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Lot 648
NIKON F-301 CAMERA WITH LENSES AND ACCESSORIESserial number 2356285; fitted with Nikon Nikkor 50mm 1:1.8 lens, serial number 3287755; together with a Nikon Nikkor 28mm 1:3.5 lens, serial number 1771521, with cap, Nikon Nikkor 50mm lens 1:2, serial number 3522827, with cap, Nikon Nikkor 135mm 1:2.8, serial number 779079, three Pentagon lenses, a Tokina lens, Hanimex lens and other accessories (9 lenses)
Lot 931
FOUR ASSORTED CAMERAS comprising an Eho Altiflex twin lens camera, with a Victar 1:2.9 f=7.5cm viewing lens and a Victar 1:2.9 f=7.5cm taking lens; an Ihagee Auto Ultrix folding bellows camera, with a Radionar 1:4.5 f=10.5cm lens; an Ihagee Exakta A camera, with a Cassar 1:2.9 f=7.5cm lens; and a Certo Dollina folding bellows camera, with a Cassar 1:2.9 f=5cm lens, in a leather travel case.
Lot 933
FOUR ASSORTED CAMERAS comprising a Wzfo Alfa I camera, with a Euktar 1:4.4/45 lens, in a leather travel case, complete with instruction leaflet, boxed; a Werra camera, with a Tessar 2.8/50 lens, in a leather travel case, complete with instruction booklet; a Penti camera, with a Trioplan 1:3.5/30 lens, in a leather travel case; and an Ihagee Zenith folding bellows camera, with a Jhagee-Anastigmat 1:7.7 f=10.5cm lens.
Lot 935
TEN ASSORTED CAMERAS comprising a Pilot falling plate camera; Ernemann folding bellows camera, with a Doppel-Objektiv 1:11 f=10.5cm lens; Zeiss Ikon Box-Tengor camera, with a Goertz Frontar lens; Zeiss Ikon Baby Box-Tengor camera, with a Novar-Anastigmat 1:6.3 f=5cm lens, in a travel travel case; Welta Weltix folding bellows camera, with a Cassar 1:2.9 f=5cm lens; and five others.
Lot 936
SEVEN ASSORTED CAMERAS comprising a Huttig folding bellows camera, with a Helios 1:8 f=130mm lens; Ernemann Heag II folding bellows camera with a Detectiv Aplanat 1-6.8 lens, in a leather travel case; Kamera-Werkstatten Patent Etui folding bellows camera, with a Trioplan 1:4.5 f=10.5cm lens; Kamera-Werkstatten Pilot 6 camera, with a Pololyt 1:3.5 f=7.5cm lens; three other cameras.
Lot 621
A pair of vintage RAF Mark 14 sunglasses, in original case. CONDITION REPORT: Both lenses are serviceable. However when looked at under a magnifying glass they both have numerous small surface scratches. The right hand lens has been glued in place and there is evidence of glue on the lens itself. This looks like superglue and will presumably require solvent to remove. The frames are in very good condition with no issues. The hinges are nice and tight and there are no losses.
Lot 23
Erskine Nicol RSA ARA (1825-1904)Preparing for Market DayOil on canvas, 103 x 83cm (40½ x 32¾'')Signed and dated 1867Although born and living the majority of his life in Scotland, Nicol had an enduring interest in Ireland and Irish society. He first visited in 1846 and stayed for four years and returned regularly over the course of his artistic career. Nicol established a studio for his work at Cloncave in County Westmeath. As a mid-19th century artist, Nicol inhabits an interesting period in which there was a gradual shift away from Romantic painting to what would become in a more concrete sense towards the latter end of the century, a ‘Realist’ style. However, an issue, which pervaded Irish art well into the twentieth century, was the lack of any homogenous school of Irish painting. There had always been a tension between the way Irish people viewed themselves and the way in which they were viewed by others from the outside. A difficulty made more apparent alongside the emerging realist style as there was a tendency for British painters to present Irish rural life through a biased and sentimental lens. While Nicols is best known for his depictions of the poor and marginalised members of Irish society - particularly pertinent since his arrival coincided with the Great Famine (1845-52) which devastated the country- there was a fine line between bearing witness to the plight and struggles of those individuals and pandering to a stereotype of the ‘stage Irishmen’ through a Victorian moralising lens. Fairs and markets were a crucial element of social and commercial life of Irish towns for centuries. The occasion is apparent in the fashion of the gentleman as he steps out the door wearing his top hat and inverness outer coat. Nicol draws our attention to certain accents of details, the red neckerchief, the striped train of the mother’s dress, blue child’s bonnet or the pile of turnips on the ground. These vegetables belies a more rural character to the image balanced by the two small children leading the pigs to their pen or the woman in background of the image shielding her face from the sun while carrying a large basket in one hand, presumably on her way to work in the fields. In poor farming families the luxury of shoes was reserved for the men who needed them while working with the livestock. However, in this image none of the family members is barefoot; this scene is more of a light-hearted and cheerful depiction of Irish social rituals. Although the location is not indicated, Donnybrook’s annual fair was infamous for attracting artists to record its lively and at times raucous spirit. Nicols often focused on these less salubrious aspects in his paintings but in this instance the present example reflects a more subtle and considered reflection capturing a tender moment of domestic life. Niamh Corcoran
Lot 253
A small pair of Victorian silver bun-top peppers by Frederick Sibray and Job Frank Hall, London, 1888, chased with shells and foliate scrolls, 4.6 cm. high; a small French silver wine taster, bowl set with small ancient Roman coin, sides stamped with flowers, late19th/early 20th century; a Victorian silver magnifying glass frame by William Comyns, London, 1889, rim pierced and chased with putti amidst foliage, handle with conforming chasing (lacks glass lens), 22 cm. long; an Indian silver gourd-shaped box with pull-off cover, circa 1900; a Georgian silver leaf caddy spoon with vein-chased bowl, the tendril ring handle present but detached (marked in bowl with king's head and lion passant only), wt. 273 gm.Overall good condition apart from snapped-off but present tendril handle to caddy spoon and small repair to chasing on rim of magnifying glass.
Lot 322
A Nikon EM35mm SLR camera, the macro focusing 72mm zoom lens; a carrying case; an Olympus OM10 35mm SLR camera; A Zuiko Auto 50mm lens and carrying case; a Sigma zoom lend F=35-200mm lens; an Olympus Mju zoom 105 portable camera an carrying case; together with two flash units and various booklets.
Lot 272
The moving image and the magic lantern:A Chromatropic slide; slide magazine for a lantern; a small stack of 3.1/2-inch lantern slides, all coloured; a good enlarger head from the front of an early lantern with brass fittings, focussing and large lens in mahogany body; a metal lamphouse; and a hand-crank projector with a small quantity of 35mm Kodak safety film, mainly capers. (qty)
Lot 219
A large quantity of used Hasselblad photography pieces of equipment in a solid black heavy duty photography travel case (36 x 68 x 51 cm approx); to include 3 lenses; Hasselblad lens Synchro - Compur 1:5,6 f = 250mm; Hasselblad Distagon 1:5,6 f = 60mm; Hasselblad Sonnar 1:4 f = 150mm, Hasselblad filters, sporting sight, film back magazine, ring connectors etc, Hasselblad focusing bellows lens hoods: 2x (80 / 100-250) 1x (f80, c80 100-250), with some other makes of filters etc.
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70219 item(s)/page