We found 70728 price guide item(s) matching your search
There are 70728 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
70728 item(s)/page
Lot 371
A production-used clapperboard from the production of Steven Spielberg's action-adventure sequel Indiana Jones and The Last Crusade. This item comes from the personal collection of producer Robert Watts. The wooden clapperboard displays white painted text, including the production's working title "Indy III", the name of director Steven Spielberg and the director of photography Douglas Slocombe. Multiple lines have been painted on it to create fields for slate, take and date. "Vistavision" and "23rd July 88, Interior" have been handwritten in black on two strips of adhesive canvas tape. The back of the board features additional strips of tape, creating five filled-in sections titled lens, distance, stop, height and angle. The clapperboard exhibits wear, including corrosion on the metal hinge, scratched surfaces and evidence of chalk marks. Several marks are present on the lot and the edges of the tape have begun to peel away in the bottom-right corner. Dimensions: 1.5 cm x 38 cm x 35 cm (3/4" x 15" x 13 3/4")£4000-6000 M
Lot 727
A screen-matched Tantive IV stormtrooper helmet from George Lucas' Star Wars: A New Hope.The stormtrooper uniforms are just one of many indelible, iconic designs from the original trilogy, borne out of concept sketches by celebrated concept artist Ralph McQuarrie, who worked directly with Lucas on the Imperial foot soldiers' appearance. The stormtrooper helmets created for the first Star Wars film were sculpted by artist Liz Moore and vacuum-formed by an outside vendor.This superb helmet is complete, unrestored from its original first-film finish, and screen-matches to the scene early in the movie where stormtroopers bring Princess Leia (Carrie Fisher) to Darth Vader aboard the Rebel corvette Tantive IV. Unique characteristics in the textured finish of the paintwork, as well as the hand-cut teeth and eye openings, match the on-screen helmet exactly.Approximately 56 standard helmets were created for filming, constructed from high-density polyethylene, or HDPE, a material used at that time to line garden ponds. The helmets were then finished with a glossy white paint, and additional linework and vent details were painted by hand.The helmet's original aerators, or "mic tips", are in place, as is the original rubber trim at the brow and the underside opening. The interior features an elastic chinstrap, a yellow piece of foam padding, and a thin green plastic lens sheet. The name "Syd" is also marked on the interior of the helmet, likely for Syd Wragg, a stormtrooper actor on the film.The helmet has an interesting history: after production on A New Hope it was worn during a promotional event for The Empire Strikes Back held on 15 October 1978, called the Everdon Cross-Country Team Event. This unusual day saw Carrie Fisher, David Prowse, Peter Mayhew, producers Gary Kurtz and Robert Watts, and other key members of the Star Wars team participating in an equestrian event on an estate property in the UK. Original props and set decoration were utilised for the event, including several original stormtrooper costumes. The helmet was gifted to the event's host, and includes a letter of authenticity from the original owner's family.Also included are six large black-and-white photographs from the Everdon event featuring Carrie Fisher on horseback, all of which are marked on the reverse with pen or pencil, providing details of the event, as well as a colour photograph of Princess Leia with stormtroopers on the Tantive IV, and eight additional photographs, some of which feature this helmet or a similar stormtrooper helmet, in an envelope hand-labelled "Mrs. R. Hawkins, Everdon Manor".The helmet and accompanying materials all exhibit signs of wear and age, including some chips to the paint and fraying to the helmet's straps. Some of the chips show evidence of touch-up work, which was done during production or at the time of the promotional event ۠no additional work has been done on the helmet since.Most stormtrooper helmets used in A New Hope were reconditioned for The Empire Strikes Back, which involved painting the grey "frown" (the distinctive mouth area) black. Helmets in original unrestored condition from A New Hope are exceedingly rare and just a few others exist in private collections. Additional information on the Everdon promotional event can be found at www.everdonstarwars.com.Dimensions: 38.25 cm x 38.25 cm x 40.75 cm (15" x 15" x 16")£120000-180000 Ω
Lot 441
A Judge Lawgiver from Danny Cannon's sci-fi action film Judge Dredd. Judge Dredd (Sylvester Stallone) and his fellow Judges patrolled Mega-City One with their personalised, DNA-activated Lawgiver sidearms.This hollow fibreglass gun is painted black and silver with red vented details, and moulded around an aluminum barrel. It features the Judges' Hall of Justice eagle insignia moulded on the right side and a plastic targeting sensor lens under the barrel. The resin exhibits chipping throughout and some scuffed paint from use and handling. Dimensions: 28 cm x 5 cm x 16.5 cm (11" x 2" x 6 1/2")£3000-5000 Ω
Lot 739
Norwegian crew outfit components from Irvin Kershner's Star Wars: The Empire Strikes Back. While filming Hoth scenes on the Hardangerjøkulen glacier, near Finse in Norway, the Norwegian crew wore protective gear provided by Ski-Peer, a small brand of snow sports equipment that has since ceased business. The components consist of three pairs of blue waterproof trousers; a pair of blue nylon fleece-lined mittens; a blue striped beanie with a handwritten label reading "Kohler", referencing location manager Philip Kohler; a pair of blue studded snow boots with fleece lining; and an eye protector with a green lens. All are accompanied by an original tag with a stamp reading "STAR WARS 2". The boots are worn and missing most of their studs, the trousers' water-repellent lining has diminished over the years, and the eye protector has a crack down the middle.£1000-1500 †Δ
Lot 709
Luke Skywalker's (Mark Hamill) production-made lightsaber from the production of Star Wars: A New Hope (1977) Lightsabers are one of the most memorable props in the history of cinema, and it is well-known amongst enthusiasts that Luke's original lightsaber was built from a Graflex 3-Cell Camera Flash Attachment unit. The modifications used to turn the flash handle into the lightsaber prop were relatively straightforward: a set of black T-shaped grips were attached to the lower half of the flash, a D-ring was attached to the bottom of the unit to allow it to hang from a belt hook, and a set of plastic magnification "bubbles" from a vintage calculator display were fitted to the flashes center clamp. Due to the simple nature of the prop's construction, authenticity around Graflex-based lightsaber props is frequently controversial. This is the first Luke Skywalker lightsaber Prop Store has handled with solid provenance and the appropriate physical construction elements to support that it is indeed from the production. The most well-documented Skywalker lightsaber props are the Graflex-based hero version seen best in production photography, and the special-effects version with a motorized spinning blade (designed to reflect light into the camera lens) that was made from a piece of pipe dressed to look a Graflex. It is not clear exactly how many lightsaber props were built for the first film in total. This lightsaber is distinctly not the hero Graflex version seen in production photographs, or the well-documented spinning version, but is an original made for the production of the film. The lightsaber originated from Andy Mitchel, the son of Andrew Mitchell, who was the managing director of Elstree Studios at the time the original Star Wars films were shot there. Mitchell recovered the lightsaber prop as a young man from the Elstree Studios backlot where it had been discarded along many other props and sets during or after production. He was allowed to keep the piece as a memento shortly after production wrapped. The Graflex is a "Folmer" version of the flash handle, which is the same version of Graflex used to create the hero piece seen in production photographs. This flash unit was fully converted into a prop lightsaber: a D-ring is affixed to the bottom of the handle with two pop rivets, a bubble lens strip fitted in the center clamp (with 7 bubbles, matching the hero prop), and glue residue exists on the lower half where the T-shaped grips were once attached. The red button at the top of the flash is a version with a thin band of knurling€â€different to the documented hero Graflex, but the same style of button seen on the document effects "spinning blade" prop. The most interesting aspect of this piece is a welded metal plate affixed into the open end of the emitter. The plate features a small hole in the center and the welding process has deformed some of the top of the flash. This plate was almost certainly welded in as part of the effort to mount a blade in the handle. This custom modification supports the fact that the special effects or props team at Elstree Studio was working with this piece at some point during production, and it was specifically converted to be a lightsaber prop. At present, the location of both the well-documented hero Graflex lightsaber and well-documented "spinning blade" effects version of the prop are not known. Therefore, this may be the only, or certainly one of the few, genuine Luke Skywalker lightsaber props from the original Star Wars film still in existence. While it is uncertain whether this piece was ever used in filming or not, it has a strong chain of provenance and the appropriate physical construction to support its authenticity and is a wonderful example of this legendary film prop. Included are a letter of authenticity from Andy Mitchell who originally obtained the piece from the Elstree backlot, and from a friend of Mitchell's who was gifted the piece by Mitchell in 1983. The piece is well-worn, with numerous scratches and marks to the body. Dimensions: 25 cm x 5.75 cm x 3 .75 cm (10" x 21/4" x 11/2")£60000-100000 M
Lot 174
Ephemera. Collection of four Georgian gift boxes, card and paper construction, possibly relating to Valentines Day: Pale green box with applied gilt edge, colour stipple-engraved label depicting lady & gentleman holding hands, lined with pink paper and two mirrors, 11cm by 7.5cm by 3cm; lens-shaped box, black paper with gilt border, stipple-engraved label depicting mother with three children, lined with vibrant pink paper (containing hair), remnants of label to base for 'Ornament Manufactory' near 'Westminster-Bridge', 13cm by 8cm by 3.5cm; two oblong-hexagonal boxes, brightly coloured paper, stipple-engraved labels (one depicting lady wistfully reading letter, the other showing lady with flowers & birds), each 7cm by 3cm by 2cm (4)
Lot 66
Air Ministry Aircraft Camera Equipment, comprising:- Type F97 Mk2 Stereo Aerial Reconnaissance camera made by Wray of London with a pair of Ross 5 inch F4.5 lenses; a Williamson Magazine camera Type F117, with 6 inch F4.5 Air Ministry Lens; and a reconnaissance camera film magazine MA-15/AAS-18A UK Subassembly (3)
Lot 369
A Group of OM Mount and M42 Lenses, comprising a Crystar 35mm f/3.5 M42 lens, a Vivitar 70-210mm f/4.5 lens, a Vivitar 70-150mm f/3.8 lens, a Hanimex Tele-Plus 135mm f/3.5 (M42) lens, a Hanimex 200mm f/3.3 lens, a Tokina 28-70mm f/3.5-4.5 lens, a Miranda 70-210mm f/4.5-5.6 lens and some Prinz 10 x 50 binoculars, some camera bags and lens cases, a lot
Lot 330
A Sony DCR-VX9000E PAL Digital Camcorder, DV digital video camera cassette recorder, 3 CCD, a Sony 5.9-59mm f/1.6 zoom lens, an Sony AC power adapter, a 0.5 wide-angle attachment lens and maker's instructions, no battery, a JVC GX-88E PAL colour video camera, TV zoom lens 12-72mm f/1.4, all untested
Loading...-
70728 item(s)/page