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Lot 1397
1ST LANARKSHIRE RIFLE VOLUNTEERS BROWN LEATHER CROSS BELT, with pouch, the pouch applied badge, the strap the further badge and a silver Beaufort whistle with white metal double chain and lion mask and ring holder, the whistle hallmarked for Birmingham 1859 (Year the regiment was raised) also a white leather belt with sword straps for the same regiment (2)
Lot 5002
WW1 British 1914-15 Star to K24541 SJ Rule, Sto 2 RN (No ribbon), WW1 Victory Medal complete with ribbon to 1792 Pte D Nc Cauley, RAMC, WW2 British War Medal and Defence Medal complete with ribbons and a 1935 silver jubilee medalalion and a Society of Miniature Rifle Clubs medallion 1937. (6)
Lot 5469
.22 cal Crossman "Ratcatcher" model 2250B Air Rifle serial number 606B02104. Black plastic skeleton stock. 385mm long barrel. Fitted with a plastic moderator. Working order. Fitted with an AGS telescopic sight. Overall length 920mm. CONDITION:The action appears weak. Would recommend a service.
Lot 1166
LANSERE, EVGENIJ ALEKSANDROVIC LANSERE, EVGENIJ ALEKSANDROVIC 1848 Morsansk - 1886 St. Petersburg Titel: Berittener Soldat mit Gewehr. Technik: Bronze. Maße: 32cm. Bezeichnung: Kyrillisch bezeichnet auf der Plinthe: E. Lansere. Gießerstempel: Auf der Plinthe Gießerstempel mit Datierung: 1882. Provenienz: Privatbesitz, Deuschland. Erläuterungen zum Katalog Evgenij Aleksandrovic Lansere Russland 19.Jh. Bronzen Reiter / Reiterin Bronze Militär LANSERE, EVGENIJ ALEKSANDROVIC LANSERE, EVGENIJ ALEKSANDROVIC 1848 Morsansk - 1886 St. Petersburg Title: Mounted Soldier with Rifle. Technique: Bronze. Height: 32cm. Notation: Inscribed in Cyrillic on the plinth: E. Lansere. Foundry Mark: On the plinth Foundry mark with date: 1882. Provenance: Private ownership, Germany. Explanations to the Catalogue Evgenij Aleksandrovic Lansere Russia 19th C. Bronzes Horseman / Horsewoman Bronze Military
Lot 1094
HELST, BARTHOLOMÄUS, VAN DER HELST, BARTHOLOMÄUS, VAN DER 1613 Haarlem - vor 1670 Amsterdam zugeschrieben Titel: Portrait eines Herrn. Technik: Öl auf Leinwand. Montierung: Doubliert. Maße: 49,5 x 45,5cm. Rahmen/Sockel: Rahmen. Provenienz: Privatsammlung, Europa. Das vorliegende Gemälde ist in der Online-Datenbank des RKD, Den Haag, verzeichnet unter der Abb.-Nr. 45826. Batholomäus van der Helst, dem das vorliegende Gemälde zugeschrieben wird, war einer der bedeutendsten Porträtisten des sogenannten "Goldenen Zeitalters" der Niederlande. Der gebürtige Haarlemer, der aus einer ehemals begüterten, wohl in seiner Jugend aber verarmten Familie stammte, muss als Kind im elterlichen Haus mit Kunst in Berührung gekommen sein. Über den Beginn van der Helsts Karriere ist nichts bekannt, es wird aber angenommen, dass er bei dem Porträtisten Nicolaes Eliaszoon Pickenoy in Amsterdam gelernt hat. In der Kunstmetropole ist er jedenfalls seit 1637 urkundlich erwähnt. Bereits zwei Jahre später erhielt van der Helst den prestigeträchtigen Auftrag für ein großes Gruppengemälde der Schützenkompanie des Kapitäns Roloef Bicker (heute im Rijksmuseum, Amsterdam). Es ist davon auszugehen, dass van der Helst zu diesem Zeitpunkt bereits ein arrivierter, in der Bürgerschaft breit vernetzter Künstler war. Zu van der Helsts Kunden gehörte die gesamte gehobene Bürgerschaft und die gesellschaftliche Spitze Amsterdams und auch des Adels. Das immense Ansehen, das er genoss, zeigt auch die Tatsache, dass er in seiner Karriere sieben solch großer und repräsentativer Regenten- und Schützenstücke malte, wobei er den Dargestellten Protagonisten mit großer individueller Prägnanz gerecht wurde. Dass diese monumentalen Gemälde, die das Selbstbewusstsein der Stadtelite demonstrierten, parallel zu Rembrandts Nachtwache entstanden und zum Teil mit dieser gemeinsam einen Saal schmückten, mag die allerhöchste Wertschätzung seiner Zeitgenossen verdeutlichen. Das hier vorliegende Portrait könnte aus van der Helsts früheren Jahren stammen, in denen sein Stil dem seines vermeintlichen Lehrers Pickenoy ähnelt. Diese früheren Portraits sind ganz auf die dargestellte Person fokussiert, der Hintergrund ist in monochromen Erdtönen gehalten. Im Verlauf seiner Karriere ging van der Helst verstärkt dazu über, Hintergrund und Bildraum durch Landschaften und Attribute aufwendig zu gestalten, wobei es auch häufig zu Kooperationen mit anderen Künstlern kam. Auf zwei anderen, gesicherten Werken Bartholomäus van der Helsts, begegnet uns ein Herr, dessen Ähnlichkeit mit dem hier vorliegenden Portrait frappierend ist: In der Alten Pinakothek in München befindet sich ein 1649 datiertes Bildnis eines "Herrn im schwarzen Atlassamt", der dem hier portraitierten ebenso verblüffend ähnlich sieht, wie der Schwiegersohn in dem monumentalen Familienbildnis in der Petersburger Eremitage aus dem Jahr 1647. ("Bildnis vermutlich des Ehepaars Willem Visch und Eva Bisschop sowie ihrer Tochter Laurentia Visch sowie deren Ehemann Adriaen Prins und dessen Sohn") Ist die Ähnlichkeit unseres Portraitierten mit den Dargestellten in den beiden gesicherten Gemälden van der Halsts Zufall oder handelt es sich um denselben, vielleicht zehn Jahre jüngeren Mann? Das vorliegende Gemälde könnte ein interessanter "Puzzelstein" sein, der unser Bild von van der Helst und seinen Auftraggebern schärft. Erläuterungen zum Katalog Bartholomäus, van der Helst Niederlande 17.Jh. Originale Porträt Malerei Bürgerliches Porträt HELST, BARTHOLOMÄUS, VAN DER HELST, BARTHOLOMÄUS, VAN DER 1613 Haarlem - before 1670 Amsterdam attributed Title: Portrait of a Man. Technique: Oil on canvas. Mounting: Relined. Measurement: 49,5 x 45,5cm. Frame/Pedestal: Framed. Provenance: Private collection, Europe. The present painting is included in the online databank of the RKD, The Hague, under the ill. no. 45826. Batholomäus van der Helst, to whom the present painting is attributed, was one of the most important portraitists of the so-called "Golden Age" of the Netherlands. The native of Haarlem, who came from a family that was once wealthy but probably impoverished in his youth, must have come into contact with art as a child in his parents' house. Nothing is known about the beginning of van der Held's career, but it is assumed that he studied with the portraitist Nicolaes Eliaszoon Pickenoy in Amsterdam. In any case, he is mentioned in documents in the art metropolis since 1637. Only two years later van der Helst received the prestigious commission for a large group painting of the Rifle Company of Captain Roloef Bicker (now in the Rijksmuseum, Amsterdam). It can be assumed that by this time van der Helst was already an established artist, widely networked among the citizenry. Among van der Helst's clients were the entire upper middle class and the social elite of Amsterdam and also the nobility. The immense prestige he enjoyed is also shown by the fact that he painted seven such large and representative regent and marksman pieces during his career, whereby he did justice to the portrayed protagonists with great individual conciseness. The fact that these monumental paintings, which demonstrated the self-confidence of the city's elite, were created parallel to Rembrandt's Night Watch, and that some of them decorated a hall together with it, may illustrate the highest esteem in which his contemporaries held him. The portrait presented here could be from van der Horst's earlier years, in which his style resembled that of his supposed teacher Pickenoy. These earlier portraits are entirely focused on the person portrayed, the background is in monochrome earth tones. In the course of his career, van der Helst increasingly began to elaborately design background and pictorial space through landscapes and attributes, often collaborating with other artists. In two others, secured works by Bartholomäus van der Helst, we encounter a gentleman whose resemblance to the portrait presented here is striking: In the Alte Pinakothek in Munich there is a portrait of a "gentleman in the black atlas office" dated 1649, which looks just as strikingly similar to the one portrayed here as the son-in-law in the monumental family portrait in the Petersburg Hermitage from 1647 ("Portrait presumably of the married couple Willem Visch and Eva Bisschop and their daughter Laurentia Visch and her husband Adriaen Prins and his son"). Is the resemblance of our sitter to the sitters in the two secured paintings by van der Hals coincidence or is it the same man, perhaps ten years younger? The present painting could be an interesting "puzzle stone" that sharpens our image of van der Helst and his clients. Explanations to the Catalogue Bartholomäus, van der Helst The Netherlands 17th C. Old Masters Portrait Painting Bourgeois Portrait
Lot 334
A Swedish, Remington pattern, 0.12mm rifle with rolling block action. Crowned C mark numbered 2739Condition report: All the moving parts function well. The hammer cocks to safety and fully back, the trigger engages, the firing block pin is present, and the back sight folds up etc. The rifle measures at 135cm long. The rifle has not been deactivated.
Lot 4093
Olympic Memorabilia: A Doping Control Collection Form, Seoul Olympics 1988, Arnold Beckett, No. 2730, Air Rifle Shooting, 20th September 1988; together with another similar, Los Angeles Olympics 1984, Fatima Whitbread, No. 1337, Athletics, 6th August 1984. (2)Provenance: Part of the Arnold Beckett Collection.
Lot 394
A collection of ephemera etc, to include a collection of silk cigarette cards mainly military related, each stitched onto a satin backing, a small amount of books, a dance card for the 7th Suffolk volunteer rifle ball 1864, memorial card relating to a Samuel Parker who died aged 23 years 1876, group of other similar cards relating to a John Foreman who died aged 36 1875, other military related ephemera, a small book titled Destruction by Elinor Glyn published by Duckworth and Co with branded ink, publishers stamp etc.
Lot 482
A 9ct gold curb link double albert chain,with a swivel clip to one end and half solid bolt ring to the other, with a 15ct gold Art Nouveau medallion. The circular medallion with a rifle practice scene to one side, with an oak spray to the reverse, hand engraved 'Kenning's Rifle Club Championship winner, H.J. Gadbury 1924-25'. Birmingham 1899. 470mm long, 29mm diameter, 41.94gCondition report: Weight is total, as the medallion does not runn off the end.The medallion is very approximately 10.00g
Lot 354
Israeli Declaration of Independence Print. Arthur Szyk's magnificent artwork on the Declaration of Independence highlights the deep, meaningful connection between the new Jewish state and the ancient Jewish past. As befitting a Jewish Modern artist with a passion for Zionism, Szyk created a series of magnificent images for the declaration scroll. These images included multiple Stars of David, prayers to the Almighty, famous biblical figures including Moses and Aaron, as well as the depictions of more modern characters, including a Jewish farmer planting a field and an IDF soldier bearing a flag in one hand, and rifle in the other.. Image Size: 15 x 19 in. Overall Framed Size: 20 x 24 in. Framed behind glass.
Lot 973a
(A.) This is a side-by-side double barrel shotgun by W. Richards. The shotgun was made in Belgium in the late 1800's or early 1900's, and the barrels were made from Belgium laminated steel. The shotgun has double triggers, a beautiful walnut stock, and a hard rubber buttplate with the handsome logo of a deer. The name "W. Richards Belgium" appears on both lockplates, and "Belgium Laminated Steel" appears in a groove atop the two barrels. The shotgun is in very good condition - a nice patina on the wood, no rust that we can see, and very little wear compared to similar shotguns by Richards. Please do not confuse this with shotguns by Wesley Richards. They are very different gunmakers, and do not use modern ammunition in this gun.The shotgun is 47 1/4 inches long overall and the barrels are 30 inches long.(B.) This is a single-shot percussion cap front- loading rifle, probably made during the mid 1800's, and possibly used for birding or fowling. It has an extended arm with a small eye-hole in the back and a low front sight, a decorated patchbox that features a hunting dog and birds in the sky and laying on the ground, mother-of-pearl inlay, and four U.S. coins that help identify the age of the rifle. There is no ramrod and no maker's mark that we could identify. (The brass grip under the barrel may have a maker's mark, but it is too hard to read.)The coin on the cheek side is a three-cent U.S. coin made between 1851 and 1864 and the coin on the other side is a U.S. half-dime that would have been struck between 1837 and 1873. The two U.S. coins on the underside of the stock are a three-cent coin made between 1837 and 1873 and a Seated Liberty dime struck in 1857.The rifle weighs 13.8 lbs. It is 44 3/4 inches long, the stock is 12 1/2 inches long, and the octagonal barrel is 28 1/4 inches long. There is light wear on the stock, light wear on the brass grip below the barrel, and light pitting on the barrel itself.
Lot 352
A collection of circa two hundred and fifty military cap badges including East Surrey, Duke of Lancasters Own, Royal Devon Yeomanry, Middlesex Regt, Gloucestershire, York and lancaster, Royal Canadian Corps of Signals, Queens Own Yeomanry, The Royal Armoured Corps, The Hampshire, The Royal Dragoons, Queens Own Worcestershire, South Staffordshire, The Queens Lancers, the Dragoon Guards, Royal Canadian Ordnance Corps, Cheshire, the Royal Highlanders, Army Air Corps, Essex reg, South Lancashire Prince of Wales, Inniskillin, Military Foot Police, The Herefordshire Regt, Highland Regt, The Royal Dragoons, The Suffolk Regt, Dorset Regt, Cornwall, Royal Corps Signals, Manchester, Gloucestershire, The Norfolk Regt, Argyll and Sutherland, Borrow & North Lonsdale, Ninth Light Horse, London rifle brigade, Rocky Mountain Rangers, Queen Mery's, United Corps, Queens Own Oxfordshire Hussars, Argyle and Sutherland, The Royal Sussex Regt, East Surrey, Lincolnshire, Cheshire Volunteer Regt, Yorkshire Princess of Wales Own Regt, Australian Commonwealth Military Force, The Kings Own, Royal Dublin Fusiliers, Herefordshire, The Perth Regiment, 20 East Devon, Royal Munster, Royal Welsh Fusiliers, Royal Monmouthshire, 3rd King's own Hussars, Scottish King's Own Borderers, Connaught Rangers, The Buffs, Lincolnshire, Earl of Chester's IY, The Welch, Tyneside Scottish, Artists Rifles, Highland Light Infantry, The Bedfordshire Regiment, Royal Berkshire, 11th Hussars, Canadian Naval Crown, Kings Crown Canadian, Irish Guards, Royal Lancers, Paddington Rifles, etc
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62082 item(s)/page