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Lot 38

Thomson (John). Views on the North River, 1st edition, Hongkong: Noronha & Sons, Printers, 1870, printed title and two leaves of Introduction, printed to rectos only, 14 mounted albumen prints, each with printed red rule border and caption beneath, accompanying leaf of descriptive letterpress to each plate, some fading to images and one spotted, mounts with old damp staining to inner and outer margins, ownership name inscriptions of G. Dods, 1875, and W.K. Dods and C.M. Normand to front free endpaper, stitching now largely broken and contents generally loose in original cloth-backed printed boards with decorative design to upper and lower covers, rubbed and soiled, a little paper surface loss, oblong folio (32.5 x 43 cm) (Qty: 1)NOTESThe photographs are captioned and measure as follows: 1) Road to the Village of Wong Tong, 173 x 232mm; 2) The Ts'ing Yune Pagoda, 154 x 232mm; 3) The Fi-Lai-Sz Monastery, 179 x 237mm; 4) The Fi-Lai-Sz Monastery, 152 x 236mm; 5) In the Ts'ing Yune Pass, 159 x 236mm; 6) View from the 'Lien Chow Kwong' Villages, 140 x 238mm; 7) An Up-Country Bridge, 178 x 232mm; 8) The Mang-Tsz Pass, 158 x 237mm; 9) Rapids, 161 x 232mm; 10) Looking North from the Pau-Lo-Hang Temple, 168 x 240mm; 11) Kwan Yin Cave, 160 x 219mm; 12) Fishing Boats, 158 x 228mm; 13) View from the Kwan Yin Cave, 143 x 226mm; 14) An Up-Country Farm, 138 x 238mm. Provenance: George Dods (1836-1909) MD LRCS Ed. 1859, was born and died in Edinburgh. He worked as Acting Colonial Surgeon in Hong Kong. He wrote at least one medical paper, ‘Tropical Malaria and Its Sequelae’, published in Transactions of the Medico-Chirurgical Society of Edinburgh , 1888, 7: 186-198. His only son, William Kane Dods, was born in Hong Kong Kong in 1866, shortly after his marriage to Margaret Crabbe. William Kane Dods (1866-1948) worked as an agent for the Hong Kong and Shanghai Banking Corporation and served as treasurer and honorary secretary of the Asiatic Society of Bengal and on the Committee of the Zoological Gardens, Calcutta. The co-owner of the book was Charles M. Normand (?1834-1912), a direct contemporary of Dods senior, who also served in the Far East as an assistant surgeon. By family descent. See also following lots 39-43. A very good copy of this notorious rarity, here in the original printed covers and with family provenance dating back to within five years of publication. It was the first of Thomson’s photographically illustrated books on China, and describes a trip two hundred miles up the North, though the photographs focus on only a few places, for which Thomson gives Chinese characters and English spellings. Like his earlier work, Visit of His Royal Highness the Duke of Edinburgh … to Hong Kong in 1869 , the first photographically-illustrated book published in China, it was published in Hong Kong by the Portuguese printers Noronha and Sons (The Government Printers). ’Mr. Thomson has just published a volume of admirable photographs of scenes on the North River, entered about 40 miles above Canton through the Fatshan creek. The views, which are beautifully executed, are accompanied by a short description of the places which they respectively represent, and will thus form a most pleasing illustration of a part of China little known to the generality of Europeans. In the details of foliage and other foreground these photographs will compare favourably with the best works at home, though they fail somewhat in a distant effects by being too dark in tone, a circumstance to which Mr. Thomson alludes in the introduction, where he states that, with a few exceptions, his efforts to obtain bright photographs of distant objects were baffled by a continuance of bad weather, casting a veil of mist over the distance. Bearing this in mind, the results must be considered wonderfully successful, and the views will be no less acceptable as an interesting memento for residents in China to take home with them, or as a pleasing gift to send to their friends’, Hong Kong Daily Press, 31 October 1870. ‘Views on the North River would have been expensive to produce and the print run was probably small. It is the rarest of Thomson’s books on China. There is a copy in the National Library of Scotland, another in Hong Kong University Library; a third is in the Wason Collection at Cornell University ( NUC , vol. 592, p. 256). In 1980 one was recorded in the collection of Mr and Mrs Lewis Lehr, New York (Lucien Goldschmidt and Weston J. Naef, The Truthful Lens, 1980, p. 167, fig. 157 and pp. 224-5)’, Terry Bennett, History of Photography in China: Western Photographers 1861-1879, Quaritch, 2010, p. 227. ‘ Views on the North River … can be seen as the first attempt to present Thomson’s experience of China as a visual document. The book form is being used to recreate the experience of seeing his images in a sequence predetermined by the photographer, and to that extent he was able to retain control over the order and arrangement in which his own photographs were presented ... Yet despite the success of Views on the North River as a photographically illustrated book, its circulation among the western, English-speaking communities of Hong Kong and the Treaty ports was somewhat limited, and its impact in Britain, if it had any at all, has left no trace in the contemporary reviewing journals’, Richard Ovenden, John Thomson 1837-1921 (Photographer) , National Library of Scotland, 1997, pp. 178-9.

Lot 301

* Argus, Praktica & Yashica 35mm cameras. Argus, Practica & Yashica 35mm film cameras and lenses, including Argus C3 camera (also known as "The Brick") with Cintar 50mm f/3.5 lens in original leather case, Sandmar 35mm f/4.5 lens in leather case, Tele-Sandmar 100mm f/4.5 lens and Argus 35mm/100mm removable viewfinder, Praktica MTL3 camera with leather case and camera strap, Pentacon Auto 50mm f/1.8 and Carl Zeiss Jena DDR Tessar 50mm f/2.8 prime lenses and bellows, Yashica FX-3 camera (leather missing) with Yashica ML 50mm f/2 prime lens, Mitakon 80-205mm f/3.9 Auto Zoom multi-coated lens with Aico 7-element Tele Converter, Mitakon 28mm f/2.8 Auto multi-coated prime lens and boxed Sun 28-80mm f/3.5-4.5 macro zoom lens, Hanimex TZ1 flash gun, Agfa Silette Record camera with Color-Apotar 45mm f/2.8 lens and leather case. (Qty: a carton)

Lot 307

* Graflex Speed Graphic Anniversary Field / Press Camera. Graflex Speed Graphic Anniversary 3 ¼ x 4 ¼ inch field / press camera, circa 1946, fitted with Kodak Ektar 127mm f/4.7 lens (Serial Number EO6096L) and Kodak Supermatic (X) shutter, 3 ¼ inch lens board, Kalart synchronized range finder, body release for rear focal plane shutter, both front and rear shutters in working order, folding wire finder and tubular optical finder, ground glass focusing panel in good condition, exposures between 1s and 1/1000s, bellows in good condition, six plate holders included, together with an antique unbranded box camera, a Kodak Brownie 44A with original box and a 1921 unused 'Welcome' Photographic Exposure Record and Diary in green cloth covers. (Qty: 10)

Lot 303

* Bronica SQ-A medium format camera. Bronica SQ-A medium format (6x6cm) camera (Serial Number 1251877) with Zenzanon-S 80mm f/2.8 lens (Serial Number 8218457), removable120 film back (Serial Number 2284417) and dark slide, waist-level finder, body cap, rear lens cap, all in good condition with only very minor wear, optics excellent, good working order when last used a few years ago, new battery required. (Qty: 1)

Lot 308

* Hasselblad 500C with Zeiss Planar 80mm f/2.8 lens. Hasselblad 500C medium-format film camera, chrome version, manufactured 1967, Serial Number TU75592, some defects but in working order, with Carl Zeiss Planar chrome 80mm f/2.8 lens, Serial Number 4290373, manufactured May 1966, very good condition, two model 12 film backs, both manufactured in 1965, one of them needs repair or servicing, together with Nikkor-H Auto 50mm f/2 manual focus 6-element lens for 35mm Nikon film cameras, made in Japan (Nippon Kogaku) in the 1960s, Serial Number 629922, excellent optics with some very minor barrel wear, Gossen Lunasix 3 light meter , Serial Number 298459, good working order, no batteries fitted. (Qty: 4)

Lot 313

* Jules Richard Verascope No 2 stereo camera. Verascope No 2 stereo plate camera by Jules Richard (Paris), circa 1900, early model, Serial Number 16776, 45mm x 107mm format, bare metal body worn in places, shutter working, fixed focus lenses, fixed aperture, waist level finder nice and bright, fold-out finder in good condition, no lens caps, complete with sliding back and metal plate holders inside, original leather case. (Qty: 1)

Lot 27

* India. Macfarlane (Donald, 1830-1904). A group of 7 photographs, c. 1860, albumen prints, mounted back-to-back on contemporary card mounts with ink captions at foot, the first 3 showing rural scenes of Tirhoot including foliage and waterfall, one of a lady seated reading on a bench beneath trees titled 'Dhoulatpoor, Tirhoot, India', three of tea gardens in Darjeeling, plus an eighth photograph of the Custom House, Funchal, Madeira to verso of final mount, the largest photograph 25.5 x 34 cm, the others 19 x 32 cm and similar (Qty: 8)NOTESThe first photograph is reproduced on p. 157 of Vidya Dehejia, India Through the Lens: Photography 1840-1911 (2006), accompanying the essay "Undiscovered Amateur: Macfarlane and the Pictureseque" by Jane Ricketts. The photograph is titled 'A Landscape, Bengal' and according to Ricketts this image in the album of Bombay Governor Sir Bartle Frere bore the caption 'First Prize 1862' [of Bengal Photographic Society]. The second and third photographs of Tirhoot are similar in style and composition to the one reproduced on p. 161 of the same book, and the lady on the bench is possibly Mrs Macfarlane. See the photograph of her reproduced on p. 151.

Lot 304

* Contax IIIa rangefinder camera. Contax IIIa 35mm chrome rangefinder camera, circa 1954, Serial Number C1118, with Zeiss-Opton Sonnar 50mm f/1.5 lens, Serial Number 1010314, original brown leather case (strap broken and partially missing), Zeiss UV filter, a few Zeiss "bumps" on the leather of the camera back, untested but believed to be working, may need servicing, sold as seen. (Qty: 2)

Lot 318

* Sands & Hunter "Exhibition" plate camera. Sands & Hunter "Exhibition" mahogany 4 ½ x 6 ¼ tail board plate camera, circa 1895, rare model with plaque on the front "Sands & Hunter's Exhibition Camera", with brass lens marked Sands, Hunter & Co, 20 Cranbourn St., London, Rapid Landscape, 14in focus, No 492 and another brass lens marked Busch's Rapid Symmetrical F:8, spare lens board, two matching mahogany plate holders and original case also included, camera and bellows in good condition, together with another smaller 3 ¼ x 4 ¼ mahogany tail board plate camera (very likely also made by Sands & Hunter but not marked) with Ross (Zeiss Patent) 11 ½ inch lens, Serial Number 13063, on non-original lens board with partial damage, unusual tilting rear standard, two matching mahogany plate holders included. (Qty: a carton)

Lot 316

* Paillard-Bolex 16mm cine camera. Paillard-Bolex H16 cine camera, 16mm format, circa 1950, Serial Number 56185, with three Kern lenses including Yvar 75mm f/2.8, Yvar 15mm f/2.8 and Switar 25mm f/1.4 with lens hood, original receipt dated 18th April 1951, original card from Photo-Molard (Geneva) listing camera and lenses, original instruction manual, motor working but otherwise untested, together with several accessories including original brown hard leather case, Hanimex PR-60 light meter, Omag P32 filter, Kodachrome Haze filter and Paillard exposure chart. (Qty: 1)

Lot 319

* Seneca No 9 (3A) folding plate camera and wooden tripod. Seneca No 9 (3A) folding plate camera, manufactured from 1906 to 1922, Serial Number 30836 C.A.H., with C.P. Goertz Doppel-Anastigmat Serie III Dagor 168mm f/6.8 lens, camera has revolving back, complete with six mahogany plate holders, original case (some damage) and a period wooden tripod with attachment, both in their original leather hard cases, together with a large quantity of general plate camera accessories and lenses of varying types. (Qty: a carton)

Lot 311

* J. Lancaster & Son "The International" plate camera. J. Lancaster & Son (Birmingham) "The International" patent tailboard mahogany half-plate camera, circa 1886, with J. Lancaster Patent Rectigraph lens, two spare mahogany lens boards and one mahogany plate holder, camera and bellows in good condition. (Qty: 1)

Lot 320

* Thornton-Pickard Time-and-Instantaneous patent shutter. Thornton-Pickard Time & Inst patent roller blind shutter for plate cameras, circa 1900, mahogany body with brass fittings, Serial Number J66633, 3-speed model with 1/15s, 1/45s and 1/90s options, appears to be in working order to some extent but will need attention, together with a selection of wooden plate camera parts by Ensign, Tylar's Perfect Camera (Birmingham) and others, several lens plates, a quantity of wooden plate holders (various sizes) and a handbook for a 4" x 5" Mk VIII Micro-Technical Camera. (Qty: a carton)

Lot 302

* Bell & Howell Eyemo 35mm movie camera. Bell & Howell Eyemo 35mm spring-driven movie camera, circa 1927, Serial Number 4076, fitted with Bell & Howell Eymax Anastigmat Type-V one inch (25mm) f/4.5 lens, Serial Number 358029, two speeds (16 and 32), in good working order but needs cleaning, scarce model, together with small manual UCO (D.R.P.) 35mm projector or viewer, handles missing and in need of repair, and a large film winder mounted on wooden base. (Qty: 3)

Lot 1

* Turner (Benjamin Brecknell, 1815-1894). The Willowsway, Elfords, Hawkshurst, Kent, 1852-54, albumenised salt print from a waxed paper negative, 293 x 390 mm, mounted on a modern mat (Qty: 1)NOTESMartin Barnes, Benjamin Brecknell Turner: Rural England Through a Victorian Lens; V&A Publications, 2001. 'Three negatives of The Willowsway, Elfords, Hawkshurst show different aspects of the same lane of pollarded willows with a pond to one side and a closed gate. Turner's son recalled how, even in his father's skilled hands, making one exposure "never took less than three quarters of an hour". Turner probably spent about two and a quarter hours here. His final choice of image places the viewer on the path, framed with willows either side, as a traveller approaching the gate', p. 64. See fig. 37 for the negative owned by the Royal Photographic Society and plate 23. A fine impression.

Lot 527

A Hasselblad Xpan camera with Hasselblad 4/45 lens, with bag

Lot 682

Harry Powell for James Powell and Sons, Whitefriars, an extensive suite of Arts and Crafts Roman cut stem ware and drinking glasses, circa 1900, including 4 white wine, 6 red wine, 5 water, 7 sherry, 16 port and 8 finger bowls, cut with bands of lens and lines (46)

Lot 291

A collection various cameras and lenses to include makes and models form Canon EOS 500 with a Sigma Autofocus lens, Vivitar v3800n Multi-exp with a Vivitar MC Macro Focusing Zoom 52 28-70mm 1:3.4-4.8 lens, Praktica BC1 electronic camera, Miranda 28-200mm MC Macro lens, Hoya 55mm UV(0) Japan lens, Optomax Auto 35mm lens and a leather cased Dacora dignette camera.  

Lot 271

A collection cameras and lens to include makes and models form Sigma Mirror-Telephoto Multi-Coated 1:8 f=600mm lens, Nikai PDS 35mm System, Praktica B100 electronic having a Hoya 49mm Skylight lens, Kodak Brownie Reflex, MC Cimko MT series 1:3.5-4.5 f=55-225mm lens, Prinzflex Auto Reflex 1:2.8 f=135mm No. 731780, Comet II C.M.F bencini Milano, Multi-Coated Macro Prakticar Auto-Zoom f=70-210mm and a Ilford Sporti 4. 

Lot 324

An Olympus E-600 digital camera with Zuiko ED 14-42mm lens complete in the box with shoulder strap and lens cover and additional carry case.

Lot 277

A good collection of vintage cameras to included makes and models form Agfa Karat camera, Carl Zeiss Ikon Compur Rapid No. 1823096 within leather case, Kodak Instamatic, West Pocket Kodak Model B fold out camera, Halinar Anastigmat, Eastman Kodak No 2-A Folding Autographic Brownie etc. Together with a small selection of accessories Haze Filter, Lens Apertures etc.  

Lot 235

A vintage Olympus OM 40 program camera in its original box with a Olympus Zuiko Auto-S 50mm F1.8 OM system lens, together with a Tokina SZ-X 200 80-200MM f4.5, a Sunpak auto 140 flash, an Olympus clip on flash and a Leningrad 4 light meter. 

Lot 366

A Praktica Super TL 3 film camera body with a Pentacon auto 1.8/50, a Cimko MT Series 1:5.6 100-300mm lens, an Auto Chinon 1:35 200mm lens, an Auto Chinon 35mm lens, a Prinzflex auto 2x converter and a flash attachment. 

Lot 331

A vintage Topcon Uni film camera having a UV Topcor 53mm lens along with a 35mm and a 100mm lens along with an Ilford Sportsman film camera. 

Lot 249

A collection of 20th Century film cameras with lenses to include a Praktica MTL 5B camera with a MC Flektogon 2.4/35 Carl Zeiss Jena DDr lens and 1600 A flash, a Canon FTb QL with a Canon Lens 135mm 1:3.5 S.C. and a Miranda MS-1 Super with a 70-210mm 1:4.5-5.6 MC Macro len. 

Lot 323

A Mamiya C33 Professional twin lens reflex camera complete with the Mamiya Sekor Lens with cover to lenses. Made in Japan. Measures 17cms high approx

Lot 248

A vintage Olympus OM-2N film camera with a 1:1.8 f=50mm lens along with two more lenses, an Olympus OM-system Auto-W 1:3.5 f=28mm 363750 and an Olympus OM-system Zuiko auto-zoom 1:4 f=75-150mm 343698 and an Olympus PS 200 flash. 

Lot 396

An early 20th Century Ernst Plank Tinplate Gloria magic lantern outfit, the tinplate lantern on paw feet with lacquered brass lens with worm focusing, lamp, chimney, glass chimneys and a selection of glass slides in stained and varnished wood case with applied maker`s pictorial coloured LANTERNA MAGICA trade label.

Lot 428

A pair of Home Automation Studio 3 home lighting machines, blue metal case with lens to front. Model no UFO 150 PC.

Lot 1205

A Nikon EM camera, Niko FG-20, Tokina zoom lens, other camera accessories and a tripod (qty).

Lot 95

MISCELLANEOUS PLATED WARE AND A SANKYO 8CM MICRO ZOOM LENS

Lot 5

A lacquered brass compound microscope Cary, London, circa 1840 The tube screw-fitting at the objective end into a threaded collar positioned at the top of a telescopic upright cut with teeth for the rack and pinion up/down adjustment of the inner sleeve over stage fitted with sprung brass slide clips to top and rotating disc pierced with varying apertures to underside, with pivoted plano-concave mirror applied to the cylindrical base section beneath, the whole mounted via a knuckle joint onto a turned upright over Y-shaped foot signed CARY, LONDON to rear, in original mahogany box with two eyepiece and two objective lenses, forceps, specimen holder, separate stand fitted with light condenser lens and a specimen capsule, the case 23.5cm (9.25ins) high. William Cary who is recorded in Clifton, Gloria Directory of British Scientific Instrument Makers 1550-1851 as born circa 1759 and apprenticed to Jesse Ramsden. Cary worked from 272 Strand, London 1789-90 then 182 Strand 1794-1822, he died in 1825. The firm was continued by his successors trading from 181 Strand until 1891.

Lot 7

A fine George II lacquered brass, shagreen, and lignum vitae Culpeper double-reflecting compound microscope Edmund Culpeper, London, circa 1730 With sliding brass shutter to eyepiece threaded into ogee shaped moulded lignum vitae top section above gilt-tooled green vellum covered draw-tube with inked focus staging lines sliding into a brass and lignum collared green rayskin outer tube and fitted with long tapered brass tube objective lens to lower section, the whole raised on three fine baluster turned supports with circular stage fitted with a slider clamp to central oculus and pivoted light condenser lens, the lower section with three further taller brass canted baluster supports over circular ogee moulded base fitted with pivoted concave mirror to the concentric ring decorated top surface, in original oak pyramidal box with an apron drawer containing frog plate, two additional objectives, five bone sliders and canister for glasses and brass wire retainers, a circular glass fish plate engraved with three concentric lines and signed Culpeper Fecit within brass outer rim and other items, the interior back panel applied with crossed daggers and instrument trade label inscribed E. Culpeper Sculp. London to lower left, (eyepiece holder incomplete, box lacking most of its mouldings and door lock) the instrument 36cm (14.25ins) high closed; the box 44.5cm (17.5ins) high excluding later ring handle. Edmund Culpeper is recorded in Clifton, Gloria Directory of British Scientific Instrument Makers 1550-1851 as working 1700-37. He adopted the Crossed Daggers motif of his former master Walter Hayes to whom he was apprenticed in 1684. In 1706 Culpeper took over Hayes' shop located at ‘The Crossed Daggers’ in Moorfields London, later moving to the ‘Black & White House’ in Middle Moorfields in 1731 and finally ‘Under the Piazza’ at the Royal Exchange, London, where he is believed to have remained until his death in around 1740. The Culpeper trade card shows instruments made by his firm, these included surveying devices, quadrants, sundials, globes, and optical instruments such as the screw-barrel microscope and spectacles. Culpeper invented the tripod compound microscope sometime between 1725 and 1730, and made at least five major modifications in the years before his death. All models consisted essentially of two platforms, each supported by three turned brass pillars, with one set of pillars alternating in position with the other. The first model had platforms of wood. All later models, including the current lot, had brass platforms. Attached to the upper platform is a tube covered in stained shagreen. The microscope body draw tube, made from vellum covered cardboard, fits within the outer support tube. Focussing is accomplished by pushing the body tube up or down, with the position being maintained by friction between the vellum covering of the draw-tube and the inner surface of the support tube. There are also inked lines drawn on the body tube corresponding to the parfocal position of different objectives. The current instrument has survived in fine original unrestored condition having been in the same family ownership for as long as anyone can remember. It also retains almost all of its accessories which include a glass fishplate scratch-engraved with Culpeper’s signature.

Lot 23

A Leica IIIF ‘red dial’ 35mm delayed action rangefinder camera Leica, Wetzlar, 1956 With built in rangefinder, flash synchronization port with delay settings and Leitz Elmar f=5cm 1:35 lens, finished in satin chrome and textured black vulcanite, the top plate inscribed Nr. 810 019, Leica, DBP, ERNST LEITZ, GMBH, WETZLAR, GERMANY, the baseplate 13.5cm (5.25 ins approx.) wide; with original protective leather case.

Lot 9

A German oxidised and lacquered brass theodolite Dennert and Pape, Hamburg, late 19th century The telescope with rack and pinion focus adjustment and fitted with a spirit level to top, mounted via a horizontal pivot with fine screw angle adjustment bar to the one side onto two pieced A-frame uprights over rotating table incorporating central bubble-level to upper surface, the spaotted lacquered brass canted rim with two opposing windows for viewing the horizontal silver Vernier scale each equipped with individual pivoted magnification lens and signed Dennert & Pape, Hamburg =Altona and numbered St., 1505 between, the circumference with fine screw adjustment and knurled scale locking screw, the whole raised on column upright issuing triform radial supports with screw feet, in original oak and pine box with hinged carrying handle to top, The box 46cm, (18ins) high. Dennert and Pape were founded in 1848 and worked from Altona district of Hamburg well into the 20th century.

Lot 462A

A quantity of cameras and camera-related equipment to include a Sony A200 camera, a cased Crosina CSM, a cased pair of Carl Zeiss Jena 8x30 binoculars, a Photofax daylight viewer and two cased lenses, an Auto Optimax 1:3.5 F=200mm lens number 220710 and an Optimax Auto 1:2.8 F=35mm lens number 16973.

Lot 461

A brown leather cased set of military observer binoculars and a Zenit EM 35mm camera body with Helios lens, a Zenit E iwth Helios lens and a Hoya 62mm telescopic lens (4).

Lot 280

A 19th century mahogany-cased telescope with brass plaque inscribed 'Presented by the Lords Commissioners of the Admiralty to Mr Alfred Fay Master of the British Barque 'Foam' in acknowledgement of services rendered to Her Majesty's ship 'Griffon' on the occasion of her wreck in the Bight of Benin, Africa October 1866', length 114cm. CONDITION REPORT Elliott Bros of 449 The Strand, London.Both lenses intact, objective lens loose and taped, does not focus.

Lot 1863

Leica Apo-Televid 77 spotting scope with Skua fitted case and cover tripod in excellent condition and Leica 20-60X lens

Lot 1819

Four Nikon 35mm cameras one for underwater photography with zoom lens and professional film case by Nikon CONDITION REPORT: Nikon EF100 Nikon AF240SV Nikon AF400 Nikon zoom 105 all appear in good condition

Lot 1815

Olympus SLR and lens in bag

Lot 137

A group of assorted glassware to include - A Sowerby glassworks opal lattice glass vase circa 1950s, of pale opalescent glass and with a crimped upper rim, unmarked, two opalescent glass moonstone vases in blue and white, tallest 13.5cm high; a Val St. Lambert grey tinted glass vase, circa 1930s,with faceted tapering body and octagonal foot, 26.5cm high; a Whitefriars sea green glass vase, circa 1890, decorated with a frilled collar above raspberry prunts to the lower half of the body, polished pontil, 26.5cm high and another similar; a WMF (Wurttembergische Metallwarenfabrik) Ikora glass vase circa 1927, the cased glass with brown, amber and gold inclusions and controlled bubbles, polished pontil mark, 21cm high; a Stevens and Williams decanter and stopper designed by Joshua Hodgetts, early 20th century, the intaglio cut glass decorated with flowers and leaves to the body and leaves and grapes to the neck, unsigned, 30cm high (repaired neck); a post-war Val. St. Lambert crystal glass vase of boat-shaped form cased in deep green over clear and heavily cut with repeat abstract panels, engraved signature, 14cm high and 25cm wide and a Czech Sklo Union traffic light or lens vase in pale blue attributed to Frantisek Vizner, circa 1960s, 22cm high

Lot 135

A collection of Victorian and later glassware to include a Whitefriars pewter tankard, circa 1960; a Wedgwood brown bark vase, Caithness tartan twist vase, Sklo Union amber lens vase, pressed glass bon bon dish with fold-over rim, small early 20th century frosted pedestal dish etc (two trays)

Lot 261

Pentax P30N Camera, Lens & Bag

Lot 43

Pentagon SLR and lens in bag

Lot 5189

A Dallmeyer London telephoto lens, 9" f4.5, soft pouch

Lot 5071

A Nikon F-601 35mm camera, with Nikon 28-70mm lens and Cosinon Auto 1-135mm telephoto lens; Praktica Super TL2 35mm camera; a Polaroid camera; others, 35mm; a pair of binoculars, cased; mobile phones, Motorola, Cellnet, Phillips, with chargers; etc

Lot 142

A vintage The Adlake railway lamp with clear glass lens

Lot 61

A camera bag containing a Chinon camera with lens and flash, together with a further box of various cameras and accessories

Lot 785

A Leica IIIc camera No. 286204, with 50mm lens No. 349413, in original leather case

Lot 246

A collection of glassware , early 20th century to include predominately Royal Brierley Stourbridge amber coloured glass, comprising a set of four footed decanters with cut lens and star motif, a similar smaller decanter and a claret jug, together with a conical vase, a tumbler, wine glasses, etc

Lot 259

A large collection of cameras and lenses , to include a Leica Mini Elmar, 1:3.5/35, Canon zoom 518 Super 8 cine-camera, a Pentax zoom-70, an Ensign folding camera 220 Selfix, a Yashica 8PE-RS projector, a Soligor f=400mm 1:6.3 lens, etc and ‘The Leica and Leicaflex Way’ book by Andrew Matheson (Qty.)

Lot 127

A Collection of Photographic Equipment to Include Two Nikon 35mm Cameras, F-300 and F-301 Together with a Nikon Digital Camera, Telescopic Lens x2, Flash Gun, Two Camera Bags etc

Lot 34

D.Adam, Fleet Street, London - Optician to His Majesty. A Victorian lacquered brass telescope, with 44 inch barrel, 11 inch eye piece and ranging lens, on a brass mounted tripod, height 68in.

Lot 371

A production-used clapperboard from the production of Steven Spielberg's action-adventure sequel Indiana Jones and The Last Crusade. This item comes from the personal collection of producer Robert Watts. The wooden clapperboard displays white painted text, including the production's working title "Indy III", the name of director Steven Spielberg and the director of photography Douglas Slocombe. Multiple lines have been painted on it to create fields for slate, take and date. "Vistavision" and "23rd July 88, Interior" have been handwritten in black on two strips of adhesive canvas tape. The back of the board features additional strips of tape, creating five filled-in sections titled lens, distance, stop, height and angle. The clapperboard exhibits wear, including corrosion on the metal hinge, scratched surfaces and evidence of chalk marks. Several marks are present on the lot and the edges of the tape have begun to peel away in the bottom-right corner. Dimensions: 1.5 cm x 38 cm x 35 cm (3/4" x 15" x 13 3/4")£4000-6000 M

Lot 727

A screen-matched Tantive IV stormtrooper helmet from George Lucas' Star Wars: A New Hope.The stormtrooper uniforms are just one of many indelible, iconic designs from the original trilogy, borne out of concept sketches by celebrated concept artist Ralph McQuarrie, who worked directly with Lucas on the Imperial foot soldiers' appearance. The stormtrooper helmets created for the first Star Wars film were sculpted by artist Liz Moore and vacuum-formed by an outside vendor.This superb helmet is complete, unrestored from its original first-film finish, and screen-matches to the scene early in the movie where stormtroopers bring Princess Leia (Carrie Fisher) to Darth Vader aboard the Rebel corvette Tantive IV. Unique characteristics in the textured finish of the paintwork, as well as the hand-cut teeth and eye openings, match the on-screen helmet exactly.Approximately 56 standard helmets were created for filming, constructed from high-density polyethylene, or HDPE, a material used at that time to line garden ponds. The helmets were then finished with a glossy white paint, and additional linework and vent details were painted by hand.The helmet's original aerators, or "mic tips", are in place, as is the original rubber trim at the brow and the underside opening. The interior features an elastic chinstrap, a yellow piece of foam padding, and a thin green plastic lens sheet. The name "Syd" is also marked on the interior of the helmet, likely for Syd Wragg, a stormtrooper actor on the film.The helmet has an interesting history: after production on A New Hope it was worn during a promotional event for The Empire Strikes Back held on 15 October 1978, called the Everdon Cross-Country Team Event. This unusual day saw Carrie Fisher, David Prowse, Peter Mayhew, producers Gary Kurtz and Robert Watts, and other key members of the Star Wars team participating in an equestrian event on an estate property in the UK. Original props and set decoration were utilised for the event, including several original stormtrooper costumes. The helmet was gifted to the event's host, and includes a letter of authenticity from the original owner's family.Also included are six large black-and-white photographs from the Everdon event featuring Carrie Fisher on horseback, all of which are marked on the reverse with pen or pencil, providing details of the event, as well as a colour photograph of Princess Leia with stormtroopers on the Tantive IV, and eight additional photographs, some of which feature this helmet or a similar stormtrooper helmet, in an envelope hand-labelled "Mrs. R. Hawkins, Everdon Manor".The helmet and accompanying materials all exhibit signs of wear and age, including some chips to the paint and fraying to the helmet's straps. Some of the chips show evidence of touch-up work, which was done during production or at the time of the promotional event ۠no additional work has been done on the helmet since.Most stormtrooper helmets used in A New Hope were reconditioned for The Empire Strikes Back, which involved painting the grey "frown" (the distinctive mouth area) black. Helmets in original unrestored condition from A New Hope are exceedingly rare and just a few others exist in private collections. Additional information on the Everdon promotional event can be found at www.everdonstarwars.com.Dimensions: 38.25 cm x 38.25 cm x 40.75 cm (15" x 15" x 16")£120000-180000 Ω

Lot 441

A Judge Lawgiver from Danny Cannon's sci-fi action film Judge Dredd. Judge Dredd (Sylvester Stallone) and his fellow Judges patrolled Mega-City One with their personalised, DNA-activated Lawgiver sidearms.This hollow fibreglass gun is painted black and silver with red vented details, and moulded around an aluminum barrel. It features the Judges' Hall of Justice eagle insignia moulded on the right side and a plastic targeting sensor lens under the barrel. The resin exhibits chipping throughout and some scuffed paint from use and handling. Dimensions: 28 cm x 5 cm x 16.5 cm (11" x 2" x 6 1/2")£3000-5000 Ω

Lot 739

Norwegian crew outfit components from Irvin Kershner's Star Wars: The Empire Strikes Back. While filming Hoth scenes on the Hardangerjøkulen glacier, near Finse in Norway, the Norwegian crew wore protective gear provided by Ski-Peer, a small brand of snow sports equipment that has since ceased business. The components consist of three pairs of blue waterproof trousers; a pair of blue nylon fleece-lined mittens; a blue striped beanie with a handwritten label reading "Kohler", referencing location manager Philip Kohler; a pair of blue studded snow boots with fleece lining; and an eye protector with a green lens. All are accompanied by an original tag with a stamp reading "STAR WARS 2". The boots are worn and missing most of their studs, the trousers' water-repellent lining has diminished over the years, and the eye protector has a crack down the middle.£1000-1500 † Δ

Lot 709

Luke Skywalker's (Mark Hamill) production-made lightsaber from the production of Star Wars: A New Hope (1977) Lightsabers are one of the most memorable props in the history of cinema, and it is well-known amongst enthusiasts that Luke's original lightsaber was built from a Graflex 3-Cell Camera Flash Attachment unit. The modifications used to turn the flash handle into the lightsaber prop were relatively straightforward: a set of black T-shaped grips were attached to the lower half of the flash, a D-ring was attached to the bottom of the unit to allow it to hang from a belt hook, and a set of plastic magnification "bubbles" from a vintage calculator display were fitted to the flashes center clamp. Due to the simple nature of the prop's construction, authenticity around Graflex-based lightsaber props is frequently controversial. This is the first Luke Skywalker lightsaber Prop Store has handled with solid provenance and the appropriate physical construction elements to support that it is indeed from the production. The most well-documented Skywalker lightsaber props are the Graflex-based hero version seen best in production photography, and the special-effects version with a motorized spinning blade (designed to reflect light into the camera lens) that was made from a piece of pipe dressed to look a Graflex. It is not clear exactly how many lightsaber props were built for the first film in total. This lightsaber is distinctly not the hero Graflex version seen in production photographs, or the well-documented spinning version, but is an original made for the production of the film. The lightsaber originated from Andy Mitchel, the son of Andrew Mitchell, who was the managing director of Elstree Studios at the time the original Star Wars films were shot there. Mitchell recovered the lightsaber prop as a young man from the Elstree Studios backlot where it had been discarded along many other props and sets during or after production. He was allowed to keep the piece as a memento shortly after production wrapped. The Graflex is a "Folmer" version of the flash handle, which is the same version of Graflex used to create the hero piece seen in production photographs. This flash unit was fully converted into a prop lightsaber: a D-ring is affixed to the bottom of the handle with two pop rivets, a bubble lens strip fitted in the center clamp (with 7 bubbles, matching the hero prop), and glue residue exists on the lower half where the T-shaped grips were once attached. The red button at the top of the flash is a version with a thin band of knurling€â€different to the documented hero Graflex, but the same style of button seen on the document effects "spinning blade" prop. The most interesting aspect of this piece is a welded metal plate affixed into the open end of the emitter. The plate features a small hole in the center and the welding process has deformed some of the top of the flash. This plate was almost certainly welded in as part of the effort to mount a blade in the handle. This custom modification supports the fact that the special effects or props team at Elstree Studio was working with this piece at some point during production, and it was specifically converted to be a lightsaber prop. At present, the location of both the well-documented hero Graflex lightsaber and well-documented "spinning blade" effects version of the prop are not known. Therefore, this may be the only, or certainly one of the few, genuine Luke Skywalker lightsaber props from the original Star Wars film still in existence. While it is uncertain whether this piece was ever used in filming or not, it has a strong chain of provenance and the appropriate physical construction to support its authenticity and is a wonderful example of this legendary film prop. Included are a letter of authenticity from Andy Mitchell who originally obtained the piece from the Elstree backlot, and from a friend of Mitchell's who was gifted the piece by Mitchell in 1983. The piece is well-worn, with numerous scratches and marks to the body. Dimensions: 25 cm x 5.75 cm x 3 .75 cm (10" x 21/4" x 11/2")£60000-100000 M

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