my black and white shadow photography. I've always seen the world through the lens of shapes, shadows, patterns and textures. Every day, we pass so many visually beautiful moments, but we often forget to appreciate them. Through my photography, I capture these overlooked details which I've cut and collaged to create my block postcard series. Searching for happy pattern moments brings me a great sense of joy and calm and my daily mission as an artist is to help people celebrate these quiet but mighty moments. I hope that my work encourages people to put their pattern goggles on and sparks a new appreciation for our spectacular world around us.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Carla Busuttil Caw Caw Mixed media on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Carla Busuttil was born in Johannesburg in 1982. She gained a Postgraduate Fine Art degree from the Royal Academy of Arts after completing her BA (Hons.) from the University of Witwatersrand. She works across painting, drawing and video, exploring the manipulation of digital and analogue material through installation, movement and performance. She uses multilayered references to create fictional imaginings that draw on real life events / people in order to engage with culture from a contemporary and critical perspective. Carla lives and works in Birmingham UK. Education 2005 - 08 Postgraduate Dipl. Royal Academy Schools, London 2001 - 04 BA (Hons.) Fine Art, University of Witwatersrand, Johannesburg Select Exhibitions/Awards SOLO SHOWS Always the Land, Recent Activity, Birmingham, UK, 2021 Sunset Debris, Montresso Art Foundation, Marrakech, 2020 Gentlemen, I Just Don't Belong Here, Goodman Gallery, Cape Town, 2019 The Super-Suburb Defence Authority, Josh Lilley, London, 2016 Choice. Click. Bait. , Goodman Gallery, Johannesburg, 2016 GROUP SHOWS Nothing but Thresholds, Ingot Studios, Birmingham, 2023 Night School, Birmingham School of Art, Birmingham, 2023 Good Neighbours, Nirox Sculpture Park, Johannesburg, 2022 Empire through the Lens, Midlands Art Centre, Birmingham, 2022 Bohlale Ba Maka, Performance and Open Studio Exhibition, Nirox Sculpture Park, Johannesburg, 2022 IDENT, with Schemata and Corsica Studios, New Art City, 2021 Ikon for Artists, Ikon gallery, Birmingham, 2021 Distorted Figure, Space K, Seoul, 2020 Gallery Representation Josh Lilley   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Ken Nwadiogbu In the Wave Charcoal and acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Ken Nwadiogbu (b. 1994, Lagos, Nigeria) is a self-taught multidisciplinary artist, based in Lagos, Nigeria. A trained civil engineer, he soon pivoted to fine art, first embracing hyperrealism and charcoal drawing before expanding his creative horizon to more conceptual works and a wider array of techniques, including acrylic painting, sculpture and installation. His works are inspired by iconic American contemporary art figures such as J.-M. Basquiat, Kehinde Wiley, Toyin Ojih Odutola and Kerry James Marshall. On Ken's large canvases, stories superimpose themselves in multiple layers. Mixing together hyperrealism with contemporary elements, he creates ingenious, politically charged visual illusions that deploy a singular outlook, daring the audience to question their own, for "value lies in the perspective". Defending an art that can be at once smart and fun, he explores grave matters in intense colours and playful cut-outs, addressing altogether black representation and identity, displacement, and socio-political control. Popularly known as KenArt, Ken is credited for introducing the "Contemporealism" movement and was named by Guardian Life as one of the most "Outstanding Personalities" in Nigeria. In 2019, he was awarded the prestigious The Future Awards Africa in recognition of his contributions to the Nigerian arts community. A core focus for him is to inspire and encourage young creatives. He does this through public speaking and mentorship, as well as through his creative companies. He nurtures an art collective called 'Title Deed' and co-found Artists Connect NG, the largest artist gathering in Nigeria, created to foster creativity, collaboration and community. His works have been exhibited in a number of galleries including Omenka Gallery ('Insanity' group show, Lagos, 2016), Retro Africa ('In the making', Abuja, 2018), Bricklane Gallery ('Contemporealism', London, 2019), Bomb Factory Art Foundation ('Journey Mercies', London, 2021) and Thinkspace ('Ubuntu', LA, 2021). His works were showcased at ART X Lagos on several occasions, at 154 London, and Prizm Art Fair, in Miami. He has worked on multiple projects with respected international brands like Martell Cognac, McMillan Publishers, Flight Logistics, and many others. Ken enjoys expanding his perspective -and ours, rarely ever leaving anything to chance, but rather proceeding from a place of joy, and intentional care. He is constantly revitalizing his practice by challenging modes of Black representation. His oeuvres do not just encompass various forms of painting but most recently transcends into photography, sculpture, installation, NFT and video Education MA Painting, Royal College of Art Select Exhibitions/Awards Awards: 2019: The Future Awards Africa Prize for Art Exhibitions: 2022, SCOPE Art Fair Miami, 2020, Prizm International Art Fair Miami, 2020, 1-54 African Art Fair New York, Portrait of a Top boy and Summer exhibition Royal Academy Gallery Representation Retro Africa Gallery and Kristin Hjellegjerde Gallery. Statement about AOAP Submitted Artwork In my artistic endeavours, I explore my personal experiences while also providing a social commentary on the shared experiences of others. For this AOAP project, I have delved into my own encounters in London, using them as a lens to shed light on the collective experiences of African immigrants in the city.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Ken Nwadiogbu Red Dots Charcoal and acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Ken Nwadiogbu (b. 1994, Lagos, Nigeria) is a self-taught multidisciplinary artist, based in Lagos, Nigeria. A trained civil engineer, he soon pivoted to fine art, first embracing hyperrealism and charcoal drawing before expanding his creative horizon to more conceptual works and a wider array of techniques, including acrylic painting, sculpture and installation. His works are inspired by iconic American contemporary art figures such as J.-M. Basquiat, Kehinde Wiley, Toyin Ojih Odutola and Kerry James Marshall. On Ken's large canvases, stories superimpose themselves in multiple layers. Mixing together hyperrealism with contemporary elements, he creates ingenious, politically charged visual illusions that deploy a singular outlook, daring the audience to question their own, for "value lies in the perspective". Defending an art that can be at once smart and fun, he explores grave matters in intense colours and playful cut-outs, addressing altogether black representation and identity, displacement, and socio-political control. Popularly known as KenArt, Ken is credited for introducing the "Contemporealism" movement and was named by Guardian Life as one of the most "Outstanding Personalities" in Nigeria. In 2019, he was awarded the prestigious The Future Awards Africa in recognition of his contributions to the Nigerian arts community. A core focus for him is to inspire and encourage young creatives. He does this through public speaking and mentorship, as well as through his creative companies. He nurtures an art collective called 'Title Deed' and co-found Artists Connect NG, the largest artist gathering in Nigeria, created to foster creativity, collaboration and community. His works have been exhibited in a number of galleries including Omenka Gallery ('Insanity' group show, Lagos, 2016), Retro Africa ('In the making', Abuja, 2018), Bricklane Gallery ('Contemporealism', London, 2019), Bomb Factory Art Foundation ('Journey Mercies', London, 2021) and Thinkspace ('Ubuntu', LA, 2021). His works were showcased at ART X Lagos on several occasions, at 154 London, and Prizm Art Fair, in Miami. He has worked on multiple projects with respected international brands like Martell Cognac, McMillan Publishers, Flight Logistics, and many others. Ken enjoys expanding his perspective -and ours, rarely ever leaving anything to chance, but rather proceeding from a place of joy, and intentional care. He is constantly revitalizing his practice by challenging modes of Black representation. His oeuvres do not just encompass various forms of painting but most recently transcends into photography, sculpture, installation, NFT and video Education MA Painting, Royal College of Art Select Exhibitions/Awards Awards: 2019: The Future Awards Africa Prize for Art Exhibitions: 2022, SCOPE Art Fair Miami, 2020, Prizm International Art Fair Miami, 2020, 1-54 African Art Fair New York, Portrait of a Top boy and Summer exhibition Royal Academy Gallery Representation Retro Africa Gallery and Kristin Hjellegjerde Gallery. Statement about AOAP Submitted Artwork In my artistic endeavours, I explore my personal experiences while also providing a social commentary on the shared experiences of others. For this AOAP project, I have delved into my own encounters in London, using them as a lens to shed light on the collective experiences of African immigrants in the city.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Ken Nwadiogbu Pay Attention Charcoal and acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Ken Nwadiogbu (b. 1994, Lagos, Nigeria) is a self-taught multidisciplinary artist, based in Lagos, Nigeria. A trained civil engineer, he soon pivoted to fine art, first embracing hyperrealism and charcoal drawing before expanding his creative horizon to more conceptual works and a wider array of techniques, including acrylic painting, sculpture and installation. His works are inspired by iconic American contemporary art figures such as J.-M. Basquiat, Kehinde Wiley, Toyin Ojih Odutola and Kerry James Marshall. On Ken's large canvases, stories superimpose themselves in multiple layers. Mixing together hyperrealism with contemporary elements, he creates ingenious, politically charged visual illusions that deploy a singular outlook, daring the audience to question their own, for "value lies in the perspective". Defending an art that can be at once smart and fun, he explores grave matters in intense colours and playful cut-outs, addressing altogether black representation and identity, displacement, and socio-political control. Popularly known as KenArt, Ken is credited for introducing the "Contemporealism" movement and was named by Guardian Life as one of the most "Outstanding Personalities" in Nigeria. In 2019, he was awarded the prestigious The Future Awards Africa in recognition of his contributions to the Nigerian arts community. A core focus for him is to inspire and encourage young creatives. He does this through public speaking and mentorship, as well as through his creative companies. He nurtures an art collective called 'Title Deed' and co-found Artists Connect NG, the largest artist gathering in Nigeria, created to foster creativity, collaboration and community. His works have been exhibited in a number of galleries including Omenka Gallery ('Insanity' group show, Lagos, 2016), Retro Africa ('In the making', Abuja, 2018), Bricklane Gallery ('Contemporealism', London, 2019), Bomb Factory Art Foundation ('Journey Mercies', London, 2021) and Thinkspace ('Ubuntu', LA, 2021). His works were showcased at ART X Lagos on several occasions, at 154 London, and Prizm Art Fair, in Miami. He has worked on multiple projects with respected international brands like Martell Cognac, McMillan Publishers, Flight Logistics, and many others. Ken enjoys expanding his perspective -and ours, rarely ever leaving anything to chance, but rather proceeding from a place of joy, and intentional care. He is constantly revitalizing his practice by challenging modes of Black representation. His oeuvres do not just encompass various forms of painting but most recently transcends into photography, sculpture, installation, NFT and video Education MA Painting, Royal College of Art Select Exhibitions/Awards Awards: 2019: The Future Awards Africa Prize for Art Exhibitions: 2022, SCOPE Art Fair Miami, 2020, Prizm International Art Fair Miami, 2020, 1-54 African Art Fair New York, Portrait of a Top boy and Summer exhibition Royal Academy Gallery Representation Retro Africa Gallery and Kristin Hjellegjerde Gallery. Statement about AOAP Submitted Artwork In my artistic endeavours, I explore my personal experiences while also providing a social commentary on the shared experiences of others. For this AOAP project, I have delved into my own encounters in London, using them as a lens to shed light on the collective experiences of African immigrants in the city.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Phoebe Evans Ambivalence Oil paint on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Millie Foster About Phoebe Evans (b.2000) is a London based artist, her practise utilises magic realism to draw on the process of the sublime and the liminal of everyday. Harmonizing colour and exploring perspective, the environments become a fantasy of reality. Saturated monochromes are used to reimagine vivid dreamscapes. These invite an audience to view the fragments of space and time through a tinted lens. Phoebe's practise is a vessel for translating the subconscious space, taking an uncertain and intangible place into an array of surrealist rooms. Portals are created through doors and windows. They are familiar yet distant, allowing you to place and lose yourself within the work. Tone and light enrich the atmosphere. Education Ma Painting, Royal College of Art Ba Painting, Camberwell College of Arts   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Phoebe Evans Enigma Oil paint on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Millie Foster About Phoebe Evans (b.2000) is a London based artist, her practise utilises magic realism to draw on the process of the sublime and the liminal of everyday. Harmonizing colour and exploring perspective, the environments become a fantasy of reality. Saturated monochromes are used to reimagine vivid dreamscapes. These invite an audience to view the fragments of space and time through a tinted lens. Phoebe's practise is a vessel for translating the subconscious space, taking an uncertain and intangible place into an array of surrealist rooms. Portals are created through doors and windows. They are familiar yet distant, allowing you to place and lose yourself within the work. Tone and light enrich the atmosphere. Education Ma Painting, Royal College of Art Ba Painting, Camberwell College of Arts   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Nikon N90 Camera in case, together with a Vanguard tripod and a Tamron 300 Adaptall Lens.

A 19th century yellow metal quizzing glass, oval lens approx 3cm x 2.5cm, double rope-twist border, approx 7cm long *Wear commensurate with age, there is a split to the metal near the central pin