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CIRCULAR WALNUT COFFEE TABLE ON FOUR QUEEN ANN LEGS, WITH CARVED SHELLS TO TOP.HEIGHT: 19 INCHES DIAMETER: 24 INCHES GOOD CONDITION

An early 20thC silver plated oval serving tray, the surface with scrolled, floral and lattice engraved designs, the border cast with shells, acorns, oak leaves, flora and scrolls 17'' x 21''

Royal Dux porcelain table centre having figural decoration depicting two maidens between two scallop shells, pink triangle mark, 37.5cm high Condition: Slight rubbing to the gilding - **General condition consistent with age

AN ORNATE FLORENTINE STYLE WALL MIRROR the frame profusely carved with shells and scrolls, 51cm wide 68cm high

A Quantity of Original Scalextric Accessories and Spares. Including trackside buildings, body shells, chassis, motors, gears, tyres and electrical parts:- Two Boxes

A Greener G.P. S/B shotgun, S/No.G70517 with cleaning kit and box of shells, this item can only be purchased by someone with a current valid shotgun certificate or an R.F.D.

A boxed Britains No.2064 155mm gun with shells

A Victorian sailor work shell encrusted hand held mirror. Height 26 cm. CONDITION REPORT: The back frame of the mirror appears to be made from some form of board. At the narrow point of the handle this has become weak and folded. There is a Sellotaped repair at the back across this section. There is evidence of glue between the shelves at the same point. At the bottom of the handle there is one broken shell. There are small nibbles to other shells but no further losses. One of two of the shells are slightly loose. The mirror plate is in reasonable order. The back of the piece is faded, dirty and scuffed in places.

1991 Fish, 1995 Shells, 1998 Insects, 1999 Camels (4), 2000 Post Office U/M. STC £82 (42)

A small pair of Victorian silver bun-top peppers by Frederick Sibray and Job Frank Hall, London, 1888, chased with shells and foliate scrolls, 4.6 cm. high; a small French silver wine taster, bowl set with small ancient Roman coin, sides stamped with flowers, late19th/early 20th century; a Victorian silver magnifying glass frame by William Comyns, London, 1889, rim pierced and chased with putti amidst foliage, handle with conforming chasing (lacks glass lens), 22 cm. long; an Indian silver gourd-shaped box with pull-off cover, circa 1900; a Georgian silver leaf caddy spoon with vein-chased bowl, the tendril ring handle present but detached (marked in bowl with king's head and lion passant only), wt. 273 gm.Overall good condition apart from snapped-off but present tendril handle to caddy spoon and small repair to chasing on rim of magnifying glass.

A Portuguese silver platter of shaped circular form, .833 standard, Porto, post 1938, embossed with shells and "C" scrolls and initialled "GS" to centre, 36 cm. diameter, wt. 460 gm.Good condition except for some minor surface scratches, a couple of minuscule splits to edge.

A pair of conch shells cameo-carved with Apollo on a quadriga drawn by four horses, the other Aurora carried over clouds on a chariot drawn by two horses. Ht 13.5cm. In very good condition., no cracks.

A LARGE QUANTITY OF RACKET COVERS ORNAMENTAL SHELLS GLASS TABLE TOP ETC

A Britains American Civil War Gun Team & Limber boxed. CONDITION REPORT - shells missing, minor wear to decoration.

A quantity of WWI trench art artillery shells, German & English,with engraved and embossed examples.

A pair of cold painted bronze candlesticksEach formed as various sea shells. Each 23.5 cm high. (2) CONDITION REPORTS: Some paint wear/loss, some slight misshaping, general wear.

Linda Brunker (b.1966) FLOW, 1995. bronze; (no. 2 from an edition of 5) signed with intials, dated and numbered Acquired directly from the artist by the present owner. 'Linda Brunker New York', American Irish Historical Society, New York, 9-20 May 1995, and Allied Irish Bank, New York, 23 May - 13 June 1995. Linda Brunker has been a full-time sculptor since graduating from NCAD in 1988. She has developed her own innovative style of bronze casting. She has had many solo shows in Dublin, New York and Los Angeles and has completed private and public commissions worldwide. Public commissions include Voyager, a large female figure made from a filigree of bronze elements from the sea which overlooks the Pacific Ocean at the Montage Hotel in Laguna Beach, California, The Wishing Hand at the Department of Education, Marlborough Square, Dublin, and Two For Joy, Garda Síochána, Bray, Co. Wicklow.From her studios in Southern California and Dublin she makes sculptures on all scales from monumental corporate and public sculptures to small tabletop pieces in bronze or stone. Her sculptures are predominantly based on the human form. She typically incorporates elements taken from nature such as leaves, feathers or shells to create images “composed into flowing shapes which echo the rhythms of wind, fire and water.”"In Linda Brunker’s elegant sculptures, masses of natural forms, from leaves to starfish, bear the imprint of human, usually female, heads and bodies. They are emblematic of the structural patterns that connect not just living things but all forms on all scales, from microscopic to cosmic. The work is technically impeccable and often ingenious......" Aidan Dunne, The Irish Times, 1996. 51.50 by 20.50in. (130.8 by 52.1cm)

Pair of large Chinese Canton fan shape mother of pearl shells, carved and pierced with figures, pagoda and trees, approx 13 x 20cm, each on hardwood stands (2)

An Italian style giltwood console table having a green marble top, the base decorated with shells, acanthus leaves and scrolls H 76 x W 94 x D 43cm

A pair of figural bronze candlesticks, formed as mermen within scallop shells supporting stiff leaf vase sconces, 16cm high (2)

A Stourbridge 'rock crystal' type wine set possibly Webb Corbett, early 20thC, cut with leafy swags over stylized scallop shells, comprises decanter and stopper, six wine glasses and four cordial glasses, decanter and stopper 43cm high max (11)

A pair of 1917 brass shells, 23cm tall

2 x 20mm shells together with brass shell and round head

A large collection of sea shells, sorted and arranged by type in display trays.

A pair of framed floral decorations made of sea shells

A mixed lot of sea shells and crystals

Audrey Johnson (1918-2010) Still life with vases, a ceramic mug and egg shells Signed and dated 1976, oil on board, 30cm by 41.5cm See Illustration

Five various shells, to include a conch.

18th c. lead sounding weight, and two large tropical shells

Collection of large tropical shells

A pair of early 19th Century Berlin porcelain salts as bird and insect decorated shells held aloft by dolphins CONDITION REPORTS Both salts have general wear and tear to include wear to the gilding, some surface scratches, in need of clean. One has a chip to the bottom rim

A pair of 19th Century gilt bronze candlesticks in the Rococo taste with facet shaped column set with convex shells, the three feet as leaves, 20.5 cm high

A pair of Japanese figural carvings of crabs and shells, with two character marks to the back (2)

Auxillary Air Force 602 City of Glasgow Squadron interest; a grouping of items to include enamelled car badge, two sets of shoulder boards, four cloth RAF wings, 602 cloth badges, set of buttons by Anderson of Edinburgh, various ephemera to include Glasgow Fighter Squadron, Air Almanac 1945, RAF edition maps, shrapnal and pieces from a Zepplin L32 brought down on September 24th in Essex, nose cones and shells etc

Collection of mixed interior decorators items including a reproduction vase, plaster foot, coloured martini glass, two pearl shells, painted glass panel, enamel bird topped decanter inlaid stone boxes, vintage camera etc. Condition report: see terms and conditions

A GOOD QUALITY SIGNED JAPANESE MEIJI PERIOD LACQUERED WOOD BOX & COVER, with four interior fitted boxes and covers, the cover unusually decorated in gold lacquer with herb gatherers, the underside of the cover with gold lacquer shells scattered on a nashiji ground, 10.25in x 7.7in x 4.25in high.

A PAIR OF 19TH CENTURY CHINESE CANTON PORCELAIN VASES, fitted for electricity with French ormolu stands, each club-from body painted with figural panels reserved on a ground of flowers, fruit, butterflies, conch shells and ribboned emblems, 15.4in high overall, the vases themselves 7.75in high.

AN UNUSUAL JAPANESE MEIJI PERIOD IVORY OKIMONO, unsigned, carved in the form of a fisherman peering in on a fire-breathing female deity seated between two large clam shells, 4.1in high.

A GEORGE V SILVER FRUIT BOWL, W. & G. SISSONS, SHEFFIELD, 1912 shaped oval, engraved with a crest below the applied rim of scrolls and shells at intervals, on foliate panel feet 31.5cm long, 617gr (19oz 16dwt)

A SET OF FOUR GEORGE IV SILVER CANDLESTICKS, TIMOTHY SMITH & THOMAS MERRYWEATHER, LONDON, 1824 Rococo Revival, engraved with a crest to the wells and nozzles, richly cast and chased with matted shells and stylised foliage, complete with detachable nozzles 21cm high, 2574gr (82oz)

A PAIR OF DUTCH SILVER CANDLESTICKS, REYNIER DE HAAN, THE HAGUE, 1745 cast, on shaped square bases with shells at the angles, similarly decorated faceted baluster stems 19cm high, 742gr (23oz 17dwt) See a pair of candlesticks of similar design in the Rijksmuseum (Object No. BK-1977-35-A/B), maker's mark Pieter de Keen, Amsterdam, 1729, and another pair of 1730 by the same maker, sold Christie's, Amsterdam, 14 June 2007, lot 255. Also see Sotheby's, London, 15 May 2014, lot 362, for another pair of Reynier de Haan candlesticks.

A PAIR OF GEORGE III SILVER CANDLESTICKS, MAKER'S MARK F.W IN GOTHIC SCRIPT (GRIMWADE NO.3572), LONDON, 1766 the shaped circular bases, knopped stems and detachable nozzles die-staped with shells and flutes within gadroon borders, the bases and nozzles engraved with a crest 26.4cm. high, loaded Provenance: The Collection of Myrtle Ellis (1937-2016)

A SCOTTISH GEORGE II SILVER TEAPOT, JAMES KER, ACTING ASSAY MASTER DAVID MITCHELL, EDINBURGH, 1740 bullet form, on spreading foot, with part fluted spout, flat-chased to the shoulder and flush-hinged lid with a band of strapwork, foliage and shells below the bun knop, scrolling silver handle with horn insulators, scratch weight: 24' 51/2" 24.5cm long, 711gr (22oz 9dwt) all in Provenance: Christie's, London, 19 March 1986, lot 232 Whilst for simplicity the date letter 'K' is usually ascribed to the year 1739, date letters in Edinburgh ran from September to September. We know this teapot was in fact assayed at some point between February and September of 1740. The official assay master at this time, Archibald Ure, in dispute with the Edinburgh assay office, resigned from his post in February 1740. As Deacon, David Mitchell struck his mark as acting Assay Master until September of that year, when new Deacons struck their marks for assay.

A GEORGE III SILVER SALVER, ELIZABETH COOKE, LONDON, 1771 with contemporary engraving of a crest within a ribbon-tied foliate swagged reeded roundel, the shaped beaded rim interrupted by shells above stamped husk swags, on three ball and claw feet 25.5cm diameter, 607gr (19oz 10dwt)

A PAIR OF GEORGE II SILVER SALVERS, ELIZA GODFREY, LONDON, 1755 shaped circular, the centres each engraved with a contemporary coat-of-arms and rococo cartouche within a later flat-chased band of scrolls, flowers and shells, applied gadroon and shell borders above three hoof supports, together with a photocopy of the original Eliz. Godfrey bill, 1755 30.8cm diameter, 1896gr (60oz 19dwt) The arms are those of Leigh impaling Brydges for James Leigh (1724-1744) of Adlestrop and Longborough, Gloucestershire, who married on 10 March 1755, Lady Caroline Brydges (1729-1789), eldest daughter of Henry, 2nd Duke of Chandos. These salvers are listed with other items in a bill addressed to 'Jas. Leigh Esq' from Elizabeth Godfrey, 'Goldsmith & Jeweller to his Royal Highness ye Duke of Cumberland at ye Hand Ring & Crown in Norris Street, St. James's Hay Market,' 22 February 1755, as follows: '2 Neat Pold. [Polished] Gadroon'd Waiters - 64[oz] 12[dwt] @8[s per oz] - [£]25 17[s] 0[d] 'Engr'd Do [£]0 15[s] 0[d]' The bill was paid on 5 May 1755: 'Recd. by the Hand of Jn Pudsey the Contents of this Bill & all Demands for My Mother E: Godfrey P [i.e. Per] Abm. Betew.' (The original of this bill is among the Brydges family papers, Shakespeare Birthplace Trust, Stratford-upon-Avon) Elizabeth Godfrey (née Panten [sic]) was married to her first husband, the silversmith Abraham Buteux (1698-1731) at St. Paul's Cathedral on 11 February 1720. Their son, the above-mentioned 'Abm Betew' [Abraham Buteux junior] was born in 1722. Following her husband's death, Mrs Buteux was married for a second time at St. Benet, Paul's Wharf on 6 February 1732 to the silversmith Benjamin Godfrey, a bachelor. Arthur Grimwade (London Goldsmiths, p. 524) suggests that the latter had been a journeyman to Mrs. Buteux. Widowed a second time when Godfrey died in 1741, she herself died in 1771, survived by her sons Abraham (d. 1776) and Panton (d. 1799) and daughter Hester Betew [Buteux] (d. 1774/76). Panton Betew's will was proved on 19 July 1799 (National Archives, PROB 11/1326) by his executor, Lewis Pantin junior (Grimwade, p. 613 : Lewis Pantin III). Provenance: James Leigh (1724-1744) of Adlestrop; Sotheby's, London, 10 November 1994, lot 166; The Collection of Myrtle Ellis (1937-2016)

AN IRISH EDWARDIAN SILVER FRUIT BOWL, SHARMAN D. NEILL LTD. OF BELFAST, DUBLIN, 1908 circular, the sides chased with birds perched above ribbon-tied fruiting vine swags and a vacant cartouche against a pierced ground of trellis or scrolls, with an applied shaped rim of scrolls, flowerheads and shells 26.5cm diameter, 617gr (19oz 16dwt)

TWO PAIRS OF SHEFFIELD PLATE ASPARAGUS TONGS, C1780-90 one of feather edge pattern with applied shells, the other plainer and for serving asparagus or steak, the first crested, 26 & 25cm l Crosskey fig 145. ++Both in fine condition with hardly any wear, undamaged, no repairs, both excellent examples

A PAIR OF GEORGE III SILVER SAUCE TUREENS AND COVERS the gadrooned rim with shells and scrolls at intervals, engraved with armorials, 19cm w, by Joseph Cradock and William Ker Reid, London 1813, 50ozs 10dwts ++In good condition

A REPRODUCTION POTTERY PALISSY TYPE WALL PLAQUE, modelled in relief with a lobster, shells, sea weed, etc, diameter 32cm

Six Miles Mason porcelain cups and saucers c.1805, one in pattern 732 with a matching coffee can and cake plate, another in pattern 419 with a panel containing the Prince of Wales' feathers, one with shells in pattern 743, another with gilded grapevine in pattern 605 and with a matching coffee can, one fluted with a gilt foliate border, another with an oak leaf band, and an Ironstone cup and saucer with polychrome flowers and gilt leaves on a blue border, some faults, 19.2cm max. (17) Provenance: the Doug Godden Collection.

A rare William Reid (Liverpool) shell salt c.1756-61, the deep shell dish painted to the interior in red and gilt with flowering branches within a formal diaper border, raised on a pierced base applied with further small shells, 11.5cm across. Provenance: the Watney Collection. Illustrated: Alan Smith, Some Finds at Liverpool, ECC Transactions, Vol. 7, Pt II, pl. 116a. And Bernard Watney, Liverpool Porcelain, col. pl. 19C. Exhibited: Northern Ceramic Society, Made in Liverpool, 1993, No. 61.

A Plymouth shell salt c.1768-70, left in the white, the large shell supported on a base of further smaller shells and coral, some good restoration, 13cm across. Cf. F Severne Mackenna, Cookworthy's Plymouth and Bristol Porcelain, pl. 35, fig. 57 for an enamelled pair of the same form.

Two salt-glazed stoneware teapots mid 18th century, one of quatrefoil pear-shape moulded with shells and branches of oak, raised on three feet, the other of square form, decorated with a geometric design, the spout modelled as a serpent, and a Spode creamware plate painted in pattern 1640 with a band of leaves, some damages, one teapot lacking its cover, 19cm max. (4)

A large tin-glazed sweetmeat stand 2nd half 18th century, possibly Ludwigsburg, formed of three tiers of two shells beneath a central scalloped platform, supported on a gnarled branch issuing nuts and leaves, raised on a fluted quatrefoil base, a little glaze chipping, 26.5cm.

A Derby figure of Neptune c.1760-65, standing before a colourful dolphin and holding a trident in his left hand, his right clutching his flowered robe about him, raised on a tall base encrusted with shells and seaweed, some restoration, 25cm.

Five Flight Barr and Barr dessert plates c.1820, and a shaped dessert dish, three plates and the dish painted with topographical views, one plate with an arrangement of sea shells, one with flower painting attributed to William Billingsley, all reserved on a ground of gilt seaweed tendrils, impressed and printed marks, 30cm max. (6)

A mixed group of hallmarked silver items to include a collection of silver napkin rings, two silver open salts in the form of shells and a silver lidded and cut glass jar.

Two vintage trench-art shells, to include example engraved with tank and initials T.G.A.

A pair of Victorian silver taper sticks, Thomas Bradbury, London 1892, of knopped form with shells to the corners, 14cm high (weighted)/see illustration

Autograph - Prince Albert Victor (1864 - 1892), Duke of Clarence, eldest son of King Edward VII and Queen Alexandra, autographed letter signed - Edward, dated February 28th 1877 on monogrammed note paper, writing to Mrs Dalton (possibly wife of his Tutor Rev. John Dalton), thanking her for the gold and silver shells, one sent to him with the handwritten monogrammed envelope