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Drei Trouvallien in der Tradition der Kuriostitätenkabinettedes BarockÜber profiliertem Rundsockel stark gegliederte, ebonisierte Balustersäulen aus Holz als Träger für eine Voluta melocorona sowie zwei Nautilus-Gehäusen mit changierendem Lüster. H. 23,5 cm - 43 cm.Three decorative shells on a wooden base in the tradition of the Baroque curiosity cabinets.Niederlande. 20./21. Jh.
Part of the In the Secret Garden group, these cute figures have faceted shells with frosted crystal legs and jet crystal eyes. Swarovski backstamp. 7632 000 002. This item has its original box: 2.5"H x 3.25" dia. Artist: Edith MairIssued: 1998 - 2012Dimensions: 0.75"L x 1"W x 0.25"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Maldives, a collection of five original hand drawn designs for the reverse designs of a series of 2 Rafiyaa, 5 Rufiyaa, 10 Rufiyaa, 50 Rufiyaa, and a 100 Rufiyaa notes, probably produced for Bradbury Wilkinson possibly by Derek Friday, in pencil, ink and watercolour, on paper applied to card, all five designs measure 7.0cms x 15.0cms, the designs are almost entirely hand drawn directly on to the paper, with on or two small hand drawn elements applied later as layers, i.e. the shells and some of the bottom corner rosettes, all five designs are in good clean condition with one or two minor spots of dirt here and there, colour is good with stunning detail to the hand work
A selection of four carved wooden figures originating from across the african continent. To include a man and wife pair of carvings, with damage to the base of the female. Also including a large carved bust of a notable female figure, with shells and bronze decoration to tordo and remnants of beaded headdress. Also comprising a carved wooden effigy of a chieftain's wife, symbolising her notable position in her society. (Victor Brox collection)
An ormolu miniature frame. French, early 19th century, cast with scrolls and shells, with a matt gilt slip and eternal serpent split ring, 12.5cmX10cm.The internal measurement of the raised flange is 8.3X7.2cm, and the inner measurement of the slip is 5.9X4.7cm.No condition issues, the back pushes on and is a tight fit.
Four Oceania carved masks. Two with inlaid cowrie shells, largest 61cm. (4) Maurice Jenkins (1933-2022). North Cornwall collector. Maurice was a lifetime collector and started in the 1950s. He opened a shop in Liskeard in the 1970s called Canon Hill Antiques. He visited a number of Middle Eastern countries in his lifetime including Egypt in the late 1970's when his interest in Islamic and Asian antiques began. He was a man with an eye for quality and a love of antiques, history and travel who purchased privately and at auction over the decades. Over a lifetime of purchasing privately and at auction, he created an eclectic ensemble of collections reflecting his interests. He died a few weeks before his 90th birthday and was still buying until that time.
A Papua New Guinea Iatmul or Mei mask. Inlaid with cowrie shells, length 41cm. Maurice Jenkins (1933-2022). North Cornwall collector. Maurice was a lifetime collector and started in the 1950s. He opened a shop in Liskeard in the 1970s called Canon Hill Antiques. He visited a number of Middle Eastern countries in his lifetime including Egypt in the late 1970's when his interest in Islamic and Asian antiques began. He was a man with an eye for quality and a love of antiques, history and travel who purchased privately and at auction over the decades. Over a lifetime of purchasing privately and at auction, he created an eclectic ensemble of collections reflecting his interests. He died a few weeks before his 90th birthday and was still buying until that time.
A large African wood carved female figure. With areas of black pigment and inlaid cowrie shells, height 110cm. Maurice Jenkins (1933-2022). North Cornwall collector. Maurice was a lifetime collector and started in the 1950s. He opened a shop in Liskeard in the 1970s called Canon Hill Antiques. He visited a number of Middle Eastern countries in his lifetime including Egypt in the late 1970's when his interest in Islamic and Asian antiques began. He was a man with an eye for quality and a love of antiques, history and travel who purchased privately and at auction over the decades. Over a lifetime of purchasing privately and at auction, he created an eclectic ensemble of collections reflecting his interests. He died a few weeks before his 90th birthday and was still buying until that time.
GEORGIAN SILVER TEAPOT Stands 31cm tall, with gadrooned pedestal base and neck decorated with embossed motifs of shells, ribbons and feathers. Hallmarked London 1772. Weight 1027.0 grams Condition Report : Handle has been replaced with and repair to one side. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
The standard size microscope slide with a coverslip covering a section of microfilm, with paper labels to the top and bottom with manuscript that reads 'Part of Pigeon post dispatch sent into Paris during seige by pigeon, Bals.' the images is signed at the bottom 'Rene Dagron & Co.'The Siege of Paris (1871) occurred between 19 September 1870 – 28 January 1871, during the Franco-Prussian War. Napoleon III’s armies were pushed back after the Battle of Sedan, resulting in the Emperor’s surrender. However, the French Third Republic that was formed after his abdication were not ready for peace with Prussia. In response, the Prussians lay siege to Paris for four and half months. In order to bring the siege to a close, the Prussians fired 12,000 shells into the city within three weeks. In the end, however, it was starvation and working class resentment that brought peace to the city. The Pigeon Post - During the siege, communication was maintained with the outside world through the use of hot-air balloons and carrier pigeons. The first successful balloon flight out of Paris was Neptune, piloted by Jules Duruof, followed two days later by Ville de Florence, piloted by Gabriel Mangin. This second balloon contained a basket of carrier pigeons, which enabled messages to start being relayed into the city and more balloons to be sent out. French photographers used innovative microphotography, pioneered by John Benjamin Dancer in 1839, to enable the transferral of large amounts of important information. This process was overseen by Blaise, who printed the messages on photographic paper, and the images were then viewed through microscopes and microscope projectors.
Jeffreys, British Conchology, Jeffreys, John Gwyn, British Conchology or an account of the Mollusca, in 5 vols, vol. I 1904 reprint, vol. I 1st ed. 1863, vol. III 1st ed. 1865, Vol. IV 1867, Vol. V 1869, all in the same maroon fabric Binding with gilt lettering to spine,hand coloured plates with some left plane, and Wodarch, Charles, An Introduction to the Study of Conchology Describing the Orders, Genera and Species of Shells, London 1820, recent green fabric binding with 5 hand-colored plates with indexes at the rear
Sowerby, James, The Mineral Conchology of Great Britain or Coloured Figures and Descriptions of those Remains of Testaceous Animals or Shells which Have Been Preserved at Various Times and Depths in the Earth. London: printed by Benjamin Meradith, Silver Street, Wood Street, Cheapside, Sold by the Author, 1812-1829, 7 volumes, 1st Ed. 8vo, half morocco gilt, spines with raised bands, gilt edges, Vol7, Supplement without title page, all vols with recent owners bookplate, a good complete set (if you include the manuscript pages), with the very rare unfinished seventh volume. there are 648 hand-coloured engraved plates including several foldingNote: An Unusual Copy of this rare Book, all the volumes have period pen corrections and additions. Many of the printed specimen titles have been crossed out and corrected. There are additions to some of the text and all page numbers have been altered. There are handwritten index lists throughout, in Vol.IV page 39 & 40 are completely handwritten. All in the same hand writing with other hand written pages and corrections throughout. The later Supplement has no alterations.
Wood, W, Index Testaceologicus; or A Catalogue of Shells, British and Foreign.. Wood, W, Index Testaceologicus; or A Catalogue of Shells, British and Foreign.. First Edition, published 1825, with double plates one plane and the other hand coloured, half calf with marbled boards, rebound by Broadbere Southampton
Ephemera, Scraps, a selection of die cut scraps to include Raphael Tuck's booklet 'A Visit To The Zoo' (pages loose), a set of 12 farming months of the year, a giant scrap of charging Highlanders (Egypt 1880s) (fair), a flock of parrots, Salvation Army, Father Christmas, Fire Brigade, shells etc. (gen gd) (35+)
PARAGON; Sir Winston Leonard Spencer Churchill, a limited edition commemorative china cigar box decorated with gilt text, buildings to the sides, and armorial crest to the top on cobalt blue ground, with white and gilt feathers, scrolls and shells, no. 264/500, in original presentation box, with certificate of authenticity, 10 x 26 x 18cm.Condition Report: Crack running through the name Leonard, another very small crack to corner
A pair of cast metal models of shells, height 22cm, together with a Baroque-style carved candlestick, height 77cm (3).Condition Report: From the estate of actor Dean Sullivan, most known for playing Jimmy Corkhill in the TV series Brookside.- Please note that this lot is not suitable for our in-house postage service. We would recommend booking a collection slot for this lot or contacting Mailboxes Etc for postage of this lot, their details can be found on https://www.adampartridge.co.uk/services/transport/
A matched pair of George III silver butter shells, by Rebecca Emes & Edward Barnard, London 1808, with a gadrooned border, engraved with crests, on three supporting shell feet, length 14cm, total approx. weight 9.3oz. (2)The crest is a variant of Lang, Rhan or Wrench. Provenance: The Barry Lock Collection part II.
By Tiffany & Co., a similar pair of late-19th century American silver-mounted glass decanters,Edward C. Moore Period, 1871-1891,rounded rectangular tapering form, both decorated with crabs, seaweed and shells, spot-hammered decoration, elongated stoppers, the glass bodies with hob-nail cut and fluted decoration, height 24cm. (2)
Fabulous addition to any Summer outfit. This is a beautiful cluster of assorted dangling seashells including some striking abalone with some faux pearls scattered for interest. The neutral cluster of shells is dangling from a creamy soft multi strand twisted string. The necklace has a loop and wood button bead for closure. The clip back earrings are a round flat curved shell with two dangling oval shells and a little bead on each. Necklace; 20"L. Shell cluster: 3.50"L x 6.25"W. Earring: 3.25"L x 1.25"W. Issued: 20th centuryCountry of Origin: United StatesCondition: Age related wear.
An English or American late 19th century folk art shell house, of two storeys with two bay windows, central front door with steps, central dormer windows and chimneys, painted in pitch with glazed windows, some with paper figures behind, made from Libby, McNell & Libby (Chicago) packing box —16 ¼in. (41cm.) wide (some damage and loss to shells)
A Royal Crown Derby shaped circular cabinet plate, painted by Joseph Arthur Peach (1864 - 1951), signed, the central field with fanciful birds in a wooded landscape, moulded border painted with cartouches of rosebuds, picked out in raised gilt divided by pink scallop shells, 22cm diameter, printed mark in red, year cypher for 1894
A 19th century Jacob Petit, Paris, porcelain pot pourri, of square form, each side decorated with courting couples, within raised gilt reserves, on green ground, the borders moulded with scrolls, leaves and shells, picked out in gilt, pierced square cover with moulded scroll and shell chimney, 17cm high, printed mark in blue, 19th century
A composed set of four George II/early George III cast table candlesticks, detachable nozzles, knopped pillars, stepped shaped square bases with shells to angles, conforming engraved armorials, 27.5cm high, John Perry, London 1756, John Cafe, London 1757, and William Cafe, London 1764, 3082g
A pair of George II cast silver table candlesticks, fitted with Victorian three-light candelabra fittings, reel shaped sconces, knopped pillars, fluted shaped square bases with shells to angles, 40cm high overall, the candlesticks John Hyatt & Charles Semore, London 1757, the branches London 1893, 2218g gross
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24987 item(s)/page